Timeless Friendship: Pooh and Pals

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The little bear and his small gang of Hundred Acre Wood friends have captivated children’s imagination for nearly a hundred years. Pooh, along with Tigger, Eeyore, Piglet, Rabbit, Kanga, Roo, Owl, and the little boy Christopher Robin were the literary creations of English writer AA Milne.

Alexander Alan Milne was born in London on 18 January 1882. He studied at Henley House School, a small independent school run by his father. One of the teachers at the school was HG Wells. After earning a degree in mathematics from Cambridge University, AA Milne moved back to London where we worked as assistant editor of the humour magazine Punch for eight years. Despite being a staunch pacifist he was drafted in World War 1 and served for the British army. He was injured in the Battle of Somme; and returned to England suffering from post-traumatic stress caused by his experience in the war. He could not take the busy life of London and moved his family to the countryside outside of East Sussex. As he slowly recovered, he spent a lot of time in the woods in the area with his only son Christopher Robin, nicknamed Billy Moon. These woods became the setting for the forthcoming adventures of the Hundred Acre gang of friends. And the woodland walks planted in AA Milne the roots of the tales of the motley group of anthropomorphic animals. 

How did the woods become populated with these characters whose charm has remained undiminished for a hundred years? Christopher Robin himself was introduced by his father in a poem titled Vespers which was published in 1923. Another poem mentions a Mr Edward Bear, which was the name of the toy bear that Milne had given his son on his first birthday. But a visit to London Zoo where Christopher saw a black bear rescued from Winnipeg in Canada, led to the renaming of Edward the toy bear as Winnie. The christening was complete when Christopher told his father about a swan that he fed every morning, and how, if the swan did not come, Christopher would say “pooh” implying ‘I don’t care!’ Thus, on Christmas Eve 1925, AA Milne’s short story The Wrong Sort of Bees formally introduced Winnie the Pooh, the teddy bear often dragged down the stairs by his owner Christopher Robin. In no time, the big-hearted but slightly slow-witted bear won the hearts of all children, and the child-at-heart. In the stories that followed, the little boy and his bear were joined in their woodland adventures by their equally quirky, but loving, furry and feathered friends.

The pencil illustrations by Milne’s friend Ernest E Shepard brought the characters to life. The association between writer and artist (his old friend who had served together with him in the war) continued through all the books. Shepard based his drawings also on some other stuffed toys that Christopher played with in his childhood. However Pooh bear was based on his own son’s teddy bear named Growler. The original stuffed toys that gave form to Tigger, Eeyore, Piglet, and Kanga are still preserved in the New York Public Library, a bit bedraggled over time, but still tugging at heartstrings. The baby kangaroo stuffed animal (named Roo) was lost in an apple orchard during the 1930s. The toys were taken to the United States in 1947, and remained with Milne’s American publisher EP Dutton until 1987 when they were donated to the New York Public Library to add to its renowned collection of children’s literature. Here they remain in the Library’s permanent exhibition, a bit bedraggled over time, but still tugging at heartstrings.

The first collection of stories Winnie the Pooh was published in October 1926. It was a huge success and helped to introduce the characters to audiences beyond England. The stories with their innate innocence, childhood joys, and idyllic countryside provided comfort in times that still echoed with the brutality of World War I. They also touched upon universal sentiments of friendship and bonding.

The unprecedented success of the books however impacted the childhood of the real Christopher Robin. He was thrust into the discomforting limelight, and grew up resenting the fallout of early fame. This led AA Milne to stop writing Pooh stories after his fourth book, The House at Pooh Corner. However the damage had been done and the relations between father and son continued to remain strained till the end.   

Milne wrote four children’s books that made up the Winnie the Pooh anthology, beginning with the poetry series When We Were Young published in 1924, and the final book The House at Pooh Corner, published in 1928. In the nearly hundred years since, the books have sold millions of copies worldwide, and the characters remain evergreen, and ubiquitous, through animated versions and merchandise which have earned billions of dollars. The exclusive media ownership of the brand was with Disney and Warner Brothers until 2022 when the 95-year copyright lapsed. Pooh and friends are now in the public domain. May they continue to charm and endear themselves for the next hundred years.

So they went off together. But wherever they 
go, and whatever happens to them on the way, in
that enchanted place on the top of the Forest a
little boy and his Bear will always be playing.

The House at Pooh Corner

–Mamata

Sun, Giver of Light and Life

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Makar Sankaranthi is linked to the solar calendar, and marks the beginning of the annual  transit of the Sun from the Southern Hemisphere to the Northern Hemisphere. Sankaranthi is also called ‘Uttarayan’—deriving from ‘uttar’—North, and ‘aayan’—movement.  The Sun moves from the Tropic of Cancer to the Tropic of Capricorn that day.

