Category: Meena Raghunathan

Prickly Love

~ millennialmatriarchs ~ Leave a comment

May 10 is celebrated as Cactus Day in the US. It is “a day dedicated to recognizing and appreciating the unique and fascinating world of cacti. This day also serves as a reminder of the many cactus species facing extinction and the need for their conservation, especially in their natural habitats.” Cacti are flowering plants that produce seeds. They are able to bloom every year, but they will produce an abundance of flowers in response to heavy rains. The family Cactaceae comprises many species of flowering plants with succulent (water-storing) stems.

It is entirely appropriate that it is a day marked in the US. Because 1749 out of the known 1750 species of cacti are native to the Americas! In other words, cacti were not originally found in any other part of the world.

I have to admit, this kind of blew my mind. All of us, from the time we are children, when asked to draw deserts or make an exhibit around the theme, have always generously populated our deserts with our own versions of cacti.

But cacti occur naturally only in the Americas–from Patagonia in South America, through the US, to parts of Canada. Anywhere else we see them, they have been taken by humans.

There are however equivalents in other parts of the world. There are the Euphorbs, tamarisks, saltbrushes etc. in Africa, and succulent and spinifex grasses in Australia. In India we have khejri, thoor, acacias etc. all of which grow in our deserts. But these are not cacti. All them have various adaptations to dry conditions like small or no leaves, spines, thick stems and deep roots. But they differ from cacti in that they do not have areoles. The presence of a structure called the areole is what sets cacti apart from all other plants. Areoles are round or elongated, often raised or depressed area on a cactus which is equivalent to a bud and from which spines, flowers, stems, or roots grow.

Cacti were introduced to Europe by, no surprises, Christopher Columbus. In 1493, on his second voyage to the Americas, he brought back a specimen of the prickly pear—the first time a cactus was seen in Europe. It caught the fancy of botanists, horticulturists and the public, and led to widespread cultivation of these plants.

They came to India with the Europeans, most likely sometime in the 16th or 17th century. In recent times, there has been much interest in these plants. They are much prized for their dramatic looks and are a feature in every balcony garden and indoor succulent-tray.  At a commercial level, the dragon fruit, cultivated widely across the country and now found in roadside fruit stands everywhere, is a cactus. Known  as pitaya or pitahaya, it is native to southern Mexico, Central America, and parts of South America. It is a climbing cactus species. The fruit is low in calories, rich in antioxidants and is said to have many other wonderful properties. But frankly, I am yet to get used to the bland taste!

For a few years now, our Central Arid Zone Research Institute (CAZRI), and ICARDA, an international organization, have been experimenting with cultivation of cacti, with a view to using it as fodder. Cacti as a fodder crop is seen as having the potential to help in the widespread shortage of green fodder, particularly during the summer months in many parts of the country. While still in experimental stages, it is thought to have some possibility.

India also has large and scientifically significant cacti collections. The National Cactus and Succulent Botanical Garden and Research Centre is located in the city Panchkula, the satellite town of Chandigarh. It is spread over seven acres and houses over 2500 species of cacti and succulents. The Regional Plant Resource Centre at Bhubenehswar has Asia’s largest collection of cacti. This Centre has created 200 new varieties and hybrids of cacti by breeding, growth manipulation, etc.

We said at the start that all except one cactus species was native to the Americas. The one exception is Thipsalis baccifera also know as the mistletoe cactus, which occurs naturally not only in the Americas, but also Africa, Madagascar, and close home in Sri Lanka. Scientists are still figuring out the how and why of this exception.

So look at cacti with new eyes. Love them, but don’t hug them!

-Meena

Be Safe!

~ millennialmatriarchs ~ Leave a comment

Last week on April 28th, we marked World Day for Safety and Health at Work. This day has been observed since 2003, when the International Labour Organization (ILO) declared it an occasion to stress the prevention of accidents and diseases at work. It is an opportunity to raise awareness of how to make work safe and healthy, and of the need to raise the political profile of occupational safety and health.

