Category: Mamata Pandya

Happy Birthday To You!

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This month we had a family get together bringing together members from different parts of the world, as well as different generations. It was also an occasion to celebrate together, several birthdays of the gathered family members—from the first birthday to the seventieth birthday. Topping up all the celebrations including cake-cutting and candle blowing, was a lusty rendering of the song Happy Birthday to You.

It is quite incredible how this song has transcended time and space to become a universal symbol of birthday celebrations. It is said to be the most frequently-sung English song in the world. And it is sung quite comfortably by people who may otherwise not know any other word of English. What most people do not know is that this song has an interesting history which dates back over a hundred years.

The creators were Patty and Mildred Hill, two sisters who were kindergarten teachers in Louisville, Kentucky, USA. Patty was not just a teacher, she was one of the pioneers who introduced what was then, a progressive philosophy of early childhood education in America. She stressed that in the early years supporting creativity, and social and emotional development of children were as important as academic learning. This could be provided by good kindergartens. The Hill sisters themselves grew up in a progressive family which supported and encouraged the daughters to have a complete education and have a career—both unconventional approaches for that period. Their parents believed that children should be free to play and follow their own pursuits as well as learn the value of hard work. Growing up in such a home had a profound influence on Patty whose future career choice would manifest her beliefs on the kind of education every child deserved. She had a strong commitment to and the importance of self-determination in activity, especially in childhood, as a means of empowering individuals to overcome social and economic disadvantages.

Patty Hill graduated from Louisville Collegiate Institute in 1887 after which she joined the Louisville Kindergarten Training School where the students were encouraged to experiment with different classroom techniques. Patty Hill began her kindergarten work as a teacher, and then became director of the Louisville Free Kindergarten Association in Kentucky in 1893. During her time at the Louisville Kindergarten Training Schools, Hill was very active in the Kindergarten Movement. She participated in numerous conferences and organized events that discussed alternative methods of early childhood education. She developed curricula that encouraged children to learn through play, music, free play, and contact with nature. The Louisville Kindergarten Training Schools became famous in the United States as the centre of innovative ideas about early childhood education. In 1906 Patty was appointed to the faculty of Columbia University Teachers College, where she taught for the next 30 years. There she developed a curriculum that emphasized the importance of a child’s first-hand contact with nature for creative expression. In 1908 she was elected president of the International Kindergarten Union. In 1924 Patty helped to found the Institute of Child Welfare Research at Columbia and also promoted the extension of nursery schools through her work with the National Association for Nursery Education, which she helped to organize in 1925.

Patty Hill served on the faculty of Teachers College at Columbia University until she retired in 1935. After her retirement she continued to give lectures and public speeches until her death in 1946 in New York City.  

Despite her significant contribution to early childhood education, Patty’s claim to fame however lies more in her links with the Happy Birthday Song. In early 1893, when she was at Louisville Kindergarten Training Schools, Patty and her sister Mildred, who was a pianist and performer, composed a simple 4-line song for the kindergarten students which had “words and emotions and ideas” that they felt were suitable for the limited musical ability of a young child. Patti wrote the words and Mildred composed the score. It had only six notes, six words, and four lines, three of them the same. They would work at night on the tune, and the next morning try out the song in the classroom. The lyrics were simple: “Good morning to you / Good morning to you / Good morning, dear children / Good morning to all.” The tune had a simple, repetitive beat, and was easy for children to follow. They tested the song with their young students until they found a combination that children caught onto easily, as they enjoyed the words as well as the rhythm.

The sisters published Good Morning in 1893 in a book of sheet music called Song Stories for Children, which they copyrighted and exhibited that year at the World’s Fair in Chicago.

How did the words ‘Good Morning’ transform into Happy Birthday, even as the tune remained the same? There are many theories, of which one is that the sisters themselves changed the words at a birthday party that they attended. In fact, the tune was amenable to easy exchange of words, and children at the Louisville Experimental Kindergarten School where Patty taught would substitute the words with Goodbye to You, Happy Vacation to You, and other variations.

By 1924, the song appeared in another songbook edited by Robert Coleman with the Hill sisters’ original lyrics as the first verse, and “Happy Birthday to You” as the second. As the song started to appear more in print, it caught on like wildfire and became hugely popular from coast-to-coast. It began to be used in movies and Broadway musicals. Ironically the sisters never published or copyrighted the lyrics to Happy Birthday to You.

There followed a long and complex battle of claims for copyright and licencing of the song. None of the legal battles produced a conclusive verdict on the song’s authorship or ownership. In the 1930s, the Hill sisters won the copyright for the song as it appeared in a songbook for children published by The Summy Co. But in 1988 Warner Communications acquired the rights to the tune. This meant that anyone who wanted to use the song in a movie or TV show would have to pay thousands of dollars. To avoid the high royalty fees, many movies and TV shows figured out creative ways to portray birthday celebration scenes without actually using the ‘Happy Birthday’ song. Despite this, at one time, Warner/Chappell Music was earning as much as $2 million per year in licensing fees from the birthday song.

In 2016, a group of artists and filmmakers filed a lawsuit which challenged Warner’s claim to the copyright of the happy birthday song, and claimed that they should not be allowed to charge licensing fees for use of the musical work. Warner Music Group lost the case, and as part of the class settlement, the company had to pay $14 million to people and organizations that had paid royalties to use “Happy Birthday” since 1949.

As of 2016, the famous Happy Birthday Song is in the public domain, meaning that it can be sung anywhere. The next time we sing Happy Birthday to You to celebrate a birthday, let’s also celebrate its interesting roots and long history.

–Mamata

Father of the Library Movement: PN Panicker

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The last few days, newspapers have been carrying a number of pieces promoting the joy of reading physical books, in an age when the printed word is rapidly being buried under the digital avalanche. As a person who has never abandoned the physical avatars, these reminders of the very different experience of physically turning the pages of a ‘real’ book make me smile! All this hype culminated with the announcement of National Reading Day on 19 June.

