“This is All India Radio”

“This is All India Radio, and here is the news read by Melville de Mello.” Nine p.m. and the family is gathered around the radio, as the deep baritone voice begins to read the news of the day–news from home and abroad; the only news that the nation absorbed and digested before retiring for the night. The radio was the meeting point for all generations, and the source of connection to national and international events. And indeed, it was All India Radio that defined this coming together.

Radio broadcasting services started in India during the British rule in 1922-23 under the initiative of the Bombay Presidency Radio Club.  In 1927, the Indian Broadcasting Company (IBC) was set up as a private entity and was granted permission to operate two radio stations. On 23 July 1927 the IBC made the first ever radio broadcast in the country from the Bombay Station.This event marked the start of organised radio broadcasting in India. The Calcutta Radio Club came into existence five months later. IBC dissolved its operations on 1 March 1930; thereafter the Imperial Government took over the broadcasting operations. The Indian State Broadcasting Service (ISBS) was started on 1 April 1930 on an experimental basis for two years, and then permanently from May 1932. Eventually on 8 June 1936, it became what came to be known as All India Radio. It was also in 1936 that the first daily news bulletin was introduced.

All India Radio’s signature tune was synonymous with the name AIR. It was composed in 1936 by Walter Kaufmann, a Czech Jew who was one of the many Jewish refugees fleeing Nazi persecution in Europe who sought refuge in India. Kaufmann became the director of music at AIR. Kuaffman was a serious western music scholar and performer, but the tune he composed for AIR was based on the Indian raga Shivranjani. It remained the identity of AIR, and was the ‘pied piper’ tune that drew the millions of listeners to the radio as the broadcasts began.

During World War II radio was being used for Nazi propaganda and there was a strong need to counter it. Hence, the practice of broadcasting all news bulletins from one central newsroom started. Around 27 bulletins were being broadcasted every day during the war years. In a time when the press was supressed, and news censored, radio broadcasts from underground radio stations played a significant role. The radio was used by nationalists to share news about the real situation on the ground, spread the message of Swadeshi, and rally the people in the non-violent struggle against British rule. These radio broadcasts had an immense impact in rousing Indians and to step up the demands of Indian freedom in the pre-independence era.  One such story on https://millennialmatriarchs.com/2021/10/07/gandhis-women-warriors-usha-mehta/

When India attained Independence on 15 August 1947, there were six radio stations: Delhi, Calcutta, Madras, Bombay, Tiruchirapalli, and Lucknow. In 1956 AIR formally adopted the name Akashvani. The word Akashvani which means ‘voice from the sky’ was derived from the title of Rabindranath Tagore’s poem written in 1938 for the inauguration of Calcutta All India radio’s shortwave transmission service. AIR and Akashvani were used interchangeably until 3 May 2023 when Akashvani became the exclusive name.

After Independence, AIR’s offerings began to expand beyond news and important announcements to a wide range of programmes—music, drama, live commentaries, and more. It was the primary source of news as well as entertainment. Radio continued to be the favourite companion of old and young, initially as the focal point of a household. With the advent of transistors, it became a trusty companion which accompanied wherever one went. It was the provider of songs, weather bulletins and live cricket scores. AIR’s simple listener-friendly format, its ABC of Authenticity, Brevity and Clarity became its USP. The news readers became household names, and the ultimate examples of proper diction and high quality commentary—from the Republic Day parade to cricket matches. The anchors of music programmes (today’s RJs) were popular idols with big fan clubs. Radio became a quintessential way of life for Indians.

This role is beautifully summed by Santosh Desai who grew up in the golden age of AIR: ‘All India Radio had many moods and played different kinds of roles in our lives. It was the official voice of state, the keeper of cultural standards, the chronicler of the times, the certifier of reality, the breathless commentator of the current, the receptacle of small desires of its viewers and an entertainer allowing escape into an imagined world.’

88 years after its first broadcast, AIR remains steadfast, with a widely expanded canvas. It is one of the largest broadcasting organisations in the world in terms of the number of languages of broadcast and the spectrum of socio-economic and cultural diversity it serves. AIR’s home service comprises of 591 broadcasting centres located across the country, covering nearly 90% of the country’s area and 98% of the total population. Terrestrially, AIR originates programming in 23 languages and 179 dialects.

Today as we once more salute the national flag to mark 77 years as an independent nation, it is a good time to remember that it was on AIR that the nation heard Jawaharlal Nehru’s emotional Tryst With Destiny speech, live at midnight of 14th August 1947. And when, for the first time when Nehru hoisted the Indian flag from the ramparts of the Red Fort in Delhi, it was the minute-to-minute narration that the proud nation followed on AIR.

Happy Independence Day!

–Mamata

Celebrating Librarians

National Librarian’s Day is observed on August 12 every year to commemorate the birthday of Padma Shri Dr S. R. Ranganathan (1892-1972), who is considered not only as the father of library science in India, but who has made immense contributions with worldwide impacts to the development of the discipline.

Dr Ranganathan’s academic journey did not indicate that he would end up as the country’s most significant librarian. He did his B.A. and M.A. in mathematics at the Madras Christian College. He was a brilliant student, and aspired to teach mathematics. He therefore went on to take a degree from the Teachers’ College Saidapet. He started his career at Government College Mangalore in 1917. From there on, he went on to teach at Government College Coimbatore and Presidency College, Madras.

In 1924, he was appointed the first librarian of the University of Madras. He was a reluctant librarian who at first hated to be cooped up in a room with just books and a few staff members. He missed the interactions with students and his colleagues and pleaded to come back to teaching. But other people saw something in him and knew he would do a great job. He was selected to go to the UK to be trained in library science. His principal Mr Duncan assured him that if he still wanted to give up librarianship after his UK visit, he could go back to teaching.

