Famous Women on the Wall: Happy Women’s Day

This week we celebrate International Women’s Day.

It was in 1911 that IWD started being marked. A couple of decades after that was when something called the ‘Famous Women Dinner Set’ was commissioned. This was a set of 50 dinner plates depicting famous women down history.

Kenneth Clark (Baron Clark), the art-historian and museum director, commissioned these. (Those of an older vintage may remember the BBC serial ‘Civilization’ which discussed Western art, architecture and philopsophy. Though made in 1969, it was broadcast in India in the late ‘70s or early ‘80s, and was one of the most popular art-history programmes in the world.)

Coming back to the dinner-plates, the artists given the commission were Vanessa Bell and Duncan Grant, of the famous Bloomsbury Group. This was the name given to a group of English writers, philosophers and artists who met between 1907 and 1930 in the Bloomsbury  district of London, the area around the British Museum , and discussed matters of art and philosophy.

It is said that Kenneth Clark got the idea of commissioning a special dinner service when he was dining off a historic blue-and-gold Sèvres service, originally made for Catherine the Great.

Kenneth and his wife did not interfere in any aspect of the creative work—what form or shape it would take, what pieces it would consist of, or even what it should portray.

In 1933 the work was completed, and after showing it to the Baroness, the artists presented the set of 50 plates to Kenneth Clark, who was probably quite surprised to see the result if his commission, because he thought he would be getting’…a wide ranging set of decorative crockery that included everything from soup tureens to mustard pots’

Picture from https://www.charleston.org.uk/event/famous-women-dinner-service

Vanessa and Duncan had selected 50 famous women down history—twelve each from four categories: Women of Letters (e.g George Eliot, Charlotte Brontë, 10th-century Japanese poet Murasaki. Virginia Woolf and Elizabeth Barrett Browning); Queens (including Catherine the Great, the Queen of Sheba, Elizabeth I, and Victoria); Beauties (among whom were Pocahontas and Helen of Troy); , and Dancers and Actresses (including Sarah Bernhardt, Ellen Terry and Greta Garbo). That made 48 women. The last two plates portrayed the artists Vanessa Bell and Duncan Grant. The artists had hand painted beautiful portraits of their subjects on Wedgewood plates.

Though he was initially a bit confused with the dinner service, it seems that Baron Clark quite grew to like his plates. It is said that he used to select specific plates from the service for use for particular guests, depending on their interests, or to poke fun at their sensitivities.

The dinner set, after being sold and re-sold disappeared from view for some decades, but later re-surfaced. They are now housed in the Charleston Museum in the UK—the original home of Vanessa Bell.

Another major work of art involving women and dinner is ‘The Dinner Party’, a 1979 installation by Judy Chicago. This is a dinner table arranged with place settings for 39 mythical and historical women. They are seated around a triangular table. Though controversial, this is considered a classic of feminist art.

In India we do have portraits (paintings and photographs) of women. But they are outnumbered by artistic works down the ages which put females at the centre—the oldest probably being the Harappan Girl, going back to 1750 BC or thereabouts. From there, to all the art in temples, to Raja Ravi Verma and his goddesses and mythical women, to the controversial portrayals of MF Hussain, to women painted by Amrita Shergill, Anjolie Ela Menon, Arpana Caur, Bharathi Kher and others, which are all classics today.

May many more artists immortalize real women in their art. It is an apt tribute.

Happy Women’s Day!

–Meena

And thanks to all our readers on this, the anniversary of our blog! And all those whose encouragement and support keeps it going!

Gracious, graceful, generous: Shobita Punja

Those are my memories of Shobita Punja, who passed away last week. She joined the Governing Council of Centre for Environment Education (CEE) when I was a rookie-professional there. And from then on, for the decades that followed, we would have the privilege of meeting with her twice a year when she came for the meetings, and then again at workshops and seminars. And over the years, she went from advisor to friend.

Shobita Punja
Shobita Punja. Photo: Jaipur Virasat Foundation.

And in every interaction, she was indeed gracious and generous—taking the time to talk to each one of us, enquiring about our projects, and giving her inputs gently and generously. Most conversations gave us a new perspective to the way we were looking at things.

And of course she was graceful. Her lovely cotton saries; her low, loose bun; her warm smile.

We all wished we could be half as erudite and elegant as her. Or even a quarter would do!

When we first met, she was heading the Centre for Cultural Resources and Training (CCRT), and they were bringing out innovative teaching materials to ignite the love of our history and culture in school kids, and supporting that with teacher training to ensure that the material was used in the right way in the schools. There was much to learn and share, for she was doing for the cultural environment what we at CEE were doing mainly for the natural environment. Both CEE and CCRT were pioneers in introducing experiential learning pedagogies, in getting children to look up from textbooks at the real world, and in trying to question and contextualize their experiences; analyze and synthesize their learnings. And these were revolutionary thoughts for the ‘80s! (Today, the ideas are not new, but how effectively they are put into practice in their real spirit is still a question mark).

 She was truly a pioneer! She did her BA in Art History when it was definitely not seen as a subject with any great career openings, at least not in our part of the world.  This was followed by a Master’s in Ancient History from JNU and another Master’s in Art Education from Stanford. She was awarded a Ph.D. for her contribution to Art Education.

From CCRT, Shobita moved to INTACH, and established a Heritage Education and Communication Service there. She was the moving force behind the restoration of the Chowmohalla Palace and Museum at Hyderabad. As an erstwhile resident of that historical city, I can aver to how authentically it was done and how proudly we used to be to show it off to our visitors. The restoration won the coveted UNESCO Asia-Pacific Heritage Award, apart from many other accolades. Chowmohallah after its restoration was the site for many beautiful music and dance performances, made even more beautiful by the settings. Shobita was also behind the restoration of the Jai Vilas Palace Museum, Jaipur and Reis Magos Fort, Goa.

She was a prolific writer, with over 20 books to her credit, ranging from one as recent as the 2023 co-authored ‘A New History of India: From Its Origins to the Twenty First Century’, through scholarly books on Khajuraho and Banaras, to children’s books including ‘Listen to the Animals’ A Fabulous Collection Of Takes For Children,Illustrated by Mario Miranda.

But maybe her most seminal work was her first book, ‘Illustrated Guide to Museums of India’. Nothing like this had been done before for our heritage collections, and it set a benchmark. What is wonderful is that it is available to all free online, thanks to the UNESCO archives. All you have to do is click on: https://archive.org/details/in.gov.ignca.84193/page/n17/mode/2up.

Shobita, you have left us, but your contributions and the memories of your grace and presence will live on!

May your soul Rest in Peace.

–Meena