Category: Meena Raghunathan

Check and Mate and Gold!

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A few months ago, we had the opportunity to meet two greats of the chess world: Vishwanathan Anand and Gukesh. And today to see Gukesh and the rest of India’s young chess players as world champs is such an occasion of joy and pride.

Anand and Gukesh both spoke at an informal soiree.  Anand, older, a world citizen, soft, sophisticated, with wide interests and knowledge, and comfortable in his achievements. Someone you could picture in a corporate boardroom. Gukesh, young (he was short of his 18th birthday by a week at that time), still not quite able to believe where he had reached in such a short time. But several things bound them. Their humility, decency, utter dedication to their game. And the fact that they were Chennai lads!

Chess

Tamil Nadu, not without reason, is called India’s Grandmaster Factory. Manuel Aaron of Chennai became the country’s first International Master in 1961 and was a major force in domestic and international chess from the ‘60s to the ‘80s. He played a key role in popularization of chess in India and in bringing in international protocols and practices.

And then of course came Vishwanathan Anand, first grandmaster from India in the year 1988, five-time winner of the World Championship, and eight-time winner of the World Rapid championship. He has been Deputy President of the International Chess Federation which oversees all the chess federations in the world. India had seen cricketing heroes till then, and a few tennis and badminton champions. But Vishy was the first chessmaster who captured the imagination of the general public and the youth. Since then, chess has acquired a glamour.

Also from Chennai are Subbaraman Vijayalakshmi the first Indian woman to become International Master (IM) and Woman Grandmaster (WGM), and Koneru Humpy who became the youngest woman ever to achieve the title of Grandmaster (GM) at the age of 15 years, 1 month, 27 days—a record that stayed unbeaten for five years.

And the list goes on! About 35% of Indian Grandmasters among men are from Tamil Nadu, and 39% of women Grandmasters.

There have been quite a few game-watchers who have analysed why the state produces such a disproportionate number of champs. As always, it is not a simple answer, and there is really no hard proof. But some factors mentioned are:

  • Early start: The Tamil Nadu State Chess Asssociation, earlier known as Madras Chess Club was formed as early 26 April 1947 at Chennapuri Andhra Maha Sabha, Chennai with the intention to identify the upcoming chess players and make them into world-class professionals.
  • Early Role Models: With Manuel Aaron in the sixties making it to the world stage, followed by Vishy in the eighties, chess was already in the limelight in Tamil Nadu, much before it captured the imagination in other parts of the country.
  • Bringing world chess to the State: The State Govt hosted the World Chess Championship in 2013, which saw a thrilling match between Anand and Carlsen—boosting public visibility of the game.
  • Making it a part of the education system: Like Orissa is doing for hockey today, Tamil Nadu has been supporting chess in many ways for many decades. The government and the educational system have understood the role that the game can play in child-development and have always made space for it in the school system. In 2011, it was made an extra-curricula activity in schools. In 2013, a ‘Seven to Seventeen program’ was put in place under which each school coaches students from 7 to 17 age group to play chess.
  • Making coaching accessible: The Tamil Nadu government offers online and offline chess coaching by best coaches and grandmasters for students everywhere in the state, especially those in government schools.
  • Schools which go the extra mile: There are also schools in the state, like Velammal Vidyalaya,  where there are over a thousand students who take up chess coaching. Apart from high-level coaching, the school adjusts curricular schedules and reduces academic burden for students who show promise, and also provides financial help to those who need it.

Of course, more than anything, sportspeople at any level need the support of their families. In the case of Vishy, it was his mother who initiated him into the sport and supported his endeavours. In later years, his wife became his manager, travelled with him on punishing schedules, and was his pillar.

Gukesh’s doctor-father and microbiologist-mother gave up their careers to nurture his. It was not easy—both of them giving up their jobs put enormous financial pressure on the family. Gukesh was really young when he hit the international scene (he is barely past 18 now!), which meant one of them always had to travel with him. While contestants from richer countries with financial support and sponsorships would stay in fancy hotels near competition venues, Gukesh and his parents would stay in less-expensive accommodation far away. And hire cycles to make it there.

The story of most of the other players is not too different either. And it is against such odds that these young people fight and come out winners. Gukesh dropped out of formal schooling at Std. 4 and is essentially home-schooled, so that he can devote all his time to chess. When we asked him if he did not miss hanging out with friends and doing things that teenagers do, he gently replied that there is nothing he wants to do at this stage other than chess; that he does yoga to de-stress; and yes, he does party with the other players after the tournaments!

