The Great Guava Heist: Rose-ringed Parakeets, Coppersmith Barbets and a Guava Tree

There is a certain amount of drama taking place on my guava tree these days.

The Rose-ringed Parakeets arrive in noisy pairs, settle among the branches and get to work. The Coppersmith Barbets are quieter visitors, but no less interested. Between them, they can make a considerable dent in the morning’s guava harvest.

What puzzles me is what happens next.

Guavas fall to the ground, some barely touched, others with chunks missing. A perfectly good-looking fruit may have a hole in it and be abandoned. Another has been pecked open and left hanging precariously from its stalk. And there is a constant barrage of small fruit pieces from the tree as the parakeets feast.

Why, I wonder, do they throw so much of it down?

Perhaps I am looking at it from entirely the wrong end of the telescope.

The parakeets’ breakfast

Rose-ringed Parakeets are wonderfully equipped for attacking fruit. That large, curved red bill is not just for making an impressive entrance. It is a powerful cutting and gripping tool, and the bird can hold food with its foot while working on it with its bill.

A parakeet may bite into a guava, take several mouthfuls and then move on. It may be looking for the softer, riper flesh, avoiding a harder portion or simply deciding that another fruit looks more attractive.

And when you are sitting in a tree full of guavas, there is little reason to persevere with a disappointing one.

The next guava is only a beak-length away.

Enter the Coppersmith

The Coppersmith Barbet is a very different personality. Smaller, stockier and beautifully marked, it is much less conspicuous than the parakeet. Its name comes from its extraordinarily persistent call, which sounds remarkably like a tiny coppersmith hammering away at metal.

Barbets are fruit-eaters, and a guava is clearly an attractive proposition. They can make a small opening in the fruit and work their way into the flesh, leaving behind something that looks as though a miniature woodworker has been at it.

Watching the two species together makes one thing clear: birds don’t necessarily approach a fruit as a human would.

For us, a guava is one object. For a bird, it is skin, flesh, seeds, texture, ripeness and energy—all of which can be assessed in a matter of seconds.

The tree has its own plan

There is another player in this little drama: the guava tree itself.

The tree has invested energy in producing fruit because fruit is one of the ways plants persuade animals to transport their seeds. The flesh attracts the animal; the seeds get a chance to travel.

A seed that simply falls beneath its parent tree has to compete with that parent for light, water and nutrients. A seed carried elsewhere has a chance of finding a little patch of ground of its own.

Birds are excellent seed couriers because they move from tree to tree and garden to garden. Some seeds pass through their digestive systems; others may simply fall or be carried away with pieces of fruit.

Not every seed will become a tree, of course. Nature is not in the business of giving every seed a happy ending. It works through numbers, chance and a great deal of trial and error.

And then there are the leftovers

The story does not end when a guava falls.

Ants may discover it. Fruit flies certainly might. Beetles and other insects can take advantage of the exposed flesh. Squirrels may investigate. Eventually fungi and bacteria will break it down and return its nutrients to the soil.

The guava tree is therefore feeding a much larger community than the two birds that first attracted my attention.

This is something we often forget when we look at nature through human eyes. We tend to see individual transactions: the bird ate the guava; the rest was left behind.

Nature sees a chain.

Birds have always been opportunists

The same principle can be seen all around us.

Bulbuls peck at berries. Mynas investigate fruit and food scraps. Squirrels take enthusiastic bites from mangoes and guavas. Crows carry food away, tear it apart and sometimes abandon pieces.

Other birds have developed completely different strategies. Woodpeckers drill into wood in search of insects. Kingfishers plunge into water for fish. Bee-eaters catch insects in flight. Sunbirds probe flowers for nectar.

Each has evolved a way of getting the nutrients it needs without spending more energy than necessary.

So perhaps the Rose-ringed Parakeets and Coppersmith Barbets are not being careless at all.

They are simply being birds.