India especially needs all the focus it can give on this. We have seen horrific accidents in tunnels, mines and building sites. Last year saw 240 significant workplace accidents being reported in manufacturing, chemical, pharma, mining and energy sector operations. And these are only the reported accidents—it would be safe to say that many  go unreported. These accidents resulted in over 400 lives being lost and about 850 serious injuries.

We in India deal in large numbers and hence these may not look very serious. The gravity of the situation hits a bit harder when we see from ILO statistics that per 1,00,000 workers, India sees about 117 fatalities, compared to  China’s figure of 7, Brazil’s 7.4, Malaysia’s  14.6, Canada’s  5, etc.

In our everyday lives, we see indifference to safety all around us.  Metro rail construction, overbridge construction, electrical and mobile tower repairs—we never see proper safety measures , or the use of harnesses or personal protective equipment. When an electrician or TV dish installer comes home, their daredevil feats raise the blood pressure.

What to talk of others, we ourselves are not 100% perfect when it comes to donning helmets on two wheelers or seat belts in cars. (I must plead guilty here myself). There seems to be a feeling that ‘it can never happen to me.’ In fact, I recall a colleague conducting surveys about safety measures with those handling hospital waste. The general response was ‘Oh, we have been doing this for years without gloves and masks. Nothing has happened to us. Nothing will. All this just interferes with our work and slows us down. So we don’t really want to wear these things.’

We cannot afford this level of indifference. At one level, is tough laws are needed.  Of workplace safety laws, we have aplenty. We have the Factories Act, 1948, Mines Act, 1952, Dock Workers (Safety, Health and Welfare) Act, 1986, and the Building and Other Construction Workers (Regulation of Employment and Conditions of Service) Act, 1996.

However, the new Occupational Safety, Health and Working Conditions Code, 2019 brought in a few years ago is controversial in that some feel it dilutes safety provisions. “The new occupational safety and health law has severely weakened the inspectorate system, prioritizing ease of doing business over labour rights and worker safety. Inspectors can no longer conduct unannounced inspections, take immediate legal action against violators, or verify compliance effectively due to self-certification and private audits,” to quote Sanjay Vadhavkar, executive committee member of IndustriAll.

While India is good at making laws, their implementation is definitely not as strict as needed. Factory inspectors and traffic cops are equally easy to get by with a little gratification. Never mind that we are talking lives here.

The answer probably lies in education. Children educated about the hazards of fireworks are transforming how Diwali is celebrated. Maybe an equally serious focus on risk, hazard and safety can make a difference. If we catch them young and teach them young, maybe our factories, mines and roads will be safer.

–Meena

Reach for the Sky: Recalling Interactions with Dr. Kasturirangan

~ millennialmatriarchs ~ Leave a comment

Last week, India and the world of science lost a doyen: Dr. Kasturirangan who in the decade till 2003, led the Indian Space programme as Chairman of the Indian Space Research Organisation, as Chairman of the Space Commission and as Secretary to the Government of India in the Department of Space. During this period, India saw the launch of PSLV, our indigenously developed launch vehicle; the testing of Geosynchronous Satellite Launch Vehicle (GSLV); and IRS satellites among others.

Before that, as the Director of ISRO Satellite Centre, he headed the development of the Indian National Satellite (INSAT-2) and the Indian Remote Sensing Satellites (IRS-1A & 1B) as well as scientific satellites. He was Project Director of BHASKARA-I & II. He was also the Project Director for India’s first two experimental earth observation satellites, and subsequently was responsible for overall direction of the first operational Indian Remote Sensing Satellite, IRS-1A.

It was in his time as ISRO chief that Chandrayaan-1 was conceived.

I am proud to say that I had the chance of a few personal interactions. However, not in the context of high-science and technology!