Thank you, Rameshbabu Praggnanandhaa, Arjun Erigaisi, Harika Dronavalli, Vaishali Rameshbabu, Divya Deshmukh, Vantika Agrawal, and Tania Sachdev, for your dedication and for doing us all proud!

–Meena

Thank you: https://www.chess.com/blog/JARVIS_SL/tamil-nadus-chess-legacy-the-grandmaster-factory-of-india

Fever Tree

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Clay tablets from Mesopotamia mention this deadly disease. Indian writings of the Vedic period (1500 to 800 BC) call it the ‘king of diseases.’ Traces of the disease have been found in remains of bodies from Egypt dating from 3200 and 1304 BC. The 270 BC Chinese medical canon has documented the disease’s headaches, chills, fevers and periodicity. The Greek poet Homer (circa 750 BC) mentions it in The Iliad, as do Aristotle (384-322 BC), Plato (428-347 BC), and Sophocles (496-406 BC) in their works.

The disease? None other than malaria, a disease that has taken its toll on not only humans down the ages, but our Neanderthal ancestors too. In the 20th century alone, malaria claimed between 150 million and 300 million lives, accounting for 2 to 5 per cent of all deaths!

Many have been the scientists who spent their lives trying to understand malaria. Charles Louis Alphonse Laveran (1845-1922) a French army doctor during the Franco-Prussian played a key role. He as the first to postulate that malaria was not spread by bad air, but rather that ‘Swamp fevers are due to a germ’. He was also the earliest scientist to detect crescent-shaped bodies in the blood of affected individuals, and then the four stages of the development of the parasite in the blood. These findings were confirmed by Camillo Golgi. Dr. Charles Ross and India played a huge part in the unravelling of the whole cycle and Ross received the Nobel Prize for discovering the mosquito-stages of malaria.

The story of uncovering the cure for malaria has been dramatic too. For centuries, when no one had a clue what caused malaria, treatments included blood-letting, inducing vomiting, and drastic things like limb amputations, and boring holes in the skull. Herbal medicines like belladonna were used to provide symptomatic relief. 

Cinchona-nitida-quinine
Cinchona Tree whose Bark yields Quinine

But the cure strangely came from South America—a region not originally plagued with the diease. It was probably brought from the outside around the 16th century. The native Indians were the first to discover the cure. The story goes that an Indian with a high fever was lost in the Andean jungles. Desperate with thirst as he wandered the jungles, he drank from a pool of stagnant water. The taste was bitter and he thought he had been poisoned. But miraculously, he found his fever going down. On observation, he found that the pool he had drunk from had been contaminated by the surrounding quina-quina trees. He put two and two together, and figured that the tree was the cure. He shared his serendipitous discovery with fellow villagers, who thereafter used extracts from the quina-quina bark to treat fever. The word spread widely among the locals.

It was from them that Spanish Jesuit missionaries in Peru learnt about the healing power of the bark between 1620 and 1630, when one of them was cured of malaria by the use of the bark. The story goes that the Jesuits used the bark to treat the Countess of Chinchon, the wife of the Viceroy who suffered an almost fatal attack. She was saved and made it her mission to popularize the bark as a treatment for malaria, taking vast quanitities back to Europe and distributing it to sufferers. And from then, the use of the powder spread far and wide. It is said that it was even used to treat King Louis XIV of France.

The tree from which the bark came was Cinchona, a genus of flowering plants in the family Rubiaceae which has at least 23 species of trees and shrubs. These are native to the tropical Andean forests. The genus was named so after the Countess of Chinchon, from the previous para. The bark of several species in the genus yield quinine and other alkaloids, and were the only known treatments against malaria for centuries, hence making them economically and politically important. It was only after 1944, when quinine started to be manufactured synthetically, that the pressure on the tree came down.

Not unusually, the tribe who actually discovered it is forgotten. The medicine came to be called “Jesuit Powder’ or ‘Chincona powder’ or “Peruvian powder’. Trees in the genus also came to be known as fever trees because they cured fever.

May the many indigenous community, their knowledge and their practices which are at the base of so many medicines today get their due recognition, credit and due.

–Meena  

Private Gardens for Public Pleasure

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Last week, we delved into the making of the Butchart Garden in Victoria, Canada—a private garden which is completely open to the public. This is not common. For the most part, public gardens are public, and private gardens are private—open only to the enjoyment of the owners, their families and friends.

A public garden is defined by the American Public Gardens Association as: “An institution that maintains collections of plants for the purposes of public education and enjoyment, in addition to research, conservation, and higher learning. It must be open to the public and the garden’s resources and accommodations must be made to all visitors. Public gardens are staffed by professionals trained in their given areas of expertise and maintain active plant records systems.”

