Category: history

When Letters Took Flight: The First Air Mail

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As a member of the generation before email and ‘texting,’ and one who has always been an avid letter writer, there are many memories of trips to the local Post Office to buy stamps and personally drop the letter in the friendly red post box. The process was more complicated when mailing a letter to someone who was not in India. This meant taking a decision on whether the post should be sent by surface mail or air mail. Air mail was more expensive, albeit faster. There were two options for the air mail—the standard pre-stamped aerogramme, and the challenge to squeeze in as much text as possible in the available space, and an envelope which could accommodate more sheets and hence more matter. But then there was the issue of weight. The envelope would be weighed and the postage decided depending on the weight! Hence an earlier exercise involved acquiring the lightest, thinnest writing paper. (There was an ‘onion skin’ paper as I recall which was in itself more expensive!) Ah, the sweet travails of written communication then!

One always associated the entire concept of ‘air mail’ as having its origin in the West. Many decades later, I discovered that the very first air mail delivery happened in India!

The story goes back over a century ago. India was still under British rule but Indian festivals and fairs went on. One of the biggest of these was the Kumbh Mela held at Allahabad. It was to coincide with the Kumbh Mela of 1910-1911 that the then Lieutenant Governor of the United Provinces Sir John Prescott Hewett organized a national exhibition in Allahabad. It was a huge show housed in buildings with elaborate architecture. The twelve sections included exhibits for engineering as well as agricultural sciences, textiles, forestry, and display of handicrafts from around the world. There were cultural programmes featuring prominent singers and dancers of the day. The exhibition ran from December 1910 to February 1911.

As part of the many attractions, Captain Walter George Windham, one of the influential pioneers of aviation was invited to bring some flying machines from England to Allahabad and organize demonstration flights. These would be the first planes to fly in India. Captain Windham brought two aircraft to Allahabad and organized aerial demonstrations by the two pilots that accompanied the aircraft. One of these was a 23- year-old French pilot Henri Pequet.

When Captain Windham was in Allahabad, the Rev. Holland, warden of a hostel for Indian students in Allahabad asked him if he could help raise some funds for repair of the hostel and construction of a new one. Windham had the idea that sending post by air would attract a lot of attention, and hopefully raise funds. He obtained permission from the India Post Office. To send through this, at the time novel means, people were asked to send mail to Rev. Holland, addressed and stamped, at the regular rate, but requested to donate a nominal sum of 6 annas for every letter or card which would be sent on the flight, as a donation for the new buildings. This mail would be part of the airborne postal service. A special postmark was authorised for this batch; it was designed by Captain Windham and the die for this was cast at the postal workshop in Allahabad. It was four cm in diameter and magenta in colour. All postal arrangements were handled by the Exhibition Camp Post Office.

On 18 February 1911, a Humber-Sommers bi-plane, piloted by Henri Pequet was loaded with 6,500 postal articles with the special postmark. The flight took off from the Allahabad polo field, witnessed by thousands of spectators. It landed near Naini railway station where there were no crowds, but a lone postal official who took the mail bags. From there, the post would continue to its destinations by the regular route, and with the regular charges.  The distance covered was approximately 11 km and the flight time was 13 minutes! Having delivered the first officially sanctioned airborne postal consignment in the world, Peqeut got back into the plane and returned to Allahabad. 

The use of a plane for delivering letters received world-wide attention once the letters with the special post mark reached England. 

Before this, some transport of post by ‘air’ was not entirely unknown. During the 1800s balloons and gliders carried some mail. The first sustained powered flight by the Wright brothers on 17 December 1903 did not carry any mail, but in the decade that followed, pioneering pilots would carry ‘unofficial’ mail on their short flights. This did not have official postal authorization. The Allahabad to Naini flight carried the first ‘official’ air mail. Following this, the world’s first scheduled airmail post service took place in the UK between the London suburb of Hendon and the Postmaster General’s office in Berkshire on 9 September 1911, as part of celebrations for King George V’s coronation.  

Subsequently, while the rest of the world saw rapid developments in postal air services, there was not so much happening in India. The first regular air service between India and UK was opened in 1929. Soon after that the first domestic route was opened between Karachi and Delhi. The Indian State Air Service as it was designated, ran for just two years during which it completed 197 scheduled flights, and carried 6,300 kg of mails. After its closure, the Delhi Flying Club was given permission to operate an exclusive mail service between Delhi and Karachi. Its one light aircraft carried over 7000 kg of mail during its operational period of 18 months. The big leap came in October 1932 when JRD Tata flew a Puss Moth airplane from Karachi to Bombay. The inaugural flight of India’s first air service was to become Tata Sons Ltd, and later grow into Air India, carried a load of mail. Karachi was chosen as the starting point because Imperial Airways terminated there with the mail from England, and the mail route chosen by Tatas was Karachi-Bombay-Madras (via Ahmedabad and Bellary). At the beginning the airplanes used were so small that the service was restricted to mail, but a single passenger was occasionally allowed to sit on top of the mail bags — usually with his heels higher than his head! Meanwhile the mail load had increased from about 10,500 kg in 1933 to about 30,000 kg in 1935. Larger aircraft were introduced only in 1936. While the government refused to subsidize the service, it could be sustained by a ten-year mail contact with the Government for transport of mails.

After Independence there was need for delivery of mail that was faster than through road and rail services. Daytime flights could carry only passengers. In 1949, Night Air Mail was introduced in which mail from Delhi, Calcutta, Bombay and Madras was collected at designated points in each city, delivered straight to the airport and flown to Nagpur, where it was sorted and flown back to the respective cities the same night, and delivered the next day. In the sixties there were as many as ten flights carrying mail to Nagpur in a single night. The service was discontinued in 1973. Subsequently the Indian Postal Service introduced many services including Speed Post. Today couriers and electronic exchange of information have overshadowed the work of the postal service. The postman, once eagerly awaited, and letters, eagerly opened and read and reread, have almost faded from memory. But it is important not to forget the pioneering efforts that brought us here. 