Makar Sankaranthi is celebrated across the country, but in different ways. In Tamilnadu, it is a harvest festival, and three days of Pongal celebrations mark worship of the sun, the rain and cattle—all fundamental to agricultural economies. It is a wonderful occasion to remind ourselves of how much we owe Nature, and that without the energy of the Sun, we can do nothing. ‘Pongal’ itself means overflowing, and the pot with rice, jaggery and milk is allowed to overflow to calls of ‘pongal-o-pongal’—welcoming abundance in the coming year.

The fundamental importance of the Sun has been recognized by many ancient cultures, and in many of them, kings ruled by the power of the sun and claimed descent from the sun.

In ancient Egypt, the sun god Re was dominant among the higher gods. The sun was not one entity– he sets out on his journey in the East as the young god Kheper; he appears at noon in the zenith as the full-grown sun, Re; and by the evening, when he is in the West he is in the shape of the old sun god, Atum.  When the Pharaoh Akhnaton (husband of the famed Queen Nefertiti) reformed Egyptian religion somewhere around 1350 BC, he took Sun worship to the next level by making it the official religion and the sun’s qualities as creator and nourisher of the Earth and its inhabitants were worshipped.

As far as Roman history is concerned, sun worship became fairly important in the later period.

Both Sumerian and Akkadian religions put sun worship at the centre of their belief system, and in Iran, sun festivals were celebrated as a heritage from pre-Islamic times.

In North America, the Plains Indians followed a solar cult with the Sun Dance as an important ritual. In South America, especially Mexico and Peru, sun worship was widely prevalent.  The ruler of Peru was believed to an incarnation of the sun god, Inti. The Aztecs worshipped Huitzilopochtli, the Sun God who was one of their most powerful and most revered gods. In fact, Aztec people considered themselves to be ‘the people of the sun’.

The sun goddess Amaterasu  played an important role in ancient Japanese mythology and was considered to be the supreme ruler of the world and the guiding deity for the imperial rulers. 

Sankaranthi
Sun Chariot Kolam

In many of these ancient traditions, the Sun God rides in a chariot drawn by horses. In Hindu mythology too, he rides chariot drawn by seven horses—which are said to stand for the seven colours of visible light or the seven days of the week. There are different versions of the names of the seven horses. In some traditions, they are named after the seven meters of Sanskrit poetry: Gayatri, Brihati, Ushnih, Jagati, Trishtubha, Anushtubha and Pankti. In others, they are called Jaya, Vijaya, Ajaya, Jitapraṇa, Jitasrama, Manojava and Jitakrodha , which are different phases of light transmission through the length of the day.

The most traditional rangoli or kolam made in Tamilnadu for Pongal is the Ratham or Sun’s chariot. While there are 5×5 dot ratham kolams for amateurs, these designs can become incredibly complex and set off a competitive spirit across streets!

So let us rejoice in the spirit of Sankaranthi, and pray for abundance, peace and prosperity in the coming year!

–Meena

PS: The beautiful kolam is from the Net. I can claim no credit!

Window to the World: National Geographic

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They were probably our first glimpse of the wonders of the natural world. As children we eagerly awaited the arrival of the yellow cover magazines with their breathtaking pictures. My father, a lover of maps found a wealth of meticulous cartography in the maps that often accompanied the magazines. The glossy pages with fantastic photographs were the hallmark of the National Geographic Magazine. The magazine has maintained the same level of excellence for the last 136 years!

This month marks the important milestones that led to the launch of this enduring visual record of the world. This began with the founding of the National Geographic Society. The journey started in early January 1888 when a small group of gentlemen prominent in the scientific and intellectual circles of Washington DC received an invitation that read: Dear Sir: You are invited to be present at a meeting to be held in the Assembly Hall of the Cosmos Club, Friday evening, January 13, at 8 o’clock, for the purpose of considering the advisability of organizing a society for the increase and diffusion of geographic knowledge.

On the given date, 33 gentlemen who were sufficiently intrigued by the invitation to brave the fog and rain, gathered at the Cosmos Club. The guiding spirit leading the discussion was Boston lawyer Gardiner Greene Hubbard, supported by explorers John Wesley Powell and Adolphus Greely, as well as geographer Henry Gannett. The topic of discussion was the organization of a society for the increase and diffusion of geographic knowledge. One week later on 20 January the second meeting had twice the original number of participants, who agreed to incorporate themselves as a geographical society, and just one week later the Certificate of Incorporation of the National Geographic Society was formally signed on 27 January 1888. Interestingly, the average age of the founding group was around 40 years, and half of these were in their late 20s to 30s, several working for the US Geological Survey or the US Coast and Geodetic Survey. And, they were all male. Ironically, only one member was a journalist, and there is no photograph of any of the three occasions that led to the birth of the iconic magazine. National Geographic Magazine started publication in October 1888 as the official journal of the National Geographic Society.

The original issues were all text articles. The magazine began the transition from a text-oriented publication to including pictorial content with its January 1905 issue which had several full-page pictures of Tibet. By 1908 more than half the magazine’s pages were photographs.  