On the other hand, a private garden is ‘a type of Urban Green Spaces Areas in immediate vicinity of private (privately owned or rented) houses, cultivated mainly for ornamental purposes and/or non-commercial food production’ and is not usually open to the public.

While Jennie Butchart, creator of the Butchart Gardens was clear right from the start that she wanted as many people as possible to see and enjoy her gardens, not all owners have been so open. Or even if they wanted to, didn’t know how to go about it. But that would be such a loss, because some of these private gardens are spectacular.

And hence, the various initiatives in many parts of the world which try to make private gardens accessible to the public.

For instance, in the US, the Garden Conservancy organizes Open Day programmes. This institution is a nationwide community of gardeners and garden enthusiasts who teach and learn about gardens. Believing that there is no better way to improve as a gardener than by seeing and experiencing firsthand a wide range of gardens, they organize these Open Days, which since 1995, have seen ‘more than 1.4 million visitors into thousands of inspired private landscapes—from urban rooftops to organic farms, historic estates, to innovative suburban lots—in 41 states’. These events are curated and ticketed and open up some of America’s best private gardens to the public for a few days. The organization even brings out an annual publication—‘The Garden Conservancy’s Open Days Directory’ This is a yearly guide to hundreds of private gardens across the United States. The directory includes information on the gardens’ types, such as organic, scenic, or historic, and how and when they can be visited.

In the UK,  London Parks & Gardens organizes the Open Gardens London event every year, helping visitors enjoy hallowed private London gardens including roof gardens, city farms, allotments, spaces steeped in history, and much more. A ticket to the event gives visitors access to every garden on display across the whole weekend, with children under 12 allowed in for free!

Under the Open Gardens South Australia programme, garden owners generously open their gardens for a weekend. The NGO helps owners plan and promote their opening. Some of the ticket money is usually donated to a charity of the owner’s choice

In Ireland, the Gardens Open initiative of Garden.ie lists around 300 gardens open for visiting, some year-round, others by appointment.

Mughal Gadens

The Rashtrapati Bhavan gardens, previously known as the Mughal Gardens are not private. However, they are not open to the public all the time. Constructed by Sir Edwin Lutyens in 1917 in the traditional Persian Charbagh style the Gardens were renamed Amrit Udyan in 2023. The 12-acre beautifully cultivated gardens are open to visitors in Feb-March and Aug-Sept every year and a popular tourist spot in New Delhi.

India has some large public gardens, but no well-known large private gardens—certainly none open to the public. Maybe it is time for some people with the means and the green thumbs to create such green oasis in our crowded, polluted, frantic cities. That would be social responsibility indeed!

–Meena

A Library Crying for a Librarian

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So many of India’s treasures are hidden, waiting to be discovered. No, it’s not just old monuments or beautiful sights.

It includes—wait for it—libraries too!

The Bhadariya Library is a prime example. Bhadariya is a tiny village, near Pokhran, with a population of less than 2000. Situated about 76 kilometres from Jaisalmer, off the Jaisalmer-Jodhpur highway—it remains a hidden gem, with only a fleeting mention on travel sites.

Once off the highway, there is quiet road flanked on both sides by vast cow shelters, leading to the serene Shri Bhadariya Mata Ji temple. Originally erected in 1831 by Maharawal Gaj Singh of Jaisalmer, it commemorates his victory in a bloody battle against Bikaner.

And underneath the temple lies a humungous 50,000 square feet underground library—probably Asia’s largest. It houses the personal collection of one man–Harbansh Singh Maharaj, a social reformer from Punjab who moved to Rajasthan in the 1960s. Built in 1998. It houses around 200,000 different titles and a total of 900,000 volumes, with seating for 4,000 individuals.

As one climbs down a flight of steps to the library, there is an unusually long corridor, probably some 150 metres in length. Closed glass shelves line either side. As one continues onwards, each corridor leads to the next and then to the next identical corridor. The illusion of immensity is compounded by the mirrored walls at each end of every corridor. There are eight such corridors with 562 spotlessly clean glass shelves.

These shelves are filled with a rich and varied but largely random collection. It is obviously the work of a person passionate about books and education, but untrained as a librarian. The books range from British-era gazetteers and law books, to a vast collection of mythological works, books in English, Urdu, Sanskrit, Tamil, and various other languages. It contains some rare manuscripts which may be over a thousand years old.

Harbansh Singh Maharaj or Sri Bhadariyaji Maharaj as he was called, built the library to encourage reading and education in a place where there was little interest in either. He wanted readers to have a cool, sheltered place to sit and study, and so choose to have an underground facility. The local communities contributed shramdaan to do the excavations. His ambition was to start a University, but alas, this could not happen.

