Category: Meena Raghunathan

Libraries Take Wing

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How often we randomly pick up a feather as we walk along. And wonder which bird it could belong to.

A feather library is where we can turn to for help in such a situation. These are digital or physical collections of bird feathers, used for research and education. They are an invaluable resource for understanding bird species, identifying feathers, and gathering data on bird health and natural history. These libraries are important tools for the study and conservation of bird species, offering insights into bird morphology and helping in the identification of feathers found in the wild.

There are not too many across the world. Some of the established ones include:

1. The Feather Atlas created by the U.S. Fish and Wildlife Service is a comprehensive image database of North American birds and covers about 438 species. It can be browsed by bird order, family, or species. It has an open identification tool in which one can fill in details about feather patterns, colors, size, and position, which can help you identify the bird your feather belongs to.

2.Featherbase (Germany) has been created by a working group of German feather-scientists and other collectors worldwide who have come together and contributed their personal collections. It holds close to 8000 specimens from over 1,000 bird species, with a focus on European and African birds. The collection includes high-resolution images and detailed anatomical information, and has supporeted studies in forensics, conservation, and biodiversity monitoring. It is rigorously classified and offers options of various languages so that birders from across the world can use it.

3. Found Feathers (iNaturalist Project) is a citizen science initiative where users contribute observations of feathers they find. The project encourages the collection of feather length and placement data, enhancing the database’s utility for researchers and birders. There are over 2,00,000 observations from across the world.

Special among these is India’s Feather Library. This pioneering initiative is the first of its kind in India and the world, dedicated to documenting, identifying, and studying the flight feathers of Indian birds. It is the passion project of architect Esha Munshi, a dedicated bird watcher who has seen over 1500 bird species across the world, and veterinarian Sherwin Everett who works in a bird hospital in Ahmedabad. They have created the library with the aim of having all feather-related data under one roof, fostering collaboration and advancing the collective understanding of Indian birds. In the short span of time since inception on Nov 15, 2021, 135 species have been documented.

The process is rigorous. They collect feather specimens from dead birds at rescue centres to establish a primary database of bird species. They then make detailed notes on the flight feathers, taking into account the number of Primaries, Secondaries, Tertials (Wing Feathers), and Rectrices (Tail Feathers), along with basic details such as overall length, bill length and width, leg lengths, etc. Then they stretch out one wing and fan the tail in both dorsal and ventral views to document the exact number of feathers, unique characteristics, colour, pattern, and size etc. The physical collection is housed at the National Centre for Biological Sciences (NCBS) in Bangalore.

The database is open to all and provides easy access.

Kudos to the dedication and passion of people like Esha and Sherwin who through their efforts help support avian research, conservation efforts, and educational outreach. And make a better world.

Happy Environment Day!

–Meena

Singing Telegrams, Speeding Birds

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Humans have poured in innovation and ingenuity into developing communication modes and media. Today of course the world revolves around ‘social media’ but some of the older modes are quirky and beautiful. Here is a look at two of them:

Singing Telegrams: Popular in the 1930s in the US, these were telegrams sung out to the recipient. It began in 1933 when a fan sent a birthday greeting to Rudy Vallee, a popular singing star of the times. George Oslin, the Public Relations Officer of Western Union–the company which handled telegrams–was a man who thought differently. He had long been concerned with the ‘gloom and doom’ image of telegrams, which usually arrived to announce a disaster (those old enough will recall churning stomachs when a telegram arrived—usually to announce a seriously ill relative or the demise of a loved one). He took the occasion of this birthday greeting to add a fun element to telegrams and try to change their image. So he got a lady-operator to sing the telegram out on the telephone. And so a new medium of communication was born!

But those were days when few homes even in the US had telephones. So the postal department used to actually sent someone to ring the bell of the addressee and sing out the words! Of course, this was not something that went ‘viral’ but people did use if for a lark. It continued on till 1974 when the company suspended this service. Now, in the US and even in India it seems, there are some private companies which will perform this service. They come dressed in fancy clothes to fit the occasion, and put up a full-fleged performance at the doorstep of the addresee.