The experiences in the UK transformed Dr Ranganathan’s view of this profession. When he saw the difference that libraries could make in the lives of people, and how they could serve different sections of the community, he discovered a social mission for libraries, and for himself.

Dr Ranganathan served as Librarian and Professor of Library Science for over three decades, at some the largest and most prestigious universities of India.  In 1962, he founded the Documentation Research and Training Centre in Bangalore, and was associated with it through his life.

His major technical contribution to the world of librarianship was the Colon Classification system, which is even now one of the major classifications used in libraries across the world.

But as a lay-person and user of libraries, what deeply fascinates me is the ‘Five Laws of Library Science’, which he first proposed in 1924, and after several iterations, finally published in 1931. These sum up the foundational philosophy on which libraries must be run.

These laws are:

1. Books Are For Use: We have all experienced how some librarians are more concerned that their books not be ‘spoilt’, dog-eared or lost, rather than that they be read. The first law addresses this concern—the primary purpose of a library is not to store and preserve books, but rather to ensure that they are used. With this Law, Dr. Ranganathan refocused the attention on access-related issues, such as the library’s location, loan policies, hours and days of operation; and as importantly, the quality of staffing. Practical matters like library furniture, temperature control, and lighting too fall in this purview.

2. Every Reader His/Her Book: The Second Law recognizes that readers have different interests, and stresses that every reader has the right to read what he or she wants. They have equal rights to be able to access material of their interest. It fixes the responsibilities of the state, the library authority, the library staff, and the readers, and clarifies that a library must serve all users, irrespective of age, social background, or economic status.

3. Every Book Its Reader: Related to the previous Law, the practical implication of the third Law is that there should be a variety of books and that the library needs to figure out ways to ensure that each item finds its appropriate reader. This points to making the collection accessible, including open shelving. Importantly, it means that even if there are few readers for a book, each book has its place in the library.

4. Save The Time Of The Reader: This law is a recognition that library services must meet the needs of library users efficiently. One requirement for this is that the library staff must have strong reference skills, as well as strong technical skills in cataloguing, cross-referencing, ordering, accessioning, and the circulation of materials.

5. The Library Is A Growing Organism: A library is a social institution and will keep growing in terms of documents, readers, and staff. Even when a library seems to have reached its capacity, the growth would be in terms of replacing old books by new books and new users will continuously replace old users. So a library needs to be a continually changing institution, never static in its outlook.

At a time when the reading habit seems to be on the decline, and many libraries are floundering to re-define themselves, it would be a good idea to revisit Dr Ranganathan’s vision of libraries and his Five Laws. They will help us find a new direction in this rapidly changing landscape.

–Meena

Reviving Crafts: Kamaladevi Chattopadhyay

As the country gears up to celebrate India’s 77th Independence Day, memories are revived of the significant events and persons in the unique movement that led India to her ‘tryst with destiny’ to become a free nation on 15 August 1947.

Among the innumerable individuals who contributed in different ways to reaching this  momentous moment, is a name of a woman whose contributions were not limited to a single area, but spanned a wide range of fields, all of which coalesced into the empowerment and enrichment of the newly-independent nation. She was Kamaladevi Chattopadhyay—freedom fighter, actor, social activist, art connoisseur, and driving force behind the renaissance of Indian handlooms and handicrafts.

Kamaladevi’s interest in the area of crafts was nurtured in her childhood when she had participated in the creation of objects for the innumerable rituals, which were part of the daily life in many homes. She was drawn to the simplicity as well beauty in these everyday objects. But it was after she met Gandhiji that she understood this deep relationship between these objects and our daily lives. As she wrote: “How beneficial it was for us to live with them and make them an integral part of our daily existence”. She quoted Gandhiji: “Association is the essence of relationship which endears articles of everyday use to the user. This endearment finds a way of enhancing the aesthetic values in these articles, just as we love to dress up our loved ones, so we love to embellish our homes. Here, the Craftsman employs his ingenuity through creative imagination. We are mostly carried away by a finished product, may be excited by watching the process, but remain unmindful of the deep chords within us that are stimulated when we create something with our own hands. Therefore, in the Indian tradition, creation does not mean making novel and exotic articles to please one’s fancy, but endowing everything we use in our daily life with beauty. Therefore, nothing is created without a purpose”. Thus there was an inextricable link between form and function.

Khadi was more than a political symbol for Gandhiji; by making spinning an essential part of the process, he brought in respect for working with hands, and the act of creation, as well as a form of meditation and unification. Gandhiji also made the regeneration of crafts an integral part of the freedom movement. According to him, freedom was not to be defined in political and military terms only, but also in the social patterns that would lead to building inner personality, the spiritual content of the nation.

Kamaladevi was deeply moved by this philosophy. At the time, the long tradition of indigenous crafts was threatened by the rise of factory-made goods and mass production; many crafts were rapidly disappearing. For her, crafts revival and independence from British rule were interlinked agendas. Kamaladevi made it her mission to champion the cause of handicrafts and handlooms. She saw crafts not in isolation, but as a part of the rich fabric of our life involving all the creative expressions of people interwoven in their daily lives.  She began at the grassroots, travelling to the remotest villages, getting to know the crafts people and understanding their issues. She formed crafts communities, involved the crafts people in training programmes, and opened up their work for a wider audience through exhibitions and exports of handicrafts. Thus she also supported the notion that crafts could have contemporary significance. Craftsmanship need not, however, be bound up wholly with tradition. While it continues to draw strength from the past, it has also to be tuned to the present, evolve a new relationship with the current flow of life.            