Today, the library has neither a librarian nor any staff to manage it. The sole caretaker of the library is an attendant from the Jagdamba Seva Committee Trust’s office. The immaculate condition of the interiors and the shelves speak volumes about the love the staff of the Trust have for the library.  It is no mean feat to maintain such a large facility of this nature, in such a location absolutely dust-free.

But they can do only what they can do. Professionals and resources are needed–the books are not even catalogued and carry no library classification numbers, hindering their integration into any library network.

And even more sadly, there are no readers either. Apart from locals, no one really knows about the facility or the treasures it offers. The attendant told us that the library was hardly ever used by anyone. It is in a remote location, and there is no really convenient accommodation for scholars who may come from far away. Moreover the library lacks a system to assist visiting scholars.

But yes, the potential for scholars to come from far and wide exists. As a visitor to the library has mentioned ‘Bhadariyaji Maharaj has left a vision. If someone could resurrect it, it would uplift the field of education,’

This was Bhadaria Maharaj’s life’s work, which he carried out with the vision to spread education. It is now our responsibility to build on this invaluable legacy.

–Meena

Celebrating Librarians

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National Librarian’s Day is observed on August 12 every year to commemorate the birthday of Padma Shri Dr S. R. Ranganathan (1892-1972), who is considered not only as the father of library science in India, but who has made immense contributions with worldwide impacts to the development of the discipline.

Dr Ranganathan’s academic journey did not indicate that he would end up as the country’s most significant librarian. He did his B.A. and M.A. in mathematics at the Madras Christian College. He was a brilliant student, and aspired to teach mathematics. He therefore went on to take a degree from the Teachers’ College Saidapet. He started his career at Government College Mangalore in 1917. From there on, he went on to teach at Government College Coimbatore and Presidency College, Madras.

In 1924, he was appointed the first librarian of the University of Madras. He was a reluctant librarian who at first hated to be cooped up in a room with just books and a few staff members. He missed the interactions with students and his colleagues and pleaded to come back to teaching. But other people saw something in him and knew he would do a great job. He was selected to go to the UK to be trained in library science. His principal Mr Duncan assured him that if he still wanted to give up librarianship after his UK visit, he could go back to teaching.

The experiences in the UK transformed Dr Ranganathan’s view of this profession. When he saw the difference that libraries could make in the lives of people, and how they could serve different sections of the community, he discovered a social mission for libraries, and for himself.

Dr Ranganathan served as Librarian and Professor of Library Science for over three decades, at some the largest and most prestigious universities of India.  In 1962, he founded the Documentation Research and Training Centre in Bangalore, and was associated with it through his life.

His major technical contribution to the world of librarianship was the Colon Classification system, which is even now one of the major classifications used in libraries across the world.

But as a lay-person and user of libraries, what deeply fascinates me is the ‘Five Laws of Library Science’, which he first proposed in 1924, and after several iterations, finally published in 1931. These sum up the foundational philosophy on which libraries must be run.

These laws are:

1. Books Are For Use: We have all experienced how some librarians are more concerned that their books not be ‘spoilt’, dog-eared or lost, rather than that they be read. The first law addresses this concern—the primary purpose of a library is not to store and preserve books, but rather to ensure that they are used. With this Law, Dr. Ranganathan refocused the attention on access-related issues, such as the library’s location, loan policies, hours and days of operation; and as importantly, the quality of staffing. Practical matters like library furniture, temperature control, and lighting too fall in this purview.

2. Every Reader His/Her Book: The Second Law recognizes that readers have different interests, and stresses that every reader has the right to read what he or she wants. They have equal rights to be able to access material of their interest. It fixes the responsibilities of the state, the library authority, the library staff, and the readers, and clarifies that a library must serve all users, irrespective of age, social background, or economic status.

3. Every Book Its Reader: Related to the previous Law, the practical implication of the third Law is that there should be a variety of books and that the library needs to figure out ways to ensure that each item finds its appropriate reader. This points to making the collection accessible, including open shelving. Importantly, it means that even if there are few readers for a book, each book has its place in the library.

4. Save The Time Of The Reader: This law is a recognition that library services must meet the needs of library users efficiently. One requirement for this is that the library staff must have strong reference skills, as well as strong technical skills in cataloguing, cross-referencing, ordering, accessioning, and the circulation of materials.

5. The Library Is A Growing Organism: A library is a social institution and will keep growing in terms of documents, readers, and staff. Even when a library seems to have reached its capacity, the growth would be in terms of replacing old books by new books and new users will continuously replace old users. So a library needs to be a continually changing institution, never static in its outlook.