As everyone in the country knows, Dr. Rangan was deeply involved in education, and obviously had a passion for science education (what we today call STEM). It was in this context that I had the chance to interact with him. He was the Chairman of the Board of Governors of the Vikram A. Sarabhai Community Science Centre (VASCSC), where I serve as a member. VASCSC was the result of Dr. Vikram Sarabhai’s vision of enabling the country’s top scientists to contribute to science education. The institution was started in 1966 as a facility where people concerned about the quality of science education could come together to try new ideas and methods of science teaching.

The institution has deep programmatic and emotional links with the various institutions associated with Dr. Sarabhai, the father of India’s space programme.  Dr. Kasturirangan was an obvious choice to chair it!

When very busy people take on yet another committee or chairmanship, it is often really only ornamental. With the best of intentions, they lack the time or mind-space to get deeply involved.

Not so with Dr. Rangan. He ensured to attend VASCSC Board meetings, sometimes in person, otherwise by Zoom. He was there on the dot even for Zoom meetings. He was completely clued in and asked sharp questions about the Action Taken Report. He had a prodigious memory and made quick decisions. He was always supportive of the programmes and publically appreciative of the management and staff for their innovative initiatives and their commitment. He never allowed himself to be distracted with anything else during the course of the meetings, and ensured everyone had their say. It was a humbling experience as well as a learning for all of us.

Raghu and I count it as a privilege that he consented to write the Foreword for our book: TO EVERY PARENT, TO EVERY SCHOOL: RAISING RESILIENT CHILDREN IN A VUCA WORLD (Penguin India). Even after he agreed, we were apprehensive: would he find the time to do it within the publisher’s deadline, given the enormous calls on his time? But we need not have worried. The write-up was with us a few days before the date we had indicated! And what a gracious Foreword it was!

These were people cut from a different cloth. They dedicated their lives to their mission. They wore their myriad achievements lightly. They were courteous to one and all. They listened. Nothing was too small for their attention. And they cared.

Grateful for the opportunity to interact with such inspirations.

–Meena

Money, money, money….

~ millennialmatriarchs ~ Leave a comment

Well, it’s what makes the world go around for sure! But some people love money for reasons other than what it can buy.

Bangalore has one such lover of money—Rezwan Rajak, the world’s biggest collector of Indian paper money. And fortunately, he has chosen to share this passion. No, not by giving away the notes, but by setting up a museum!

Rezwan is the co-founder and Managing Director of the Prestige Group (there is a good chance you resident of a Prestige property if you live in Bangalore!). His passion for collecting Indian paper money started when he was 13 or 14. He came across some old currency notes from British India, which no longer were legal tender (think de-mo!) and were stamped ‘Refused payment’. The story behind these intriguing notes goes back to partition. Apparently, when partition happened, the new country of Pakistan did not have currency notes of its own. So for the initial period, they used the notes from undivided India, with their own stamp on them. . So the notes said ‘Reserve Bank of India’ but had an additional over-printing of ‘Government of Pakistan’.  While these were accepted in Pakistan, they were not in India. Some smart people in India of course tried to scratch off the Pakistan stamp and use them here. But the banks had a record of the notes printed for Pakistan and refused payment, in fact stamping these notes with ‘Payment refused.’

From this, to the world’s largest collection! The Museum of Indian Paper Money has over 700 specimens of Indian paper currency collected by Rezwan Razak over the decades. And the fascinating stories that go with them! For instance, there are specimens of notes of Hyderabad state which were printed in England and were being transported by sea. The ship sank with the notes and a million pound worth of gold. After 12 years, bounty hunters after the gold salvaged the ship’s cargo inlcuding the currency, and the notes were still intact in their vault.

All the currency notes printed after Independence, as well as notes from the princely states of India are displayed. There are beautifully designed Portuguese-India notes which were used in their territories, which Razak values very highly for their aesthetic appeal. There are also French-India notes.

Also on view are tokens which 36 princely states were permitted to print when metal for minting coins ran out during World War II. They look like stamps or the platform tickets which those of an older generation will be familiar with.