–Mamata

A Whiff of Royalty: Mysore Sandal Soap

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A recent advertisement for an old soap in a new packing brought back many memories. Any visit to South India, or to the erstwhile Mysore Emporium in Delhi always included picking up several cakes of Mysore Sandal Soap. These were good gifts for friends, and  a special treat for us to use. The rich fragrance of sandalwood was very different from the light flowery fragrances like rose and jasmine that Lux, Cinthol and Rexona, the other popular soap brands of those days had, nor the medicinal smell and feel of ‘healthy’ soaps like Margo, Hamam and Lifebuoy. While Pears soap was a high-end soap that had a very English look and feel, Sandal Soap was regally Indian; sandalwood signalled luxury, and bathing with such soap made one feel like a princess!

It is only recently that I also learned about the fascinating history of this soap.

The saga goes back to the First World War.

But going back further, the kingdom of Mysore was the largest producer of sandalwood in the world. In the 1700s the largest buyer of sandalwood from Mysore was China, where the wood was used to make furniture for the affluent and also used in traditional medicine. In the early 1800s Germany became one of the main buyers of sandalwood for its oil. The Germans already had the know-how for distilling the oil from the wood. At that time Mysore was under British administration; sandalwood was a state monopoly. By the end of the 1800s the demand for sandalwood had risen considerably and it became an important source of public revenue. The demand continued to grow when the British restored the state of Mysore to the ruling Wadiyar dynasty. Sandalwood auctions were held which were attended by representatives of leading international perfumery houses. The process of sandalwood distillation to manufacture oil had, by then, been mastered by German chemists.

The outbreak of World War I in 1914 caused huge disruptions in international trade. Sandalwood exports to Germany were suspended, local auctions of the wood were stopped. With large stocks of sandalwood piling up, and no buyers, the revenue of Mysore State was adversely impacted. The Maharaja of Mysore realized that if the oil from the wood could be distilled to meet international standards, the extract could be exported. This it would be easier than transporting wood, and more lucrative. This was smart thinking!

For the execution of the idea the Maharaja selected Alfred Chatterton who had been principal of the college of engineering in Madras, and appointed him as the Director of Industries in Mysore state. Chatterton teamed up with two English chemistry professors from the Indian Institute of Science in Bangalore to experiment with distilling sandal oil in a lab. After extensive experiments and trials, the team finally discovered the right process to extract sandal oil. They continued to refine the process until they created a  product that would meet international standards. Now it was time to move from the lab to a larger scale of production.

A factory, headed by Chatterton, was opened in Mysore. It was called the Mysore Sandalwood Oil Factory. Production began, and by 1916, high-quality sandalwood oil  was being produced and exported to London. A second factory was opened in Bangalore, adding new equipment and machinery, and soon a third larger factory opened, also in Mysore. Chatterton remained Director for six years during which time he established what was then the largest sandal oil distillery in the world.

Mysore retained a near monopoly in the sandal oil market until about 1930, when it was challenged by Australian sandalwood oil.  

Until then the oil was used primarily in perfume making. But a foreign guest presented the Maharaja of Mysore Krishnaraja Wadiyar IV with a pack of soaps made by using sandalwood oil. Ironically the oil used for the soap had been produced in Mysore! The Maharaja saw an opportunity and discussed this with his trusted and foresighted Dewan Sir M. Visvesvaraya. Both of them were keen to encourage industrial development in the state. They agreed that manufacturing sandalwood soaps would provide such an opportunity. Visvesvaraya was a perfectionist; he wanted that the soap should be of the best quality, but also not so expensive that its market would be limited. He invited technical experts from Mumbai to start experiments on the premises of the Indian Institute of Science (IISc) in Bangalore. He also identified a researcher working in IISc. This was SG Shastry who had obtained a degree in Industrial Chemistry from England. Now he was sent to London to get advanced training in soap and perfume technology. Upon his return with the knowhow to incorporate pure sandalwood oil in soaps, the Maharaja set up The Government Soap Factory near Cubbon Park in Bangalore, and here began production of India’s first sandal soap. The first batch of soaps was produced in 1918. It was simply called Mysore Sandal Soap. The same year, another oil extraction factory was set up at Mysore to ensure a steady supply of sandalwood oil to the soap making unit.  

But how was this new soap to stand out among the many soaps already in the market? SG Shastry proved to be as astute a marketer as he was a chemist! All the other soaps then were traditionally rectangular in shape and usually wrapped in colourful paper. Shastry felt that this soap should reflect its cultural heritage. To start with, this soap was oval in shape. In its centre was embossed the logo of the factory which depicted Sharaba, a mythological creature which had a lion’s body with an elephant’s head. This creature stood for wisdom strength and courage, which also represented the philosophy of Mysore state. It was felt that the soap needed to be dignified with a unique packing. The aromatic soap was first wrapped in white tissue paper, as a piece of jewellery would be, and then placed in a rectangular box printed with floral designs in tasteful colours.  Every box also carried the printed message Srigandhada Tavarininda (from the maternal home of sandalwood).

The next step was marketing this soap as a unique product. The soap was advertised through different channels—neon signboards, half page ads in major newspapers, and even match boxes and tram tickets with pictures of the soap carton. The promotion extended overseas. An exhibition was arranged in England; the soap was ceremoniously presented to Queen Victoria who liked the fragrance and ordered more for her family. A mark of its popularity was that its competitors used to mock it as My-sore soap! Meanwhile the soap was becoming a household name in Mysore.

The Mysore Sandal Soap has retained its popularity, and its niche as the first indigenous sandal soap with Sandal Note as its fragrance, along with other essential oils. Today the soap is manufactured by the company called Karnataka Soaps and Detergent Ltd (KSDL). In 2006 the brand received a GI (Geographical Indication) tag. It remains an iconic symbol of majesty and luxury that can be enjoyed by all.

–Mamata

Republic Day at Whangamōmona: When a Town (Sort Of) Seceded

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A few weeks ago, India celebrated Republic Day. It was, as always, a solemn occasion. For us, Republic Day marks the day when we adopted our Constitution and became a Republic.

But not all Republic Days are solemn. Nor do they come every year.  Whangamōmona, a small settlement in rugged New Zealand’s North Island, celebrates Republic Day in January,  but only every two years.  It last celebtrated its Republic Day on Jan 18, 2025, marking 36 years of independence. Hundreds of visitors attended the event, which featured rural activities, a sheep race, presidential elections

Whangamōmona has a funny backstory.  It seceded from New Zealand. How and why did this come about?