I have written frequently about books, and was aware of a couple of international days of books, and reading. However this was the first time that National Reading Day was taking up so much column space. I was naturally curious to know more about this day. And I discovered that there is much more behind this day than reading. It is the story of a man with a mission, who laid the foundation of the library movement in India.

Puthuvayil Narayana Panicker was born on 1 March 1909 to Govinda Pillai and Janaki Amma at Neelamperoor in Kerala. As a youth he used to read the daily newspapers to groups of illiterate people of different ages. He began his career as a teacher, but moved beyond his designated duties to set up the Sanadanadhramam Library in 1926, in a small room provided by the local cooperative society in his village. This was the first step in what was to become beginning of a life-long passion and mission with a simple but powerful message: Vayichu Valaruku meaning Read and Grow.

Panicker held Mahatma Gandhi in very high esteem; and like him, felt that illiteracy was a curse and a shame. He believed in a holistic approach to human resources development, the foundation of which was literacy. Towards this, Panicker initiated a literacy movement across the state. He also believed that libraries could provide a stable scaffolding for encouraging and sustaining the literacy movement. He made the literacy movement into a cultural movement where people could feel the emotional connect with the library in their village or town, just as they connected with their place or worship or school or college. Libraries created by this movement later became the nerve centres of local social and cultural activities; children would come and read, older people would gather to meet and discuss issues relevant to them. When he visited a leprosy sanatorium at Nooranad, the inmates requested him to set up a library there. The library was established as LS Library on 1 July 1949. It was one of the first libraries in the district and housed a unique collection including over 25000 books and rare palm-leaf manuscripts. It was extensively used by the sanatorium residents as well as visiting researchers and scholars.

Panicker led the formation of Thiruvithaamkoor Granthsala Sangham (Travancore Library Association) in 1945 with 47 rural libraries. The slogan of the organization was Read and Grow. He travelled to Kerala villages proclaiming the value of reading and succeeded in bringing some 6000 libraries in his network. The Travancore Library Association expanded to become Kerala Granthasala Sangham (KGS) in 1956.  KGS was awarded the UNESCO Nadezha K. Krupskaya Literacy Prize in 1975.

Panicker was the General Secretary of Sangham for 32 years, until 1977, when it was taken over by the State Government and it became the Kerala State Library Council.

In 1977 Panicker founded the Kerala Association for Non-formal Education and Development (KANFED) with the objective to help universalize education by stepping up propaganda for it, and by the institution of non-formal education activities supplementary to the formal education system. This led to the establishment of institutes for research and training in all aspects of non-formal education, publishing houses for the production of literacy materials, and centres for the eradication of illiteracy.

These were operationalized through Committees which were set up in all districts of the state at Block and Panchayat levels to organize, conduct and supervise literacy centres; Regional Resource Centres were set up to store books, teaching aids and other materials necessary for adult education and make them available at all literacy centres.  

Primers for beginners, and books and periodicals and other useful material such a maps and wall charts for neo-literates were prepared through workshops for young writers, and published. The Primers included Alphabet Primer, Science Primer, Health Primer, as well as Primer for Women, Prier for Agriculturists, and Primer for Tribals. There were books on agriculture and animal husbandry; books on health and hygiene, and books for neo-literates. There were also biographies of inspiring national and international personalities, as well as books describing civic institutions, rights and duties, and promoting scientific temperament.

Resource material for adult literacy workers, instructors, project officers and organizers was supported and supplemented with seminars, workshops and training.  Plans for monitoring and evaluation of the literacy centres were also included.

Panicker’s vision and the state-wide mission of KANFED played a significant role in Kerala’s successful literacy movement–the Sakshara Keralam Movement. The first 100 percent literate city in India, and first 100 percent literate district have been from Kerala. Kerala was also the first state to attain 100 percent primary education. Some of the oldest colleges, schools and libraries of the country are also situated in Kerala.

In addition to literacy centres, Panicker also took keen interest in promoting Agricultural Books Corners, The Friendship Village Movement (Sauhrdagramam), and Reading Programmes for Families.

The life-long crusader for literacy and libraries passed away on 19 June 1995. Since 1996, this day is marked as Vayanadinam (Reading Day) in Kerala. It is a reminder to encourage the movement to promote a culture of reading, to inculcate the habit of reading and promote book-mindedness among school children, youth as well as the underprivileged population of the country. The Department of Education, Kerala also observes Vayana Varam Week (Reading Week) from June 19 to June 25 in schools across the state.

The Department of Posts honoured PN Panicker by issuing a commemorative postage stamp on 21 June 2004.

In 2017 PM Narendra Modi declared June 19, Kerala’s Reading Day as National Reading Day in India. The following month is also observed as National Reading Month.

The PN Panicker Foundation continues the mission to enhance lives and livelihoods through various targeted initiatives ranging from education, skill development, health, and need based programmes with the efficient use of technology. In keeping with the need of the hour, it is supporting digital learning in rural areas and has established thousands of home digital libraries across the state. PN Panicker’s vision continues to guide and inspire the new generations.   

–Mamata

CELEBRATING OCEANS: RACHEL CARSON

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The first week of June has two significant days that relate to the environment. World Environment Day (WED) on 5 June and World Oceans Day (WOD) on June 8. While desertification was the focus of WED, the themes of WOD emphasized the importance of working together to find solutions to ocean challenges.

Historically one name has been associated both with WED as well as WOD. Rachel Carson is probably best known for her book Silent Spring, one of the first that warned of dangers to all natural systems from the misuse of chemical pesticides such as DDT. Published in 1962, this initiated the contemporary environmental movement. Over the years Silent Spring became one of the essential readings and references for environmentalists and ecologists.

What is perhaps less known is that for a decade before she wrote Silent Spring, Rachel had already published three books, as well as numerous articles, on the subject that was dear to her heart—the Seas and Oceans. Rachel’s work was unusual in that it combined a solid base of science that she communicated in beautiful language and style, making for a rare combination of nature and literature.