Another fascinating set of items on display are the prisoner of war money-coupons. During WWII, prisoners of war of various nationalities were housed in India. They could do voluntary work during this time, for which they were paid. But the payment could not be in real money as then they could use this to bribe the jailers. So coupons which looked like currency notes, but were stamped ‘Prisoner of War’ were given to them as payment. These were used to buy luxuries in jail like post-cards, chocolates, etc.

And so on and on….

India also has  the Reserve Bank of India (RBI) Monetary Museum in Mumbai. This displays about 1,500 items including coins dating back to the 6th century BC, and covering the Indus Vally period, the Gupta period, the Kushana empire, coming right up to notes and coins of modern times.  

But Razak’s museum, housed in Prestige Falcon Tower, Bangalore, the corporate headquarters of the Group, is different because it is a result of what the collector himself refers to as: ‘… a hobby which became a passion which has in turn become an obsession.’!

Sadly however, physical money may soon completely disappear with almost all transactions moving to electronic payments.  These museums become even more precious in this context!

–Meena

A Maharaja and his Art come to Town

~ millennialmatriarchs ~ Leave a comment

Like many of my fellow citizens, I am not a great fan of rajas, maharajas and their ilk. Nevertheless I love one Maharaja. The Air India Maharaja of course!

And the Maharaja has come to my neck of the woods (Bangalore), bringing with him a part of his famed art collection. Yes, the National Gallery of Modern Art (NGMA) here is hosting close to 200 pieces from the Air India art collection for six months.

Air India’s was one of the largest corporate art collections in India, estimated to have been worth over Rs. 350 crores about eight years ago. The collection has been built over almost seven decades and comprises close to 4000 works. It spans across modern and contemporary paintings, folk art and miniatures, as well as sculptures, textiles, photographs and antique clocks.

The collection started in the 1940s, propelled by JRD Tata, who wanted all of Air India’s booking offices across the world to represent India. Bobby Kooka and Jal Cawasji were mainly responsible for selecting and buying the art pieces. They would not only buy paintings from established artists, they would also visit student exhibitions and pick up paintings. Many of these would be used to make calendars, post cards etc. There was another interesting way of acquiring paintings—the transportation service contract. In exchange for the works of artists, Air India would give them international air tickets! Many an artist, including MF Hussain found this offer irresistible!

There were specially commissioned art works too. For instance, in the days when smoking in the air was quite normal, the airline commissioned Salvador Dali to design a special ashtray to be given to first class passengers. This was in 1967. 500 limited edition pieces were made of an ashtray comprising a shell-shaped centre with a serpent twined around its perimeter, supported by two surrealist elephant-heads and a swan.  Dali asked for a baby elephant as payment, and got it too!

When the Tatas controlled Air India, the art works were carefully documented, displayed, stored and issued out from the Mumbai office to various domestic and international offices. After the merger with Indian Airlines in 2007 however, things went awry. The collection was moved to Delhi and there was no real ownership. There were scandals with one of Jatin Das’ works allegedly disappearing. Moreover, the works were not properly stored or cared for.

When Air India was re-privatized a few years ago, it was decided that the collection would go to the NGMA, where it could be taken care of professionally. A further decision was taken that the collection would not just stay in one location, but would travel across the country and to other countries as well.

It is as part of this that the collection has now come to Bangalore, where it is being displayed at the NGMA building which itself is a sight. Called the Manickyavelu Mansion, it belonged to Manickyavelu Mudaliar, a mining baron, who himself bought it from the Wadiyars of Mysore.  Mudaliar who came from a poor family made it big thanks to his forays into manganese and chrome mining. But the fortune did not last long and the mansion was taken over by the City Improvement Trust Board.  In 2000, it was leased out to the Ministry of Culture. So today the imposing mansion with grand rooms and a scale quite fitting to a national museum, set in serene green grounds with century old trees, is the Southern Headquarters of the NGMA.

