Makar Sankaranthi is linked to the solar calendar, and marks the beginning of the annual  transit of the Sun from the Southern Hemisphere to the Northern Hemisphere. Sankaranthi is also called ‘Uttarayan’—deriving from ‘uttar’—North, and ‘aayan’—movement.  The Sun moves from the Tropic of Cancer to the Tropic of Capricorn that day.

Makar Sankaranthi is celebrated across the country, but in different ways. In Tamilnadu, it is a harvest festival, and three days of Pongal celebrations mark worship of the sun, the rain and cattle—all fundamental to agricultural economies. It is a wonderful occasion to remind ourselves of how much we owe Nature, and that without the energy of the Sun, we can do nothing. ‘Pongal’ itself means overflowing, and the pot with rice, jaggery and milk is allowed to overflow to calls of ‘pongal-o-pongal’—welcoming abundance in the coming year.

The fundamental importance of the Sun has been recognized by many ancient cultures, and in many of them, kings ruled by the power of the sun and claimed descent from the sun.

In ancient Egypt, the sun god Re was dominant among the higher gods. The sun was not one entity– he sets out on his journey in the East as the young god Kheper; he appears at noon in the zenith as the full-grown sun, Re; and by the evening, when he is in the West he is in the shape of the old sun god, Atum.  When the Pharaoh Akhnaton (husband of the famed Queen Nefertiti) reformed Egyptian religion somewhere around 1350 BC, he took Sun worship to the next level by making it the official religion and the sun’s qualities as creator and nourisher of the Earth and its inhabitants were worshipped.

As far as Roman history is concerned, sun worship became fairly important in the later period.

Both Sumerian and Akkadian religions put sun worship at the centre of their belief system, and in Iran, sun festivals were celebrated as a heritage from pre-Islamic times.

In North America, the Plains Indians followed a solar cult with the Sun Dance as an important ritual. In South America, especially Mexico and Peru, sun worship was widely prevalent.  The ruler of Peru was believed to an incarnation of the sun god, Inti. The Aztecs worshipped Huitzilopochtli, the Sun God who was one of their most powerful and most revered gods. In fact, Aztec people considered themselves to be ‘the people of the sun’.

The sun goddess Amaterasu  played an important role in ancient Japanese mythology and was considered to be the supreme ruler of the world and the guiding deity for the imperial rulers. 

In many of these ancient traditions, the Sun God rides in a chariot drawn by horses. In Hindu mythology too, he rides chariot drawn by seven horses—which are said to stand for the seven colours of visible light or the seven days of the week. There are different versions of the names of the seven horses. In some traditions, they are named after the seven meters of Sanskrit poetry: Gayatri, Brihati, Ushnih, Jagati, Trishtubha, Anushtubha and Pankti. In others, they are called Jaya, Vijaya, Ajaya, Jitapraṇa, Jitasrama, Manojava and Jitakrodha , which are different phases of light transmission through the length of the day.

The most traditional rangoli or kolam made in Tamilnadu for Pongal is the Ratham or Sun’s chariot. While there are 5×5 dot ratham kolams for amateurs, these designs can become incredibly complex and set off a competitive spirit across streets!

So let us rejoice in the spirit of Sankaranthi, and pray for abundance, peace and prosperity in the coming year!

–Meena

PS: The beautiful kolam is from the Net. I can claim no credit!