One of the founding objectives of the non-profit Society was to fund science and exploration across the planet. The first scientific expedition supported by the Society was to survey and map the Mount St. Elias region in North America, which led to the discovery of Mount Logan, Canada’s highest peak. Initiated in 1890, and led by explorer Israel Russell, this marked the beginning of thousands of explorer-led National Geographic expeditions. Significant among the early expeditions supported by the National Geographic Society were Robert Peary’s which was the first to reach the North Pole in 1909, and expeditions (1912-1915) to excavate Machu Pichu the lost city of the Incas in the Peruvian Andes. Since the first expedition, the Society has provided more than 15,000 grants to explorers to work across the world.

The earliest natural-colour underwater pictures were taken by the National Geographic staff photographers in 1926. The magazine continued to bring to the readers hidden deep sea treasures with a series of articles by Jacques-Yves Cousteau in the mid-1950s, including the deepest undersea photos from 25,000 under the sea in 1956. From deep sea to outer space, the National Geographic Society flag was carried by John Glenn on the first US orbital space fight in June 1962; and it reached the moon with the Apollo 11 astronauts in July 1969. The exploration of forest ecosystems also got Society support, with funding to Jane Goodall and Dian Fossey’s intensive work with chimpanzees and mountain gorillas in the African jungles. Over the decades, the Society has continued to support explorations in varied ecosystems, and in all spheres from ocean depths to outer space. The discoveries of these incredible missions are shared through the National Geographic Magazine, opening windows and vistas to millions of armchair travellers across the globe. The excellence of standards of journalism and photography are backed with the passion and commitment of documenting the wonders of history, science, anthropology and nature, while also bringing to the fore serious environmental and human rights issues.

The National Geographic Magazine has continued to inspire generations for over a century, reaching out to 60 million readers worldwide each month, including 40 local-language editions. Keeping step with changing times and technology, in January 2001 National Geographic Channel was launched on cable and satellite television in the United States. The channel has expanded the scope of visual storytelling. Nat Geo continues to provide new digital experiences to find new ways of documenting the world and allowing readers to interact with content. In a rapidly changing world, the Society has stayed true to its original mission ‘to pursue and celebrate exploration, scientific excellence, education, and unforgettable storytelling’. National Geographic has remained a vibrant, relevant, world-class brand at the forefront of exploration and knowledge. However, the changing times are making their mark felt even here. Until 2015, the magazine was completely owned and managed by the National Geographic Society. Since 2019 the Walt Disney Company has taken over controlling interest. In June 2023, National geographic announced that it will focus on digital publication and subscribers. The magazine also laid off all of its staff writers, shifting to an entirely freelance-based writing model. Starting 2024, the hard copy will no longer be available on newsstands, while old subscribers will receive hard copies till their subscription runs.

Truly the end of an era. And a time to revisit the family collection of National Geographic Magazines (dating back to the mid-1950s) and enjoy the nostalgic savour of rediscovering the wonders of the world.   

–Mamata

Kuldhara: Ghosts of the Past, Vandals of the Present

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Kuldhara is on the tourist map of Jaisalmer district. On the way to Sam where the desert starts, is this ‘ghost town’ abandoned by its inhabitants about 200 years ago. The history of the town goes back to the 13th century when it was first settled by Paliwals, people from Pali district. Over the centuries, it grew into a prosperous place, with about 400 houses and over 1500 inhabitants at the peak. It had a pond, Udhansar, excavated by one of the first inhabitants, and at least one temple dedicated to Vishnu, as well as several wells and a step-well. It is actually a planned city, with proper layouts and a place for everything.

Till it was suddenly abandoned. It is not clear why the inhabitants left, but many reasons are given. Was it dwindling water supplies? Was it an earthquake? Or, more dramatically, was it the unwanted pursuit of one of the beautiful girls of the town by a local minister?

Well, whatever the reason or combination of them, it is a fact that people started leaving the place, probably not fleeing overnight as the tourist guides will tell you, but probably in trickles.

The mud-brick houses, temple and various other structures still stand in fairly good condition. Local legend of course goes that the township is haunted, and visitors are assured it is a dangerous place at night! The legend also says that the Paliwals while leaving the place, placed a curse on it, saying that anyone who tried to occupy it would meet dire consequences. All this led to its attracting tourists.

Kuldhara

The Rajasthan government decided to develop this as a tourist site around 2015. This is definitely a strategic move, given that it is just 18 kms away from Jaisalmer, and makes for a comfortable half-day trip, and it had already gained notoriety for its ghosts.

It is well-maintained by the Archeological Survey of India. There are of course guides. And importantly, fairly clean toilets. To this day, the neighbouring villages insist the gates be closed in the evening, so the Kuldhara ghosts don’t wander into their houses!

Of course, a lot more could be done—more signage, re-creation of a typical house, visualization of the town as it must have originally been, a more serious delve into the reasons for its abandonment, etc.

All of this will hopefully be done by the authorities in due course.