A poem about birds and a guava tree

And then I came across a poem that seemed to have wandered straight into my garden.

In “Birds on the Guava Tree,” A. P. Govindankutty describes waking to the sounds of birds feeding on almost-ripe guavas in the backyard of his home. There is a crow on the mango tree, squirrels nearby and the general soundtrack of an Indian morning.

But the poem takes the observation somewhere beyond birds and fruit. The poet watches the birds and thinks about what nature gives us—and about what human beings do with what they have been given.

His conclusion is particularly lovely.

It is but fair that the birds eat,

Year after year, all the fruits,

Leaving none for me to pluck,

For they do not rob, hoard or trade

Nor do they kill each other

For power or pelf.

Indeed it must be for them

The trees grow on earth,

Flower and bear fruit,

For they never cut them down.

— A. P. Govindankutty, Birds on the Guava Tree

I like the poem because it changes the question.

I began by wondering why the birds were leaving so many guavas on the ground. The poet asks us to look at the relationship between birds and trees in a completely different way.

After all, the guava tree is not really my tree.

The parakeets don’t think so. The barbets certainly don’t. And judging by the insects, squirrels and other visitors who turn up for whatever is left behind, they are not the only ones with a claim on it.

I may continue picking up the fallen guavas.

But the next time I see a Rose-ringed Parakeet tearing into one, or hear the Coppersmith Barbet calling from the branches, I think I shall be a little less possessive.

After all, as Govindankutty reminds us, it is for them that the trees flower and bear fruit!

–Meena

Shades of a Purple Summer

The Indian summer is when our trees put up the most spectacular flower shows. Flame of the Forest—Butea monosperma whose flowers arrive in blazing orange. Different in tone, is the gulmohar—Delonix regia, with its wide, umbrella-like canopy and bright red blooms. The golden counterpart to these reds is the amaltas—Cassia fistula. Long cascades of yellow flowers hang down in late spring and early summer. The ubiquitous neem–Azadirachta indica has small white flowers which are easy to miss, but their scent. And they are an important part of New Year celebrations in many states.

Among all these are the purples. Three of them are commonly seen–the Pride of India, the loosely termed Indian Princess Tree, and the jacaranda form a quiet sequence of lilac and violet. Less flamboyant, but with gravitas.

The Pride of India or Lagerstroemia speciosa, is both widespread and rooted. Native to the subcontinent, it thrives across peninsular and eastern India, and is deliberately planted in northern cities. It is a familiar presence along older avenues, institutional campuses, and residential roads—part of an earlier approach to urban planting that valued seasonal change as much as shade.

It flowers in dense clusters of lilac, mauve, and pink when most trees recede. The effect is immediate. A single tree can alter the look of a street. The name reflects thatm rather than any scientific classification—an attempt to capture abundance and presence.

After flowering, it produces dry capsules that split open to release light, winged seeds, dispersed by wind. The process is largely unnoticed but effective, allowing the tree to regenerate in suitable conditions. Its flowers attract insects; in turn, birds move through its branches while foraging. Species such as the Red-vented Bulbul and Common Myna are frequent visitors, while others use it as a perching and nesting site, especially in dense urban areas where such cover is limited. In peak summer, its canopy becomes a resting space—shade functioning as habitat.

There is another layer to its presence. The leaves of Lagerstroemia speciosa—often called banaba—are used in traditional medicine, particularly in managing Type 2 Diabetes. They are associated with blood sugar regulation, as well as anti-inflammatory and antioxidant properties. This makes the tree unusual among urban ornamentals: it is not only seen and inhabited, but also used.

The Indian Princess Tree, often linked to Paulownia tomentosa, sits less comfortably in place. Despite the name, it is not native to India and is only sporadically seen—mainly in cooler hill regions or curated landscapes. The “Indian” prefix reflects randomness in naming rather than origin.