In 1989, New Zealand restructured its local government boundaries. For decades, Whangamōmona had been part of the Taranaki region. But the reforms shifted it into the Manawatū-Whanganui region instead. On paper, this was administrative housekeeping. On the ground, it felt like cultural displacement.

The town identified economically and socially with Taranaki. Farming networks, community ties, supply routes were all there.  But suddenly, they were told they belonged somewhere else.

So on 1 November 1989, in response to what they saw as distant bureaucratic meddling, Whangamōmona declared itself an independent republic.

But this wasn’t angry secession. It was satire with a straight face.

The Republic of Whangamōmona established:

  • A president
  • A passport (yes, you can get it stamped)
  • A national day
  • And a constitution — loosely interpreted

The tone was tongue-in-cheek, but based very much on community pride. Every two years, on Republic Day (in January), thousands of visitors descend on this tiny town of fewer than 50 permanent residents. There are sheep races. Gumboot throwing. Debates. Parades. And, most importantly, the presidential election.

The candidates over the years have included:

  • A goat (Billy Gumboot)
  • A poodle
  • A human (briefly)
  • And even a tortoise

A race to choose the President

Billy Gumboot, the goat, was perhaps the most iconic president. He reportedly served with dignity until his untimely death in 1999. His successor? Tai the poodle.

Isolation as Identity

Whangamōmona isn’t easy to get to. It lies along the Forgotten World Highway — which is honestly one of the best road names ever conceived. The route winds through dramatic hills, misty valleys, and farmland that feels cinematic in its remoteness.

In the early 20th century, Whangamōmona was a frontier settlement, established during railway expansion. It once had a hotel, a school, a hall, and enough settlers to sustain real momentum.

Then the railway declined. Young people left. Farms consolidated. The population shrank.

Like many rural communities worldwide, it faced the existential question: how do you survive when the economic centre shifts away?

Whangamōmona’s answer was genius: if you cannot compete on scale, compete on story.

The “Republic” became a brand. Visitors stop at the Whangamōmona Hotel (the town’s social nucleus), get their passports stamped, and take photos with the republic signage.

Instead of being “a place left behind,” Whangamōmona became “that place bold enough to declare independence.”

Why This Tiny Republic Matters

In a world where declarations of independence are usually soaked in conflict, Whangamōmona offers something softer: protest through humour.

It reminds us that governance is, at some level, a social agreement — and that local identity matters deeply. The town’s mock-secession wasn’t a rejection of New Zealand. It was a wink at centralised decision-making.

There is no bitterness in it now. Only tradition.

Republic Day is less about rebellion and more about reunion. Former residents return. Visitors become temporary citizens. The town swells with life.

For one weekend, the population multiplies many times over. And the republic thrives.

Who gets to decide where we belong?

Sometimes the answer is: we do.

And maybe that’s why this story resonates so widely. It’s about scale — how small places can assert symbolic power. It’s about humour as strategy. It’s about community cohesion in the face of administrative indifference.

Whangamōmona could have quietly faded into obscurity. Instead, it elected a goat.

That choice tells you everything.

A funny story with profound lessons about identity and self-assertion.

–Meena

Pic: https://www.rnz.co.nz/news/

A Giggle of Joeys: Celebrating Clowns

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Joseph Grimaldi

This past weekend saw an unusual gathering in a church in East London. This was not a congregation of formally dressed people for a service, nor a sombre group of people attending a funeral. The church was crowded with clowns—in full ‘motley’ (costume of raggy baggy clothes and oversized shoes) and ‘slap’ (make up). The service began with a parade of the clowns down the aisle to the notes of the organ, followed by a memorial speech by the priest.

This was the Annual Grimaldi Memorial Service which takes place every year on the first Sunday of February in Haggerston, Hackney, London. The tradition began in 1946, as a memorial service to honour the greatest British clown Joseph Grimaldi, and it continues to this day as a service to celebrate all Clowns, and to honour the clowns who died in the previous year. The service used to be held at Holy Trinity Church, where there is a shrine with a commemorative stained glass window to honour Grimaldi, but has recently switched to Haggerston while the Holy Trinity Church is under renovation.

Who was Grimaldi and what is his claim to fame? Grimaldi is considered to be the greatest British clown and the father of modern European clowning.

Joseph Grimaldi was born in 1778 and brought up in the world of theatre. His father was an actor and dancer by profession, but in personal life he was cruel and sadistic with his own children, as well as his students at the dance school where he also taught. Despite a troubled childhood, Joseph grew up to be a kind-hearted and dedicated person. He did however inherit his father’s theatrical talent. He started out as an actor and a dancer in an age when pantomimes were the popular genre. Grimaldi made his first appearance as a clown in 1800 in a pantomime at Sadler’s Wells theatre. By the next season, he had made a huge impact. This was the Regency era of the early 1800s, when only three London theatres were permitted to have shows with dialogues onstage. Thus pantomimes which had only songs and physical movements were the main form of entertainment. This genre gave Grimaldi great scope for improvising, and growing as a clown. He brought something new to the traditional slapstick routine of clowns. He transformed the role of a clown from that of a rustic fool to the central character of a metropolitan pantomime. He did away with the pantomime mask which was the norm then, and wore distinctive make up with a white face, bulbous red nose and exaggerated painted facial features. He perfected slapstick antics, catchphrases, and became celebrated for his acrobatic skills, wild facial expressions, and often wicked stunts onstage. Grimaldi created the ‘modern clown’.  His pet name ‘Joey’ became the identity of all clowns and continues to be the nickname for a clown. Grimaldi’s clown transformed the pantomime into a respectable and fashionable form of theatre.

In a career spanning nearly thirty years, Grimaldi performed regularly at Sadler’s Wells, the Covent Garden Theatre, and Theatre Royal in London. He also toured across the country. Among his many admirers were Lord Byron William Hazlitt, and Charles Dickens who also wrote a biography of Grimaldi.

His success brought him great wealth but an extravagant lifestyle depleted his resources. The intense physical exertion that his performances entailed also took a toll on his health. He made his final public appearance in 1928. Subsequently he fell into poverty and depression and relied on charity for the rest of his life. Joking about his struggles he wrote in his autobiography “I may make you laugh at night, but I am Grim-all-day”.  Grimaldi died in 1837.   