Kamaladevi perceived that cottage industries had an important socio-economic and political role as these led to the decentralization of social and economic power, as well as providing employment and economic security to rural communities. Her efforts towards a crafts renaissance in India were multi-pronged. She made great efforts to rehabilitate women with craft-based livelihoods, in the refugee camps following Partition. She helped establish institutions and systems to empower artisans and to sustain their crafts: The Cottage Industries Board (CIB), the Indian Cooperative Union (ICU), the All India Handicrafts & Handloom Board, the Cottage Industries Emporium, Regional Design Centres, the Crafts Council of India (CCI), and the Crafts Museum, among others. She was appointed the chairperson of the All India Handicrafts Board in 1952.

For Kamaladevi, crafts were not only a way of recognising the significance of one’s own culture but also, of developing a sense of appreciation of other world cultures as well. It was her inspiration that created the World Crafts Council in affiliation with UNESCO. The Crafts Councils became an instrument of the different governments across the world to reach to the masters of their traditions.

Besides her seminal contribution to the revival of handlooms and handicrafts Kamaladevi was instrumental in the creation of several other initiatives and institutions in the field of the performing arts, music, and fine arts, as well as the All India Women’s Conference (AIWC) a national organization of repute that worked for legislative reforms and women’s empowerment. She is remembered not just for espousing the cause of craftspeople, but as a person whose vision was that every human being should live a life of dignity; and one who wanted to enrich the lives of people irrespective of caste, creed or nationhood.

Among the many awards that she was bestowed, the most fitting was the Charles Eames’ Award which honoured her as the one individual, who had contributed to the Quality of Life in India in this era.

Almost a century after Kamaladevi sparked the renaissance in Indian handicrafts and handlooms the country continues to celebrate their creators. 7 August is marked as National Handloom Day to remind us of their contribution to the cultural and economic landscape of the country. The date also commemorates the launch of the Swadeshi Movement in 1905, which emphasized self-reliance and indigenous craftsmanship.  

–Mamata

More on Kamaladevi:  https://millennialmatriarchs.com/2021/03/30/multi-faceted-nation-builder-remembering-kamaladevi-chattopadhyay

Symbolizing the Olympics

Continuing in the spirit of the Olympics—after all, they will come back only after four years—today I thought we could take a random walk through things other than the mascot which symbolize the Games.

The Olympic Rings of course are the most widely recognizable symbol of the Games. The five interlaced rings are of equal size, and are in five colours–from left to right: blue, yellow, black, green and red. The five rings stand for the five continents. One or more of the five colours is present in the flag of every country. The Olympic rings appeared for the first time as a graphic symbol for the Olympic Games in Antwerp 1920.
As per the Olympic Charter, The Olympic symbol expresses the activity of the Olympic Movement and represents the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games.
Each edition of the Games has its own emblem, which integrates the five rings. These usually combine an edition-specific characteristic symbol, lettering naming the event location and year, and of course the Olympic rings.
Another strong identity of the Games is the motto or slogan. The original motto Citius, Altius, Fortius (Faster-Higher-Stronger) was modified in 2021 to Citius, Altius, Fortius–Communiter (Faster, Higher, Stronger—Together). The Games’ motto or slogan is an integrating part of the emblem and is to be used only in the in the context of the Games. The motto is to be displayed, as far as possible, together with the Games emblem. Apart from this, individual Games may have their own taglines—the one for Paris being Games Wide Open.
Apart from these, each Olympics has a ‘Look’. This is the visual identity of that edition of the Games, and tries to capture the zeitgeist of the Games, differentiating one edition from another.  It is designed to promote the culture of the host country and celebrates the spirit of its people. The Look is displayed on sporting and non-sporting facilities, the city, uniforms, tickets, credentials, products, shops, medals, etc., giving a unique identity to wherever the Games are happening. The Look of the Paris Games has been designed to celebrate sport and the festive atmosphere of the Games. It has French sense of style and elegance. The major colours are blue, red, green and purple.
Olympic Pictograms or icons are stylised, non-verbal representations or instructions that help people to find their way and provide information, even if those people cannot read the language. Since athletes come from all corners of the world, there is need for commonly understood signs. Olympic sport pictograms help with their simple, unambiguous representation of athletes, typical poses and/or sports equipment, and have been a key element of all Olympic Games.  The Paris Olympics have 62 pictograms for the various events in the Olympics and Paralympics, which ‘symbolise not only the different sports, but also pride, values, and a large and diverse family’. 
 The Games also have an anthem. A Greek anthem was created for the 1896 Games but was not, at that stage, adopted as the official all-time anthem. For several editions of the Games, there were different anthems. However, in 1960, the original Olympic anthem with lyrics by Palamas and music by Samaras was adopted as the Olympics anthem. Appropriately, it speaks of achievement and of beauty, of greatness and of truth. Again, there is a theme song for the different Games, with the one for Paris being Parade, composed by Vector le Manse.
 The Paris Olympics have seen plenty of controversies, mess-ups and disappointments, as well as moments of joy, splendour, camaraderie and achievement.
2028 will see Los Angles hosting the Games.
Well, what to say but “Faster, Higher, Stronger–Together”!
–Meena

Blending Two Cultures: Anglo-Indians

What do Ben Kingsley, Engelbert Humperdinck, Cliff Richard, Sebastian Coe and Derek O’Brien have in common? While they have each made a name in different spheres from entertainment to sport, they are all described by a common word ‘Anglo-Indian’.