So if you are in Bangalore, ensure you drop into the gallery to see the Air India exhibition. You will see works by Anjolie Ela Menon, B. Prabha, Arpana Caur, MF Hussain, Jatin Das and Raza, among others.

And one room is devoted to the Braille versions of these works. The paintings and the information about them are done in Braille and hopefully will be enjoyed by many.

A special exhibition indeed!

–Meena

Woolly, Woolly

~ millennialmatriarchs ~ Leave a comment

The recent weeks have seen a number of news items starting with ‘Woolly…’. That is not very normal—the phrase ‘woolly-thinking’ is too archaic to be used as a pejorative across the lines in Parliaments.

But this bandying about of the word is neither from debates nor about shearing of sheep and records set therein.

The references all come from the world of science.

The first set of references stem from experiments of mixing mutations from the extinct mammoth and extant mice to create a woolly mouse! No, creating mice, woolly or otherwise, is not the purpose of the group of scientists which is working on this. The ultimate objective is to actually re-create the woolly mammoth itself. This is only a small intermediate step.

Now who would want to do such a thing, and why? Well, a company appropriately called Colossal Laboratories and Biosciences is behind this. Colossal refers to itself as a ‘de-extinction’ company. In a throwback to Jurassic Park, this company has retrieved the DNA of the 8-ton giant woolly mammoths which walked the earth over 4000 years ago from permafrost. They have mixed this with the genes of mice through complex gene-editing processes and have, after over three years of trials and experiments, created litters of normal sized mice which however have the ‘long, wavy, woolly hair of the mammoth’. They also have fat metabolism that mimics that of the giants. Colossal sees these mice as the first step in the route to actually re-create mammoths. They plan to work up to editing Asian elephant genes to express the traits of the woolly mammoth, and introduce the stem cells into an elephant embryo. The embryo would then be implanted into the womb of a female elephant, and lo and behold, a mammoth would be born to her!

For those who thought only a few years ago that this was the height of woolly thinking, well, maybe with the birth of the woolly mice, they are re-thinking!

Apart from the mind-boggling technical prowess required however, there are many debates about the ethical and environmental dimensions of ‘de-extinction’. (A TED Talk by Stewart Brand titled ‘The Dawn of De-extinction: Are you Ready?’ offers interesting insights).

The second set of woolly references is nothing so controversial. It is the recent discovery of a flowering plant whose flowers, rather meanly, have been called Woolly Devils. The plant or the flowers don’t seem to do any harm to anyone, but have been so dubbed because the flowers are hairy-looking, have florets which resemble devils’ horns, and the plant has been discovered in the desert in Chihuahua  (an ecoregion that covers areas of northern Mexico and the southwestern U.S., including west Texas, parts of New Mexico, and southern Arizona) along some paths in in an area known as the Devil’s Den. The plant belongs to variety known as “belly plants”—because scientists find it comfortable to study them while lying on their bellies! 

How unfair it is to name this newly-discovered plant (Ovicula biradiata) as Woolly Devils is borne out by the fact that scientists think they may produce chemicals of medicinal value.

Only time will tell where the quest for the woolly mammoth leads, and what benefits the woolly devil brings us.

In the meantime, we can pray for an end to woolly thinking.

–Meena

The Perfect Breakfast

~ millennialmatriarchs ~ Leave a comment

Cooked rice soaked overnight in water, and the rice and water seasoned and enriched with various additions. This was the traditional breakfast in many rice-eating parts of India including all the Southern states, and in the East, including Odisha, West Bengal, Assam Jharkhand etc. Across the border, it is equally popular in Nepal and Myanmar and Bangladesh too. In fact, it was Kishwar Chowdhury, a contestant of Bangaldeshi origin who brought it to the world stage when she made a gourmet version on Masterchef Australia.