While Joseph Grimaldi is credited as creating an enduring persona that is synonymous with the word ‘clown’, the character combining humour, satire and tragedy has been part of many cultures for many centuries, in one form or another. The word “clown” itself goes back at least as far as the 16th century; etymologists speculate that it comes from a German word meaning ‘country bumpkin’.

In ancient civilizations of Egypt, Greece, Rome and China these characters were integral to religious ceremonies as well as secular entertainment. They were what we describe as Jesters. The jesters of imperial courts could express their opinions freely, weaving political commentary and social satire under the guise of mockery and irony.

As the circus developed in the 19th century, the clowns with the white-faced make-up came to play a definite role in it—entertaining audiences with songs and long monologues, as well as acts that incorporated singing dancing, jokes and tricks. While animal performances have been banned in circuses today, the clown continues to have a role. However, the circus itself is losing the mass popularity it once enjoyed. But in recent times the clown as a profession is finding new avenues.

Today’s clowns may perform in a wide variety of contexts outside the circus ring. They also do more than entertain.

The medical profession is recognizing the therapeutic benefit of humour, and there is a growing band of medical clowns who support clinical and psychosocial healthcare by performing in hospitals and geriatric-care facilities. Remember Patch Adams sensitively portrayed in the film by Robin Williams? 

Rebel Clowns are found in political action. They reinterpret the act of protest through absurdity, with the objective to undermine authority and disrupt. These come together under the umbrella of groups like the Rebel Clown Collective of individuals who explore clowning as a form of creative protest.

Humanitarian Clowns go to areas of crisis and conflict to interact with communities affected by dire natural or political situations. Clowns Without Borders is one such non-profit organization that organizes such visits.

As with any other profession this one too requires training. Aspiring clowns have to learn many skills including pantomime, dance, theatrical improvisation, and acrobatics. Theatre schools and even universities offer multi-disciplinary exposure to students including classical acting techniques, interdisciplinary circus arts and dance, physical comedy, acrobatics, yoga, stage combat, juggling and storytelling.

Thus the legacy of Joseph Grimaldi continues in its traditional as well as contemporary forms. The Annual Grimaldi Memorial Service, now in its seventieth year, is a testament to this, and as the Vicar who officiated at this service reiterated “a reminder that to be able to laugh about the joys and sorrows of life is something we all appreciate, and our prayer is that clowns everywhere may help us to do this.”  

–Mamata

The Long Ride: Of Bicycles and Their Accessories

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A few weeks ago, we looked into the renewed focus on cycling in India. From looking forward, this week we look back to the history of cycles and associated accessories.

When the first velocipedes (how dinosaurish does that sound??) rattled down European streets in the mid-19th century, they were little more than mechanical curiosities. Wooden frames, iron tyres, no brakes worth the name. Riding one was only for the reckless! The penny-farthing that followed —towering front wheel and precarious balance — made cycling a performance. Only the young and fearless could mount it, and the fall was as much a part of the experience as the ride.

Everything changed with the “safety bicycle” of the 1880s: two wheels of equal size, a chain drive, pneumatic tyres. Suddenly, cycling became practical. You could ride to work, to the market, to visit a friend. No fuel, no maintenance.

And practically no special gear in those days.

But soon came the humble trouser clip did make riding more convenient for men. To modern eyes, it looks medieval: a spring-loaded strip of metal hugging the ankle, holding fabric away from a greasy chain. But for decades, it was an essential. Men could cycle to office or factory without rolling up their trousers like labourers or risking oil-stained cuffs. Infact, I remember my father had one!

In Britain and Europe, cyclists also used trouser straps made of leather, elastic bands with buckles, even improvised safety pins. In India, where bicycles quickly became tools of work — for clerks, teachers, postmen — it was a metal slip-on around the ankle.

Women faced a more complicated problem. In the West, corsets, long skirts, layers of petticoats, and in India, the sari — none were designed for pedalling. Accessories stepped in stepped in because dressing styles took their time to change. Skirt guards– mesh or wire panels fitted over the rear wheel–prevented fabric from tangling in spokes. In India, the chain guard became standard, not optional — a solid metal shield protecting sarees, dupattas, school uniforms.

Other innovations took root in India, to cater to the specific needs. Rear carriers grew wider and sturdier– for schoolbags, milk cans, whole families. Bells had loud, rings that announced presence on crowded roads.

Lighting tells another story of evolution. Early bicycles relied on oil lamps and carbide lamps — lovely if moody. Then came the dynamos.  Today’s LEDs and rechargeable lamps are brighter and lighter, and fulfil the same needs — that the cyclist be seen, that night need not be a barrier. But in India, there has been a regression. From lights being quite common specially in the South, they are seldom to be seen today.

And then there is the helmet — the most contested accessory of all.

For most of cycling history, helmets did not exist in any recognisable modern form. Riders trusted balance, experience, and luck. It was only with the rise of fast motor traffic and increasingly hostile roads in the late 20th century that helmets entered everyday cycling conversations.

Countries with strong everyday cycling cultures like the Netherlands, Denmark, Germany, and the United Kingdom tend to prioritise safer infrastructure and do not have compulsory helmet laws for cyclists.

But in most countries, there is neither a mandatory helmet rule, nor an effort towards safter infra. Very few places in the world make helmets mandatory for all bicycle riders. Nations that mandate helmets for all riders often do so in environments where cycling is seen as high-risk.

Countries with universal bicycle helmet laws — applying to adults as well as children — include Australia and New Zealand, where nationwide mandates have been in place for decades. A smaller group of countries, including Argentina, Costa Rica, Namibia, Cyprus, Singapore, and parts of the United Arab Emirates, also require cyclists to wear helmets by law, though enforcement and penalties vary.

Some countries like Japan, have introduced a legal duty to wear helmets for cyclists, but without the kind of fines or policing associated with traffic offences.

Far more common are age-based helmet laws, where children or teenagers must wear helmets but adults are exempt. Yet other countries do not require helmets in cities, but helmets are compulsory for cyclists outside urban areas.

In India, there is no nationwide law that makes helmets mandatory for people riding ordinary, non-motorised bicycles. Sadly, these laws do not even exist for motorized two-wheelers, or are not uniformly enforced even where they exist. Neither is there effort towards roads, lanes and infra to make cycling safter.

Given that India stands first in the world in absolute number of traffic deaths, and that two-wheelers including bicycles account for over 50% of these deaths, is it not time to make it mandatory of cyclists and two-wheeler drives to use helmets? And for city-planners to make roads safer for cyclists?