This word which was more often heard when we were young, as compared with today, was used to refer broadly to people who were ‘anglicised’ in the way they looked, and the way they lived. They were often better English-language speakers, wore ‘western’ clothes and ate food that combined local as well as ‘foreign’ flavours. They appeared in literature as ‘gora memsaabs and sahebs’.

The term Anglo-Indian commonly refers to people with British and Indian parentage. Legally, it means Indian citizens who are of European descent on their father’s side – which means that their paternal ancestors could be British, French or Portuguese. Thus the history of this community is tied with the history of colonialism in India. It goes back to the 16th century when the Portuguese colonised parts of India. It is believed that the Portuguese encouraged their soldiers to marry local women to “create a community that would be loyal to the colonisers, yet comfortable living in the colonies”. The offspring of these couples were called Luso-Indians, and then Eurasians. Later, the Dutch and British traders and colonists also adopted this strategy. In the early years East India Company employees and British officials who came to India left their families behind. The men had relationships with Indian women resulting in mixed-race children.

The East India Company directors in the seventeenth century paid one gold mohur as family allowance, for each child born to an Indian mother and a European father. Children with British or European fathers and Indian mothers were called “country-born” and included those with Portuguese, Dutch or French fathers. These offspring grew to become what was called the Anglo-Indian community, which was a kind of middle population between the British rulers and native subjects.

The term “Anglo-Indian” was first used by Warren Hastings in the eighteenth century to describe both the British in India and their Indian-born children. Once English women also started accompanying their men and living in India, the racial lines became more defined. In the nineteenth century the British in India still separated themselves from coloured people but accepted fairer (and often wealthier) people of dual heritage as “Anglo-Indian”. Darker (and usually poorer) people were given the name “Eurasian”. From 1791 the Anglo-Indians were debarred from the East India Company’s armies and many trained the armies of the Indian princes.

The Anglo-Indian identity originally developed out of this fusing together of eastern and western cultures. But this blending of cultures over time also became a source of discomfort and alienation. Historically, the community was discriminated against by the British for their skin colour and mixed race. They were also viewed with suspicion by native Indians because of their loyalty to the crown.

In the Indian census of 1911 the term ‘Anglo Indian’ was used as a category denoting persons of mixed ethnicity. Being defined as a separate group from both white Europeans and Indians had its advantages and disadvantages. They were put in a superior group from the general Indian population, but remained inferior to the white-skinned British. Within the group itself those with lighter skin had better access to white spaces and privileges. Many secured jobs on the British civil service, trade and industry. They were described as the wheels, the cranks and the levers of the Empire-building machinery. They were employed in large numbers to work on the railways, working in many associated fields from engine driver to fire-fighter. These “railway people” as they were called, lived in railway towns built for them by the British. Later it was the Anglo-Indian girls who were the forerunners in a number of professions, from being one the first air hostesses, to teachers, nurses and secretarial assistants who were skilled at their work. They also evolved their own culture with distinct style, cuisine, and music.

In the early 1930s Ernest Timothy McCluskie, an Anglo-Indian businessman from Calcutta, approached the erstwhile King of Ratu for a 10,000-acre land to establish a settlement, or ‘mooluk’ for the Anglo-Indian community. He was granted land about 65 km from Ranchi in what is now Jharkhand, on a perpetual lease. It was a beautiful location amidst forests and rivers and more than 400 Anglo-Indian families from across the country moved to settle there. Here they created a ‘mini England’ and lived a luxurious life. This continued till the mid-1960s. The lack of livelihood options, and adequate facilities for education and healthcare led to most of the people moving out, and McCluskieganj or the “Gunj” as it was called became a ghost town. Today this almost forgotten town has some educational institutions and is an out-of-the-way tourist spot.  

In 1926 Henry Gidney, who had an Irish father and Indian mother founded the All India Anglo-Indian Association to represent and campaign for the interests of this mixed-race group.

The Government of India Act of 1935 defined an Anglo-Indian as “a person whose father or any of whose other male progenitors in the male line is or was of European descent but who is a native of India.”

When India attained freedom from British rule this community was placed in a dilemma. Those with lighter skin returned to Britain and gradually integrated into British society. Many also chose to migrate to other countries of the Commonwealth, especially Canada and Australia where they set down roots. Most of these immigrants went on to marry the within the population of those countries, and in a couple of generations were completely absorbed within the culture of the country where they had settled. However a section of the Anglo-Indian community continued to remain in India and like their immigrant fellows went on to marry Indians and gradually merge into the mainstream. However they also retained some of the characteristics of their distinct culture.

Meanwhile the All India Anglo-Indian Association, headed by Frank Anthony since 1942, lobbied for an official recognition of the group in India, and secured special provisions for Anglo-Indians in the constitution of the newly independent country. Article 366 of the Constitution defined Anglo-Indian as “a person whose father or any of whose other male progenitors in the male line is or was of European descent”. The key points of this definition were retained when Anglo-Indians were listed as an official minority group in India’s constitution in 1950. Two seats were reserved for Anglo-Indians in the Lok Sabha, and in the Legislative Assemblies of the States. These members were to be nominated by the President of India. The reservation continued until 2020 when the clause was amended, and the special status was removed.

