A House for Mr. Narayan

Generations of Indians have grown up on RK Narayan’s writings. If you have not read his novels, maybe you have seen ‘Guide’, starring Dev Anand and Waheeda Rehman? Or the charming TV series ‘Malgudi Days’? Well, suggest you visit or re-visit all of the above!

RK Narayan was one of the first Indian authors to gain international recognition. His first novel, Swami and Friends, which he wrote in 1930 did not find a publisher for many years. But sometime in 1933, his friends in Oxford to whom he had sent the manuscript, showed it to the famous author Graham Greene. The senior author liked it so much that he recommended it to his publishers and the book saw the light of day in 1935. It got good reviews across the world. RKN followed this up with The English Teacher and The Dark Room, which also won appreciation. From then, it was a steady stream of novels, short stories and articles.

Narayan created the fictional town of Malgudi as the setting for his novels. So authentic was it to his readers that many even today believe it is a real place.

But why the sudden piece on RK Narayan, one might ask.

Well, it has been triggered by a visit to his house in Mysuru. Just last week, when I was there, I was lucky to get to visit this house. RKN spent many years in Mysore (as it was spelt then)—some of his growing up years, as well as his adult life when he accepted a commission in the State of Mysore.

It was in the second stint that he built a house which I visited. Set in the quiet area of Yadavagiri, it is a beautiful house typical of the 1950s, full of light and air, with red oxide floors and a beautiful balcony.

It was indeed gratifying to see the house so well preserved. Especially after we heard the story of how it was almost demolished. The author passed away in 2001. All of his family had left Mysuru by then. The house was falling to rack and ruin, when a builder wanted to pick it up and re-develop it. It was at this time that Mysuru woke up to this legacy. Led by a journalist, the people of the city protested. Finally in 2011, the city corporation bought the house and restored it.  

And we must be thankful for this! For not only is the house in good shape, it seems to have been restored fairly faithfully. There is also an exhibition of several artifacts, including his awards, personal items etc., many photographs, as well panels of text for those who have the patience to read them.

But…

And it is a very big BUT!

When one thinks of the potential that the house has for the students, literature lovers and citizens of Mysuru, not to mention the thousands of tourists the city attracts, it is a tragedy to leave it to routine care-taking and not very imaginative management.

As we reflected on our visit, we could come up with more than 10 ideas in less than 5 minutes:

  • Have a lively permanent exhibition, along with special temporary exhibitions to explore specific themes: maybe selected books; his relationship and collaboration with his brother, the famous RK Laxman, who illustrated so many of his books; maybe the process of turning his books into movies or TV (he is said to have hated the movie Guide), RK Narayan compared to comtempory Indian writers, etc., etc.
  • Sell RKN’s books (no, unbelievably, they don’t!)
  • Make it the hub for meetings of book-clubs
  • Make it a venue for book-launches
  • Host lit fests
  • Have literary events for children
  • Have screenings and discussions of movie and TV shows based on his books
  • Have an author-in-residence programme
  • Develop an archive related to his life and work
  • Create and sell souvenirs based on Malgudi
  • Start a café in the lovely little garden space around the house, and serve his favourite dishes
  • Make it a wifi café, so young people hang out
  • And charge a small fee for entrance (the Corporation has kept entry free..generous but it would be more sustainable to charge something).

Ideas are of course easy. Execution is difficult. But do this for RK Narayan’s house we must. He is a very important part of Indian writing in English.

While India does not have a great tradition of making author’s houses into educational and enjoyable experiences, there are more than enough international experiences to learn from: Shakespeare’s birthplace; Mark Twain’s house; Emily Dickenson’s House; Jane Austen’s House; Milton’s House are among the many which are successfully keeping the legacy of these authors alive.

Maybe RK Narayan House can set the example for homes of other Indian authors?

–Meena

Waiting for the Mahatma

This slim 1955 novel by R.K. Narayan is the best Gandhi Jayanti gift I could have given myself. It transported me to the days of the Independence struggle. The story itself is not really the crux of it, though it is a novel and there is a love story interwoven with the freedom movement.

So much time has passed since the time of the Mahatma that we cannot really fathom what it must have been to live in his time, to be inspired by him and be, even in the remotest way, a part of the freedom movement. And that is just what the book brought to me. That the most uneducated person in the remotest village in any corner of the country was somehow moved and fired by this figure called Gandhi. Whether the person fully understood what Gandhi stood for or what he wanted of them, still they were ready to believe in him, to dedicate themselves to his mission. In the tens of thousands they stood for hours in the sun for a glimpse of the Great Soul. In the thousands, they were ready to give up everything in life and go to jail for him. The book gives us a glimpse of the person behind the myth.

The incidents in the book obviously draw from many, many real happenings of those times. When I found the photograph of the Mahatma, children and fruits, it told me how authentic was the experience from which the book came. The book describes an incident when Gandhiji is taken to the house of the richest man in a town he is visiting, and all the elite are there, waiting for him to speak and to catch his attention. There are trays and trays piled with fruit. Not one of which he touches. Instead, he calls the children in the audience and distributes the fruit to them. While the adults are not thrilled, they still tolerate it. But they definitely are not happy when the Mahatma spots a little urchin in completely tattered clothes in the crowd, calls him up to the dais, seats him beside himself, plies him with fruit and has a full-fledged conversation.  And then decides to go and stay in the home of the urchin, who lives in the Cleaners’ Colony– the poorest, filthiest and unhealthiest part of town. In spite of the exhortations of all the bigwigs to stay in the house of the town’s wealthiest man where arrangements have been made, gently but uncompromisingly, Gandhi insists on going to the boy’s house, throwing the local elite and officials into a complete tizzy.

His uncompromising insistence on truth and ahimsa. His never sacrificing the means for the end. His belief in people, and at the same time, his being able to understand why they slip from the path. His interest in the minutest details of the lives of those around him. His prodigious correspondence—responding to each one of the letters he got. His sense of humour and unshakeable resolve. His sticking to his point without aggression. With this, he inspired a sub-continent and fought the mightiest empire of the time. With this he got us our freedom.

But we still make the Mahatma wait for us. Wait for us to live up to his ideals. Wait for us to be the nation he dreamt we would be.

How long will he have to wait?

–Meena