Speeding Birds: Pigeons as carriers of messages have been the mainstay of armies, spies, princesses imprisoned in towers and everyone else that the romantic imagination can conjure up. But the interesting thing is that the Odisha Police had a functional pigeon messenger system till as recently as 2008!  They were used in times of disasters or during military or police action when all other means of communication like wireless, telegraph, telephone and despatch riders were disrupted or failed. The pigeons were also used for inter police station communications. Flying at a speed of about 55 kmph, carrying messages written on light-weight onion paper which were inserted into a metal capsule and tied to the bird’s leg, this mode of communication was considered no-fail. These Belgian Homer pigeons were highly trained, and considered very intelligent by their handlers!

There is a very interesting story about Orissa Police Pigeon messengers. Apparently, in 1948, when Pandit Nehru, the then-PM visited the state soon after Independence, he first went to Sambalpur. The same day, he was to address a public meeting in Cuttack, which is about 260 km away. He wanted to send an urgent message to the police in Cuttack to ensure that the arrangements were such that they did not create too much of a barrier between the public and the dais. When he asked how the message would reach Cuttack in time, the police officials there showed him the carrier-pigeon which would be doing the needful. Nehru was sceptical. But the pigeon departed Sambalpur at 6 am and was in Cuttack by 11.20 am. And when the PM reached, his instructions had been carried out! He was amazed.

Even today, though not in regular use, Orissa Police still maintains a carrier pigeon service of about 150 birds, utilizing them for communication during disasters and for ceremonial purposes.

–Meena

Visual from: https://odishapolice.gov.in/sites/default/files/PDF/PO-213_0.pdf

MOOMINS

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Way back in the ‘60s and ‘70s growing up in Delhi, the family newspaper was The Statesman. It was considered by Tamilian families to be the closest substitute for The Hindu, which in those days used to arrive in Delhi with a delay of a day or two.

So like all good Tamilian families outside Tamil Nadu, we too took The Statesman. And through this, got introduced to the Moomins, which was the only cartoon strip that the paper carried.

The central characters of the cartoons, which have just turned 80, are gentle-looking hippo-like creatures called the Moomins . They are white and roundish, with large snouts. The Moomin world and its characters are the creations of the Swedish-Finn illustrator and writer Tove Jansson, and the books and comic strips were originally published in Swedish in Finland.

The core family consists of the main protagonist, Moomintroll, a small and well-meaning Moomin who who is forever having adventures and often finds himself in trouble; his mother, the nurturing and loving Moominmamma; and his father, the restless Momminpappa. And besides, there are many of their friends.

The first book was written during World War II as a fairytale for Tove to comfort herself during dark times.  It is based on the situation and stories of  millions of displaced people seeking refuge. The Moomins live in a tall blue house – a joyful place where everyone is welcome, whoever they are. The motto is ‘The door is always open’. The blue-purple Moominhouse is thus a symbol of security, shelter and a sense of belonging. No wonder then that even today the Moomins represent hope for refugees, so much so that UK cities are using this as an the inspiration for a series of art installations in UK cities, in collaboration with Refugee Week. 

The Moomin stories are tales of adventure and overcoming adversities, always with a sense of inclusion and tolerance, and living together in cheer and happiness. Harmony with nature is a recurring underlying theme. The underlying message of all the Moomin stories is that it’s the simple things that are valuable in any situation, and that one’s attitude can often change a bad day into a good one.

Many in India may not be very familiar with these characters, but there are nine Moomin novels which were all successful. The cartoon strip was syndicated in 1954, to over 120 publications in 40 countries. This comic strip reached 20 million readers daily. There was a TV show too, which was originally broadcast in Poland and then sold to other countries including the UK, and aired on PBS in the US. There are even two Moomin theme parks, one in Finland and the other in Japan. Moomin stories have been adapted for the theatre, the cinema, and as an opera.

Here are some Moomin quotes, encapsulating good sense and postivity:

‘That’s most extraordinary, but I’m so used to your doing extraordinary things that nothing surprises me.’

‘Perhaps it will come – perhaps not. It’s all the same to a person who knows that everything is unnecessary.’

‘How nice to be on your own for a bit and do what you like.’

‘I like you, I don’t want to make you feel unhappy.’

‘The main thing in life is to know your own mind.’

In a conflicted world, Moomins may be the cartoon characters we need!

–Meena

Visual: From http://www.moomins.com

Prickly Love

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May 10 is celebrated as Cactus Day in the US. It is “a day dedicated to recognizing and appreciating the unique and fascinating world of cacti. This day also serves as a reminder of the many cactus species facing extinction and the need for their conservation, especially in their natural habitats.” Cacti are flowering plants that produce seeds. They are able to bloom every year, but they will produce an abundance of flowers in response to heavy rains. The family Cactaceae comprises many species of flowering plants with succulent (water-storing) stems.