But an extremely disturbing incident that happened last week brings to fore the need for us as citizens and tourists to be more responsible. Newspapers report on a video that went viral. The video shows two tourists holding hands and kicking down the ancient brick wall of one the houses in Kuldhara. They were apparently doing this for putting up the video on social media.

The police are waiting for a formal complaint to be filed before taking action. Hopefully, this will be done fairly soon and action will be taken. The penalty for those who deface structures of national and historical importance has fortunately been enhanced in 2010 vide an amendment to the Ancient Monuments and Archaeological Sites and Remains Act. Now, such vandals will have to face imprisonment up to 2 years and/or a fine of up to Rs. 1 lakh.

Sadly, very few cases actually come to the stage where the punishment is given. Often, even the FIR is not registered—though in this case, the police seem to be ready to do this.

Kuldhara is just the latest example—from tourists knocking down pillars at Hampi to graffiti in Golconda, we have a long sad story of vandalism at cultural heritage sites.  If our monuments are to have a chance, punishment in these cases needs to swift, exemplary and well-publicized. Maybe there needs to be a sign outside the monument as to how someone tried to vandalize and what punishment they got!

And of course our educational institutions need to instill respect for our cultural and natural heritage, and strongly din home the need to take the greatest care of them.

The responsibility rests with each and every one of us.

­­–Meena

Fireworks: Sound and Light Show

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If bells are the traditional symbols that ring out the old, and ring in the new, perhaps the other thing that, across the world, opens the New Year with the dazzle of light and sound, is firecrackers. From the first display that lights up the sky in New Zealand, till 12 hours later, the sparkle that ushers in a new year in South America, firecrackers are almost a universal symbol of celebration of special occasions.

The history of fireworks goes back almost 2000 years ago, and the story of the first combination of crackle and bang, began almost as an accident. People in China used to throw bamboo stalks into the fire; the overheating of hollow air pockets in the bamboo would cause them to explode with a bang. The Chinese believed that this bang would ward off evil spirits. These are believed to be the first natural crackers. The human intervention began when, as the story goes, a Chinese alchemist mixed three common kitchen ingredients: sulfur, charcoal and potassium nitrate (saltpeter, a food preservative) and heated these over the fire, to make black flaky powder that ignited with a loud bang. The local people called this fascinating black powder huo yao (fire chemical). This was the first crude formulation of what came to be known to the rest of the world as ‘gunpowder’. People began to experiment further with the use of this powder. It was inserted into hollow bamboo tubes which were thrown into the fire. The ignited powder produced gases that caused so much pressure to build up in the tube that it blasted open with a loud bang. The first basic manmade ‘firecracker’ was born. In time the bamboo stalks were replaced with paper tubes, and instead of throwing the tubes into the fire, people added fuses made from tissue paper so that these could be lit from the outside.  

Firecrackers became an integral part of all Chinese celebrations—festivals, weddings and religious rituals. In the meanwhile the Chinese also realized that the black powder could be put to other, less ceremonial, uses. They attached the firecrackers to arrows that they shot at their enemies. Thus began the use of gunpowder in warfare that continues, in more sophisticated forms, to this day.

The knowledge of fireworks using gunpowder began to travel westwards with traders and travelers. It is believed that Marco Polo, one on of his many trips to China brought back this invention to the Middle East, from where the European crusaders brought it to Europe. An English scholar Roger Bacon is believed to be the first European to have analyzed the black powder from China, as he was intrigued why the mixture of ingredients exploded rather than burned. He also recognized that this quality of the powder could potentially be very dangerous, so he wrote the formula in secret code, to keep it secret as long as possible. Despite Bacon’s best efforts, Europeans discovered the formula, and a variety of weapons using gunpowder were developed. By the sixteenth century gunpowder completely transformed the nature of medieval warfare where chain armour and castle moats could not withstand the power and penetration of muskets and cannons.

While firepower was being used to develop weapons for warfare, the sound of fireworks began to become part of celebrations and festivals in Europe by the fifteenth century. It is the Italians who added the spectacle of light and colour by developing aerial shells that launched upwards and exploded into a fountain of colour lighting up the night sky. For nearly 2000 years the early colours were produced were yellows and oranges. It was only in the nineteenth century that the technology was developed that could produce reds, greens and blues to firework displays. In the meanwhile European rulers widely used displays of fireworks to “enchant their subjects and illuminate their castles on important occasions.”    

Early settlers to The New World carried with them their love of fireworks as they settled into what became the United States of America. Fireworks displays were part of the very first American Independence Day. Even today the Fourth of July fireworks tradition remains an integral part of the celebrations.

Today firework displays are a part of celebrations in almost every country and culture across the world. What appears to be a dazzle of colour, light and sound is in fact, a precise packaging of chemistry and engineering. Each modern firework consists of a tube that contains gunpowder (called an aerial shell), and dozens of small pods about 3-4 cm in diameter (each called a star). These stars hold a combination of fuel, an oxidizing agent, a binder, and metal salts or metal oxides for colour.