Rachel’s love for nature stemmed from her early years in a rural community where she freely explored her surroundings, and also expressed her thoughts through her other passion—writing. Rachel Carson was born on 27 May 1907 in Springdale, Pennsylvania. After High School, in 1925, Rachel joined Pennsylvania College for Women as an English major determined to become a writer. Midway through her studies, however, she switched to biology. A summer fellowship at the U.S. Marine Laboratory in Woods Hole, Massachusetts was her first close experience with the ocean. In 1929, Carson was awarded a scholarship to study at Johns Hopkins University in Baltimore, an enormous accomplishment for a woman at that time. Graduating with a Master’s degree in Zoology in 1932, and with a flair for writing, Rachel began to work for the public education department of the US Bureau of Fisheries writing pamphlets on conservation and natural resources. This was the start of her long career as scientist and editor, eventually rising to become Editor-in-Chief of all publications for the US Fish and Wildlife Service.

In 1935 she was asked to create a series of short radio programmes on marine life called Romance Under the Waters. Her growing interest in oceans and marine life was supported by the opportunity to visit waterfronts and marine environments, access to scientific information, and interaction with a range of people associated with different aspects of the oceans as part of her work. During World War II, Rachel Carson was part of a programme to investigate undersea life, terrain and sounds, designed to assist the Navy in developing techniques and equipment for submarine detection. Thus Rachel had the opportunity to study many aspects of oceans.

In her free time, Rachel also wrote about findings from this research in a language and style that would reach beyond the academics to a larger audience. She wrote several articles for popular magazines, designed to create wider awareness about the wonder and beauty of the living world. As she once said: I have always wanted to write. Biology has given me something to write about. She also believed that science and literature could meld harmoniously. The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities… If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.


Rachel Carson’s first book, Under the Sea-Wind, was published in 1941. In 1951 she published her prize-winning study of the ocean, The Sea Around Us. The book remained on the New York Times bestseller list for 81 weeks.

In 1952 Carson resigned from government service to devote herself to her writing, but also for the freedom that she would have as not being a part of the government, to raise issues, question government policies, and use her public voice to create awareness and encourage action.

In 1955 she published The Edge of the Sea. These books established Rachel Carson as both a naturalist and science writer for the public. But it was her final book, Silent Spring, published in 1962, that awakened society to a responsibility to other forms of life. In it, Carson documented in minute biological detail the harm caused to the ecosystem by harmful pesticides, especially DDT. The book was based on years of her research which indicated that the abnormalities caused by the pesticide showed up first in fish and wildlife, and went on to endanger the overall environment. As expected, Carson’s book provoked a huge controversy, as well as personal attacks on her professional integrity. The pesticide industry mounted a massive campaign to discredit her. The federal government, however, ordered a complete review of its pesticide policy and Rachel Carson testified before a Congressional committee, calling for new policies to protect human health and the environment. As a direct result of the Carson’s study and her making it public through Silent Spring, DDT was banned in the United States.

Despite her earlier noteworthy studies of the marine environment Rachel Carson’s name became synonymous with Silent Spring and DDT.

Rachel Carson died in 1964 after a long battle against breast cancer.

The theme for this year’s World Oceans Day is Waves of Change: Collective Actions for the Ocean. It would be worthwhile this year to revisit Rachel Carson’s books on the sea which seem as relevant today as they were when she wrote them in the 1950s. Carson’s ecological vision of the oceans demonstrates a larger environmental ethic which drew attention to the threats to the sustainability of nature’s interactive and interdependent systems. Her writing presages Climate change, rising sea-levels, melting Arctic glaciers, collapsing bird and animal populations, crumbling geological faults. All of which are dire realities today.

–Mamata

A Tree for all Reasons: Khejri

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5 June has been marked annually as World Environment Day (WED). First held in 1973, and led by the United Nations Environment Programme (UNEP), WED is the largest global platform for environmental public outreach and is celebrated by millions of people across the world. This year, 2024, the kingdom of Saudi Arabia is hosting the global celebrations.

The focus of this year’s WED is land restoration, desertification and drought resilience.

As the world is seeing rapid advances in desertification, and land degradation, propelled by climate change, it is useful to go back and see nature’s in-built mechanisms for coping with such conditions. 

Khejri tree

Plants that grow in arid areas have special ways of dealing with extreme heat or cold, and other desert conditions.  Desert plants fall into three categories according to the way they deal with the problem of surviving in arid or extremely arid conditions.

Drought evaders: Plants which remain as seeds in the sand, but are ready to spring up when it rains, to flower quickly, to produce another crop of seeds and die again. These are known as ephemerals.

Drought resisters: Plants which have evolved various ways of storing water, locating underground water or reducing their need for water by such methods as shedding their leaves. These are known as perennials. They manage to live from one rainy season to another.

Drought-endurers: Plants which have the capacity to tolerate drought for a longer period by adapting through condensed growth, small-sized leaves and very deep root system.

These natural adaptations have enabled these plants, over millennia, to grow in some of the toughest of conditions. In turn, these plants have also played an important role in supporting other life, including human life, in desert conditions. Perhaps no plant better exemplifies this than the Khejri tree.  

Khejri or Prosopis cineraria is a tree that grows in the dry and arid regions of India and West Pakistan, Afghanistan and Iran where summers are very hot, winters are harsh, and rainfall is scant. It has a variety of common names in different states of India. Khejri or sangria (Rajasthan), jand (Punjab), kandi (Sindh), sami, sumri (Gujarat). Its trade name is kandri.

A moderate-sized evergreen thorny tree, with light bluish-green foliage, its sturdy older branches, and slender tender branches have conical thorns. It sprouts freely from the base, producing a fresh growth of leaves around March. Soon after the new leaves, the small yellow, creamy white flowers appear. These, in turn, give way to pods.