At a time when the reading habit seems to be on the decline, and many libraries are floundering to re-define themselves, it would be a good idea to revisit Dr Ranganathan’s vision of libraries and his Five Laws. They will help us find a new direction in this rapidly changing landscape.

–Meena

Symbolizing the Olympics

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Continuing in the spirit of the Olympics—after all, they will come back only after four years—today I thought we could take a random walk through things other than the mascot which symbolize the Games.

The Olympic Rings of course are the most widely recognizable symbol of the Games. The five interlaced rings are of equal size, and are in five colours–from left to right: blue, yellow, black, green and red. The five rings stand for the five continents. One or more of the five colours is present in the flag of every country. The Olympic rings appeared for the first time as a graphic symbol for the Olympic Games in Antwerp 1920.
As per the Olympic Charter, The Olympic symbol expresses the activity of the Olympic Movement and represents the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games.
Each edition of the Games has its own emblem, which integrates the five rings. These usually combine an edition-specific characteristic symbol, lettering naming the event location and year, and of course the Olympic rings.
Another strong identity of the Games is the motto or slogan. The original motto Citius, Altius, Fortius (Faster-Higher-Stronger) was modified in 2021 to Citius, Altius, Fortius–Communiter (Faster, Higher, Stronger—Together). The Games’ motto or slogan is an integrating part of the emblem and is to be used only in the in the context of the Games. The motto is to be displayed, as far as possible, together with the Games emblem. Apart from this, individual Games may have their own taglines—the one for Paris being Games Wide Open.
Apart from these, each Olympics has a ‘Look’. This is the visual identity of that edition of the Games, and tries to capture the zeitgeist of the Games, differentiating one edition from another.  It is designed to promote the culture of the host country and celebrates the spirit of its people. The Look is displayed on sporting and non-sporting facilities, the city, uniforms, tickets, credentials, products, shops, medals, etc., giving a unique identity to wherever the Games are happening. The Look of the Paris Games has been designed to celebrate sport and the festive atmosphere of the Games. It has French sense of style and elegance. The major colours are blue, red, green and purple.
Olympic Pictograms or icons are stylised, non-verbal representations or instructions that help people to find their way and provide information, even if those people cannot read the language. Since athletes come from all corners of the world, there is need for commonly understood signs. Olympic sport pictograms help with their simple, unambiguous representation of athletes, typical poses and/or sports equipment, and have been a key element of all Olympic Games.  The Paris Olympics have 62 pictograms for the various events in the Olympics and Paralympics, which ‘symbolise not only the different sports, but also pride, values, and a large and diverse family’. 
 The Games also have an anthem. A Greek anthem was created for the 1896 Games but was not, at that stage, adopted as the official all-time anthem. For several editions of the Games, there were different anthems. However, in 1960, the original Olympic anthem with lyrics by Palamas and music by Samaras was adopted as the Olympics anthem. Appropriately, it speaks of achievement and of beauty, of greatness and of truth. Again, there is a theme song for the different Games, with the one for Paris being Parade, composed by Vector le Manse.
 The Paris Olympics have seen plenty of controversies, mess-ups and disappointments, as well as moments of joy, splendour, camaraderie and achievement.
2028 will see Los Angles hosting the Games.
Well, what to say but “Faster, Higher, Stronger–Together”!
–Meena

The Little Red Caps: Olympic Phryges

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We are well into the Olympics—complete with controversies, exhilarating triumphs and heart-breaking failures. And we will see more super-human achievements in the weeks to come.

Overseeing all the fun, festivities and sports are the Olympic mascots of Paris 2024, the Phryges. The phryges are little red hats. This is somewhat unusual, because the mascots are often, but not always, characters—often indigenous animals or birds, or human forms representing the cultural heritage of the host country.  Generically, mascots are ‘a person or thing that is supposed to bring good luck, especially one linked to a particular organization or event; a person, animal, or object adopted by a group as a symbolic figure especially to bring them good luck’

Why is a red hat the mascot for the Paris Olympics? Well, the phryge holds a lot of significance for the French, and is a deep part of their cultural heritage. The phryge is a soft hat, generally red, which was first worn by freed slaves in Phrygia, an ancient Greek kingdom (in present-day Turkey). The storming of the Bastille prison in July 1789 marked the beginning of the French Revolution. Revolutionaries who were involved in the storming wore phryges. And slowly the hats came to symbolize the Revolution itself, and since then have since been known as a symbol of liberty and the revolution. Even today, protesters don them as they march. Marianne, the personification of France, is often shown wearing a Phrygian cap.
The Paris Olympics have two Phrygres: one for the summer Olympics, and one for the Paralympics. The Paralympics mascot  which ‘has a visible disability also sends a strong message: to promote inclusion.’