A firework also has a fuse that is lit to ignite the gunpowder. Each star makes one dot in the fireworks explosion. When the colorants are heated, their atoms absorb energy and then produce light as they lose excess energy. Different chemicals produce different amounts of energy, creating different colours. For example: Blues are made with copper-chloride compounds. Reds are made with strontium salts, strontium carbonate and lithium salts. Purple is made with a mix of blue-producing copper compounds and red-producing strontium compounds. Orange is created with calcium salts and calcium chloride. Green is made with barium chloride and other barium compounds. 

From alchemy to chemistry, the dazzle and fascination of pyrotechnics has travelled across centuries and continents to become a symbol of celebration. In India, despite concerns of the adverse impacts of the noise and smoke on health and the environment, and in spite of legal restrictions, crackers are getting louder and smokier, even as the sparkling lights in the night sky take our breath away. As the reverberations of the New Year fireworks linger in the air, the wedding season lies ahead, and also cricket matches and other celebrations that ensure that the crackle never fades.   

–Mamata

Ring in the New!

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Welcoming the new year with the ringing of bells is an old tradition, immortalized by the lines from the familiar lines by Alfred Lord Tennyson.

‘Ring out the old, ring in the new,

Ring, happy bells, across the snow;

The year is going, let him go;

Ring out the false, ring in the true.’

Down the ages and across the world, bells have played an important role—from summoning people to a gathering place, to a role in religious rituals, to announcing danger, to attracting attention. And importantly, to summon children to school, and provide them joyful reprieve at the end of classes! I am talking of course of traditional metal bells which are rung manually.  These traditional bells are ‘melodic percussive musical instruments usually made of metal (bronze, copper, or tin) but sometimes made of glass, wood, clay, or horn. When a bell is struck by a clapper (an interior object) or an exterior mallet or hammer, the bell, constructed of solid, resonant material, vibrates and produces a sonorous ringing sound’. Each bell is unique, depending on the material it is made of, how thick it is and its size and shape. Based on these factors, it resonates at certain harmonic frequencies and pitches. 

bell

A bell is usually suspended from a yoke– a cross piece that allows the bell to hang freely. The top of the bell is known as the crown and the middle portion is called the waist. The lower open section is known as the mouth, and the lower edge of the bell is called a lip. The part of the bell which is struck with a clapper is the thickest part of it, and is called the sound bow. Some bells are rung with clappers, a metal sphere that swings inside the bell Others are struck with a mallet or stick externally.

Gungroos represent a variation. Rather than being bell-shaped, they are orbs, with a few openings, which have small metal balls or even tiny stones enclosed within, which rattle and produce a tinkling sound.

With new technologies and means of communications, traditional bells and the traditional role of bells is diminishing. But interest in these bells and bell-ringing is alive. Many thousands of people around the world practice bell-ringing as hobby!

In fact, January 1 is observed as Bell Ringing in some countries. Many universities in the UK have bell-ringing clubs. When you join such a club, you first have to master the technique of pulling the rope attached to the clapper in a rhythmic way. Once you have mastered this, you can start “change ringing”–rhythmically ringing in a descending scale and then changing the order in which the bells ring in various different ways. Team bell-ringing is an activity which requires immense amount of coordination, and is a competitive event!

Bell Ringing Day not only sets out to encourage bell-ringers, but also to focus attention on the need to restore and maintain bells.

Our temples have beautiful bells which devotees ring as they go in. Most homes have small bells, and pujas are accompanied by the chiming of bells. Dancers wear ghungroos or rows of bells on their ankles. Cows are adorned with bells which chime as they move.

A cheery note to begin the year!

Happy New Year, and may the chiming of bells bring in good tidings!

Peace on earth, and goodwill to all.

–Meena

War and Peace

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What can one say about the year that is winding to a close? Sadly, despite many stories of achievements and accomplishments across the world, and even into space, perhaps the images that will haunt us the most will be those of the ravages of war. A frightening reminder of human’s inhumanity to humans. While the voices of the war-mongers are louder and more strident, there are, in every time and generation a few who gently, but passionately, fight the non-violent battles for peace.

One among these was Daisaku Ikeda, the Buddhist philosopher, educator, author, poet, and above all, peace-builder. Ikeda was born in Tokyo, Japan, on January 2, 1928, the fifth of eight children, to a family of seaweed farmers. He grew up in a period when Japan was in an authoritarian and militaristic phase of expansion, and heading towards World War II. As a teenager Ikeda was witness to the devastation and suffering of the war, including the death of his elder brother in action. The young Ikeda was deeply disturbed by the seemingly meaningless human conflict.

At the age of 19, Ikeda met Josei Tado, an educator, pacifist and leader of the Soka Gakka, a Japanese Buddhist religious movement based on the teachings of the 13th-century Japanese priest Nichiren. Toda had been imprisoned during the war together with his mentor Tsunesaburo Makiguchi. Both had held firm to their religious convictions in the face of oppression by the military authorities who had imposed the Shinto ideology as a means of sanctifying their war of aggression. Makiguchi had died in prison, and Toda had resolved to stand up to the militarist regime. This greatly impressed Ikeda who was drawn to the Buddhist philosophy of peace and non-violence. The seeds of Ikeda’s passion for peace were firmly sown.

