These four words open up windows to entire universes—unexplored, or familiar. This is how many a story begins. Stories are a life force that have imbued human life with that something extra, since the dawn of civilization. Stories are a way to convey history, culture, language, spirituality, and identity. One way to keep stories alive is storytelling. Storytelling is one of the oldest forms of communication.
20 March is celebrated as World Storytelling Day–a day to remember and remind ourselves of the magic and power of stories. What began in Sweden, on this date in 1991, as All Storytellers Day has now become a global celebration of the art of oral storytelling. On World Storytelling Day, as many people as possible tell and listen to stories in as many languages and at as many places as possible, during the same day and night.
On this day I celebrate a storyteller who collected, recreated, and created a timeless repertoire of stories. Generations of children have grown up with these tales, told and retold by parents and grandparents over the last one hundred years. This was my grandfather Gijubhai Badeka, one of Gujarat’s foremost educationists and storytellers.
In Gujarati, as in most Indian languages, the child reader had remained somewhat neglected till the middle of the nineteenth century. There was hardly any specific literature for children; only stories retold from classical Indian literature, or heroic stories from Western literature, in not very satisfactory translations. Gijubhai pioneered the creation of special literature for children that also contributed to preserving the oral tradition of literature through exploring and compiling the rich legacy of folk literature. His search for folk tales crossed the boundaries of language and country. This journey of exploration he described thus, in his seminal work titled Vaarta nu Shastra (The Art and Craft of Stories) published in 1925. “So many stories have travelled in foreign lands, so many stories have changed their religion and form; it is an adventure to trace their journeys. If we become wandering travellers with the stories, we will discover that we find one story in Tibet and will see the same story in Africa; we will discover the same story wrapped in snow at the North Pole, and yet if we wander in the Arabian desert, there it will be, but uncovered and bare…but still we recognise the story. Some stories adapt to their land, taking on the form and language of their adopted home, while others retain their origins wherever they may settle. Some stories follow the creed of universal brotherhood, they see the world as their home and go wherever they get a chance to serve and please. Some settle firmly in different countries and come to be recognised as belonging to that place. They are then only translated to reach other countries.”
Many of Gijubhai’s stories are members of this travelling band. Gijubjai transformed and localised these stories, so that they are steeped in the sounds and colours of Gujarat, and have today become not only Gujarati, but uniquely ‘Gijubhai’s’ stories. They are simply told tales characterised by a mixture of prose and rhyme. The repetition of rhymes makes for lively storytelling which listeners join in. Gijubhai retold delightful tales of ordinary people, and familiar birds and animals. With equal panache he churned out stories of common folk with common trades—tailors, potters, barbers, shopkeepers, but also kings, queens and princesses. The characters reflect basic human traits—greed, envy, fear, desire for one-upmanship. Animal tales reflect a close and symbiotic relationship between animals and people. Many open with “once upon a time”… and end “happily ever after.” A hundred years after they were written these stories still touch a cord in the child, and also the child in each of us.
Stories are older than us, they are smarter than us, they keep going, and they are a part of us even though we do not realise this. But stories need human beings to reproduce, much as we need food… we need things to keep ourselves alive.
Hungarian-born American polymath Thomas Sebeok said “…what we can do, I think, is try and create stories that are interesting enough and important enough that our grandchildren might want to tell those stories to their grandchildren — because that’s the purpose of stories, that’s what they’re for: They make live worth living and, sometimes, they keep us alive.
In my own small way, I try to carry forward the legacy of my grandfather by translating and retelling these timeless tales.
–Mamata

thoritative volume on the history of Indian food titled Indian Food: A Historical Companion. This led me to my bookshelf to pull out another book by this renowned authority on Indian food. This one, titled A Historical Dictionary of Indian Food followed his earlier ones. In this he attempts to bring together, in alphabetical order, material from his vast work on the subject. The book draws upon historical writing, archaeology, botany, genetics and ancient literature in Sanskrit, Pali, Tamil and Kannada to trace the gastronomic history and food ethos of India. The entries cover a wide range including recipes; narratives of visitors to India, starting with the Greeks in the fourth century; the etymological evolution of certain words, and the close links of food with ancient health systems such as Ayurveda. While this is a valuable scholarly work with meticulous and voluminous referencing, it is simply written, with a delightful menu–from A to Z–that one can dip into, and savour according to one’s own taste and appetite.
he English dictionary and discover that the majority of the words listed there have their origins in a variety of other languages and cultures. Who would have thought that “ze leetle zee” would have such had such an adventurous history!
cent children’s literature festival that I was a part of. At my story readings I started by spreading out an array of books related to that session. As soon as the children gathered there, each once grabbed a book and started leafing through it. Every child urged that I should read for them the book she/he had picked up. The excitement of seeing books accessibly displayed, and being able to pick up a book themselves was palpable.
this past weekend. The venue itself was unique—the Art District in Alembic City with its sprawling lawns, old trees, and intriguing studio spaces housed in what was Alembic’s (remember those ubiquitous Yera glasses?) first factory, over a hundred years old! Imagine this coming alive with the colour, sound and movement of thousands of children—a vibrant tapestry seamlessly weaving the past, present and future.
bout Gandhi, his thoughts and deeds. This year it is with renewed vigour as it marks the 150th anniversary of Gandhi’s birth. Being the prolific writer that he was, and the wide spectrum of subjects and areas on which he expressed his thoughts, every writer today can find some words of wisdom from Gandhi with respect to whatever they may choose to contribute for the ‘Gandhi special’ editions.