Category: Musings

Stupid Toy Day? Makes No Sense!

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Every year on December 16, the internet celebrates something most households have tripped over, stepped on in the dark, or quietly wished would disappear: the “stupid toy.” Officially, it’s called Stupid Toy Day—a day devoted to toys that serve no obvious purpose, promise no educational outcomes, and stubbornly resist all attempts at being “enriching.” They do not teach coding. They do not build emotional intelligence. They simply… exist.

A “stupid” toy, as the internet defines it, is not broken or unsafe. It’s just inexplicable. It does one odd thing. It refuses to justify itself. It looks faintly ridiculous. Pet Rocks. Rubber chickens. Slime. Talking dolls that say things no one programmed on purpose. Lights that flash for no reason at all.

And honestly? That’s exactly why I think there is no such thing as a stupid toy. Because anything that gives joy to a child and it wants to spend time playing with, is a good toy! Whether store-bought, found at home or contrived from the most mundane things, whatever floats a child’s boat, is a toy. Entire generations have grown up playing with objects that contributed nothing measurable—and yet somehow contributed enormously to childhood.

The thing about calling a toy stupid is that the word never really belongs to the object. It belongs to the adult standing next to it and judging it.

When parents complain about “stupid toys,” they rarely mean toys that fail the child. They mean toys that fail them. Too loud. Too sticky. Too impossible to clean. Too bright. Too many pieces. Too much glitter. Too much slime. Too much mess. Too much noise. Too much… joy, possibly, expressed in a form that requires major clean-ups. Seems to me, most “stupid” toys are simply inconvenient toys. Toys which seem pointless to an adult.

AN ARVIND GUPTA TOY

But to my mind, there is one category of toys that are stupid. A toy becomes exponentially more “stupid” the minute it costs a small fortune. A plush animal that costs as much as a phone. A doll with a wardrobe bigger than yours. A remote-controlled something that breaks in three days. High price and low value—what could be stupider?

Brian Sutton-Smith’s work on toys and play is powerful. In Toys as Culture, he argues that toys don’t live in one neat category like “fun” or “education.” They exist in overlapping worlds—family, technology, education, and marketplace. Toys can be consolation, security and companionship. They can be tools, machines, friends, achievements. They are not just objects; they are emotional support.

A glitter jar might look like a mess waiting to happen.
To a child, it might be the universe in a bottle.

A noisy toy might feel like an assault on adult nerves.
To a child, it might be power.

A useless toy might be, in truth, a deeply useful one—the kind that absorbs loneliness, invents stories, and makes space for imagination.

We forget that children do not play with toys to improve themselves. They play to live inside themselves.

And children by themselves never measure toys by price or return on investment. But sadly, there is no refuting that peer pressure and media pressure have enormous influence on a child perceiving a toy as highly desirable. And that is a worry.

Stupid Toy Day, at its best, quietly reminds us that joy doesn’t require justification. It doesn’t need a developmental framework or a learning outcome chart. Play is not a performance. It is a state of being.

Basically, Stupid Toy Day is STUPID!

Honour the toy that made no sense but means everything. And remember: not everything precious needs to be practical. And in this holiday season, as we go about buying things left and right, remember, a child will be as happy playing with the cardboard carton as the toy which was packed in it. Remember Calvin, Hobbes and their time machine? And Arvind Gupta’s Toys from Trash? Money does NOT equal toy-joy.

–Meena

Sandow in our Lives

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The end of the year is a time of going back in time and re-living memories.

And one of the enduring memories for those of us who grew up in the  1950s, 60s and 70s, is the word Sandow. It was a part of everyday lives—an integral part of the pencil box, a dirty grey rubber that erased pencil marks.

For us in India, “rubber” was the term for eraser, a usage inherited from British English and reinforced through colonial schooling. A child did not “borrow an eraser”; they asked for a rubber. And the most trusted rubber of all in our times was the Sandow.

These erasers were made of natural vulcanised rubber, not vinyl or plastic as most modern erasers are. They were firmer, slightly gritty, and erased by abrasion — scraping graphite off paper rather than gently lifting it. They left dark crumbs behind and wore down slowly. A new Sandow rubber meant clean pages. A worn one told the story of errors made and lessons learnt.

Where did Sandow rubbers come from?

The earliest Sandow erasers were almost certainly manufactured in Britain and exported to India during the late nineteenth and early twentieth centuries through British stationery suppliers. During the colonial period, Indian schools depended heavily on imported notebooks, inks, slates and erasers.

Stupid Toy Day (December 16) is a celebration of the wonderfully useless things from childhood—rubber chickens, yo-yos, slinkies, and strange plastic objects that made no sense but brought endless joy. From ridiculous toys to unsettling antique dolls that now star in creepy museum contests, this post reflects on how toys—whether silly or sinister—stay with us long after childhood ends. A nostalgic look at why useless never really meant unimportant.