This drought-resister tree has a range of adaptations that enable it to grow well in highly arid and harsh conditions, where other plants cannot survive. It grows on a variety of soils, including moderately saline soils. It has a long and well-developed root system. This serves two purposes; it provides firm anchorage and also aids in obtaining moisture supplies from deep down. Its foliage also helps to absorb moisture from the rains, as and when there is rainfall. 

The roots are a life saver not only for the tree, but are equally valuable for the environment in which the tree lives. The extensive root system helps to stabilize shifting sand dunes. The tree is useful as a windbreak shelter, and in afforestation of dry areas. It fixes nitrogen through microbial activity, and its leaf litter decomposition adds organic matter thus rejuvenating poor soils.

Often being the only kind of tree that grows in the arid conditions, the tree also provides much needed shade and shelter to local farmers, as well as livestock. Prosopis cineraria is a much valued fodder tree, which provides nutritious and highly palatable green as well as dry fodder which is readily eaten by camels, cattle, sheep and goats. Its dead leaves are fed to cattle to improve milk yield. Its dry pods are also nutritious animal feed. The pods are also eaten, in green as well as dry forms, by people who have scant access to a variety of fresh vegetables for much of the year.

The tree’s wood is suitable for construction, and is used locally for numerous purposes including making agricultural implements and tool handles, water pipes, yoke and spokes of carts. The high calorific value of the wood also makes it an efficient fuel wood. The bark of the tree is dry and acrid with a sharp taste. The bark extract is believed to have anti-inflammatory properties, and is used in traditional medicine to treat rheumatism, cough and colds, and asthma, as well as scorpion sting. The pod is also believed to have astringent properties.

A popular saying in the Thar desert encapsulates the value of the khejri. Death will not visit humans, even at the time of famine, if they have a khejri, a goat and a camel, since the three together help sustain humans even under the most trying conditions. 

Thus for millennia the people of the Thar have revered the khejri as such a critical part of their lives. And they have given up their own lives to save the trees that sustain their lives.

Nothing highlights this better than the story of Amrita Devi and the Bishnois, or Twenty-niners, a sect that lived by simple tenets: Do not cut any green tree, do not kill any animal or bird, respect every living being, it has as much right to life as we humans do.

Amrita Devi’s story dates back to 1730.  The then Maharaja of Jodhpur, Abhay Singh, wanted to build a new palace for which he required wood. He sent his soldiers to a village to cut down some khejri trees. But this was a Bishnoi village. For hundreds of years, generations of villagers had nurtured and protected their vegetation, land and wildlife. One of the villagers was churning butter when she heard the commotion. Her name was Amrita Devi. She saw the men sharpening their axes and her mind flashed back to her childhood. She remembered how, every morning, she would respectfully greet  all the khejri trees and choose a special one for that day; she would hug it and thank it for all the gifts that it gave her and her people. Every child in the village had their own special tree.

Now the trees were in danger. Amrita Devi ran and confronted the axe men. She pleaded with them: “Leave our trees. They are our brothers and sisters, our village protectors. They are the breath of life, the water we drink, and our food.”

The axe men paid her no heed. They continued with their task. Amrita Devi hugged a tree. “Chop me first” she said, “take my life and leave my tree.” The axe men tore her away, but Amrita Devi was back at her tree, clinging for dear life. She did not let go of her tree; the axe men had to chop through her body to get to the tree. No sooner did Amrita fall than hundreds of villagers, young and old, rushed to the trees. Each one hugged a khejri tree. The king’s men continued to chop through them, until 363 people lay dead at the feet of the trees they hugged to save.

When the king heard of the incident, he could not believe that people would lay down their lives for trees. He personally visited the village to meet these people. They said: “The trees can survive without us, but we cannot survive without the trees.” The king was deeply moved the faith and humility of these people. He proclaimed that from then on no Bishnoi village would be called upon to provide timber or wildlife by hunting. Almost three centuries later, the Bishnoi community is intact. The twenty-nine tenets continue to live, even as the khejri trees give life to the land and its people. Amrita’s village came to be known as Khejarli after the trees she gave her life for.

Amrita Devi’s name is synonymous with her sacrifice. In 2001, a national award (the Amrita Devi Bishnoi Wildlife Protection Award) was created in her honour, to recognize people who had contributed to environmental conservation.

This World Environment Day, as the world looks ahead to combatting desertification, it is humbling to look back and remember the story of Amrita Devi and the khejri trees.

–Mamata

Cicada Summer

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In many countries, ranging from America to Japan, the song of the cicadas heralds summer. This summer, cicadas are making headlines in the United States which is bracing up for a cacophony of noise as trillions of cicadas are due to emerge in a rare synchronized event that occurs only once in a couple of hundred years.

Periodical cicada
Source: Getty images

Cicada species have been around for a long time. The oldest cicada fossils are from the Triassic period, where they may have buzzed around the dinosaurs. Cicadas are members of the superfamily Cicadoidea. A cicada has a stout body, a broad head with two large compound eyes on both sides, and clear-membraned wings. Cicadas have modified mouthparts to feed on liquids rather than solid material. Larvae suck juices from plant roots, while adults suck fluids from woody shrubs and trees. While all cicadas have the same basic body shape, they come in all sorts of sizes and colour.

The most defining feature of cicadas is not in their form but in the sound that the male cicadas make to attract female partners. This sound is produced by the movement of specialized structures on each side of the abdomen called tymbals. Tymbals are thin membranous structures streaked with marginally thicker ribs. A muscle pulls these ribs inward and then releases them, resulting in a sharp sound. Rapid repetition of this action at a speed of 300 to 400 times per second generates the distinctive song of the cicada. The cicada’s body is like a hollow musical instrument, similar to a violin or guitar, with air-filled pockets that act like echo chambers, amplifying the sound. Varying body sizes produce different sound frequencies. Each species has its own specific call. In answer to the male’s song, the female cicada replies with a soft click.