Its appeal lies in its restraint. Pale violet flowers, broader leaves, and a more open form create a softer effect than the Pride of India. The “princess” is probably drawn from this visual delicacy.

Its biology, however, is less restrained. After flowering, it produces capsules filled with thousands of fine, papery seeds, designed for long-distance wind dispersal. Given open ground and the right climate, these seeds germinate quickly. The tree grows fast, which explains both its horticultural appeal and its reputation, in some regions, as invasive. In India, its presence fortunately remains controlled and limited.

Ecologically, it plays a lighter role, probably because it is non-native. Its flowers attract insects, and birds may use it for cover or occasional nesting, but it is not a significant food source.

Between these two sits the Jacaranda—Jacaranda mimosifolia—not native, but now visually embedded in cities such as Bengaluru. Its lavender-blue flowers arrive earlier, often bridging spring and summer. For a brief period, roads are edged and sometimes carpeted with fallen blooms, before other trees come into flower.

Jacaranda’s role is largely aesthetic, but not only. Its spreading canopy provides filtered shade, and like the others, its flowering attracts insects, drawing in birds that follow.

Together, these trees complicate their own names. One is called “of India” and is largely at home. One is called “Indian” and is not. One carries no such label and yet feels entirely part of the Indian landscape. Naming suggests belonging; ecology tells a more precise story.

These three trees also differ in how they are encountered. The Pride of India tends to define a street, its flowering visible from a distance. The Princess Tree, where it appears, is noticed more gradually—through proximity, through shade. Jacaranda sits between the two, its colour spreading outward, often first seen on the ground before it is traced back to the tree.

What they share is timing. Each blooms when the landscape offers little else. Their flowering is staggered, creating a sequence rather than a single event. Jacaranda fades as the Pride of India strengthens; elsewhere, other species take over. The effect is not continuous bloom, but continuity of change.

In older Indian neighbourhoods especially in Bangalore, such trees point to a different planning logic. Streets were planted not just for shade but for variation—for shifts in colour, density, and light across months. As urban density increases and tree cover becomes more functional than expressive, these older plantings remain as records of that intent.

A shift in colour. A canopy that briefly interrupts heat. And, overhead, a dry capsule opening—unseen, but already carrying the next season forward. That is the Indian summer.

–Meena

Sighting Snowflakes In Bangalore

I came out of my house one evening and the green grass was sparkled over with hundreds of what-looked-like-snowflakes. And as I lifted my head to look up, I saw thousands of transparent winged seeds snowing down from the trees all around. It was a magical sight.

My housing complex has a large number of African Tulip Trees, and these were the sources of the ‘snow’. This native of Africa’s tropical forests (Spathodea campanulata) is an invasive species in some parts of the world, but fortunately does not seem to be a problem in India.

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For a few months, these trees were in bloom, clusters of bright orange flowers, each individual flower the shape of a tulip. The trees used to be a riot of colour and sound, with the dozens of birds which came to sip the nectar from the flowers. Then these flowers turned to seeds—when mature, these are brown and woody. And now the seedpods are bursting, releasing the 500 or so seeds that each pod has. Each seed is tiny and covered in a transparent polythene-like covering, which floats down lazily to the ground. And at this stage too, there are birds that visit the tree-yesterday I saw a parakeet feasting on the seeds and releasing the empty cases to float to the ground.

68811143-005D-42A1-BBF5-06B5CB2BD4A2It was like my textbook coming alive. ‘Seed Dispersal Mechanisms’ is what I think the lesson was called. And it described dispersal by wind, by water, by animals and birds, by ballistic action, etc.

I could only marvel at the tree for producing and sending down thousands of seeds every season. Sadly, for most to be swept away by the gardeners. Presumably, the very large number of seeds the tree has evolved to produce is to make up for the very small probability of any of them actually growing into an adult tree.

I can only hope a few of the ones I have seen this season manage to escape and are able to fly a decent distance away from the attention of gardeners and home owners, and land on un-managed land and fulfil their function!