It is entirely appropriate that it is a day marked in the US. Because 1749 out of the known 1750 species of cacti are native to the Americas! In other words, cacti were not originally found in any other part of the world.

I have to admit, this kind of blew my mind. All of us, from the time we are children, when asked to draw deserts or make an exhibit around the theme, have always generously populated our deserts with our own versions of cacti.

But cacti occur naturally only in the Americas–from Patagonia in South America, through the US, to parts of Canada. Anywhere else we see them, they have been taken by humans.

There are however equivalents in other parts of the world. There are the Euphorbs, tamarisks, saltbrushes etc. in Africa, and succulent and spinifex grasses in Australia. In India we have khejri, thoor, acacias etc. all of which grow in our deserts. But these are not cacti. All them have various adaptations to dry conditions like small or no leaves, spines, thick stems and deep roots. But they differ from cacti in that they do not have areoles. The presence of a structure called the areole is what sets cacti apart from all other plants. Areoles are round or elongated, often raised or depressed area on a cactus which is equivalent to a bud and from which spines, flowers, stems, or roots grow.

Cacti were introduced to Europe by, no surprises, Christopher Columbus. In 1493, on his second voyage to the Americas, he brought back a specimen of the prickly pear—the first time a cactus was seen in Europe. It caught the fancy of botanists, horticulturists and the public, and led to widespread cultivation of these plants.

They came to India with the Europeans, most likely sometime in the 16th or 17th century. In recent times, there has been much interest in these plants. They are much prized for their dramatic looks and are a feature in every balcony garden and indoor succulent-tray.  At a commercial level, the dragon fruit, cultivated widely across the country and now found in roadside fruit stands everywhere, is a cactus. Known  as pitaya or pitahaya, it is native to southern Mexico, Central America, and parts of South America. It is a climbing cactus species. The fruit is low in calories, rich in antioxidants and is said to have many other wonderful properties. But frankly, I am yet to get used to the bland taste!

For a few years now, our Central Arid Zone Research Institute (CAZRI), and ICARDA, an international organization, have been experimenting with cultivation of cacti, with a view to using it as fodder. Cacti as a fodder crop is seen as having the potential to help in the widespread shortage of green fodder, particularly during the summer months in many parts of the country. While still in experimental stages, it is thought to have some possibility.

India also has large and scientifically significant cacti collections. The National Cactus and Succulent Botanical Garden and Research Centre is located in the city Panchkula, the satellite town of Chandigarh. It is spread over seven acres and houses over 2500 species of cacti and succulents. The Regional Plant Resource Centre at Bhubenehswar has Asia’s largest collection of cacti. This Centre has created 200 new varieties and hybrids of cacti by breeding, growth manipulation, etc.

We said at the start that all except one cactus species was native to the Americas. The one exception is Thipsalis baccifera also know as the mistletoe cactus, which occurs naturally not only in the Americas, but also Africa, Madagascar, and close home in Sri Lanka. Scientists are still figuring out the how and why of this exception.

So look at cacti with new eyes. Love them, but don’t hug them!

-Meena

Be Safe!

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Last week on April 28th, we marked World Day for Safety and Health at Work. This day has been observed since 2003, when the International Labour Organization (ILO) declared it an occasion to stress the prevention of accidents and diseases at work. It is an opportunity to raise awareness of how to make work safe and healthy, and of the need to raise the political profile of occupational safety and health.

India especially needs all the focus it can give on this. We have seen horrific accidents in tunnels, mines and building sites. Last year saw 240 significant workplace accidents being reported in manufacturing, chemical, pharma, mining and energy sector operations. And these are only the reported accidents—it would be safe to say that many  go unreported. These accidents resulted in over 400 lives being lost and about 850 serious injuries.

We in India deal in large numbers and hence these may not look very serious. The gravity of the situation hits a bit harder when we see from ILO statistics that per 1,00,000 workers, India sees about 117 fatalities, compared to  China’s figure of 7, Brazil’s 7.4, Malaysia’s  14.6, Canada’s  5, etc.