Despite having no vocal chords and no lungs, male cicadas are the loudest insects in the world. While poets may wax eloquent about the song of the cicada, the decibel level of the cicada chorus can be deafening. The intensity of the sound can be as high 120 decibels, the decibel level of a jet engine!

Cicadas have a fascinating lifecycle. The male attracts the female with his powerful song which reverberates through the air. The female arrives, and after the mating, she makes slits in tree branches and lays her eggs. The eggs hatch six to seven weeks later. The emerging young ones look like termites, and stay on the plant, feeding on sap till they are ready to drop down to the ground. This marks the beginning of the next stage of their lifecycle. Tunnelling through the earth with their powerful front legs, the nymphs burrow and build chambers deep in the soil, living a major part of their lives underground, feeding on roots, till they are finally ready to emerge as adults. Once they crawl back onto the surface, the nymphs shed their exoskeletons, and start flapping their wings. They spend the next six weeks or so of their adult life, making a cacophony to attract mates, so that the eggs can be laid before they die

This trait of disappearing distinguishes cicadas from most other insects. While all species of cicadas disappear underground, different species have different cycles of emergence. There are annual cicadas which emerge once a year, or once very couple of years, and periodical cicadas which spend most of their lives underground, and emerge, en masse every 13 or 17 years to mate and start the cycle over again. Of the 3,400 species of cicadas in the world, only nine species are known to have developed the habit of disappearing underground for years at a time and then emerging en masse simultaneously.

It is this cycle of disappearance and reappearance that has symbolically linked cicadas with rebirth and transformation in some cultures. In China during the Han Dynasty, jade cicadas were placed on the tongue as part of the burial ceremony to ensure that the departed have voices in their afterlife. Some Native American tribes believe that cicadas emerge from the earth, bringing with them an opportunity to renew their relationship with nature and their ancestors.

India has approximately 250 species of annual cicadas, but only one species of periodic cicada, the Chremista ribhoi in Meghalaya that emerges once in four years. Forests in all parts of India are abuzz with cicada sounds, especially before the rains begin, thus here cicadas are associated with the monsoon. A curious tale related to cicadas is that when, in 1847, an Englishman discovered a forest area in Kerala, he found it to be completely devoid of cicada sounds, and thus so quiet, that he named it Silent Valley.

This summer several parts of the United States will witness the once-in-lifetime phenomenon of the simultaneous emergence of billions of cicadas from two different broods of cicadas—one that lives a 13-year cycle and one that has a 17-year cycle. This rare synchronized event last occurred in 1803. This is causing much excitement among scientists as well as others, who will witness (as well as hear) this rare event—a cicada summer to remember!

–Mamata

Lady With the Lens: Homai Vyarawalla

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The past few weeks, as India goes through its massive election exercise, the newspapers have been carrying iconic photographs that show glimpses from past elections. For many of us who are firmly part of the ‘morning newspaper’ generation, these black and white images bring back memories of what feels like another age. These pictures capture not only candid shots that evoke nostalgia, but are also telling stories of different life and times. The people behind most of these have been photojournalists. Photojournalists are described as visual storytellers who use photography to document and report on news events, current affairs, and human interest stories. While their camera lens captures, and freezes a particular moment, it is the record of these intrepid storytellers that make history.

A recent exhibition of one of India’s most renowned photojournalists, Raghu Rai presents some pages from this history. But this also reminds one of another name that made her own history. This is Homai Vyarawalla, India’s first woman photojournalist.

Homai Vyarawalla was born on 9 December 1913 in Navsari in Gujarat, in a Parsi family. She had a peripatetic childhood as her father was an actor with a traveling theatre group. The family eventually settled in Mumbai where Homai enrolled in the JJ School of Arts. When she was in her early teens Homai met Manekshaw Vyarawalla, a freelance photographer who first introduced her to photography. The two initially shared a Rollieflex camera, and developed their own films in a dark bathroom. Homai started taking pictures of her friends as she starting learning the ropes. Manekshaw submitted some of her photographs of a local picnic to The Bombay Chronicle for which he then worked, and these were published. Homai began to get some photographic assignments; however some of her works was published under Manekshaw’s name, as a woman photographer was not something people respected professionally. She began to draw more attention after her photographs of life in Mumbai were published in The Illustrated Weekly of India magazine. Later Homai also used the pseudonym Dalda 13 (DALD from the number plate of her car, and 13 which she believed was her lucky number!). Homai and Manekshaw were married in 1941.

With the outbreak of World War II, the British Information Services (BIS) relocated to India, and were recruiting photographers on the ground. The Vyarawallas were recommended for the job by the then editor of the Illustrated Weekly. The couple moved to Delhi in 1942, with Homai joining as a full-time employee, with freedom to also take on freelance projects. Homai’s art school training in visual composition added to her skills as a photographer. She worked for the BIS as an official press photographer till 1951, and as a freelancer till 1970. Always humble and polite, clad in a khadi sari and carrying a Rollieflex camera, Homai was indeed an unusual sight on the streets of Delhi.

Homai began covering not only events and ceremonies at the British High Commission, but also chronicling significant moments in the transitional phase from the end of the British Raj to India becoming an independent nation. Some of these events included the swearing in of Lord Mountbatten as the first Governor General of India in 1947, the first Republic Day Parade in 1950, visit of Jacqueline Kennedy’s visit to India in 1962. She covered Mahatma Gandhi’s funeral in 1948 but was regretful till the end of her life at having missed his last prayer meeting when he was assassinated.

Besides events, Homai’s camera captured nuances of faces and expressions of a host of personalities that shaped the 20th century. From Lord Mountbatten to Queen Elizabeth, Krushchev to Nixon, Sardar Patel to Dr Ambedkar, Mahatma Gandhi to Indira Gandhi, visiting personalities and their hosts were frozen for posterity in Homai’s frames. Jawaharlal Nehru was a favourite subject of Homai’s. Homai was still the rarity in India—a female photojournalist, and her work did not get the kind of attention that the work of a contemporary, Margaret Bourke-White, did for her pictures of Gandhiji.