–Meena

PS: While urging our readers to take all precautions and stay safe, MM will try extra-hard to focus on everything other than Corona during these difficult times. Life is beautiful!

 

The Upside-Down Tree

A Tree-Tale on the occasion of World Environment Day

I first saw a Baobab tree in Tsavo National Park, on safari in Kenya. With a huge bulging trunk and branches that looked like roots spreading in a wide canopy, it was unlike any tree I had seen. I was intrigued. As I read more about Africa I found that this tree, which was native to Africa, Madagascar, and Australia, played a significant role not only in the ecology, but equally the folklore of these regions.

Across Africa, there seem to be many stories passed on from generation to generation, that explain why the Baboab looks the way it does. One of the most popular, and my favourite one, goes like this.

The first Baobab grew near a small lake, along with many other trees. One day it saw its reflection in the water, and it was shocked. It saw a huge fat trunk covered in bark that looked like the wrinkled hide of an old elephant; small leaves and pale flowers.

Now this Baobob was a complainer. “Why did you make me so ugly?” it asked the Creator. “Why did you make me so big and fat? Why can’t I be tall and slender like the Palm tree?” “Why is my bark so rough and tough? Why can’t I have a smooth trunk like the Mahogany tree?” “And such insignificant flowers, why not bright ones like those of the Tulip tree?”

And the Baobab went on whining and complaining, comparing itself to every other tree, and feeling short-changed in every aspect. Until finally the Creator had enough! In a fit of exasperation, he came down and yanked the Baobab up from its roots, and replanted it upside down! No longer could the Baobab see its reflection, and no longer could it compare and contrast!

But the Creator could not be heartless. The vain whiner had to be taught a lesson, but after all this too was one of his own creations! So the Creator gave the Baobab some special features that would make it one of the most valued of trees for countless other living beings, including humans.

This Tree of Life, as it is called by some tribes in Africa, creates its own ecosystem, as it supports the life of countless creatures, from the giant elephants to the thousands of tiny creatures scurrying in and out of its crevices. Weaver birds nest in its branches and owls and Hornbills roost in its hollows; baboons and warthogs devour the seedpods and the fruit; bush babies and fruit bats drink the nectar and pollinate the flowers. The tree can store hundreds of litres of water in its trunk, an adaptation to the harsh drought conditions of its environment. This water is tapped in dry periods by elephants and Bushmen.

P1130244.JPGEvery part of the tree is valuable for the local communities; its lumber is used for storage, its bark is pounded to make rope, fishnets, mats, baskets, paper and cloth. More recently, its fruit has joined the ranks of international Superfoods–it is known to contain six times as much vitamin C as oranges, twice as much calcium as milk, and plenty of B vitamins, magnesium, iron, phosphorous, and antioxidants.

Baobabs can reach up to 75 feet in height, and the trunk can grow more than 60 feet wide. Humans have used the hollowed trunks for a variety of purposes—from a post office, to a jail, and even a pub!

Baobabs are some of the longest living of trees, believed to live for more than 2000 years!  When they do die, they simply rot from the inside and suddenly collapse, leaving a heap of fibres, and so the local belief is that they do not die at all, but simply disappear!  No wonder the Bushmen call it the Magic tree!

Some years after I returned from Kenya, we visited Diu, an island just off the coast of Gujarat. As we walked around, we were astonished to come across a Baobab tree! Solidly ensconced in majestic, solitary splendour among the Hoka palms and green fields, it brought back memories of our Safari days!  No one seemed to know when and how it came to be there. Thereafter, on our annual Diu trip with the children, we all eagerly looked forward to spending a morning exploring the Baobab. Over the years, as the children grew, it remained a reassuring and comforting presence. This year, the Baobab was introduced by my now-grown daughter to her husband, as an old friend!

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Happy World Environment Day!

–Mamata