Toda was engaged in the process of rebuilding the Soka Gakkai which had been all but destroyed as a result of wartime persecution. The young Ikeda shared Toda’s conviction that the philosophy of Nichiren Buddhism, with its focus on the limitless potential of the individual, cultivated through an inner-directed revolution, could help revive society in the devastation of post-war Japan.

Ikeda accepted Toda as his mentor, and the next ten years became as he described, ‘the defining experience of his life and the source of everything he later did and became.’ Toda died in 1958, and in May 1960, Ikeda succeeded him as president of the Soka Gakkai. He was 32 years old. In 1975, Ikeda became the founding president of Soka Gakkai International (SGI), which grew into a global network that brings people of goodwill and conscience together. Under his leadership, the movement began an era of innovation and expansion, becoming actively engaged in initiatives promoting peace, culture, human rights, sustainability and education worldwide. He established the Soka (value-creation) schools system, a non-denominational educational system based on an ideal of fostering each student’s unique creative potential and cultivating an ethos of peace, social contribution and global citizenship.

Ikeda’s philosophy is grounded in Buddhist humanism; the central value being the fundamental dignity of life, which is the key to lasting peace and human happiness. In his view, global peace relies ultimately on a self-directed transformation within the life of the individual, rather than on societal or structural reforms alone.

From a healed, peaceful heart, humility is born; from humility, a willingness to listen to others is born; from a willingness to listen to others, mutual understanding is born; and from mutual understanding, a peaceful society will be born. Nonviolence is the highest form of humility; it is supreme courage.

Ikeda also firmly believed that the foundation of peace lay in dialogue. Dialogue and education for peace can help free our hearts from the impulse toward intolerance and the rejection of others. People need to be made conscious of a very simple reality: we have no choice but to share this planet, this small blue sphere floating in the vast reaches of space, with all of our fellow “passengers.”

Dialogue and the promotion of cultural exchange became the basis of his efforts to build trust and foster friendship in contexts of historical division and conflict. In order to discover common ground and identify ways of tackling the complex problems facing humanity, Ikeda pursued dialogue with individuals from diverse backgrounds—prominent figures from around the world in the humanities, politics, faith traditions, culture, education and various academic fields. Over 80 of these dialogues have been published in book form. Through his writings and actions Ikeda became a pioneering practitioner of the concept of ‘a culture of peace’.

Ikeda also founded a number of independent, non-profit research institutes to promote peace through cross-cultural, interdisciplinary collaboration: the Boston Research Center for the 21st Century (renamed Ikeda Center for Peace, Learning, and Dialogue in 2009), the Toda Institute for Global Peace and Policy Research (renamed Toda Peace Institute in 2017) and the Institute of Oriental Philosophy. The Min-On Concert Association and the Tokyo Fuji Art Museum promote mutual understanding and friendship between different cultures through the arts.

Ikeda was a multi-faceted personality—philosopher, educator, writer and peace-builder. But all his endeavours were rooted in his strong faith in the positive potential inherent in the life of every person. Ikeda was convinced that peace is ultimately inseparable from enabling the flourishing of each person’s individuality. A great inner revolution in just a single individual will help achieve a change in the destiny of a nation and, further, will enable a change in the destiny of all humankind.

For Ikeda, peace was far more than the mere absence of war. He saw this as a set of conditions in which cultural differences are embraced and appreciated and in which dialogue is firmly established as the means of choice for resolving conflict. In the end, peace will not be realized by politicians signing treaties. True and lasting peace will only be realized by forging life-to-life bonds of trust and friendship among the world’s people. Human solidarity is built by opening our hearts to each other. This is the power of dialogue.

Daisaku Ikeda passed away on 18 November 2023, at the age of 95 years. As another war rages on, the world is in dire need of the wisdom of men such as him, to remind us again and again of the futility of violence. Peace is not simply the absence of war; it is a state in which people come together in mutual trust and live with joy, energy and hope. This is the polar opposite of war―where people live plagued by hatred and the fear of death.

With hope and a prayer that the year ahead may lead humanity from war to peace.

Peace is not found somewhere far away. Peace is found where there is caring. Peace is found when you bring joy to your mother instead of suffering. Peace is found when you reach out and make an effort to understand and embrace someone who is different from you. Daisaku Ikeda

–Mamata

It’s Still Christmas!

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We are somewhere in the first quarter of the Twelvetide—the 12 days following Christmas. In the old days, December 25 was only the beginning of Christmas which started on that day, and went on till January 6th, which was considered by some to be more important than Christmas day itself! The 12 days mark the journey of the Magi, the three wise men, who set out to see the Baby Jesus on seeing the star, and ends at the feast of Epiphany, on Jan 6th, when they actually met Him.