Safety please!

–Meena

A Flag for the Republic

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Every Republic Day, the tricolour appears with ritual predictability. It rises along Rajpath, flutters on homes, schools and government offices, slips into newspaper mastheads and WhatsApp greetings. We see it as a finished symbol, but the Indian flag, like the Republic it represents, took quite a while to take its final design.

The earliest Indian flags of the twentieth century were crowded and emotional. In 1906, a flag hoisted at Calcutta’s Parsee Bagan Square carried multiple colours, symbols, even words — less a flag than a manifesto. A year later, Bhikaji Cama unfurled another version in Stuttgart, turning cloth into quiet provocation. These were attempts to imagine India visually and politically, before it existed as a nation.

In 1917 came the Home Rule Flag designed by Annie Besant and Bal Gangadhar Tilak, including stars, stripes, the Union Jack, crescent moon and more. A design as complicated as the messaging.

By 1921, when Pingali Venkayya presented a tricolour to Mahatma Gandhi, the design had shifted towards restraint. After much discussion and a few changes, this basic design of three colour stripes and a wheel at the centre was adopted in 1931. Colours were chosen not just for beauty but for what they might stand for —values and ethical balance. The charkha at the centre had a strong message: spin, labour, self-reliance and progress. This was adopted as the flag of the Indian National Congress.

On 22 July 1947, the Constituent Assembly adopted the flag we know today. The charkha was replaced by the Ashoka Chakra — an ancient symbol pressed into modern service. Saffron, white and green were retained, standing for courage, peace and growth. There was no text, no ruler’s emblem, no date to anchor it to a single moment. It was a disciplined choice, and one that we are proud of.

When Design Meets Judgment

All flags are beloved by the people of the country. But there is also design aesthetics. What makes a flag good from this perspective? This question has spawned an entire subculture of passionate experts who evaluate flags with great seriousness. Their principles are deceptively simple: a flag should be easy to draw, limited in colour, free of text, and recognisable at a distance. A flag, they insist, must work when it is old, faded, flapping, or badly stitched. History may explain a design, but it does not excuse a cluttered one.

By these measures, many flags around the world falter. Coats of arms dissolve into visual noise. Mottos disappear into creases. Seals that look impressive on paper collapse on fabric. In the process, a curious truth emerges: symbolism ages better when it is spare.

The Curious Case of Flag Rankings

Over the last two decades, flags have been pulled into the modern compulsion to rank everything. Design schools, vexillological associations (i.e, association of people who study flags), online polls, children’s surveys, and pop culture lists have all attempted to crown the world’s most beautiful flags. The results vary, but patterns repeat.

Japan’s rising sun is endlessly praised for its calm authority. Switzerland’s square flag earns admiration for bold simplicity. Canada’s maple leaf is often held up as a model of contemporary national branding. Nepal’s double-pennant shape wins points simply for refusing to conform. These flags succeed not because they shout, but because they know exactly what they are.

The rankings are hardly neutral. Familiarity influences taste. Politics sneaks in. Yet when designers, schoolchildren and casual observers repeatedly gravitate towards the same flags, it suggests certain features which resound across cultures.

And Where Does India Stand?

India rarely tops these lists, but it almost never sinks either. In most design-based rankings, the tricolour settles comfortably in the upper third of the world’s flags. It is respected rather than sensational.

Its strengths are structural. The layout is clean. The colours are distinctive without being aggressive. The symbolism is layered but not overloaded. Most importantly, there is no text — a decision that has quietly protected the flag from linguistic politics and historical expiry dates.

The Ashoka Chakra is both the flag’s greatest strength and its mildest complication. Conceptually, it is rich: law, motion, moral order. Visually, it is intricate. Purists point out that twenty-four spokes violate the famous rule that a child should be able to draw a flag from memory. But perhaps that tension is apt. A flag is not meant to be reduced to a doodle.

In comparative terms, India often ranks above older European flags burdened with heraldry and below ultra-minimalist icons like Japan or Bangladesh. As a post-colonial flag, however, it scores especially well — modern without being rootless, symbolic without being authoritarian.

The Constitution and the Display

For decades after Independence, ordinary citizens were not freely allowed to fly the national flag. Its use was governed by strict rules, reserved largely for government buildings and official occasions.

But in 2002, a Supreme Court judgment affirmed that flying the national flag was a fundamental right under freedom of expression, the Flag Code of India was liberalised. The tricolour could finally enter homes, balconies and private spaces. It was a quiet but significant shift: the flag moved from being a state-controlled emblem to a shared civic symbol.

Republic Day is about the Constitution, but it is also about the quiet endurance of symbols. The Indian flag has survived regime changes, political churn, commercial misuse and overexposure. Today, it flies proudly over tanks and textbooks, protests and parades.

Happy Republic Day!

–Meena

Four-legged Contingent Joins the Parade

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As Republic Day nears, everyone looks forward to witnessing the magnificent parade that is synonymous with this day. One of the highlights of the parade is the sight of the cavalry regiment with handsome horses marching in perfect sync, and the majestic and elegantly dressed camel contingents of the Border Security Force marching gracefully in time to martial music. 

Bactrian Camel

This year the parade will include new additions, not just showcasing the country’s military might and advances in science and technology, but also putting the spotlight on the different four-legged soldiers who play a vital role in supporting the country’s  defences and security. While some of these will be parading on Kartavya Path for the first time, they have long been faithful and dependable partners of our armed forces. There are different units of animals in the military depending on their applications. Their uses may vary according to requirement and working capability depending on the region and climate of the area. For special tasks and missions, specific animals that are specially trained are required.

This is a good time to recall their role, past and present.

Horses have been an integral part of wars since time immemorial. Along with elephants, they were ridden in the battlefields by armies across the world. Over time these were replaced by mechanized vehicles of war. The Indian army still has one of the largest, and among the last, operational horse cavalry units in the world. Its historic horse regiment is called 61 Cavalry Horse Regiment. Formed just after Independence, by integrating cavalry from the princely states, today this is still used known for its equestrian skills, and is used for ceremonial occasions.