Homai herself did not seek the limelight, she preferred that her photographs spoke for themselves. And indeed these pictures that span the first three decades of an Independent India continue to tell the stories that defined that era. In fact Homai never travelled out of India. Her first trip to the USA and UK  was when she accompanied her biographer on a speaking tour, at the age of 95 years.

Homai’s husband Manekshaw passed away in 1979. Losing her companion of forty years, Homai also gave up photography totally. She spent the last two decades of her life in Vadodara, leading a simple, quiet, secluded life until she passed away on 15 January 2012, at the age of 98. Homai was the recipients of several awards including the Padma Vibhushan in 2011. Homai gave away her entire collection of prints, negatives, cameras and other memorabilia to the Alkai Foundation for the Arts, on permanent loan for safekeeping and documentation.

As Raghu Rai said in a recent interview “If responsible journalism is the first draft of history, then photojournalism is the first evidence of that history being lived.” Homai Vyarawalla will always remain a preeminent chronicler of that history.

–Mamata

A Man of Many Parts

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May 1 is marked as International Labour Day to commemorate the struggles of workers, and labour movements, and celebrate their role in society. In Gujarat the day has an added significance as Gujarat Foundation Day. May 1 marks the day that two new states–Gujarat and Maharashtra were carved out of the erstwhile Bombay state in 1960.

One name that it intrinsically linked with this historic moment is that of Indulal Yagnik who spearheaded the movement for a separate state of Gujarat. Indulal was the founder president of the Mahagujarat Janata Parishad that launched the movement which came to be known as the Mahagujarat Movement, in 1956. But Indulal’s activism well preceded this phase of his life which spanned many significant periods in Indian political life. A life that was not limited to public engagement, but also covered a wide range of interests, and contributions including to journalism, literature, and films. 

Indulal was born in 1892 in Nadiad in Gujarat, and completed his higher education in Bombay, graduating with BA as well as LLB degrees. He chose the world of words rather than laws, and started his journey as a translator with Mumbai Samachar, a Gujarati daily, and as contributor to a well-known Gujarati monthly magazine. He began to associate with radical nationalists like Shankarlal Banker, and young lawyers like KM Munshi and BG Kher. He was also deeply influenced by Annie Besant and the Home Rule League, which advocated for self-government for India within the British Empire. In the meanwhile his own thinking was becoming more nonconformist in terms of social norms.

He was always a risk-taker. When Madam Bhikaji Cama became the first person to hoist the Indian tricolour on foreign soil at the International Socialist Conference at Stuttgart in Germany, on 22 August 1907, it was the young socialist Indulal Yagnik who smuggled that flag back to India.

Gandhi’s return to India from South Africa in 1914 drew Indulal into a new cause. By 1915, Indulal launched a Gujarati monthly along with his friends Shankarlal Banker, KM Munshi and Ranjitram Mehta. He contributed to the English magazine Young India and when Gandhi it took over, Indulal moved to Ahmedabad in 1915 to work for him.  

When the British government decided to dispatch a team of eight editors—four English and four Indians to Mesopotamia (now Iraq) in 1917 to investigate allegations of mistreatment of Indian soldiers during World War I, Indulal was selected as one of them.

In 1917, he was involved in famine relief in the villages of Ahmedabad district. Indulal was an active participant in Gandhi’s 1918 Kheda Satyagraha, a resistance movement against oppressive land taxes for farmers. He was also, with Gandhi, a part of the move to establish Gujarat Vidyapith, an institution of higher learning. He made Ahmedabad the base for his public and political activities, even as he travelled widely, connecting with the most downtrodden and oppressed communities.

While he was close to Gandhi and Sardar Patel, and worked tirelessly for the ongoing satyagraha movement, Indulal was a much more vociferous advocate of the rights of the marginalized and oppressed communities. This often created clashes of opinion and approach. He also had a fiery and mercurial temperament which led him to act impulsively. While in 1923 he had shared a prison cell with Gandhiji, in 1924 Indulal completely withdrew from nationalist activities and relocated to Bombay where he became editor of a communist-published paper. His socialist-communist perspective led him to write a harsh critique of the 1928 Bardoli Satyagraha in this paper.

Subsequently, he distanced himself from both communism as well as the nationalist struggle and the Congress party, and forayed into films. He began in 1926, by translating the titles for the film The Light of Asia into Gujarati. He then began writing about films for different magazines and newspapers, and himself wrote short stories for a few silent films. He even produced a few films. However his stint as a producer was neither successful nor profitable.

Indulal returned to the nationalist movement. This time he took on the role of championing its cause abroad. He travelled to Britain and Germany where he wrote articles and pamphlets. He also got involved with revolutionaries in Ireland and activists in England. He was in England when Gandhiji was attending the Second Round Table Conference in 1931.

After five years abroad Indulal returned to India in 1935. Now he became an active advocate for famers’ rights, and in 1936 was instrumental in the formation of the All India Kisan Sabha, and led the Gujarat chapter of the Kisan Sabha. The world was in the throes of the Second World War. His anti-war activities were deemed disruptive to public order and he was imprisoned in 1940. Upon release in 1941, he dedicated himself to establishing ashrams and schools in areas where there were none. The ashram that he established on the banks of the Vatrak river became his own base, and it is here that he celebrated India’s Independence on 15 August 1947.

When the movement for a separate state of Gujarat was gaining momentum in 1956, the activist in Indulal surfaced again. ‘Indu Chacha’ became the mover and shaker of the Mahagujarat Movement. During this period he once again distanced himself from the Congress party, and established a political party called Mahagujarat Janata Parishad, which achieved significant electoral success. The party was dissolved after the formation of Gujarat state on 1 May 1960. Indulal then founded the Nutan Mahagujarat Janata Parishad.

Indu Chacha was very popular himself, appealing to working class and middle class voters alike. He was elected from the Ahmedabad constituency to the Lok Sabha for four consecutive terms starting from 1957 to 1971. He continued to maintain his almost spartan lifestyle until he passed away in 1972.