In our everyday lives, we see indifference to safety all around us.  Metro rail construction, overbridge construction, electrical and mobile tower repairs—we never see proper safety measures , or the use of harnesses or personal protective equipment. When an electrician or TV dish installer comes home, their daredevil feats raise the blood pressure.

What to talk of others, we ourselves are not 100% perfect when it comes to donning helmets on two wheelers or seat belts in cars. (I must plead guilty here myself). There seems to be a feeling that ‘it can never happen to me.’ In fact, I recall a colleague conducting surveys about safety measures with those handling hospital waste. The general response was ‘Oh, we have been doing this for years without gloves and masks. Nothing has happened to us. Nothing will. All this just interferes with our work and slows us down. So we don’t really want to wear these things.’

We cannot afford this level of indifference. At one level, is tough laws are needed.  Of workplace safety laws, we have aplenty. We have the Factories Act, 1948, Mines Act, 1952, Dock Workers (Safety, Health and Welfare) Act, 1986, and the Building and Other Construction Workers (Regulation of Employment and Conditions of Service) Act, 1996.

However, the new Occupational Safety, Health and Working Conditions Code, 2019 brought in a few years ago is controversial in that some feel it dilutes safety provisions. “The new occupational safety and health law has severely weakened the inspectorate system, prioritizing ease of doing business over labour rights and worker safety. Inspectors can no longer conduct unannounced inspections, take immediate legal action against violators, or verify compliance effectively due to self-certification and private audits,” to quote Sanjay Vadhavkar, executive committee member of IndustriAll.

While India is good at making laws, their implementation is definitely not as strict as needed. Factory inspectors and traffic cops are equally easy to get by with a little gratification. Never mind that we are talking lives here.

The answer probably lies in education. Children educated about the hazards of fireworks are transforming how Diwali is celebrated. Maybe an equally serious focus on risk, hazard and safety can make a difference. If we catch them young and teach them young, maybe our factories, mines and roads will be safer.

–Meena

Reach for the Sky: Recalling Interactions with Dr. Kasturirangan

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Last week, India and the world of science lost a doyen: Dr. Kasturirangan who in the decade till 2003, led the Indian Space programme as Chairman of the Indian Space Research Organisation, as Chairman of the Space Commission and as Secretary to the Government of India in the Department of Space. During this period, India saw the launch of PSLV, our indigenously developed launch vehicle; the testing of Geosynchronous Satellite Launch Vehicle (GSLV); and IRS satellites among others.

Before that, as the Director of ISRO Satellite Centre, he headed the development of the Indian National Satellite (INSAT-2) and the Indian Remote Sensing Satellites (IRS-1A & 1B) as well as scientific satellites. He was Project Director of BHASKARA-I & II. He was also the Project Director for India’s first two experimental earth observation satellites, and subsequently was responsible for overall direction of the first operational Indian Remote Sensing Satellite, IRS-1A.

It was in his time as ISRO chief that Chandrayaan-1 was conceived.

I am proud to say that I had the chance of a few personal interactions. However, not in the context of high-science and technology!

As everyone in the country knows, Dr. Rangan was deeply involved in education, and obviously had a passion for science education (what we today call STEM). It was in this context that I had the chance to interact with him. He was the Chairman of the Board of Governors of the Vikram A. Sarabhai Community Science Centre (VASCSC), where I serve as a member. VASCSC was the result of Dr. Vikram Sarabhai’s vision of enabling the country’s top scientists to contribute to science education. The institution was started in 1966 as a facility where people concerned about the quality of science education could come together to try new ideas and methods of science teaching.

The institution has deep programmatic and emotional links with the various institutions associated with Dr. Sarabhai, the father of India’s space programme.  Dr. Kasturirangan was an obvious choice to chair it!

When very busy people take on yet another committee or chairmanship, it is often really only ornamental. With the best of intentions, they lack the time or mind-space to get deeply involved.

Not so with Dr. Rangan. He ensured to attend VASCSC Board meetings, sometimes in person, otherwise by Zoom. He was there on the dot even for Zoom meetings. He was completely clued in and asked sharp questions about the Action Taken Report. He had a prodigious memory and made quick decisions. He was always supportive of the programmes and publically appreciative of the management and staff for their innovative initiatives and their commitment. He never allowed himself to be distracted with anything else during the course of the meetings, and ensured everyone had their say. It was a humbling experience as well as a learning for all of us.