After Independence, Indian factories began manufacturing erasers using similar formulations and — crucially — the same name. By the 1950s, most Sandow erasers sold in India were produced locally. However, the word “Sandow” was never firmly trademarked in India, allowing multiple manufacturers to use it freely. Over time, it became not a brand but a category. “Sandow rubber” simply meant “the regular school rubber.”

Sandows were not the only erasers available. There were white, scented rubbers, with a gel-like coloured top. But alas, most of us never possessed one, given they were about four or five times more expensive!

And a Strongman called Sandow

Another Sandow (though of older vintage) was part of our childhoods too. He lived on barbershop calendars and tattered posters: a muscular European strongman frozen in permanent flex.

Eugen Sandow (1867–1925) was a Prussian-born showman, athlete and entrepreneur who became the world’s first international bodybuilding celebrity. He toured Europe, Britain and America performing feats of strength before royal families and packed audiences.

Sandow was much ahead of his time, and would have done great in the current days, surely becoming a hero of Insta reels, posing as he did to deliberately display his muscularity. He was also a businessman. He published training manuals, endorsed health products, sold exercise equipment, and promoted physical culture as moral discipline. King George V even appointed him “Professor of Scientific and Physical Culture” in Britain — a title that further elevated his image as a respectable authority on fitness.

In India, encounters were through his images — black-and-white posters, calendar art, tins, and labels that travelled through imperial trade routes. But nevertheless, his name was well known, whether with urban kids or rural youth.

Were the rubber and the strongman officially connected?

There is no evidence that Sandow ever licensed his name to an eraser manufacturer. No contract, no advertisement, no endorsement exists in any reliable archive.

However, the naming may have had a connection. The two existed at around the same time, and the name ‘Sandow’ symbolised durability, strength and European modernity. Calling an eraser “Sandow” suggested that it would last, work hard and not fail easily. In an era with loose branding laws, borrowing famous names for product credibility was common.

Today…

Now, erasers come in neon colours and cartoon shapes. Eugen Sandow is remembered only by historians and fitness professionals. But for those who grew up in that older India, the word still carries a double image: fingers dusted with graphite, and a chest forever flexed on fading paper.

Sandow was never just an eraser.
And Sandow was never only a man.

Both were a part of our simple, innocent youth!

–Meena

Photocredit: Wikipedia for Mr. Sandow

ebay for the Vintage Tin advertising the eraser

A Fool of Fruits

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This morning my sisters suddenly remembered our mother’s (who had a great sweet tooth) fondness for Mango Fool. This brought back so many memories of the many sweet dishes that we used to have at home, which included lots of sugary syrupy Indian sweetmeats, as well as the more subtle English ones such as custard and pies. Our combined memories recall that Mango Fool was some form of thick milk shake. Turns out that the real Mango Fool is a more sophisticated desert that includes mangoes, and whipped cream. And, of course, so many years later, the memory nudged me to dig deeper into investigating the curious name of this dessert.

As it turns out ‘Fools’ of the fruity variety have ancient origins and a rich history. Fruit fool is a classic English dessert. Traditionally, fools were made by folding a stewed fruit (originally gooseberries) into a creamy, sweet custard. The documented origins of the desert can be traced back to the 17th century, although it is believed that some form of this existed as far back as the 15th century.

The earliest known recipe is from the time of the Merry Monarch, King Charles II in a book called The Compleat Cook published in 1665, written by an anonymous author ‘Mr WM’. The recipe was for what he called Gooseberry Foole. The recipe included cooked, mashed, and strained gooseberries, which are beaten with sugar, butter, and eggs to form a pudding-like consistency.

Take your gooseberries and put them in a silver or earthen pot, and set it in a skillet of boiling water, and when they are coddled enough, strain them; when they are scalding hot beat them well with a good piece of butter, rose-water and sugar, and put in the yolk of two or three egg, you may put rose-water into them, and so stir it altogether and serve it to the table when it is cold.  Anonymous.  London.  1658.

The recipe endured through the ages, and was almost no change in the one included 250 years later in the Victorian era cookbook The Art Of Cookery Made Easy and Refined.

But why the name Foole? The most popular theory to explain this is that the term comes from the old French term ‘fouler’ which meant to mash or crush. And this is what the recipe demands—that the cooked fruit be crushed or pressed before being folded into the custard mixture. In those days most fruits were cooked, because people thought that raw fruits were dangerous for health.

Another theory points out to the fact that it was an unpretentious dessert which ended a meal, just as a trifle did. Fool was another term for a syllabub or trifle (something of little value). As an etymological dictionary explained Fool is ‘a reallocation of a word for something light-headed or frivolous as a light dessert’. Perhaps these desserts were literally lighter than the stodgy traditional English desserts like Sticky Toffee Pudding, Steamed Syrup Sponge, Jam Roly-Poly, and Suet Pudding.  