Indulal’s life story was closely linked to the political events of Gujarat and the world of that time. His six-volume autobiography Atmakatha, written in phases at different points of his life, is a valuable resource to understand the socio-cultural and political history of Gujarat. He dedicated the book to the “bright and fragrant flower-like people” of Gujarat. As a fellow Gujarati, Indu Chacha’s story gives a peep into the people and events that led to the creation of Gujarat.

On a more personal note, Indu Chacha was a friend of my parents, and I have memories of his dropping in to see them when we lived in Delhi in the late sixties, and relishing hot jalebis with milk! He must have been in his last term as member of the Lok Sabha then. As the state of Gujarat goes to the polls next week, Indu Chacha is still remembered.

–Mamata

Words Maketh Books

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This week Meena wrote about World Book Day on 23 April. Not exactly coincidentally, this day is also marked as English Language Day. English Language Day is the result of a 2010 initiative by the UN’s Department of Global Communications, establishing language days for each of the Organization’s six official languages (English, French, Spanish, Chinese, Arabic, and Russian).The purpose of the UN’s language days is to celebrate multilingualism and cultural diversity, and to promote equal use of all six official languages throughout the Organization. English Language Day celebrates the English language and promotes its history, culture and achievements.

Books certainly come in all the languages of the world, but the very fact that we are, at this moment, reading and writing in English, is a testimony to the fact that English is indeed one of the languages that unites word lovers across the world. English is one of the languages of international communication; it enables people from different countries and cultures to communicate with each other in a common language, even if it is not their first language.

April 23, as English Language Day, celebrates the life and works of William Shakespeare, who not only died on this day, but is also believed to have been born on the same date in 1564. The day is a tribute to the enormous contribution that Shakespeare made to the English language.   

Shakespeare’s prodigious output of sonnets and plays was remarkable as a body of creative work. These literary works were expressed in thousands of words, many of which (1700 it is believed), he created himself! When he embarked on his literary marathon, there were no dictionaries that Shakespeare could dip into. The first such reference to meanings of words in English was A Table Alphabeticall that was published in 1604. Texts on grammar appeared only in the 1700s. Thus Shakespeare did not have ready resources which could be used to populate his vocabulary.

Scholars believe that Shakespeare’s vocabulary owed to a combination of sources. It is likely that he lent an alert ear to the commonly spoken language of the time, and drew words from there which were written into his plays and verses. Thus he can certainly be credited with the ‘first recorded uses’ of numerous words. But he was equally a master of wordplay. He coined new words himself, often by combining words (eye and ball to make eyeball) changing nouns into verbs (from ‘elbow’ to ‘elbow someone out’), adding prefixes and suffixes into preexisting words. He anglicised foreign words, such as creating ‘bandit’ from the Italian ‘banditto’, and the word ‘zanni’ which referred to characters in sixteenth-century Italian comedies who mimicked the antics of clowns and other performers, and used it as a noun–zany.

These introduced words were soon adopted into the English language, enriching it considerably.

I must admit that in my younger days, I did not take as easily to Shakespeare in the original as may have been done by the more “literary types” of my generation. Whatever Shakespeare we were exposed to was in the form of the ‘abridged and simplified’ versions that made their way into English language textbooks year after year. Yes, we knew that “a rose by any other name”, and  “all the world’s a stage” and “all’s well that ends well” was quintessentially Shakespeare, but I for one did not know that so many words that we use today, imagining them to be ‘contemporary’ language were coined and couched in William’s prose and poetry!

Here are some very ‘modern’ terms that first appeared in Shakespeare’s writing.

Addiction, assassination, auspicious, baseless, barefaced, bedroom, champion, cold-blooded, critic, elbow, fashionable, generous, gloomy, hint, hostile, lackluster, lonely, majestic, manager, obscene, overblown, puking, pious, radiance, reliance, skim milk, submerge, swagger, watchdog!

Here are some that have not travelled intact through the centuries. Today some of these are “Greek to us” (incidentally it is Shakespeare who first coined this phrase!).

Mobbled: With face muffled up, veiled.

Foison: Abundance, plenty, profusion

Ganesome: Sportive, merry, playful

Noddle: The back of the head

Fleshment: The excitement associated with a successful beginning

Gratulate: Greet, welcome, salute

Kicky-wicky: Girlfriend, wife

Bawcock: Fine fellow, good chap

Buzzer: Rumour-monger, gossiper

Gallimaufry: Complete mixture, medley, hotchpotch

Garboil: Trouble, disturbance, commotion

Miching: Sulking, lurking, sneaking

For Shakespeare “all the world was a stage” and he also coined a number of colloquial phrases that added drama to the dialogues of his many characters, from Romeo and Juliet to Othello, from the Merchant of Venice to Hamlet and Macbeth. These “as good luck would have it” continue to enrich our speech even today.

All that glisters is not gold

A sorry sight

Bated breath

Break the ice

Cold comfort

Come what may

Dead as a doornail

Devil incarnate

Eaten me out of house and home

Fair play

Green-eyed monster

Laughing stock

Naked truth

In a pickle

Seen better days

Set your teeth on edge

The world is my oyster

Too much of a good thing

Vanish into thin air

Wild-goose chase

What’s done is done

And, it is not Sherlock Holmes but Shakespeare who first said “the game is afoot!”

Shakespeare may be “as dead as a doornail” but he remains the most quoted writer in English of all time. How zany is that!

Well, words maketh a book, and Shakespeare maketh words!

–Mamata

A Mark of Citizenship

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When we were children, and very much into Enid Blyton’s mystery and adventure stories, a fascinating element in some of these was the notes/letters that appeared to be blank, but which revealed secret messages when warmed. The excitement was heightened when we ourselves tried to make ‘invisible ink’. This usually involved some lemon juice with which we wrote on paper. Once the juice dried, the paper appeared to be blank, until a hot iron was run over the paper, or it was placed close to the flame of a candle, upon which the words would slowly show up. Many a summer afternoon was spent in this ‘mystery’ activity, with much excitement and anticipation on the part of message writer and receiver!