Raghu and I count it as a privilege that he consented to write the Foreword for our book: TO EVERY PARENT, TO EVERY SCHOOL: RAISING RESILIENT CHILDREN IN A VUCA WORLD (Penguin India). Even after he agreed, we were apprehensive: would he find the time to do it within the publisher’s deadline, given the enormous calls on his time? But we need not have worried. The write-up was with us a few days before the date we had indicated! And what a gracious Foreword it was!

These were people cut from a different cloth. They dedicated their lives to their mission. They wore their myriad achievements lightly. They were courteous to one and all. They listened. Nothing was too small for their attention. And they cared.

Grateful for the opportunity to interact with such inspirations.

–Meena

Money, money, money….

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Well, it’s what makes the world go around for sure! But some people love money for reasons other than what it can buy.

Bangalore has one such lover of money—Rezwan Rajak, the world’s biggest collector of Indian paper money. And fortunately, he has chosen to share this passion. No, not by giving away the notes, but by setting up a museum!

Rezwan is the co-founder and Managing Director of the Prestige Group (there is a good chance you resident of a Prestige property if you live in Bangalore!). His passion for collecting Indian paper money started when he was 13 or 14. He came across some old currency notes from British India, which no longer were legal tender (think de-mo!) and were stamped ‘Refused payment’. The story behind these intriguing notes goes back to partition. Apparently, when partition happened, the new country of Pakistan did not have currency notes of its own. So for the initial period, they used the notes from undivided India, with their own stamp on them. . So the notes said ‘Reserve Bank of India’ but had an additional over-printing of ‘Government of Pakistan’.  While these were accepted in Pakistan, they were not in India. Some smart people in India of course tried to scratch off the Pakistan stamp and use them here. But the banks had a record of the notes printed for Pakistan and refused payment, in fact stamping these notes with ‘Payment refused.’

From this, to the world’s largest collection! The Museum of Indian Paper Money has over 700 specimens of Indian paper currency collected by Rezwan Razak over the decades. And the fascinating stories that go with them! For instance, there are specimens of notes of Hyderabad state which were printed in England and were being transported by sea. The ship sank with the notes and a million pound worth of gold. After 12 years, bounty hunters after the gold salvaged the ship’s cargo inlcuding the currency, and the notes were still intact in their vault.

All the currency notes printed after Independence, as well as notes from the princely states of India are displayed. There are beautifully designed Portuguese-India notes which were used in their territories, which Razak values very highly for their aesthetic appeal. There are also French-India notes.

Also on view are tokens which 36 princely states were permitted to print when metal for minting coins ran out during World War II. They look like stamps or the platform tickets which those of an older generation will be familiar with.

Another fascinating set of items on display are the prisoner of war money-coupons. During WWII, prisoners of war of various nationalities were housed in India. They could do voluntary work during this time, for which they were paid. But the payment could not be in real money as then they could use this to bribe the jailers. So coupons which looked like currency notes, but were stamped ‘Prisoner of War’ were given to them as payment. These were used to buy luxuries in jail like post-cards, chocolates, etc.

And so on and on….

India also has  the Reserve Bank of India (RBI) Monetary Museum in Mumbai. This displays about 1,500 items including coins dating back to the 6th century BC, and covering the Indus Vally period, the Gupta period, the Kushana empire, coming right up to notes and coins of modern times.  

But Razak’s museum, housed in Prestige Falcon Tower, Bangalore, the corporate headquarters of the Group, is different because it is a result of what the collector himself refers to as: ‘… a hobby which became a passion which has in turn become an obsession.’!

Sadly however, physical money may soon completely disappear with almost all transactions moving to electronic payments.  These museums become even more precious in this context!

–Meena

A Maharaja and his Art come to Town

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Like many of my fellow citizens, I am not a great fan of rajas, maharajas and their ilk. Nevertheless I love one Maharaja. The Air India Maharaja of course!

And the Maharaja has come to my neck of the woods (Bangalore), bringing with him a part of his famed art collection. Yes, the National Gallery of Modern Art (NGMA) here is hosting close to 200 pieces from the Air India art collection for six months.

Air India’s was one of the largest corporate art collections in India, estimated to have been worth over Rs. 350 crores about eight years ago. The collection has been built over almost seven decades and comprises close to 4000 works. It spans across modern and contemporary paintings, folk art and miniatures, as well as sculptures, textiles, photographs and antique clocks.