Whatever the theory, gooseberry remained a favoured fruit for this dessert, and the Gooseberry Fool was a popular dessert for many years. So popular that Edward Lear even incorporated it into a limerick in his A Book of Nonsense published in 1846.

There was an Old Person of Leeds,
Whose head was infested with beads;
She sat on a stool,
And ate gooseberry fool,
Which agreed with that person of Leeds.

Over time, other seasonal fruits such as strawberries, raspberries, apples, apricots, and cherries, also began to be incorporated in the recipe. Also, the custard was replaced by whipped cream which made it lighter. The combination of fresh fruit and frothy cream, served chilled, makes for a refreshing summer treat.

The ‘Fool’ part was also incorporated in the names of other desserts.

Norfolk Fool as an early type of bread and butter pudding dating back to the 17th century. It included creamy custard, dates and spices.

Westminster Fool was a sweet custard with a flavouring of rose, mace and nutmeg, poured over a penny loaf cut into six slices, soaked in sherry. (Maybe the inspiration for our own Shahi Tukra, or inspired by it!)

Boodles Fool was named after Boodle’s Club, a private exclusive gentlemen’s club founded in 1762. Ironically, in the very class-conscious British society, the club was named after its head waiter Edward Boodle! His namesake dessert featured a citrus (orange and lemon) mixture whipped with cream, poured over sponge cake, served chilled, decorated with orange slices.  

Whatever the ingredients and recipe, Fruit Fools provided for a delicious finale to a meal. Today these continue to be popular as cool summer desserts. Where my mother picked up the concept and term is a mystery lost in time, and so is the actual form of her version, but the name Mango Fool is closely associated with our childhood memories of sweltering hot Delhi summers.

–Mamata

The Irresistible World of Japanese Stationery

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Japanese stationery–it’s not just about paper and pens. It’s an entire universe of meticulously designed (and over-engineered, some people say)products that blend functionality with a sense of artistry. From perfectly engineered mechanical pencils to pastel-hued notebooks that feel like an experience rather than just stationery, Japan’s stationery game is on another level.

Japan’s obsession with stationery is more than just a passing trend or quirky fascination. There’s a deep cultural history and a respect for craftsmanship that informs the country’s relationship with its stationery products. It’s not about pens, paper, or notebooks—it’s about reverence for beauty, functionality, and attention to detail.

At the core of this lies the cultural reverence for precision and perfection. The concept of kirei—a Japanese word that means “clean,” “beautiful,” or “elegant”—is key to understanding the stationery obsession. In everyday life, the Japanese strive for beauty and simplicity, and this aesthetic extends deeply into the design of their stationery. Minimalism is at the heart of many stationery designs: neutral colors, sleek lines, and a focus on function over excess.When it comes to everyday tools like stationery, the emphasis is on creating items that are not only practical but also exquisitely refined.

There’s a conscious focus on making something beautiful out of the mundane or utilitarian, a concept that transcends into stationery. Pens aren’t just about writing—they’re carefully crafted to deliver the perfect writing experience. Paper isn’t just a surface for notes; it’s a tactile experience that enhances the act of writing itself. Craftsmanship plays an enormous role. Many high-end stationery items, like Uni-ball pens or Midori notebooks, are created by artisans who bring decades of expertise to their craft. Stationery is an extension of this artistry.

The Zen of Stationery: Mindfulness and Ritual

Japanese students are encouraged to use their stationery in an almost sacred way. Their school notebooks are often neatly organized with an emphasis on clean, legible handwriting. Calligraphy—known as shodo—is still a highly respected art form in Japan, and the skills learned in this practice often extend into daily life.

The slow, deliberate process of choosing a pen, selecting the right paper, and finding the perfect notebook to match your mood is an act of mindfulness. It’s about being present in the moment and honouring the process of creation.

The Japanese Stationery Expo and Awards: A Celebration of Craftsmanship and Innovation

This devotion to elevating the everyday reaches its peak each year at two marquee events which take place in June every year in Tokyo: the Japan Stationery Expo and the Japanese Stationery Store Awards. Together, they showcase the best of design, functionality, and sheer creativity.

The Japan Stationery Expo is where stationery enthusiasts, designers, and brands converge to showcase the best of what the industry has to offer. (More on this expo and another interesting one next week).

If the Japan Stationery Expo is where products are showcased, the Stationery Awards are where the best of the best are recognized. They honour the incredible craftsmanship and innovation in Japanese stationery, celebrating both traditional designs and newer, boundary-pushing concepts. It’s the Oscars of the stationery world, but without the drama and red-carpet couture. Products are judged based on various criteria, including design, function, innovation, and overall quality, with awards in several categories, from Best Stationery Product to Best New Brand, and even a category for environmental sustainability.