Both the Phryges are blue, white and red — the colors of the French flag.  They sport a gold “Paris 2024” logo on their chests. Their eyes are made out of a “cockade of France” –a knot of ribbons that is the French national ornament.  Each Phryge has its own personality. The Olympic Phryge is ‘the smart one” with a “methodical mind and alluring charm.’ The Paralympic Phryge is ‘a party animal, spontaneous and a bit hot-headed.’ 
Olympic mascots have been around  since 1968. They symbolize the Olympic spirit; spread the values highlighted at each edition of the Games; promote the history and culture of the host city; and give the event a festive atmosphere. They bring a personality to the Games, capturing the styles, traditions and cultures of the host country. The mascots are especially meant to connect with youth.

The very first Olympic Mascot was‘Shuss’, a little man on skis in the skiing position to which his name alludes.  He wears a two-coloured head, resting on a zig-zag flash-shaped foot with the Olympic rings featuring on his head. He symbolized the winter Olympics that took place in Grenoble, also in France. Waldi was the first Summer Olympics mascot. This dachshund, a very popular animal in Bavaria known for its endurance, tenacity and agility, was the symbol of the Olympics held in Munich in 1972.

Sydney Olympics Sovernirs
Sovenirs from Sydney Olympics Year!

Since then, the Olympics have featured various animals, birds and objects. Unusual objects have included Schneemandl’  a snowman wearing a red Tyrolean hat (Innsbruck winter Olympics); Magique, a little imp in the shape of a star and a cube (Albertsville); Neve a snowball; Gliz an ice cube (Turin) etc. There are some mascots which are not an animal, nor a human figure, nor an object. One of the most unusual was Wenlock (London 2012) made from one of the last drops of steel used to build the Olympic Stadium in London. The light on his head was similar to those found on London’s famous black cabs. The shape of his forehead resembled the Olympic Stadium roof. His eye was the lens of a camera. He wore five bracelets in the colours of the Olympic rings.

India has not yet hosted the Olympics, but the 1982 Asian Games mascot Appu the Elephant, and the 2010 Commonwealth Games Shera the Tiger, were much beloved. The Phryges follow in this beloved tradition.

So here is to the spirit of the Phryges which aim to show that sport and its values can do great things, and that sports are about fraternity, solidarity and can help society grow.

–Meena

 

 

Here Come the Clean-Green Olympics!

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This Friday, 26 July, will see the start of the 33rd Summer Olympics. Over the next few weeks, till 11th August, Paris—the main host city, and 16 other cities around France as well as Tahiti, a French overseas island, will see 800 sporting events. With this, Paris becomes only the second city in the world (apart from London) to host the Olympics for the third time. But it is a good long time since the last time it held the Games—a century to be exact!

 The arrangements for the games are aimed at setting new benchmarks for quality, convenience, security and aesthetics. The 4-hour opening event will set the tone. The Paris 2024 opening ceremony will be unique in that it will not take place in a stadium. Instead, nearly a hundred boats will be deployed, which will carry thousands of competitors and other guests on a 6 km scenic route on the River Seine. The boats will be organized by country. Along the way, they will sail by the newly-repaired Notre-Dame Church, several bridges and other Paris landmarks, and will arrive at the Eiffel Tower. The banks of the river will be alive with music, dances and performances woven together into a 12-part show. The speeches and other formalities will all be a part of the overall presentation-experience, as the Games are declared open by French President Emmanuel Macron.  The show will end around 9.30 pm when the sun sets.

Paris Olympics

About 10,500 athletes will participate in the ceremony, which will be attended by about 100 heads of state. There will be over 3 lakh spectators on the banks. 80 giant screens will be put up along the way.

Other unique aspects of the 2024 Olympics:

  • This will be the first Olympics in history to achieve numerical gender parity, with an equal number of female and male athletes– 5250 men and 5250 women.
  • Break-dancing: For the first time break-dancing will be introduced as a competitive event. There will be two events, one for men and the other for women.
  • For the first time in history, the public will be part of Olympic experience! They will be allowed to run the same course of the Olympic marathon on the same day as the Olympians.
  • The marathon swimming event and the swimming leg of the triathlon will be held in the River Seine, as they were in 1900. From 1923 until recently, swimming had been banned in the Seine due to water-quality issues, but the authorities have put in their utmost to clean up the river, and have assured that it is safe.