The collection started in the 1940s, propelled by JRD Tata, who wanted all of Air India’s booking offices across the world to represent India. Bobby Kooka and Jal Cawasji were mainly responsible for selecting and buying the art pieces. They would not only buy paintings from established artists, they would also visit student exhibitions and pick up paintings. Many of these would be used to make calendars, post cards etc. There was another interesting way of acquiring paintings—the transportation service contract. In exchange for the works of artists, Air India would give them international air tickets! Many an artist, including MF Hussain found this offer irresistible!

There were specially commissioned art works too. For instance, in the days when smoking in the air was quite normal, the airline commissioned Salvador Dali to design a special ashtray to be given to first class passengers. This was in 1967. 500 limited edition pieces were made of an ashtray comprising a shell-shaped centre with a serpent twined around its perimeter, supported by two surrealist elephant-heads and a swan.  Dali asked for a baby elephant as payment, and got it too!

When the Tatas controlled Air India, the art works were carefully documented, displayed, stored and issued out from the Mumbai office to various domestic and international offices. After the merger with Indian Airlines in 2007 however, things went awry. The collection was moved to Delhi and there was no real ownership. There were scandals with one of Jatin Das’ works allegedly disappearing. Moreover, the works were not properly stored or cared for.

When Air India was re-privatized a few years ago, it was decided that the collection would go to the NGMA, where it could be taken care of professionally. A further decision was taken that the collection would not just stay in one location, but would travel across the country and to other countries as well.

It is as part of this that the collection has now come to Bangalore, where it is being displayed at the NGMA building which itself is a sight. Called the Manickyavelu Mansion, it belonged to Manickyavelu Mudaliar, a mining baron, who himself bought it from the Wadiyars of Mysore.  Mudaliar who came from a poor family made it big thanks to his forays into manganese and chrome mining. But the fortune did not last long and the mansion was taken over by the City Improvement Trust Board.  In 2000, it was leased out to the Ministry of Culture. So today the imposing mansion with grand rooms and a scale quite fitting to a national museum, set in serene green grounds with century old trees, is the Southern Headquarters of the NGMA.

So if you are in Bangalore, ensure you drop into the gallery to see the Air India exhibition. You will see works by Anjolie Ela Menon, B. Prabha, Arpana Caur, MF Hussain, Jatin Das and Raza, among others.

And one room is devoted to the Braille versions of these works. The paintings and the information about them are done in Braille and hopefully will be enjoyed by many.

A special exhibition indeed!

–Meena

Woolly, Woolly

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The recent weeks have seen a number of news items starting with ‘Woolly…’. That is not very normal—the phrase ‘woolly-thinking’ is too archaic to be used as a pejorative across the lines in Parliaments.

But this bandying about of the word is neither from debates nor about shearing of sheep and records set therein.

The references all come from the world of science.

The first set of references stem from experiments of mixing mutations from the extinct mammoth and extant mice to create a woolly mouse! No, creating mice, woolly or otherwise, is not the purpose of the group of scientists which is working on this. The ultimate objective is to actually re-create the woolly mammoth itself. This is only a small intermediate step.

Now who would want to do such a thing, and why? Well, a company appropriately called Colossal Laboratories and Biosciences is behind this. Colossal refers to itself as a ‘de-extinction’ company. In a throwback to Jurassic Park, this company has retrieved the DNA of the 8-ton giant woolly mammoths which walked the earth over 4000 years ago from permafrost. They have mixed this with the genes of mice through complex gene-editing processes and have, after over three years of trials and experiments, created litters of normal sized mice which however have the ‘long, wavy, woolly hair of the mammoth’. They also have fat metabolism that mimics that of the giants. Colossal sees these mice as the first step in the route to actually re-create mammoths. They plan to work up to editing Asian elephant genes to express the traits of the woolly mammoth, and introduce the stem cells into an elephant embryo. The embryo would then be implanted into the womb of a female elephant, and lo and behold, a mammoth would be born to her!

For those who thought only a few years ago that this was the height of woolly thinking, well, maybe with the birth of the woolly mice, they are re-thinking!

Apart from the mind-boggling technical prowess required however, there are many debates about the ethical and environmental dimensions of ‘de-extinction’. (A TED Talk by Stewart Brand titled ‘The Dawn of De-extinction: Are you Ready?’ offers interesting insights).