The 2025 Awards went to:

  • Grand Prize: Pilot Kirei-na Highlighter — engineered with a guiding plate that keeps lines neat and smudge-free.
  • Design Award: Luddite THE POST Sustainable Leather Bendy Pen Case — chic, durable, and eco-friendly,
  • Functionality Award: Uni Jetstream Single Ballpoint Pen (Lite Touch Ink) — celebrated for its smooth flow and comfort, turning everyday scribbles into a silky experience.
  • Idea Award: King Jim Hitotoki Kori Jirushi Ice Stamp — a playful yet practical reinvention of a classic tool.

35 other winners were recognized, from elegant fountain pens to ingenious pen cases, and even a “tea-time notebook”.

Some of the Most Innovative Award Winners in Recent Years

1. Pilot FriXion (2006) – Erasable Ink Pen: This was one of the first pens to use thermosensitive ink, which could be erased with friction.

2. Midori MD Paper (2011) – Premium Paper Notebooks : Known for its exceptionally smooth texture, these revolutionized notebook writing with its soft, cream-colored, bleed-resistant paper

3. Lihit Lab Teffa Bag-in-Bag (2017): A unique product that allows people to organize their small stationery, gadgets, and accessories inside a larger bag. It has pockets of various sizes to fit pens, notebooks, chargers, and other essentials.

4. Kokuyo Campus Sticky Notes (2019): This product took the classic sticky note and reimagined it with a special adhesive that works even on rougher papers.

5. Karuizawa Stationery – Plantable Paper (2020): A sustainable stationery innovation that uses plantable paper embedded with seeds. Once you’ve used the paper, you can plant it and grow flowers, herbs, or even vegetables from it.

I will be content if I can read my own handwriting after a few hours. No loftier ambitions!

–Meena

Pic: .jetpens.com/

Freedom of Imagination Makes a Book

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A few years ago an exhibition at a Research Centre at the University of Chicago was titled But is it a Book? The exhibition broke down the classic elements of ‘bookness’ like format, shape and binding.

The walk-through exhibition had a number of objects that through history were considered as ‘books’, ranging from a clay tablet made in the 3rd century BCE to a modern audiobook. But are either of these books? It was up to the visitor to decide. The exhibition posed a series of questions: “Does a book need to have pages? Does a book need text?” It was up to the visitors to decide. And each decision led the decider down a different path.

If some adults find the journey of exploring and discovering what makes a book, and furthermore, what makes a good book interesting, this exploration is even more adventurous when we enter the realm of children’s books. It is generally accepted that good children’s books are a blend of engaging storytelling, relatable characters, age-appropriate language, vibrant illustrations, cultural diversity, emotional depth, interactive elements, and timelessness. Each of these elements is deep and has numerous facets. And there is no magic formula; even if all these elements are present, it does not guarantee that the outcome is a ‘great’ children’s book.

Perhaps one element that is not explicitly listed, and which may be the key, is the ability of the author to think like a child; to recall how the world seemed as a child—the sense of mystery and discovery, the sense of wonder and anticipation, the sense of being insignificant and powerless in a world of adults…And to translate these complexities into a story that feels true to its young readers, wherein the spark of their imagination is ignited, to explore their imagination, and develop their creativity.

These are the guiding tenets of the International Board on Books for Young People (IBBY), an organization which represents an international network of people from all over the world who are committed to bringing books and children together. The mission of the IBBY includes the promotion of international understanding through children’s books, giving children everywhere the opportunity to have access to books with high literary and artistic standards, and encouraging the publication and distribution of quality children’s books, especially in developing countries.

The IBBY also promotes the celebration of International Children’s Book Day. This is celebrated every year on 2 April, to mark the birthday of Hans Christian Andersen, whose fairy tales have been an integral part of the childhood of many generations.

International Children’s Book Day (ICBD) emphasizes the significance of high-quality literature for children and the creativity it fosters. It highlights the love of reading that unites children worldwide. In high-quality children’s books, the reader’s imagination is kindled and developed. These books help children to explore their imagination, to develop their creativity and to see the world in a new way.

Each year a different National Section of IBBY has the opportunity to be the international sponsor of ICBD. It decides upon a theme and invites a prominent author from the host country to write a message to the children of the world and a well-known illustrator to design a poster. The host country for this year’s ICBD is the Netherlands. The theme for 2025 is The Freedom of Imagination. This derives from the belief that good books invite readers to interpret the words for themselves, making the story their own.

The poster for the theme is designed by two Dutch creators of children’s books, and the message of the theme is highlighted with the last sentence of the poem The Language of Pictures: Make pictures for my poem, and please feel free: these words belong to you even though they came from me.

Reading about this brought back memories of a wonderful project that I was involved in, many years ago, and which was sparked by the same message.

As environmental educators at the Centre for Environment Education, my team and I had diverse opportunities to develop creative teaching-learning resources for teachers and children. Perhaps the most exciting of these was a project to develop children’s books on four different themes: Pollution, Forests, Waste, and Conservation of Natural Resources. The form, format and presentation was left for us to decide. This presented an exciting blank canvas, as well as the challenge to be creative while still retaining the educational objectives for each theme. The outcome was the decision to develop books in four very different formats: a magazine format for Pollution; a collection of folk tales from the region for Forests; a quirky mystery story for Waste. But when it came to Natural Resources we were stumped! What was a manageable way of covering the wide range and scope of the theme?