Most significantly, the organizers have vowed to make these the ‘greenest Olympics’, with efforts to make to make it carbon-neutral, and to cut the carbon footprint of the Olympics in half compared to previous editions. They will try to offset more emissions than the Games create. Some of the steps the organizers are taking include:

  • The Olympics will run on 100% green energy generated from new sources of wind and solar energy, like windmills on the Normandy coast as well as solar panels on the roofs of venues in Paris.
  • The Games will mainly use only existing venues and temporary structures, thereby avoiding the carbon footprint of building new ones. Only two new venues will be built–for aquatics and basketball.
  • There will be no air conditioning in the athletes’ rooms. Instead, buildings in the athletes’ village have been designed with a cooling system drawing water from underground. Moreover, facades have been designed so they get little direct sun.
  • The Village will use 94 per cent recycled materials and a special construction process that emits half as much carbon.
  • After the games are over, the Athletes’ Village will allocate the houses for permanent residences.
  • Athletes’ mattresses will be made from recycled fishing nets, and the base of the beds will be made from reinforced cardboard.
  • Local farms will provide 80 per cent of the 13 million meals served during the Games, thereby lowering emissions.
  • Most Olympic venues will be accessible by public transport, and 1000 km of new cycling lanes have been created. 3000 pay-and-use bikes will be deployed.
  • About 2 lakh new trees have been planted.

Sounds like these Olympics are going to set new benchmarks! Appropriately so, for the motto “Citius, Altius, Fortius – Communiter” or “Faster, Higher, Stronger – Together” is not just about the sports events themselves, but every aspect of the Games!

Here is to the spirit of the Games!

–Meena

From the Botany Textbook to my Backyard

~ millennialmatriarchs ~ Leave a comment

Our biology teacher tried her hardest to fill our brains with all kinds of information about plants, flowers, and creatures big and small. I am not sure how much of it stuck. But Rafflesia arnoldi  was one of the plants that we studied about that all of the students were fascinated with, and I can still recall many details about it.

For after all, a parasitic plant is fascinating isn’t it? Especially when its blooms are the single largest individual flower in the world, and which emit an aroma similar to rotten meat? It is a parasitic plant that grows on vines of the genus Tetrastigma. It has no green photosynthetic tissues, leaves, stems or roots. It essentiallylives inside the Tetrastigma vines as a mass of strands which absorb water and nutrients from the host. It grows out of the host plant’s bark as brown, cabbage-like buds which bloom over several days. The flowers have five lobes, are reddish-brown with white spots, and grow up to 1 m across and may weigh up to 11 kg. The smell of rotten meat they emit attracts insects such as flies and beetles, and this helps in the pollination cycle.

We all dreamt of the day that we would travel to the wilds of Indonesia to see this plant.

Another parasitic plant, which we didn’t realize was parasitic, was the mistletoe. The books we read were generally by British authors, and the tradition of hanging up mistletoe during Christmas and kissing under it drew many a schoolgirl snigger. Readers of Asterix comics would recall Druid Getafix forever up on top of a tree cutting some plants with a golden sickle. This would be the mistletoe which was believed to have medicinal and magical powers. There are many species of mistletoe, which are parasites on a variety of hosts. Some species even parasitize other mistletoes, which in turn are parasitic on a host! Unlike Rafflesia, mistletoes are hemiparasites—they have chlorophyll and can make some of their own food. 

Thanks to all these references, another ambition was to see miseltoe.

I have definitely not seen Rafflesia.

But I have had recent encounters of a mistletoe type in my own backyard.

The parijaat or coral-jasmine tree is the pride of my garden. Come July, the lawn is carpeted with the delicate, fragrant white blossoms with orange stalks. A few months ago, I saw another type of leaf among the parijaat leaves. I took it for a climber, though I could not see where it had originated from. I didn’t pay too much attention. Then I saw a different kind of flower on the tree, and was kind of happy, because these were rather pretty too, and I thought I had two beautiful flowers for the price of one.

But as l looked more closely, I became more and more perplexed. The climber was simply not rooted anywhere! I clumsily clambered up a stool to check out where the branches with the different leaves were originating from. And to my dismay I found that there were knots at various places on the parijaat branches, and each of them sprouted thin branches with these different leaves.

LeLeaves of Night-flowering Jasmine and Loranthus
Leaves of Night-flowering Jasmine and Loranthus

Consultations with experts has finally resulted in the conclusion that my poor parijaat is infested with the parasitic Loranthus. It belongs to Loranthaceae, the showy mistletoe family. So the ambition to see mistletoe has come true, though I am not happy about it!

Some species of Loranthus are parasites on cultivated trees, for example, on mango s, chiku and poplar trees. Though the books don’t say so, they obviously infect parijaat, and are also seen on my neighbour’s anar.