Two generations ago, even in cities, this was the standard morning fare. In Tamil Nadu, the rice was soaked overnight and the next day, mashed up, buttermilk was added, as also curry leaves, green chilies etc. My mother and her brothers had this almost every day before being sent off to school. It was healthy, nutritious, kept the stomach full for a long time. Also this ensured that rice was never wasted. And importantly, saved the mothers a load of work in the busy morning.  The nutritional value and taste of the soaked rice item is often enhanced by adding drumstick leaves, ginger, cumin, curd, lemon, a tadka, etc. There is even a sweet variant made by adding sugar or jaggery.

And this was the standard in homes across these states. Not just students but famers, workmen and others started the day with this.

Soaking cooked rice overnight leads to mild fermentation and promotes the growth of healthy bacteria. It lowers the glycemic index and increases mineral content. A paper in a respected scientific journal avers: ‘Soaked rice is rich in B6, B12 vitamins and is a source of beneficial bacteria which helps in digestion and boosts immunity. The given samples of normal cooked rice and overnight soaked cooked rice are tested for carbohydrate, crude protein, fat/oil and fiber content. The rice which was overnight soaked cooked rice was found to have more nutrient content than unsoaked cooked rice. There is an increase in energy, protein, fat, carbohydrate, fiber content and minerals. Eating fermented rice for breakfast was an old custom among the farmers. It has been proved that overnight soaked cooked rice acts as a healthy breakfast and would play an important role in the health of today’s young generation.’*

The benefits of soaked rice are now being recognized and celebrated. Odisha has taken this to heights by declaring a Day for this: Pakhala Dibasa was declared on 20 March 2011 and is marked every year by Odias everywhere. (Pakhala is Odia for soaked rice). It is appropriate that Odisha should take the lead in doing this, for the dish has a hoary history in this state. There is very early documentation of pakahla including a recipe of prasads at Lord Jagannath Temple of Puri dating back to the 10th century. There is also a mention in the Odia poems of Arjuna Das in his work Kåḷpålåtā composed during 1520-1530 CE.

And yes, in keeping with the tradition, this is another dish contested between Odisha and West Bengal!

Time to remind ourselves that health does not come from a box, nor all knowledge from the internet. Nutrition is right there in the humblest ingredients in our kitchens, and our grandmothers know a lot too!

So in honour of Pakhala Dibasa just gone by last week, and to mark Utkal Diwas (today, April 1), let us resolve to have a soaked rice breakfast at least once a week. This is especially good in the summer, as it has cooling properties.

Here is to happy, healthy breakfasts!

–Meena

*Neha Sharma M, Gayathri R, & Vishnu Priya V. (2018). Assessment of nutritional value of overnight soaked cooked rice over unsoaked cooked rice. International Journal of Research in Pharmaceutical Sciences, 9(3), 515–518. Retrieved from https://ijrps.com/home/article/view/4150

The Leaves Come Drifting Down

~ millennialmatriarchs ~ Leave a comment

At the moment, leaves are the bane of my life.

They drift down in their tens through the day. The lawns, porch and verandahs are no sooner swept that they come drifting down to make a mess, yet again.

And Saturday, when Bangalore was hit with unexpected torrential rains, our house almost flooded because fallen leaves had covered the water outlets on our terrace and there was a good six inches accumulated before we realized it and cleared the outlets. A few more minutes and the water would have entered the house.

But in general of course, who doesn’t love leaves: the variety of the shades of green, their shapes and sizes, the shadows they cast, the way they rustle in the breeze or when birds and squirrels play among them.

There are some people who take this love and appreciation to aesthetic heights. They are the leaf-artists.

Some people of course consider the leaf itself as art.’ There is artistry to a leaf that I find hard to put into words. In looking at leaves, the colours and veining, the patterns and textures, I get a good feeling. Leaves are nature’s artistry on display’, says Hank Erdmann, a leaf-photographer.

Others use the leaf as the medium. These leaf-artists express themselves through various creative expressions using leaves. This spans leaf printing, leaf carving, leaf painting and leaf collage. All of these are based on highlighting the leaf’s natural colours, shapes and textures.