Much brainstorming later this took the form of verses through which we could take “poetic liberties” by bringing together different natural resources. To make it more fun, we decided to do this alphabetically. Hence the title ABC…Naturally. And so the R page could have a verse with the words: rivers, rainbows, reptiles, roots, rainforests, resources, recycle, reuse and reduce.    

With such a motley assortment of words in place, there arose the next challenge. How would an artist illustrate these verses? As adults we are so conditioned to ‘labels’ and fixing of labels in ‘appropriate places’; this would need a huge leap of imagination. But Eureka! Children could make these leaps effortlessly. And so, we walked into a school and handed it over to more creative minds! We simply gave different children the verses, and gave them the Freedom of Imagination to interpret the words through their pictures, as they saw fit. The result was an incredibly rich and many-layered tapestry where disparate elements seamlessly fell into place. ABC…Naturally became a shared work, with every child feeling a sense of ownership and pride at being a ‘creator’. It was a true reflection of the freedom of imagination! It was also a validation of the belief that good books invite readers to interpret the words for themselves, making the story their own.

As someone who was deeply engaged in every part of this process, I am excited that the IBBY is celebrating International Children’s Book Day this year by providing a similar opportunity to

children across the world. IBBY Netherlands has launched an International Illustration Competition to encourage children worldwide to use and express their imagination and creativity by creating works of art inspired by the theme The Freedom of Imagination and the associated motto: “Make pictures for my poem, and please feel free: these words belong to you, even though they came from me.”

Details are available on https://www.ibby.org/fileadmin/user_upload/icbd/icbd_2025/ICBD_2025_international_illustration_competition_-_regulations.pdf

https://www.ibby.org/awards-activities/activities/international-childrens-book-day/icbd-2025-sponsored-by-the-netherlands#:~:text=The%20theme%20of%20the%202025,’

–Mamata

Of Blasted Bunions and Cussed Cuboids

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I was not born with beautiful feet. And they grew to a pretty unfeminine 6.5 size. I could have still lived with that. But then in my 30s, my right foot also started blooming a bunion. For those who do not suffer with this affliction, it is a word you may not even have heard. But for those of us who suffer, it an everyday reality. When will it start aching? Has it started growing again? Will I find a decent pair of footwear which accommodates the wretched bunion? Has anyone come out with yet another horrific torture-instrument that promises to solve the problem? And does it work? These are the questions we ask ourselves each day.

What is a bunion? Hallux valgus as it is called in medical terms, is ‘a bony bump that forms on the joint at the base of the big toe. It occurs when some of the bones in the front part of the foot move out of place, causing the tip of the big toe to get pulled toward the smaller toes and forcing the joint at the base of the big toe to stick out.’

Actually, bunions are not that uncommon. Experts estimate that about a third of the population of the US is thus afflicted. And why do they happen? Well, it is not a single reason. A combination of factors —family history, abnormal bone structure, increased motion and shoe choice — can cause them. When something puts extra pressure on the big toe joint over a long period– usually years–that can push the joint out of its natural alignment and toward the other toes, leading to bunions.  Some of the causative factors are beyond our control, but some things which we can take care of include the type of shoes we wear (narrow, pointed shoes are a no-no); the way we walk (what is called foot mechanics—though not easy, it may be possible to modify our gait so it more balanced); and how long we stand (avoid standing for extended periods of time).

And in yet another blow against the female gender, women are more prone to this! 30 per cent women versus 13 per cent men report this condition. And it is ageist too—people over 40 are more prone to it.

And can bunions be treated? Well, footwear change is recommended (but where do I go, I only wear open toe flats?); bunion pads and taping (of not too much use, believe you me); orthotics–shoe inserts that support your feet (these can help); icing and physical therapy (definitely help). If the pain and swelling are intense, painkillers or steroids are prescribed (fortunately I am not there yet). Surgery is the last resort in very severe cases, but not often resorted to for various reasons.

There are also a number of ‘correctors’ available which physically separate the toes and try to change the alignment of the big toe. These look like medieval torture instruments and have been of dubious utility to me.

Well, if there is any solace to be taken from the fact that very glamorous people have bunions, we can list several such. From Oprah Winfrey and Victoria Beckham, to Kate Middleton and Meghan Markle, from Uma Thurman to Naomi Campbell, the list is pretty long. And considering that they and their feet have to be in the glare of public and media view, we can count ourselves lucky that we can be more casual about our footwear and feet.