Today the original Anglo-Indian community has dwindled considerably. New generations with Anglo-Indian roots have fully assimilated into the culture of the countries or communities that they have settled in. However in recent times there has been a growing curiosity among these to trace their ancestry and heritage. Today there are internet communities that are inviting people to contribute family histories and memories. Cookbooks with revived recipes of the distinctive dishes like Jalfrezi, country Captain Chicken and Railway Lamb Curry and pepper water are becoming popular. Community gatherings in places where there are still pockets of Anglo-Indian populations are an occasion for the elders to share reminiscences of childhood meals of yellow rice and meatball curry, lively dance parties and perhaps “the good old days.” There is a special celebration every year on 2 August which is as World Anglo-Indian Day. This was the day when the definition of Anglo-Indian featured for the first time as part of the India Act 1935.

–Mamata

The Little Red Caps: Olympic Phryges

We are well into the Olympics—complete with controversies, exhilarating triumphs and heart-breaking failures. And we will see more super-human achievements in the weeks to come.

Overseeing all the fun, festivities and sports are the Olympic mascots of Paris 2024, the Phryges. The phryges are little red hats. This is somewhat unusual, because the mascots are often, but not always, characters—often indigenous animals or birds, or human forms representing the cultural heritage of the host country.  Generically, mascots are ‘a person or thing that is supposed to bring good luck, especially one linked to a particular organization or event; a person, animal, or object adopted by a group as a symbolic figure especially to bring them good luck’

Why is a red hat the mascot for the Paris Olympics? Well, the phryge holds a lot of significance for the French, and is a deep part of their cultural heritage. The phryge is a soft hat, generally red, which was first worn by freed slaves in Phrygia, an ancient Greek kingdom (in present-day Turkey). The storming of the Bastille prison in July 1789 marked the beginning of the French Revolution. Revolutionaries who were involved in the storming wore phryges. And slowly the hats came to symbolize the Revolution itself, and since then have since been known as a symbol of liberty and the revolution. Even today, protesters don them as they march. Marianne, the personification of France, is often shown wearing a Phrygian cap.
The Paris Olympics have two Phrygres: one for the summer Olympics, and one for the Paralympics. The Paralympics mascot  which ‘has a visible disability also sends a strong message: to promote inclusion.’

Both the Phryges are blue, white and red — the colors of the French flag.  They sport a gold “Paris 2024” logo on their chests. Their eyes are made out of a “cockade of France” –a knot of ribbons that is the French national ornament.  Each Phryge has its own personality. The Olympic Phryge is ‘the smart one” with a “methodical mind and alluring charm.’ The Paralympic Phryge is ‘a party animal, spontaneous and a bit hot-headed.’ 
Olympic mascots have been around  since 1968. They symbolize the Olympic spirit; spread the values highlighted at each edition of the Games; promote the history and culture of the host city; and give the event a festive atmosphere. They bring a personality to the Games, capturing the styles, traditions and cultures of the host country. The mascots are especially meant to connect with youth.

The very first Olympic Mascot was‘Shuss’, a little man on skis in the skiing position to which his name alludes.  He wears a two-coloured head, resting on a zig-zag flash-shaped foot with the Olympic rings featuring on his head. He symbolized the winter Olympics that took place in Grenoble, also in France. Waldi was the first Summer Olympics mascot. This dachshund, a very popular animal in Bavaria known for its endurance, tenacity and agility, was the symbol of the Olympics held in Munich in 1972.

Sydney Olympics Sovernirs
Sovenirs from Sydney Olympics Year!

Since then, the Olympics have featured various animals, birds and objects. Unusual objects have included Schneemandl’  a snowman wearing a red Tyrolean hat (Innsbruck winter Olympics); Magique, a little imp in the shape of a star and a cube (Albertsville); Neve a snowball; Gliz an ice cube (Turin) etc. There are some mascots which are not an animal, nor a human figure, nor an object. One of the most unusual was Wenlock (London 2012) made from one of the last drops of steel used to build the Olympic Stadium in London. The light on his head was similar to those found on London’s famous black cabs. The shape of his forehead resembled the Olympic Stadium roof. His eye was the lens of a camera. He wore five bracelets in the colours of the Olympic rings.

India has not yet hosted the Olympics, but the 1982 Asian Games mascot Appu the Elephant, and the 2010 Commonwealth Games Shera the Tiger, were much beloved. The Phryges follow in this beloved tradition.

So here is to the spirit of the Phryges which aim to show that sport and its values can do great things, and that sports are about fraternity, solidarity and can help society grow.

–Meena

 

 

Mangroves: Straddling Land and Sea

Vaulting strut roots crisscross one another, spikes of air breathing roots project from the mud, water casts a silvery shimmer on the underside of leaves…endless changing patterns. David Attenborough

Among the sandy and rocky shores of estuaries and muddy sea coasts, in places where any other tree would perish as a seedling, beneath daily tides and a salty diet, lives a special type of tree. These are the mangroves. There are many species of mangroves, but all are united by a common property: their tolerance to salt.

What makes these trees salt-resistant? Some mangroves take in sea water, extract the salt with special glands and secrete it from their leaves. Others have roots that filter out most of the salt even as it enters the tree. The remaining salt is stored in the oldest leaves of the tree—those that are about to fall. Thus the salt does little harm.

Mangrove trees have to adapt not only to living in salt water, but also to growing in continually shifting sandy soil which gives little scope for the trees to get a firm hold. Mangroves anchor themselves to the soil by sending out long roots from trunk and branches. These act as stilts to support the tree and prevent it from toppling over. The muddy water where they live contains very little oxygen, but the mangroves have an ingenious solution to this problem too. The trees send out a second air-breathing root system—not downwards, but poking up above the mud, like the snorkel of a diver!