This year, a new addition to the equestrian display will be four Zanskar ponies. Comparatively small and compact, this is a rare and indigenous mountain breed from Ladakh which is playing a key role in movement of goods as well as mounted patrols.  Known for their extraordinary endurance, these are perfectly adapted to the harsh landscape and high altitudes of Ladakh, these sure-footed equines can withstand temperatures up to minus 40 degrees Celsius, and carry loads of 40-60 kg over long distances, sometimes covering upto 70 km a day. These ponies were inducted into the army in 2020 where they have served in some of the harshest terrains and high risk areas, including the Siachin glacier.

The Camel Contingent and the Camel Mounted Band of the Border Security Force have been a popular and regular part of the parade. Camelry, or camel cavalry, has been a part of military establishments around the world for a long time. Camels were first mentioned as being used in warfare sometime around 853 B.C.In India, camelry dates back to the time of Maharaja Rao Jodha of Jodhpur in the early 15th century. When India became independent, the cavalry and camelry of the Rajasthan region merged with that of the Indian Army, becoming a part of the Artillery Regiment. Indian military camels were sent to join the Border Security Force (BSF) when it was established in 1965, and its camelry contingent has been a part of the Republic Day parade since 1976. The BSF has three main types of camels: Jaisalmeris, which are sturdily built; Bikaneris, which are high speed runners; and the Nachnas, which are used for ceremonial duties. Today the Border Security Force has around 1200 male camels on its rolls.

All the camels in the parade so far have been the one-humped Dromedary camels. This year the parade is introducing the Bactrian camel. The Bactrian camel is a high-altitude double-humped camel with formidable strength and stamina. Their broad feet enable these camels to firmly grasp and negotiate rocks, snow and sand with ease, while the bushy eyebrows, long eyelashes, and closable nostrils protect them against dust and icy gusts. They can haul heavy loads across difficult terrains, and can go without water for long periods, making them ideally adapted for Ladakh’s arid and freezing terrain. These are now used for high altitude transportation and reconnaissance missions; carrying huge loads with the help of modular load-carrying frames and custom-engineered harnesses.

This year two Bactrian camels will come a long way from their snowy outposts, to experience the new terrain of Kartavya Path as they join the parade.

The four-legged participants of the parade will also feature the “Silent Warriors” of the Indian Army—dogs. Dogs have long been part of the military in many parts of the world, including India. Dogs provide unflinching support to the troops not only in tracking and guarding, but also in counterterrorism operations, detection of explosives and mines, disaster response and search-and-rescue missions. Until recently the dog squads were made up largely of breeds like Labrador, German Shephard, Golden Retriever etc. But now indigenous breeds are being inducted and trained in these tasks by the Border Security Force. These include native hounds such as Mudhol Hounds and Rampur Hound, Chippiparai, Kombai and Rajapalayam. 10 canine warriors representing these breeds will proudly march alongside their two-legged trainers as part of the parade.

Perhaps the most breathtaking part of the Republic day parade is the grand finale—the Fly Past when the skies resonate with the sound and colours of the Air Force display—the guardians of our skies. This year will include other high fliers—real eagles. Raptors, known for their speed, sharp eyesight, and predatory instincts have played a vital role in military operation since time immemorial. Falcons and hawks were used to intercept and hunt enemy messenger pigeons. These abilities continue to make these invaluable, even in these times of extremely high-tech and sophisticated war weapons. Modern militaries use raptors like eagles and falcons for specialized tasks such as intercepting and disabling small drones, surveillance and reconnaissance in remote areas, and airfield security (driving away nuisance birds).

This year four of these Nature’s own flying machines will be a part of the parade, led by Captain Harshita of the Remount and Veterinary Corps (RVC). The RVC has been breeding, rearing and training animals for India’s armed forces since 1779. The Indian military currently has around 12,600 animals including dogs, horses, mules and camels. This year’s parade will bring these centre stage, and remind us that these furred and feathered friends are an integral part of our nation’s defence and pride.

Happy Republic Day 2026!

–Mamata

Celebrating Meditative Speed: Shorthand Day

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Before we started using ‘idk’ for ‘I don’t know’, or ‘rn’ for ‘right now’ or ‘fr’ in place of ‘for real’, was another type of shorthand. A shorthand that people had to spend months to master–the shorthand used by stenographers, the shorthand considered an essential skill in middle class families in the ‘40s and ‘50s. Beginners could take down dictation at 60-80 words per minute (wpm), while skilled professionals like journalists or court reporters, usually could do 100-120 wpm , with experts reaching 160 wpm+! This was no mean feat, as they had to listen, process, and record all at once.

A Glimpse of a Page from PITMAN SHORTHAND INSTRUCTOR AND KEY

January 4, marked as Shorthand Day or Stenographers’ Day is the birth anniversary of Sir Isaac Pitman, the inventor of the most widely used system of shorthand.  Pitman, born on January 4, 1813, in England, developed the phonetic shorthand system that uses symbols to represent the sounds words make, allowing writers to take notes quickly. His motto was “time saved is life gained”. 

A History in Shorthand

The story of shorthand begins in ancient Greece, where scribes experimented with symbols to capture speeches. But it was the Romans who elevated it into a fine craft. The best-known system, Tironian notes, is attributed to Marcus Tullius Tiro, the freedman and secretary of Cicero. Imagine him in the Senate, stylus poised, capturing the flights of Cicero’s rhetoric in tiny, elegant symbols at a pace that would daunt even today’s stenographers.

After Rome faded, so did shorthand, only to be revived in Renaissance Europe as printing presses and new bureaucracies demanded speed. From the seventeenth century onward, English-speaking countries became hotbeds of shorthand innovation. Each new system claimed to be the fastest, most logical, most “learnable.”

The Many Styles of Speed

Pitman Shorthand (1837)
Perhaps the most famous, , Pitman is all about economy of movement. It uses line thickness and angle—thin for “p,” thick for “b”—and trusts that your hand can switch gears mid-stroke. Generations of journalists swore by it, and some still do.

Gregg Shorthand (1888)
An American rival, and the stylish one. Gregg is curvy, loopy, and feels like it was designed by someone who thought in cursive. It became the favourite of secretaries through much of the twentieth century, taught in business schools and tucked into shorthand notebooks everywhere.

Teeline (1968)
The modern British system, simpler and easier to learn. Teeline keeps only the essential letters, streamlining the alphabet without demanding Pitman’s precision or Gregg’s artistic flourish. Journalism schools still teach it.