I had reconciled myself that I would face pain from time to time, and that I would never be able to wear dainty shoes. But then along came the cuboid! What is this very geometric sounding thing? Cuboid syndrome is a condition caused by an injury to the joint and ligaments surrounding the cuboid bone. The cuboid bone is one of the seven tarsal bones in the foot. It causes pain on the lateral side of the foot — the side of the little toe. A person often feels pain around the middle of the foot, or at the base of the fourth and fifth toes. So while the bunion hurts on the inner side of my foot, the cuboid hurts on the outside of the same foot.

And not to talk of my plantar fasciitis. The plantar fascia is a band of tissue, called fascia, that connects your heel bone to the base of your toes. It supports the arch of the foot and absorbs shock when walking. Plantar fasciitis typically causes a stabbing pain in the bottom of your foot near the heel. 

So all in all, I am definitely not Happy Feet!

I wonder why shoe-makers are not taking note of this huge market. If 30 per cent of the population suffers from bunions, surely many of them are yearning for comfortable footwear which is also half way decent looking. There is a pretty big market opportunity waiting!

Incidentally, Bunion is a cartoon strip by George Martin that was syndicated in newspapers throughout Britain and abroad (Canada, Sweden, etc.) in the 1960s and 1970s. Good to know someone found ‘Bunion’ funny!

–Meena

In solidarity with all sufferers of foot-pain, especially my bunion-sister Mamata!




The Flowers of War

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The media has been full of the 50th anniversary of the Carnation Revolution over the last week. It happened in Portugal. And apparently, Portugal wasn’t even a respectable democracy 50 years ago! Since a coup in May 1926, Portugal was under an authoritarian regime. In 1932, Antonio Salazar took over as Prime Minister, and remained at the helm of affairs till 1968 and continued to hold the reins of power tightly, with little say for the people in anything. He alo would not give up Portugal’s large overseas territories including Goa, Daman, Dadra and Nagar Haveli. In India of course, the Indian armed forces invaded, and supported by the local freedom fighters, took over in 1961. Portugal continued fighting long-drawn colonial wars in other parts of the world. Within Portugal also, it was an authoritarian rule. Finally, in 1974, the people of Portugal lost patience. On 25th April, there was a largely peaceful coup led by members of the Armed Forces Movement and backed by civilians from all walks of life. It began to be called the Carnation Revolution because there were almost no shots fired. It being the carnation season, the markets were full of carnations, and people started giving them to each other and also placed them in the muzzles of the soldiers’ guns, as well as in their button holes.  It was a happy ending!

Flowers
Bouquet of Flowers in a Vase Georgius Jacobus Johannes .Getty Open Access

Many subsequent peaceful revolutions have been named after flowers, including: The Tunisian revolution of 2010-11 is called the Jasmine Revolution in honour of the country’s national flower.  In the Rose Revolution in Georgia in 2003, Opposition leader Mikhail Saakashvili carried a rose into parliament when he demanded the resignation of President Eduard Shevardnadze, while protesters in the streets gave long-stemmed roses to soldiers called out to stop them. The President resigned. The 2005 Tulip Revolution in Kyrgyzstan forced President Askar Akayev to flee the country. 

But the association of wars with flowers goes further back than that. The famous War of Roses was a long-drawn series of inter-generational wars for the British throne. Fought over 30 years starting 1455, the war was between the House of Lancaster and the House of York, descendants of two sons of Edward III who reigned from 1330-1377. Amidst  claims and counter-claims to the throne almost as complicated as between the Pandavas and Kauravas, the war raged till Henry Tudor (later Henry VII) who represented the claim of the House of Lancaster, won the Battle of Bosworth, and sealed the claim by marrying Elizabeth of York, the daughter of the Yorkist King, thus uniting the two houses. The War of Roses is so called for the symbols of the two sides—the white rose of York and the red rose of Lancaster. After the marriage of Henry and Elizabeth, the symbol was combined in a way that overlaid the white and red roses.

But the oldest of flower-wars has to be war over the parijata tree fought between Krishna and Indira. The origin of the story goes back to the Harivamsam (1st or 2nd century BCE). In this tale, Narada gives Krishna a single enchanting blossom of the parijata flower from the special tree in Indra’s garden. Krishna is with his senior-wife Rukmini at the time, and gives it to her. When the junior-wife Satyabhama hears of this, she is angry beyond belief and is only pacified when Krishna promises to fetch her the tree itself from the heavenly garden. However, Indra refuses to part with the tree, and Krishna has to fight a mighty battle—which of course he wins. And the parijata is brought to earth and planted here. (See ‘Heaven’s Flower’ https://wordpress.com/post/millennialmatriarchs.com/164)

So flowers can cause wars. And they can stop wars.

It’s a choice we have to make today!

–Meena

Valentine’s-Galantine’s

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Media are frantically trying to sell us everything from roses to chocolates to romantic dinner. ‘Tis the season—the Valentine season. The origins of Valentine’s Day as a day to celebrate romantic love go back a long time.  But the commercialization is a phenomenon of the last century.