The Christmas song ‘The Twelve Days of Christmas’ has always intrigued me as I could never make head or tail of the strange array of gifts given on each day. And I am sure that many others are confused as well. But things started falling into place after I realized that each gift was symbolic of something in Christian belief or ritual, and is linked to Twelvetide. And what exactly are these gifts?

On the first day, someone’s true love gives her a partridge in a pear tree. Apparently, this symbolizes Jesus Christ himself.

12 days of Christmas

The second day brings a gift of 2 turtle doves—which stand for the Old and New Testaments.

The 3 French hens of Day 3 are the virtues of faith, hope and charity.

Particularly confusing are the gifts of the fourth day—viz, 4 calling birds. What on earth are calling birds? Well, opinion is divided. They could be blackbirds or starlings or crows! But the number 4 stands for the 4 gospels.

The 5 golden rings of the fifth day are a more conventional gift and stand of the five books of the Old Testament.

6 geese-a-laying symbolize the 6 days of creation, and this, in some weird way, seems to make some sense!

The day after that brings 7 swans-a-swimming. These stand for the seven sacraments recognized by the Catholic Church —Baptism, Eucharist, Confirmation, Reconciliation, Anointing of the sick, Marriage and Holy orders.

The intriguing 8 maids-a-milking symbolize the eight beatitudes or the sacred blessings which mark the opening of the Sermon on the Mount.

Continuing with pretty ladies, the next day brings 9 ladies dancing, which are the nine fruits of the Holy Spirit, namely love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control.

The nimbleness of the ladies is matched by 10 lords-a-leaping who come along on the tenth day. These symbolize the Ten Commandments.

The 11th day brings along accompaniments for the dancers and prancers in the shape of 11 pipers piping, who represent the 11 faithful apostles. I do feel the pipers could have come ahead of the ladies dancing.

And the last noisy day brings along 12 drummers drumming—symbolizing the 12 points of the apostle’s, i.e., the 12 points of faith that Christians believe in.

This carol was first published in 1780, but is believed to be much older.

Someone has gone to the trouble of calculating the cost of these gifts and has estimated the total for 2022 at a whopping $45,523.27. And this is when each gift is counted only once (i.e., assuming that the second day brings only the 2 turtle doves, and not another partridge in a pear tree).

Here is to the continuing spirit of Christmas—peace and joy to all our fellow-people!

–Meena

Santa the Traveller

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Tis the season to be jolly, and the jollity is best symbolized by the iconic Santa Claus. As Meena wrote this week, the legend of Santa dates back to fourth century AD. A bishop named Nicholas, in what is now modern-day Turkey, became known for his kindness and generosity to the deprived and needy. He was later canonised, and St Nicholas became one of the most popular saints in Christianity. He also became the patron saint of many European countries. Every year he was honoured during the Feast of Sint Nicholas where parents would leave gifts for their children who believed that he had paid them a visit during the night. The Dutch version of the saint rode a donkey and wore a tall pointy Bishop’s hat. On St. Nicholas Day a person dressed up as the saint went from house to house with a servant, either rewarding or punishing children depending on the work they had done. The good students got a gift meant to resemble a sack of gold, while the bad ones got lumps of coal.

The story of St Nicholas evolved over the years, with local embellishments, in different countries of Europe. In some parts of 16th and 17th century Europe, St. Nicholas was depicted as someone who handed out apples, nuts and baked goods, symbols of a bountiful harvest. In France and England, books became the gift of choice as more people became literate.  Gradually, small jewellery, wine and luxury foods became gifts of choice as well.

There were similar figures and Christmas traditions in many parts of Europe. Christkind or Kris Kringle meaning ‘Christ Child’, an angel like figure who often accompanied St. Nicholas was believed to deliver presents to well-behaved Swiss and German children. In Scandinavia, a jolly elf named Jultomten was thought to deliver gifts in a sleigh drawn by goats. English legend explains that Father Christmas visits each home on Christmas Eve to fill children’s stockings with holiday treats. Père Noël is responsible for filling the shoes of French children. In Italy, there is a story of a woman called La Befana, a kindly witch who rides a broomstick down the chimneys of Italian homes to deliver toys into the stockings of lucky children.

It is only in 1664 that the legend of Saint Nicholas crossed the Atlantic, to the Dutch settlement of New Amsterdam, what is today New York City. For the next 200 years the legend of Sint Nikolas or Sinter Klaas (in adaptation) was preserved and protected by the Dutch settlers in America, along with his tradition of giving gifts.

In 1822 a poem, inspired by the Dutch legend, and originally titled A Visit From St Nicholas was published, which provided a more graphic description, (adapted to the new country and culture) of Santa Claus. The adaptation also included the pronunciation of the name in the New York accent, where Sinter Claus became Santa Claus. This poem by Clement Clark Moore, retitled as The Night Before Christmas became a classic. It is upon this, that the image of Santa as we know him today became firmly established.