It is likely that leaf-art is as old as our cave-dwelling ancestors. One can easily imagine our grandnmother picking up a leaf and carving a design on it with a sharp stone. And from these projects must have emerged the use of leaves as a medium for writing on—palm leaves were used for writing since the 5th century BCE in India. The ephemeral nature of the medium however has not left much proof of art on leaves.

But two contemporary artists have taken leaf-art to a new level.

The first is the Colombo Ecuadorian photographer, Yinna Higuera. Her recent collection ‘Traces’ is a series of portraits of rural Ecuadorian women, made on banana, cocao, coffee and other leaves. The collectoin documents the lives of these women, and portrays their link with nature and its cycles. The exhibition has been shortlisted for a Sony World Photography award, 2025. This is based on the technique of ‘chlorophyll printing’. The images are printed leveraging the leaf’s photosensitivity, merging photography with nature. This is an alternative photographic process where photographic images are developed on natural leaves through the action of photosynthesis, and goes back to the 19th century.

Another artist making waves (or gentle breezes) with his leaf art is Lito, a Japanese artist. He uses a completely different technique. He carefully selects a leaf, makes an intricate drawing on it, and painstaking carves it. The scenes often depict animals, birds and landscapes. Lito makes one leaf-carving every day! For him, this is not just a means of artistic expression, but also a way of managing his ADHD. It helps him focus, be calm–he sees it as a form of meditation. And importantly for him, leaf-carving is a means of earning a livelihood.

So I am going to re-calibrate. And appreciate each leaf as it drifts down to land on my verandah. Before muttering irritably at it!

And to end, here is a poem on leaves by Sarojini Naidu, whom Mamata wrote about a few weeks ago:

Like a joy on the heart of a sorrow,
   The sunset hangs on a cloud;
A golden storm of glittering sheaves,
Of fair and frail and fluttering leaves,
   The wild wind blows in a cloud.

Hark to a voice that is calling
   To my heart in the voice of the wind:
My heart is weary and sad and alone,
For its dreams like the fluttering leaves have gone,
   And why should I stay behind?

–Meena

PS: Today there are even Leaf Engraving Machines, ‘specialized for intricate leaf designs, perfect for crafting unique art pieces!’

The picture is from Lito’s Instagram page, art_dailydose

Ants and their Homes

~ millennialmatriarchs ~ 1 Comment

For every one of us, there are about 2.5 million of them. Yes, that’s how much ants out-number us. They inhabit every corner of the world other than Antarctica, Greenland, Iceland, and some islands.

We humans swing between appreciation of these insects for their qualities of team work and hard work, and irritation when they invade our homes or kitchens. The ants probably swing between the same two emotions—appreciation of the humans who feed them, and disapproval of clumsy or mean humans who step on them or kill them.

Beyond human approval or disapproval, ants have a huge role in the ecosystem. They serve as seed dispersers for plants, hosts for a wide range of associate organisms, and act as both predator and prey. The role of ants in nutrient decomposition and soil turnover is enormous–they are estimated to excavate up to 13 tons of soil per hectare annually and increase local nutrient availability by a significant order.  Moreover, they create and maintain of microhabitats for a variety of other organisms.

The subject of today’s piece is their homes. They make their homes in a variety of places, and these structures are made with an enormous amount of labour by thousands of the creatures working together.

Most species of ants are soil-nesters. Soil meets their needs for food, moisture and protection. Since these ants move a lot of soil in the process of building their nests, they provide a valuable service to the soil-based ecosystem they occupy by their tunnelling and de-compacting of the soil. Some soil nesting ants construct a simple nest with one vertical tunnel, which has branches on either side for ant food, eggs and larvae. But other ground nesting ants build elaborate below-ground galleries going several metres below ground, with a network of interlocking interconnecting tunnels.

Wood-nesting ants are the next category. Carpenter ants are the best examples of these. They nest in wood that is rotting, dead, dying, or with a high moisture content. The ants bore into the wood and make elaborate nests. They do not eat the wood but deposit the wood they bore outside the nest. While they usually build outdoors in trees, it is not unknown for them to build in wooden structural elements in our houses.