Stenotype Machines
And then came the tap-dance keyboards—stenotype machines that look like something between a typewriter and a miniature piano. Court reporters can reach 200–250 words per minute with these, a speed human handwriting simply cannot match. Here, shorthand transforms from strokes to chords: multiple keys pressed at once to create whole syllables or phrases.

Shorthand in India: Many Languages, Many Scripts

While shorthand is often associated with English, India has a surprisingly rich tradition spanning Hindi, Marathi, Tamil, Telugu, Kannada, Bengali, Urdu, Gujarati, and Malayalam. This diversity is driven by India’s multilingual bureaucracy: courts, legislatures, railways, and administrative offices all needed stenographers who could capture speech in local languages at lightning speed.

Hindi and Marathi were early adopters. The Gopal System of Shorthand, developed by Dr. Gopal Datt Gaur in the 1930s, adapted shorthand principles for Devanagari scripts, making it possible to record Hindi and Marathi speeches with remarkable speed and accuracy. In Maharashtra, government offices and the press used both the Gopal system and Hindi adaptations of Pitman, blending classical shorthand speed with local scripts.

Tamil shorthand took inspiration from both Pitman and Gregg systems, translating their principles into Tamil’s script. Training in Tamil shorthand was common among court and administrative stenographers, and many journals and newspapers relied on it to ensure fast, precise transcription. Telugu and Kannada shorthand followed a similar path, mostly adopting Pitman’s phonetic methods but preserving the unique characters and vowel markers of their scripts. In Andhra Pradesh, Telangana, and Karnataka, shorthand exams still train stenographers in these systems, though technology has greatly reduced demand.

Bengali shorthand was adapted from Pitman and, to a lesser extent, Gregg. In pre-Independence Calcutta, it was the lifeline of the High Court and newspapers, allowing reporters and clerks to capture speeches and legal proceedings without missing a word.

Urdu shorthand, tailored for the flowing Nastaliq script, helped stenographers in North Indian courts and administrative offices maintain the rhythm and elegance of spoken Urdu while working at high speed.

Gujarati and Malayalam also developed shorthand variants, often Pitman-based. While they never became mainstream, they are proof that shorthand was not a one-size-fits-all skill, but a highly customized craft.

Shorthand Today: Not Gone, Just Quieter

While shorthand no longer fills classrooms the way it did in the 1950s, it has found unexpected pockets of revival. Hobbyists post their notes online. Court reporters remain a highly specialised and respected profession. Some journalists still rely on Teeline, especially when accuracy matters more than verbatim transcripts. And in India, Devanagari, Tamil, Telugu, Bengali, and Urdu shorthand still quietly exist in government stenography courses and niche professional spaces.

It may be a skill worth picking up in the New Year! There’s the quiet power of having a private script. Many of us have kept diaries in shorthand—half secrecy, half aesthetic pleasure. Those swooping Gregg curves or precise Pitman strokes can turn even a grocery list into a small piece of art.

–Meena

A Christmas Post Script

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Merry Christmas!

Meena wrote about the Advent Calendar that marked the daily countdown to this day. This tradition has changed over the years to reflect the age of consumerism and commercialization of all things, especially festivals. However, it is heart-warming to find out about a fairly new tradition that transforms this individual household practice into a community celebration.

Pohutukuwa New Zealand’s Xmas Tree

A small village on the Devon Cornwall border in England has started a Living Advent project. As part of this, instead of windows opening out in paper or packages, these are displays in real windows. One day at a time, in the month leading up to Christmas, a window of one house in the village lights up at 17.00 GMT, to reveal a display. The themes are varied and left up to the imagination of the house-owners of the window. The displays are made with great enthusiasm by equally varied ‘designers’,, from children, to senior citizens to professional artists. The result is a warm feeling of being part of a community effort that is enjoyed by all. The idea is catching on. Another village in Cornwall has planned that to take this beyond the window dressing to actually opening up the doors. As part of this, every day one house will open its doors to invite people to a shared meal, a concert, an exhibition, a poetry reading or carol singing, all with a Christmas theme. What a wonderful way to truly celebrate the spirit of the festive season.

That brings us to Christmas day. After the festivities of Christmas Eve, in many parts of the world, this is a day for sumptuous lunches, opening gifts and spending time with family. This is the scenario that is commonly associated with this day.

However, there are many traditions associated with this festival that make for interesting celebrations in different parts of the world. The traditions vary dramatically from place to place, shaped by landscape, history, values and climate. This is a good day to learn about some of these.

Celebrating Spiders: While stars and tinsel decorations are the most common Xmas decorations, in Ukraine it is a spiderweb! Delicate webs are crafted from paper and wire, decorated with spangles and sparkles, and wrapped around the Christmas tree. The practice is associated with a folk tale about a poor woman who had found a pine cone and planted it in the floor of her home. The tree grew well, but when Christmas came, the family could not afford Christmas ornaments. A spider decorated her Christmas tree in the night and the family woke in the morning to find it glittering with silvery webs, and from that day forward, her family was never in need again. Even today, along with the crafted webs, it is considered to be good luck to find a real spider or web on a tree, and these are not swept away during this period. And tiny spiders called pavuchkys maybe be spotted among the tree ornaments.

The Good Witch: If spider webs are reminiscent of Halloween there is a tradition in Italy which is equally so. Christmastime is witching season in Italy. A good witch called Le Befana flies on her broomstick to visit households on 5 January, and stuffs children’s stockings with small goodies to mark the end of the festive season. Why so late? The legend is that Le Befana was housekeeper to the three Magi. So devoted was she to her work that she did not accompany them to the manger, but chased after them later with gifts for baby Jesus. She continues to chase, after Christmas, with her belated gifts!

The Krampus: If Le Befana is a not a wicked witch, the Krampus certainly is a towering hairy monster. A mythic Alpine creature, half goat, half human with goat horns and long tongue, Krampus is the alter ego of St Nicholas who rewards good children with goodies. Krampus is said to visit children on 5 December and punish naughty children with birch rods, or presents of  lumps of coal. Even today the Krampus is a popular part of Christmas celebrations in many Alpine countries including Germany, Austria and Bavaria, when men dressed as Krampus race through the streets.