To promote the tradition of gift giving, stores in America began to advertise Christmas shopping in 1820, and by the 1840s, newspapers were creating separate sections for holiday advertisements, which often featured images of the newly-popular Santa Claus. They also added to the attraction by introducing “live” Santas who would meet children and encourage them to share their “wish list’ for presents.  

Santa thus found a new identity in America. In 1863 a young artist Thomas Nast was commissioned to draw a picture of Santa Claus bringing gifts to the troops fighting in the American Civil War. He drew upon Clement’s description to depict a roly-poly, white bearded, cheerful figure in red clothes, to boost the troop morale.

Perhaps the large-scale commercialization of Santa as a ‘sales agent’ began in the 1920s with Coca Cola first using the red clad Nast figure to advertise Coke. In 1931 the company commissioned an advertising agency to create special Christmas sales campaigns using the Santa image. Santa was the key figure in Coca Cola advertising up to 1964. He appeared in magazines, on billboards, and shop counters, encouraging Americans to see Coke as the solution to “a thirst for all seasons.” By the 1950s Santa Claus became a popular endorser of a wide range of consumer products.

Today Santa Claus has once more crossed the Atlantic to become a global icon of contemporary commercial culture. St. Nicolas has indeed travelled a long way from being a kindly benefactor of the needy, to the ubiquitous jolly Santa Claus selling every dream and product imaginable—while the promoters jingle all the way to the bank.

This is a good time to remind ourselves that Christmas is a season of giving, before it became a season of acquiring and owning more and more. Merry Christmas and warm greetings of the festive season.

–Mamata

‘Tis the Season to Rejoice. And Make Santas!

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With a 5-year old to entertain, I am always looking for suitable activities. And Christmas brings not only joy but a host of Santa crafts too. Like Ganesh, Santa lends himself to being rendered in paper, board, foil, plastacine, with balloons, with cotton wool….you name it. The ability to cut out circle-ish shapes is the main criterion for being able to undertake Santa-crafts. My house is currently filled with good, bad and indifferent renditions of Santa!

Santa

As a corollary, I was curious to learn about Santa sculptures. I did not recall seeing any statues of this beloved character. And they seem to be surprisingly few in number—or at least, they don’t seem to be well documented.

But there is one very well-known sculpture—famous in some eyes, infamous in others!

This is the piece by the American artist Paul McCarthy. Always controversial, McCarthy works in several media—performance, sculpture, painting, installation and ‘painting in action’. He is an analyst and commenter on mass media, consumerism, contemporary society and the hypocrisy, double standards and repression of American society. His objective is to showcase everyday activities and the mess they create.

In 2001, the city of Rotterdam commissioned McCarthy to create a Santa to be placed at the prominent Schouwburgplein square near De Doelen, the city’s orchestra building. He was paid 180,000 euros, a very reasonable amount for a large sculpture by such a prominent artist.

McCarthy delivered the bronze sculpture—and controversy started. Santa was supposedly holding a pine tree in his hand. But many saw the object in his hand as having sexual overtones, and the statue gained the nickname of Butt Plug Gnome.

There were protests by the people of Rotterdam who refused to allow the sculpture to be installed in Schouwburgplein. City officials then tried to install it in Rotterdam’s main shopping street, but this plan also met with resistance. It was four years before McCarthy’s sculpture was set up and unveiled in the city’s Museum Park. It stayed at that spot for three years. However, thanks to general discontent about its highly-visible location, it was moved to a less prominent location within the Museum Park itself.

It was only on November 28, 2008 that the sculpture, which was intended by the artist to critique the consumer culture that surrounds Christmas,  and  is supposed to depict the king of instant satisfaction, symbol of consumer enjoyment, found a permanent home in the Eendrachtsplein Square in Rotterdam.

Another well-known statue of Santa which again has a complicated story is in Turkey. The original Santa was St. Nicholas who was born in 270 AD, in Patara, a small town in Antalya province in modern-day Turkey. He accepted the Christian faith and became the bishop of the nearby town of Demre. The story goes that he used to be so upset by poverty and unhappiness that he used all his wealth to combat it. He dropped bags gold coins down chimneys and gave nuts and fruit to good children, and often helped to look after the sick and elderly—one can see the linkages with activities associated with present-day Santa. Various generations of Santa statues stood in Demre for many years.  But in 2008, the then-standing statue was removed during some construction work by city officials, and has not been replaced despite protests. Authorities say they will re-install the statue when they find an appropriate spot for it!

Nearer home, there are less controversial, though also less permanent Santas. India’s well-known sand artist Sudharshan Patnaik has made sand sculptures of the beloved figure for the holiday season over the last few years.  Last year he created a giant 1.5 tonnes , 60-feet wide sand-and-tomato Santa Claus on Gopalpur Beach. Before this, during Covid in December 2020, he created a giant three-dimensional sand installation of two Santas holding a mask, carrying the message of wearing masks.

May this holiday season bring peace, health and happiness to all!

Meena