The offspring of the mangroves are as remarkable as their parents. The seeds of most mangroves germinate on the tree, producing a pointed stem about a foot long, with roots and leaves just formed. If the juvenile plant drops into the water at low tide, the stem plummets into the mud below, and is ready to take root immediately. If the young plant is washed out to sea, it may eventually hit land—a sand bar or coral reef, and start to grow there. Someday, given the right conditions, this mangrove and its own offspring could start a mangrove swamp of their own.

In addition to the props that come down and the roots that poke up, the tangled roots at the base of the mangrove trap the silt and debris from the sea, as well as the trees’ own fallen leaves. Over time, this accumulation helps to create more land area around the mangrove trees. And a new habitat is created.

Mangrove swamps perform a very important role for the land and the ocean that they straddle. They provide vital breeding grounds and habitats for a wide variety of fish and crustaceans. The nutrient-rich soil provides food and shelter to innumerable organisms, including monkeys, deer and birds, and a source of nectar for honeybees. The fallen leaves provide shelter to tiny shelled creatures. Floating mangrove leaves provide a base for larval growth and micro fauna. The rotting leaves provide food for insects, reptiles and shellfish. These smaller creatures form food for the larger creatures that live or pass through the swamps. Many fish-eating birds come here for the abundant food and shelter. Mangroves support complex communities, where thousands of other species interact. It is a world teeming with biodiversity.

Mangroves also ensure food security for human beings. By sustaining fisheries and through the numerous forest produce they provide, mangroves also sustain local communities with food and livelihoods.

Mangroves nurture the seas and protect the land. Mangroves act as a form of natural coastal defence: reducing erosion, attenuating waves (including tsunamis) and reducing the height of storm surges. They protect coral reefs, sea grass beds and shipping lanes against siltation. They help control floods by catching and spreading high velocity flood waters and trap it amongst their roots. Thus they protect coastlines from erosion and extreme weather events, and contribute to water quality by filtering out nutrients and sediments. Mangrove soils are highly effective carbon sinks. They are among the most carbon-rich tropical ecosystems globally, and can contain more carbon per square metre than tropical rainforests. They also fight climate change – with global mangrove forests sequestering as much as 22.8 million tons of carbon each year.

Healthy mangrove ecosystems are vital for the wellbeing, food security, and protection of coastal communities worldwide. Mangroves are among the world’s most dynamic ecosystems, but increasing encroachment by development and industry means they are also among the most at risk.

All over the world mangroves are being degraded at an alarming rate. They are being destroyed at rates 3-5 times greater than average rates of forest loss. Multiple pressures are destroying these unique ecosystems which perform vital functions for both the terrestrial and marine habitats that they nurture and protect.

Mangroves are exploited, directly or indirectly, for food, timber, medicines, honey, charcoal, and fisheries. There is tremendous pressure on the areas where they grow due to increasing population and its demands. One of the main threats to mangroves is from habitat destruction for coastal development and aquaculture. Mangroves have been converted into salt pans, aquaculture ponds or paddy fields.  Rising sea levels are a longer-term challenge.

Pollution and over-exploitation are also reducing the ecosystem services provided by mangroves. Changes in local water conditions caused by upstream dams, irrigation and pollution have led to the loss of many mangroves. Mangroves are often used for dumping waste, including plastics that do not degrade, harming both these ecosystems and the species living there. The accumulation of marine debris can alter the physical and chemical composition of sediments.

Mangrove swamps are called ‘mangals’ in India. About 50 species of mangrove trees are found in our mangals.  The maximum number of mangrove species have been reported from the Orissa coast. The best mangrove formations in India occur in the Sundarbans in the Bay of Bengal, and in the Andaman and Nicobar islands. The Sundarbans is believed to be the largest single block of tidal mangrove forests in the world where all the species of Indian mangroves are represented. Sundarbans has been designated a UNESCO World Heritage Site. However these unique ecosystems are under as much threat as those across the world.

The earth and humanity simply cannot afford to lose these vital ecosystems.

In recognition of this the General Conference of the UN Educational, Scientific and Cultural Organization (UNESCO) has declared the International Day for the Conservation of the Mangrove Ecosystem to be celebrated on 26 July every year. The day aims to raise awareness of the importance of mangrove ecosystems as “a unique, special and vulnerable ecosystem” and to promote solutions for their sustainable management, conservation and uses. There are several international as well as national initiatives that are working towards these solutions. This day is a reminder of the pivotal role of mangroves in preserving ecosystems.

–Mamata

Here Come the Clean-Green Olympics!

This Friday, 26 July, will see the start of the 33rd Summer Olympics. Over the next few weeks, till 11th August, Paris—the main host city, and 16 other cities around France as well as Tahiti, a French overseas island, will see 800 sporting events. With this, Paris becomes only the second city in the world (apart from London) to host the Olympics for the third time. But it is a good long time since the last time it held the Games—a century to be exact!

 The arrangements for the games are aimed at setting new benchmarks for quality, convenience, security and aesthetics. The 4-hour opening event will set the tone. The Paris 2024 opening ceremony will be unique in that it will not take place in a stadium. Instead, nearly a hundred boats will be deployed, which will carry thousands of competitors and other guests on a 6 km scenic route on the River Seine. The boats will be organized by country. Along the way, they will sail by the newly-repaired Notre-Dame Church, several bridges and other Paris landmarks, and will arrive at the Eiffel Tower. The banks of the river will be alive with music, dances and performances woven together into a 12-part show. The speeches and other formalities will all be a part of the overall presentation-experience, as the Games are declared open by French President Emmanuel Macron.  The show will end around 9.30 pm when the sun sets.

Paris Olympics

About 10,500 athletes will participate in the ceremony, which will be attended by about 100 heads of state. There will be over 3 lakh spectators on the banks. 80 giant screens will be put up along the way.