The Gifting Goat: In Sweden it is Gavle Goat that is the giver of presents. Legend has it that the Norse God Thor’s chariot was driven by two goats, leading to the association of goats with a bountiful harvest. These were later associated with the elves who rode with Santa to deliver presents. Now cities in Sweden erect a tall goat structure made of wood or straw on the first day of advent to signify the spirit of Christmas, and small straw goats are given as gifts.  

Rotten Potatoes: In Iceland it is not goats but the 13 Yule lads that visit homes on 13 nights leading to Christmas. Children place their shoes by the window each night, and receive gifts depending on how they have behaved round the year. Good behaviour is rewarded with sweets, while the less angelic ones find rotten potatoes in their shoes!

While most Christmas traditions are associated with cold snowy climes, we often forget that for half the world, Christmas is a summer celebration! And celebrations are appropriately sunny and outdoorsy.

In South Africa it’s time to picnic in the balmy sunshine with barbeques on braais (charcoal grills).  

In Australia it’s time for the tradition of a family Christmas cricket match. Everyone, old and young plays, and participates, with lots of food, and loads of fun.

In Venezuela people roll up to attend the Christmas mass. Yes literally, following the tradition to arrive at Church on roller skates. Children sleep early so as to get up before dawn, and adults often skate through the night to reach for the early morning Mass. It is a beautiful tradition that signifies not just the destination and the ritual, but also the sense of traveling together and arriving at a common meeting place.

In New Zealand, it is not the temperate fir tree that symbolizes the spirit of Christmas but a native tree that flowers with fiery red tufts in December. This is the Pohutukawa tree. It has been associated with Christmas in New Zealand since at least 150 years, when a Maori leader Eruera Patuone included it in his table decorations for a Christmas feast. The tradition continues and it this tree that evokes the Christmas spirit for New Zealanders.

Today as the world celebrates Christmas in so many different ways, these traditions remind us that the very spirit of Christmas lies in the shared joy of celebrating love, hope, compassion, and peace for all humankind.

–Mamata

Trending for Christmas: Advent Calendars, Elves on Shelves

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Time was when December was a time of plum cakes, rose cookies, carols, visiting malls decked up for the festivals, meeting and greeting friends. But of the last few years,  two unlikely stars dominate the Christmas season: the Advent calendar and the Elf on the Shelf. One ancient, one very new—both now deeply embedded in how we count down to Christmas.

A brief history of Advent calendars

The idea of Advent itself is old—older than Christmas trees. Advent, from the Latin adventus meaning “coming,” marks the four weeks leading up to Christmas in the Christian calendar, a time traditionally associated with reflection, anticipation, and restraint.

In 19th-century Germany, families found little ways to help children visualise this waiting period. Chalk marks appeared on doors. Some households lit one candle a day; others hung up devotional images. By the early 1900s, the first printed Advent calendars were produced—simple paper sheets with numbered windows, behind which lay Bible verses or illustrations.

From chocolate to collectibles

Somewhere in the late ‘40s, after the Second World War, when food shortages eased and printing techniques improved, Advent calendars with edible treats became widespread.Behind each window of the Advent calendar waited a tasty treat—a chocolate, a sugar plum, a sweet treat. What began as a teaching aid slowly transformed into something sweeter, more enticing, and with a marketing twist par excellence.

Today’s Advent calendars have undergone a full-blown glow-up. No longer confined to children—or to chocolate—they now house everything from artisanal teas and scented candles to skincare serums, craft beers, cheeses, socks, and even whiskies and dog treats. Luxury brands release limited-edition calendars months in advance, triggering waiting lists and re-sale markets.

This boom is no accident. The modern Advent calendar aligns perfectly with contemporary consumer psychology: daily rewards, unboxing pleasure, scarcity, and the gentle justification of indulgence because it’s the festive season. The whole month of December becomes a ritualised month of consumption—measured, paced, and delightfully guilt-free. And of course, culminating in the frenzy of consumerism, eating and drinking on Christmas day.

Ironically, this commercialisation has expanded the calendar’s appeal. Many adults who do not observe Advent religiously still cherish the countdown. Waiting, once an exercise in patience, is now sweetened—literally and figuratively.

Enter the Elf: Mischief, manufactured

If Advent calendars evolved slowly over centuries, the Elf on the Shelf arrived fully formed—and at speed. Introduced in 2005, The Elf on the Shelf: A Christmas Tradition was a book created by Carol V. Aebersold and her daughter Chanda Bell.

Neither Aebersold nor Bell were established writers at the time. It was a self-published book which went on to become a tradition–giving hope to all us children’s writers who wait in vain to hear from our publishers!. The book-and-doll set was released through their own company and initially sold through small gift shops and boutiques. Crucially, it was conceived not just as a story, but as a complete ritual-in-a-box: a narrative, a character, a rulebook, and a physical object, all bundled together. Only after it caught on—fuelled by word of mouth and parental enthusiasm—did it enter big-box retail and global markets. The story existed to support the ritual, and the ritual supported the product. Marketing genius!

Performance Pressure

The elf’s premise is simple. A magical scout elf arrives in early December, observes children’s behaviour, reports back to Santa, and relocates every night within the house—often leaving behind evidence of mild mischief. Children wake to surprise; parents stay up late staging scenes.The elf reflects a broader shift in how we experience Christmas: from shared tradition to curated spectacle, from inherited ritual to designed experience.

Unlike Advent calendars, which invite quiet participation, the elf demands performance. Parents become set designers, prank engineers, and continuity managers. Social media has amplified this, turning domestic whimsy into a seasonal arms race of elaborate elf escapades.

For some families, this is joyful creativity. For others, it’s exhausting.

And while children adore it, for many households, the elf reverses the equation, becoming less a surveillance tool and more a test for parents– putting pressure on the parents for performance, rather than on the children for good behaviour!

Why these traditions endure—side by side

At first glance, Advent calendars and elves on shelves seem worlds apart. One is rooted in centuries-old religious practice; the other is barely two decades old and unapologetically commercial. Yet they serve the same essential function: they make waiting visible.

Commercialisation is undeniable, but it isn’t the whole story. Families adapt these trends, soften their edges. Some replace chocolate with notes of kindness. Others ditch the elf’s moral policing and keep only the silliness.

Christmas Cheer

Tradition, after all, has always been fluid. So let us welcome all manifestations, old and new. But not forget the spirit of the season: JOY AND GOODWILL TO ALL!

Merry Christmas!

-Meena