Fortunately, at least in India, the sellers have not fully caught on that it is actually Valentine’s Week celebrated from 7 February to 14 February, with the seven days including  Rose Day, Propose Day, Chocolate Day, Teddy Day, Promise Day, Hug Day, Kiss Day, and finally, Valentine’s Day.

The origins of Valentine’s Day may lay in the Roman festival of Lupercalia which used to fall around the same time–essentially a spring festival which included fertility rites. A 5th century pope banned the celebration of Lupercalia, but it came back with renewed vigour in the 14th century and has been celebrated since then.

There have been many St. Valentines down history, and it is not quite clear after whom the festival is named. From a priest who was martyred about 270 CE by the emperor Claudius? According to legend, this priest who was incarcerated by the Romans, was friendly with his jailer’s young daughter, whose blindness he is said to have cured, and subsequently wrote her a letter which he signed off with “from your Valentine”. Or was it St. Valentine of Terni? Or a St. Valentine who defied the emperor’s orders and secretly married couples to spare the husbands from war?

At any rate, the festival is now celebrated world-wide on the 14th of Feb as a day of love.

But another day which is of fairly recent origin, and celebrated on 13th Feb is Galantine’s Day. It is like Valentine’s Day, but for girl-pals! It celebrates the bonds between best friends, sisters, moms, grandmoms….

The origins of this one are quite clear—it all started with the comedy show ‘Parks and Recreation’. Leslie Knope, played by Amy Poehler used the term in the second season of the show in 2010. She kind of makes up this day and says ‘What is Galentine’s Day? Oh, it’s only the best day of the year. Every February 13th, my lady friends and I leave our husbands and our boyfriends at home, and we just come and kick it… ladies celebrating ladies.”

Guys of course don’t need to feel left out. After all, the term ‘bromance’ is much better known than Galentine’s Day. It was coined sometime in the 1990s, by Dave Carnie, the editor of the skateboard magazines Big Brother, in reference to the close bond that develops between skaters who spend a lot of time together.

Bromance is a portmanteau word, made up of bro (or brother) and romance.   A bromance is officially defined as ‘a very close and non-sexual relationship between two or more men’. It is distinguished from normal friendship by a particularly high level of emotional intimacy.

Here is to Galentine’s Day! May we celebrate it in the true spirit of friendship and bonding, and not let it go the commercial way of Valentine’s Day.

With a shout out to all my girl-pals!

–Meena

PS: www.millennialmatriarchs is a Galentine initiative!

Fun and Games

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Play is something the young of many species indulge in. Play is of course a part of the life of young humans, but we also see puppies, kittens, the young of many mammals and even some birds play.

The study of play is however, a serious matter, as can be seen from this definition: ’ play is repeated, seemingly non-functional behavior differing from more adaptive versions structurally, contextually, or developmentally, and initiated when the animal is in a relaxed, un-stimulating, or low stress setting’ (Burghardt, 2014).

If that sounds a bit complex, here is a breakdown of the behaviours associated with play, i.e. play should

‘*be incompletely functional in the context in which it appears;

*be spontaneous, pleasurable, rewarding, or voluntary;

*be different from other more serious behaviors in form (for example, be exaggerated) or timing (for example, occur early in life, before the more serious version is needed);

* be repeated, but not in abnormal and unvarying stereotypic form (for example, rocking or pacing); and

* be initiated in the absence of severe stress.’

Till a few decades ago, it used to be believed that only the young of warm-blooded animals and birds played. But research is showing that many other creatures play too, including the young of some fish, frogs, lizards, turtles and even Komodo dragons. Coming from a human perspective, we may not recognize this as play. But going by the definition and framework above, many of the activities of the young of these species fall in the category.

Play is of critical importance in the development of all species who indulge in it. In the case of human children, it helps in the development of cognitive, physical, social, and emotional well-being. It helps children learn about themselves and the world, and through play they learn many life-skills like confidence, resilience, cooperation, team spirit, coping with challenging situations etc.

Play itself can be of different types: Physical Play, which helps in physical development and skills like coordination; Social Play which helps children develop the skills of how to interact with others, taking turns, cooperation, etc.; Constructive Play, wherein children create things—arts and crafts including drawing, painting, building things, etc.; Fantasy Play, that is using the imagination to create situations and enacting parts; and Games with Rules, which helps the child develop cognitively and learn how to follow instructions and rules.

If the topic of the conversation is play, can toys be far behind? Toys too date back to ancient times– archaeologists excavating the ancient city of Kültepe Kaniş-Karum in Turkey discovered a 4,000 year old ceramic rattle, which is believed to be the oldest children’s toy yet uncovered.

Toys
Photocredit: Harini M.

Today toys and games are a highly sophisticated market with several categories including puzzles, dolls, soft toys, fidget toys, modelling clay and related products, movable vehicles, construction toys, constructed toys, board games etc. 