Other unique aspects of the 2024 Olympics:

  • This will be the first Olympics in history to achieve numerical gender parity, with an equal number of female and male athletes– 5250 men and 5250 women.
  • Break-dancing: For the first time break-dancing will be introduced as a competitive event. There will be two events, one for men and the other for women.
  • For the first time in history, the public will be part of Olympic experience! They will be allowed to run the same course of the Olympic marathon on the same day as the Olympians.
  • The marathon swimming event and the swimming leg of the triathlon will be held in the River Seine, as they were in 1900. From 1923 until recently, swimming had been banned in the Seine due to water-quality issues, but the authorities have put in their utmost to clean up the river, and have assured that it is safe.

Most significantly, the organizers have vowed to make these the ‘greenest Olympics’, with efforts to make to make it carbon-neutral, and to cut the carbon footprint of the Olympics in half compared to previous editions. They will try to offset more emissions than the Games create. Some of the steps the organizers are taking include:

  • The Olympics will run on 100% green energy generated from new sources of wind and solar energy, like windmills on the Normandy coast as well as solar panels on the roofs of venues in Paris.
  • The Games will mainly use only existing venues and temporary structures, thereby avoiding the carbon footprint of building new ones. Only two new venues will be built–for aquatics and basketball.
  • There will be no air conditioning in the athletes’ rooms. Instead, buildings in the athletes’ village have been designed with a cooling system drawing water from underground. Moreover, facades have been designed so they get little direct sun.
  • The Village will use 94 per cent recycled materials and a special construction process that emits half as much carbon.
  • After the games are over, the Athletes’ Village will allocate the houses for permanent residences.
  • Athletes’ mattresses will be made from recycled fishing nets, and the base of the beds will be made from reinforced cardboard.
  • Local farms will provide 80 per cent of the 13 million meals served during the Games, thereby lowering emissions.
  • Most Olympic venues will be accessible by public transport, and 1000 km of new cycling lanes have been created. 3000 pay-and-use bikes will be deployed.
  • About 2 lakh new trees have been planted.

Sounds like these Olympics are going to set new benchmarks! Appropriately so, for the motto “Citius, Altius, Fortius – Communiter” or “Faster, Higher, Stronger – Together” is not just about the sports events themselves, but every aspect of the Games!

Here is to the spirit of the Games!

–Meena

A MURDER OF CROWS

A few days ago our champa tree was the venue for an impromptu gathering of crows. They descended literally out of the blue and within flapping seconds, settled onto the branches and commenced a raucous chorus. What a “cawcaphony” I said to myself and peeped out to investigate the cause of the assembly. It turned out that there was a dead crow not far from the tree, and the incident was being marked with a suitable mourning from its clan. Quite spontaneously, I remembered that the collective noun for a group of crows is called a ‘murder’ of crows. Well here I was witness to a murder of crows in action!

Why this descriptor? The term is believed to have originated in England in the 15th century, and was linked to old folk tales and superstitions. In the Middle Ages, collective nouns were often given to animals based not only on their behaviour but also on superstitions or prevalent attitudes towards them.

One among these was the belief that crows will come together to decide the fate of another crow (a court of crows?). Another belief was that the appearance of crows was an omen of death. Yet another, based on the fact that crows are scavengers and were thought to circle over areas where animals and people were expected to die. A more scientific reason for his may be that crows are opportunistic feeders and will eat everything–carrion, small animals, insects, or crops, and thus find their way to wherever these may be available.

In fact, crows, though often considered to be pests, and generally irritating, are a highly intelligent and social species. They have the ability to create and use tools, they have been known to solve multi-step puzzles. They are extremely social birds that flock together and also have an ability to learn from each other.

Crows
Pic: Northern Woodlands Magazine

Another interesting aspect of crow communities is that they have been shown to recognize their dead and hold “funerals” for dead individuals, something that has only been observed in a few other species including elephants, dolphins and some primates. This could be an unsettling scene for observers, (probably what I witnessed) but scientists believe this is a way by which they communicate to their fellow crows about potential threats to be avoided.

Besides ‘funerals’ why do crows flock together? For many reasons. Crow are smart and adaptable, and gathering in large groups is often both a solution to a problem and a social benefit. Communal foraging strengthens social bonds and hierarchies within the crow community as well as efficiency. Communal roosting provides safety from predators and establishes social bonds, social learning and information.

The ‘cawcaphony’ also has its reasons. Loud and distinctive cawing is used to convey messages about food locations, to call others for support in defending their territory, or to alert the flock of approaching predators. There are specific caws for different types of danger. As well as caws, crows have softer calls which are used within family groups.

Yes crows are a part of our lives, generally around, but not really headline grabbers. Until recently, when crows have been in the news. And this time the news is about a literal “murder of crows”. The target of this planned execution is the Indian house crow Corvus splendens, whose population is being systematically eliminated in Kenya.

The story of the crow in Kenya goes back to the 1880s when it is believed that the first few pairs of Corvus splendens arrived on the island of Zanzibar by ship. One story goes that a breeding pair was presented to the Sultan of Zanzibar as a gift from an Indian dignitary. Another account believes that the scavenging crows were brought to the island in a bid to clean up the garbage. The introduced species soon gained a foothold not only on the island, but also spread to nearby mainland countries like Tanzania and Kenya. Showcasing all their traits of intelligence, adaptability and resourcefulness, the crow population grew rapidly and began to not just scavenge but also raid crops and poultry farms, as well as food sources in urban areas. By 1917, House crows were officially declared as ‘pests’ by the local authorities.  