There is category of ants which are called opportunistic nesters. These will nest almost anywhere, including under rocks, concrete slabs, air conditioners, inside holes in walls etc.

Ant nest

A fourth category, which are most visible to us at the moment are arboreal ants which construct nests on trees using leaves. These light red ants Oecophylla smaragdina, popularly known as weaver ants, stitch together individual leaves using larval silk to form nesting cavities.  The nests are round-oval and use leaves of different sizes ranging from 8-32cm. About twenty leaves are used to make each nest. These ants are aggressive in defending their territories, and a colony may take over an entire tree with nests distributed throughout.   Incidentally, these ants, called “Rukkung” in Arunachal Pradesh, are consumed in various forms in some of the North-eastern states.. 

I see these every evening on my walks—the falling leaves in this season leave the trees bare, which make the nests very visible. And marvel at the intricacy of the nests and the hard work that goes into each of them. What wonders there are around us, if only we take a minute to look!

–Meena

Broken Frames, Broken Lives

~ millennialmatriarchs ~ Leave a comment

Today, each one of us harbours doubts and fears about the rapid rise of Generative Artificial Intelligence (Gen AI), smart robots, driverless cars etc., especially whether these will take away jobs from people and give them to machines.

This has happened with every new technology since the industrial revolution. Maybe the time of maximum anxiety around technology and jobs was in the late 1700s to early 1800s, a time when quite a few people in the UK depended on the cotton, wool and silk industries for their livelihoods. This was based on the labour of framework knitters, who like some of our weavers even today, worked in their own homes. Though the hours were long and they got small wages, they were at an equilibrium. 

In the early 1800s, there were around 30,000 knitting-frames in England. But change had already started to set in. Change of fashion (men moving from stockings to trousers) and increasing exploitation of weavers by the middlemen were two major factors. But perhaps the most important was the mechanization and wide-frame machines that were coming in to make production faster. Production moved from homes to factories with this mechanization.

As more and more people lost their livelihoods, anger and frustration boiled over, and mill-owners and the new machines were targeted. The scale of the sabotage that occurred in England between 1811 and 1816 was beyond anything seen before.  In the peak three months of the riots, 175 of these new frames were broken per month! The people involved in these riots and destruction called themselves ‘Luddites’. The origin of the name is not quite clear, but some said it was after Ned Ludd, a legendary weaver who in 1770 was supposed to have smashed such machines.

Governments then, as today, were heavy-handed. Their response to the riots was to pass the Frame-Breaking Bill in the House of Commons in February 1812. The Bill was drastic– it proposed transportation or the death penalty for those found guilty of breaking stocking or lace frames. Not everyone was happy with the draft Bill– in the House of Lords, the poet and social campaigner Lord Byron argued against it saying that it was placing the value of life at “something less than the price of a stocking-frame”.  But such passionate appeals did not help, and the Bill was passed.

The Government would have expected all such riots to stop after the Bill. But exactly the opposite happened. The riots actually became more violent and rioters started using arms. The logic was that if they were going to be punished by death or deporatation for breaking frames, then they might as well do something that really deserved such drastic measures. A popular rhyme at the time was “you might as well be hung for death as breaking a machine”. A few mill owners were in fact killed. Government response also got harsher and several Luddites were hanged.

The climax of the Luddite Rebellion took place at midnight on Friday 28 June 1816. Sixteen men raided the factory of Heathcoat and Lacy at Loughborough, with around 1000 sympathisers cheering them on.  They destroyed nearly all of the fifty-five lace-frames.  Subsequently eight men were sentenced to death and two were transported.

The protests died down after that. Mechanization marched on, and the thousands who were involved in their traditional occupation lost out.

Technology will come. But how do we make the changes so we can reduce the negative impacts? How do we make the world a more inclusive place? Surely we cannot let history repeat itself!

–Meena

Photo-credit: historicalbritain.org/