Loranthus grows on the branches and stems of other trees and obtains water and nutrients from the vascular tissues of the host plant.  Birds like sunbirds and flowerpeckers spread the seeds after eating the berries, either by excreting them or wiping off the seeds from their bills, to the branches of neighbouring plants. Seeds germinate and sink parasitic haustorium (an attachment mechanism) into the branches of their host. Secondary haustoria are formed from the same parasitic plant wherever there is a contact with the host.

A parasite takes up the host tree’s water and mineral content and harms the host while the parasite gets benefitted.  While most of these parasites don’t draw enough to kill the tree unless there is a serious drought or other drastic conditions, the host does weaken.

I have had all the branches with Loranthus knobs pruned. Apparently, the huastoria spread quite deep, so fairly drastic surgery had to be performed on some branches.

I think my paarijaat is looking happier!

–Meena

Maze-Amaze

~ millennialmatriarchs ~ Leave a comment

Last week, I was in a shopping area near my house, and got myself lost. Having no sense of direction, any set of streets can turn into a maze for me, and I can get lost hopelessly anywhere!

That is when I started thinking about real mazes. What would I ever do if I got into one? Probably panic and die!

But apparently that wouldn’t happen in a labyrinth. Because though most of us don’t really stop to think about the difference, they are very different! Labyrinths have a single continuous path which leads to the centre, and as long as you keep going forward, you will get to the centre eventually. So given enough time, it is close to impossible for anyone, even me, to get lost in a labyrinth.Mazes on the other hand, have multiple paths which branch off and will not necessarily lead to the centre or to the exit.

Mazes probably evolved from labyrinths, and over time took on elaborate forms including multiple branching paths, dead ends, etc.

The first recorded labyrinth is a 5th century BC one from Egypt. Labyrinths are found in many cultures, and generally seem to have an underlying spiritual meaning.  Some represent spiritual journeys which guide visitors towards a single path, which may be full of twists and turns, but there is no doubt of reaching the goal as long as one is walking on the right path. In some cases, entering the labyrinth signified death and exiting it signified re-birth. They were also fertility symbols. Labyrinths were also thought to represent protection or fortification. Often in temples, forts etc., one can find carvings or paintings of labyrinths on the floor or walls, to represent one of these symbolisms.

Some temples are like labyrinths themselves, and their orientation, form and geometry have symbolic as well as spatial importance. The process of moving through the pathways is supposed to unwind the Kundalini or stored energy, releasing, magnifying, and ultimately harnessing its flow. 

Chakravyuha labyrinth
Chakravyuha labyrinth

Many military formations adopted in ancient Indian warfare were labyrinths. The famous Chakravyūha (wheel formation, also called Padmavyūha—lotus formation) of the Mahabharata was one such. It was a very special formation and knowledge of how to penetrate it was limited to only Abhimanyu, Arjuna, Krishna and Padyumna on the Pandavas’ side. The Kauravas strategically diverted the senior warriors to different parts of the battlefield, and then went into the Chakravyuha formation, and succeeded in decimating the Pandava warriors. 16-year old Abhimanyu was there and bravely plunged into the wheel, killing many seasoned Kaurava warriors. Alas, he did not know how to get out of the formation, and at the sixth level, was slaughtered by a horde of Kauravas.   

The Bara Imambara of Lucknow houses a famous Indian maze. Said to be the world’s largest structure that is unsupported by beams, the Imambara is considered a marvel of engineering. The fourth Nawab, Asaf-Ud-Dowhala, commissioned this building during the drought of 1784 to help people in the city earn a livelihood. He invited bids and it was won by Hafiz Kifayatullah, an architect from Shahjahanabad who was already well-known by then. Work on the building started in the 1784 and finished fourteen years later.

The Bhul Bhulaiya or Maze located on the upper floor of the Bara Imambara was Kifayatullah’s masterpiece. It is said that there are 1024 ways of getting inside the maze but only two ways of coming out! Once you enter the maze, you might end up going round and round and up and down staircases without being able to come back. It is even difficult to figure out which level you are at—you could think you have climbed down to the lower floor, but may still be on an upper one!

Interestingly, about 10 years ago, archaeologists uncovered a 2,000-year-old labyrinth that is the second-largest ever found in the country. This is in Gedimedu in Tamilnadu, along an ancient trade route on the east coast of India. It measures 56 feet by 56 feet, with passages ranging from 2.6 feet to 3.6 feet. It follows a pattern similar to Greek mazes found on clay tablets from 1200 BC. Archeologists are still studying the maze.

I am not sure I want to ever go into a maze or labyrinth. I don’t want to be loster than I am!

–Meena

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