The House crow reached Kenya in 1947, and since then its numbers have exploded. The growing human population, both local and tourists (tourism is the mainstay of Kenyan economy) has led to growing waste sites with mounds of garbage. The municipal authorities have not been able to efficiently manage the waste. This has led to a huge proliferation of crows who not only feed on the garbage but have also learned to mob eating places and swoop up food from diners’ plates.

Besides the pestering of humans, conservationists are concerned that the overwhelming numbers of crows are driving out many smaller indigenous species of birds, impacting biodiversity. With decline in indigenous bird species, pests and insects begin to proliferate, impacting local flora as well as crop plants. This is one more case of how invasive species can impact local ecosystems.

The Kenyan government undertook a programme to control the invasive bird species twenty years ago. While this helped reduce the crow population for some time, the resilient species bounced back with an exponential rise in numbers. In the past there this menace has been addressed with the baiting of food with Starlicide, a slow-acting poison to tackle the crow menace. This time the Kenyan government is planning to use all methods, including this, to eliminate a million crows by the end of the year. A sad, but perhaps unavoidable, murder of crows.  

And just last week was the news that the US Fish and Wildlife Service proposed to kill half a million Barred owls across the states of California, Washington and Oregon over the next ten years. This is because the population of Barred owls is crowding out its less aggressive relative the Northern spotted owl which is an endangered species. This news has sparked of several debates. While this is not a case of an invasive species, it is a case of one species becoming dominant, to the detriment of other species. There is also the moral issue of killing one species to protect another. Perhaps it will take a ‘parliament of owls’ to resolve the case!

See also:

The Camel in the Tent: Invasive Animal Species

A Parliament of Owls

–Mamata

From the Botany Textbook to my Backyard

Our biology teacher tried her hardest to fill our brains with all kinds of information about plants, flowers, and creatures big and small. I am not sure how much of it stuck. But Rafflesia arnoldi  was one of the plants that we studied about that all of the students were fascinated with, and I can still recall many details about it.

For after all, a parasitic plant is fascinating isn’t it? Especially when its blooms are the single largest individual flower in the world, and which emit an aroma similar to rotten meat? It is a parasitic plant that grows on vines of the genus Tetrastigma. It has no green photosynthetic tissues, leaves, stems or roots. It essentiallylives inside the Tetrastigma vines as a mass of strands which absorb water and nutrients from the host. It grows out of the host plant’s bark as brown, cabbage-like buds which bloom over several days. The flowers have five lobes, are reddish-brown with white spots, and grow up to 1 m across and may weigh up to 11 kg. The smell of rotten meat they emit attracts insects such as flies and beetles, and this helps in the pollination cycle.

We all dreamt of the day that we would travel to the wilds of Indonesia to see this plant.

Another parasitic plant, which we didn’t realize was parasitic, was the mistletoe. The books we read were generally by British authors, and the tradition of hanging up mistletoe during Christmas and kissing under it drew many a schoolgirl snigger. Readers of Asterix comics would recall Druid Getafix forever up on top of a tree cutting some plants with a golden sickle. This would be the mistletoe which was believed to have medicinal and magical powers. There are many species of mistletoe, which are parasites on a variety of hosts. Some species even parasitize other mistletoes, which in turn are parasitic on a host! Unlike Rafflesia, mistletoes are hemiparasites—they have chlorophyll and can make some of their own food. 

Thanks to all these references, another ambition was to see miseltoe.

I have definitely not seen Rafflesia.

But I have had recent encounters of a mistletoe type in my own backyard.

The parijaat or coral-jasmine tree is the pride of my garden. Come July, the lawn is carpeted with the delicate, fragrant white blossoms with orange stalks. A few months ago, I saw another type of leaf among the parijaat leaves. I took it for a climber, though I could not see where it had originated from. I didn’t pay too much attention. Then I saw a different kind of flower on the tree, and was kind of happy, because these were rather pretty too, and I thought I had two beautiful flowers for the price of one.

But as l looked more closely, I became more and more perplexed. The climber was simply not rooted anywhere! I clumsily clambered up a stool to check out where the branches with the different leaves were originating from. And to my dismay I found that there were knots at various places on the parijaat branches, and each of them sprouted thin branches with these different leaves.

LeLeaves of Night-flowering Jasmine and Loranthus
Leaves of Night-flowering Jasmine and Loranthus

Consultations with experts has finally resulted in the conclusion that my poor parijaat is infested with the parasitic Loranthus. It belongs to Loranthaceae, the showy mistletoe family. So the ambition to see mistletoe has come true, though I am not happy about it!

Some species of Loranthus are parasites on cultivated trees, for example, on mango s, chiku and poplar trees. Though the books don’t say so, they obviously infect parijaat, and are also seen on my neighbour’s anar.

Loranthus grows on the branches and stems of other trees and obtains water and nutrients from the vascular tissues of the host plant.  Birds like sunbirds and flowerpeckers spread the seeds after eating the berries, either by excreting them or wiping off the seeds from their bills, to the branches of neighbouring plants. Seeds germinate and sink parasitic haustorium (an attachment mechanism) into the branches of their host. Secondary haustoria are formed from the same parasitic plant wherever there is a contact with the host.

A parasite takes up the host tree’s water and mineral content and harms the host while the parasite gets benefitted.  While most of these parasites don’t draw enough to kill the tree unless there is a serious drought or other drastic conditions, the host does weaken.

I have had all the branches with Loranthus knobs pruned. Apparently, the huastoria spread quite deep, so fairly drastic surgery had to be performed on some branches.

I think my paarijaat is looking happier!

–Meena