The second set of woolly references is nothing so controversial. It is the recent discovery of a flowering plant whose flowers, rather meanly, have been called Woolly Devils. The plant or the flowers don’t seem to do any harm to anyone, but have been so dubbed because the flowers are hairy-looking, have florets which resemble devils’ horns, and the plant has been discovered in the desert in Chihuahua  (an ecoregion that covers areas of northern Mexico and the southwestern U.S., including west Texas, parts of New Mexico, and southern Arizona) along some paths in in an area known as the Devil’s Den. The plant belongs to variety known as “belly plants”—because scientists find it comfortable to study them while lying on their bellies! 

How unfair it is to name this newly-discovered plant (Ovicula biradiata) as Woolly Devils is borne out by the fact that scientists think they may produce chemicals of medicinal value.

Only time will tell where the quest for the woolly mammoth leads, and what benefits the woolly devil brings us.

In the meantime, we can pray for an end to woolly thinking.

–Meena

The Perfect Breakfast

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Cooked rice soaked overnight in water, and the rice and water seasoned and enriched with various additions. This was the traditional breakfast in many rice-eating parts of India including all the Southern states, and in the East, including Odisha, West Bengal, Assam Jharkhand etc. Across the border, it is equally popular in Nepal and Myanmar and Bangladesh too. In fact, it was Kishwar Chowdhury, a contestant of Bangaldeshi origin who brought it to the world stage when she made a gourmet version on Masterchef Australia.

Two generations ago, even in cities, this was the standard morning fare. In Tamil Nadu, the rice was soaked overnight and the next day, mashed up, buttermilk was added, as also curry leaves, green chilies etc. My mother and her brothers had this almost every day before being sent off to school. It was healthy, nutritious, kept the stomach full for a long time. Also this ensured that rice was never wasted. And importantly, saved the mothers a load of work in the busy morning.  The nutritional value and taste of the soaked rice item is often enhanced by adding drumstick leaves, ginger, cumin, curd, lemon, a tadka, etc. There is even a sweet variant made by adding sugar or jaggery.

And this was the standard in homes across these states. Not just students but famers, workmen and others started the day with this.

Soaking cooked rice overnight leads to mild fermentation and promotes the growth of healthy bacteria. It lowers the glycemic index and increases mineral content. A paper in a respected scientific journal avers: ‘Soaked rice is rich in B6, B12 vitamins and is a source of beneficial bacteria which helps in digestion and boosts immunity. The given samples of normal cooked rice and overnight soaked cooked rice are tested for carbohydrate, crude protein, fat/oil and fiber content. The rice which was overnight soaked cooked rice was found to have more nutrient content than unsoaked cooked rice. There is an increase in energy, protein, fat, carbohydrate, fiber content and minerals. Eating fermented rice for breakfast was an old custom among the farmers. It has been proved that overnight soaked cooked rice acts as a healthy breakfast and would play an important role in the health of today’s young generation.’*

The benefits of soaked rice are now being recognized and celebrated. Odisha has taken this to heights by declaring a Day for this: Pakhala Dibasa was declared on 20 March 2011 and is marked every year by Odias everywhere. (Pakhala is Odia for soaked rice). It is appropriate that Odisha should take the lead in doing this, for the dish has a hoary history in this state. There is very early documentation of pakahla including a recipe of prasads at Lord Jagannath Temple of Puri dating back to the 10th century. There is also a mention in the Odia poems of Arjuna Das in his work Kåḷpålåtā composed during 1520-1530 CE.

And yes, in keeping with the tradition, this is another dish contested between Odisha and West Bengal!

Time to remind ourselves that health does not come from a box, nor all knowledge from the internet. Nutrition is right there in the humblest ingredients in our kitchens, and our grandmothers know a lot too!

So in honour of Pakhala Dibasa just gone by last week, and to mark Utkal Diwas (today, April 1), let us resolve to have a soaked rice breakfast at least once a week. This is especially good in the summer, as it has cooling properties.

Here is to happy, healthy breakfasts!

–Meena

*Neha Sharma M, Gayathri R, & Vishnu Priya V. (2018). Assessment of nutritional value of overnight soaked cooked rice over unsoaked cooked rice. International Journal of Research in Pharmaceutical Sciences, 9(3), 515–518. Retrieved from https://ijrps.com/home/article/view/4150