It is also a huge market–in 2022, this market generated total revenue of US$122.90 billion. India is a tiny part of this—with the Indian toys market size reaching $ 1.5 billion last year, with barely $ 1.14 per capita spend on toys. Which means most of our children don’t have access to toys, or have too few toys—which is definitely disadvantages their development. Not that I am saying that store-bought toys are the only way to go. We know that children show enormous ingenuity in making anything into a toy–kitchen vessels, sticks and stones, boxes and cartons. And creative parents and teachers can make toys at no or low-cost. (For ideas, you can visit https://arvindguptatoys.com/, the website of Padma Shri awardee Shri Arvind Gupta, who has spent his life developing and advocating for the use of no- and low-cost toys with educational value). But having said that, I do believe that every child has the right to a new, shiny toy once in a while. So not only must we manufacture more toys, but low-cost, innovative ones which don’t compormise on safety.

Equally important are innovative ideas like toy libraries so each child does not have to buy every toy and less-advantaged children can get access too; toy hospitals so toys can be mended and their life extended;  and NGOs which collect, refurbish and re-distribute toys. Another complex challenge is how to keep toys from reaching solid waste dumps—how to recycle them safely and cost-effectively?

So toys may be fun and games, but it’s definitely not all child’s ply!

–Meena

PS: The image is from a storybook Harini and I created using toys as charecters. ‘My Sunday with Daadu and Deedu’ available on Amazon. The Telugu version by Manchi Pustakam is available on their site.

 

Celebrating Vishwakarma, Master-Craftsman

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Vishwakarma Jayanthi is marked every year on Kanya Sankaranthi, which falls this year on September 17th. As per legend, Vishwakarma was a master architect and craftsman. The son of Brahma, he is supposed to have been the engineer for the creation of the world. He is also said to have built Lanka, Hastinapur and Dwarka.

Vishwakarma plays a pivotal role in the two great epics, Mahabharat and Ramayana. In the Mahabharat, the Pandavas retained him to plan and build their new capital of Indraprastha, which evoked the wonder and envy of all the other kings. One of the triggers for the Mahabharat war however was this amazing architecture. The pools of water looked like floors, and floors looked like water-bodies. Duryodhana mistaking a pool for a floor, slipped ignominiously and fell, evoking the mirth of the onlookers. He took particular exception to Draupadi’s laughing and commenting at his plight, and this was almost the last straw contributing to the breakdown of relations between the Pandavas and the Kauravas.

Vishwakarma’s work also features as a turning point in the other epic Ramayana. He is said to have built Pushpaka Vimana the flying chariot. It was built originally for Brahma, who at some stage gifted it to Kubera, the God of Wealth. But Ravana, Kubera’s half brother, stole the flying chariot, and used it for the infamous abduction of Sita. The Vimana however was also part of happy times, ferrying Ram and Sita back to India after the victory over Ravana. Ram later returned the vehicle to Kubera.

Vishwakarma has his equivalents in Greek and Roman mythology. The god Hephaestus was blacksmith to the Gods of Olympus, and made all their weapons of the gods in Olympus. He used to be worshipped in the manufacturing and industrial centres of Greece. Vulcan was the Roman God of fire and forge as well as fire and volcanoes. He was the patron of artisans and smiths, and there were several shrines dedicated to him. Vishwakarma like his peers also designed weapons, including Krisha’s Sudharshan Chakra and Indra’s Vajra.

We in India continue to remember and commemorate Vishwakarma. Vishwakarma Jayanthi is a special day for engineers, architects, mechanics, craftsmen, welders etc., and it is marked with pujas in factories and industrial estates. The prayers are for increased mastery and success in their field, as well as for safety.

As an ancient culture, excellence in engineering and the crafts were so revered that not only was there a God for this, but his achievements were enumerated and remembered. We still remember him and worship him. But ironically, we don’t seem to value the excellence he stands for. Our towns and cities are unplanned chaos—surely not Indraprastha or Hastinpur were.

In India, barely one in five persons at the workplace is skilled. We stand at 129 out of 162 countries ranked. As someone who has been involved in skill training, I am aware of some of the challenges in this sector. Critical among these are that skills except those related to IT and computers are not aspirational. To get a young person excited about being a master-electrician, master-plumber, master-anything that needs working with hands is next to impossible. In our culture, manual skills are not valued and respected—plumbers and masons feature way down in the social hierarchy. Nor are they paid in accordance to the value they bring. And sadly, career pathways don’t lead them very far.  

Nor is the skill-training we provide of very high quality, such as will lead them to excellence in their vocations. Most skill training is outdated and out of sync with what industry needs. Our ITI and other skilling institutions are bureaucratic set-ups, far behind where they should be. The faculty has no real experience on the shop floor. Nor do most students ever go into a factory or workplace during their education.

For a country which marks Vishwakarma Jayanthi with widespread events, we don’t seem to really value skills or our skilled craftspeople. Until that changes, there does not seem much point in observing yet another day.

–Meena