These memories came back recently when another kind of ink is soon to be in the news, except that this ink is far from invisible, it is indelible! The purple mark on the forefinger is inextricable linked with election season. As soon as the voting process begins, this mark becomes the symbol of a citizen who has exercised their right, as well as duty, to participate in the process to vote-in a democratically-elected government. In a country like India in which millions across the country take part in the electoral process, this mark is a great common indicator of participation, as well identification. An inked finger identifies a voter not just when they emerge from the polling booth, but until the ink on the finger ‘wears’ off, a period that may last from a few days to a couple of weeks. The key word is ‘wears’ off rather than washes off. And that is where the search for, and use of, indelible ink in elections began.

In the early 1950s, in newly independent India, there was concern that fraudulent voting could upset a free and fair electoral process. There needed to be a common, easily applicable and low-cost way to ensure that the ‘one voter one vote’ principle was adhered to in letter and spirit.

Research on this started in the National Physical Laboratory of the Council for Scientific and Industrial Research (CSIR-NPL). The research and experiments led to the formulation of the chemical formula for indelible ink which could be used on the finger of a voter who has just cast their vote. This ink was unlike other inks that were commonly used to fill the fountain pens that were the main writing instruments of the day.  A key component in this special-formulated ink was silver nitrate which is photosensitive, it reacts when exposed to light (sunlight or even indoor light). The water-base ink also contained a solvent like alcohol which allowed for faster drying, as well as some other dyes. The composition was optimized such that it diffused into the skin spontaneously to make a mark which could not be chemically or mechanically manipulated. The precise proportions, formula and protocol for making this ink were a closely guarded secret, and was patented by the National Research Development Corporation (NRDC), New Delhi. But for the ink to be produced in vast quantities, it needed a professional ink-making company.

The NRDC approached Mysore Paints and Varnish Ltd. (MPVL) to manufacture and supply the ink. An agreement to this effect was signed by the Election Commission of India in collaboration with the National Physical Laboratory and NDRC with MVPL. The factory was established during 1937 by Maharaja Krishnaraja Wodeyar IV, then the Maharaja of Mysore province. It was originally called Mysore Lac and Paint Works Ltd.It was renamed as Mysore Paints and Varnish Ltd. (MPVL) in1989.

The original rationale behind the establishment of the factory was to provide employment opportunities for the local people, and for effective utilization of the natural resources of the forest, specifically lac, which was used for the manufacture of sealing waxes. Apart from lac, the factory manufactured paints which were supplied to Government departments, especially to the Defence Department, particularly for war tanks, during the early days.

The factory was converted into Public Limited Company during 1947 as one of the Public Sector Undertakings (PSU). The company continues to be among the prominent undertakings of the Government of Karnataka, meeting the requirements of PSUs, Central Government, State Government, PSUs, private industries and the paint dealers. Although the Company also manufactures and supplies industrial coating paints, decorative paints, wood polishes, varnish and thinners, the largest chunk of its output is the manufacture and supply of indelible ink for elections.

The indelible ink was used for the first time in Indian elections in 1962 and has MPVL has remained the sole supplier since then. MPVL initially supplied ink only for parliamentary and assembly elections, but over the years it has also been supplying ink for elections to municipal bodies and cooperative societies. The concentration of silver nitrate in the ink varies depending on its usage. For example, in 2017, MPVL was commissioned to manufacture special marker pens to mark children during the polio drops drive in South India. The silver nitrate ink used in these pens was less concentrated, keeping in mind that children are prone to put their finger in the mouth.

According to MPVL, the high-quality indelible ink dries out completely in less than 40 seconds, but it leaves its impression even after a one-second contact with skin. The ink darkens with exposure to light and can remain on the voter’s fingernail and skin for at least two days, and up to 3-4 weeks, depending on a person’s body temperature and the environment. It cannot be simply washed away mechanically, or removed by any known chemical or solvent.

As the ink is photo-sensitive, it needs to be protected from exposure to direct sun rays. Earlier it used to be stored in brown-coloured glass bottles; now amber-coloured plastic bottles are used. The bottles used are designed in such a manner so as to prevent any kind of reaction with sunlight until they are opened. The ink is distributed in 5 ml, 7.5 ml, 20 ml, 50 ml and 80 ml vials. A single 5 ml vial is sufficient for an approximated 300 voters. The Election Commission of India places orders for the ink based on the number of registered voters involved in the election. The ink is then supplied to the Chief Electoral Officers who subsequently distribute it to individual voting centres.

The MPVL is the sole supplier of voter’s ink in India since 1962. The PSU also exports the ink to at least 25 other countries including Canada, Ghana, Nigeria, Mongolia, Malaysia, Nepal, South Africa and the Maldives. This ink is made as per the respective country’s specific use of the ink.  For example, in Cambodia and the Maldives, voters need to dip their finger into the ink, while in Burkina Faso the ink is applied with a brush, and nozzles are used in Turkey.

So this election season, as we walk into a polling booth and walk out with the small purple line on our finger, we know what has gone into making this distinguishing mark!

–Mamata

Feisty Fighter: Jayaben Desai

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In the last few months there has been a lot of news about Junior and Senior doctors in the UK going on strike to draw attention to their demands. There are often pictures of the picketing medicos. These include a large number of Asian and other ‘non-white’ faces. Today the non-English population makes up a large portion of the work force in the UK. While there is a continuing stream of migrants making their way to the UK for higher education, and often continuing to work after their studies, there is an equal number of second generation immigrants who have made UK their home over the last century. These are the descendants of the first immigrants who laid the path for the future of this generation.

There are numerous stories of these early immigrants who arrived in a totally alien, and often hostile, environment but who by dint of hard work, struggle, and ambition fought all the odds. One such feisty lady is still remembered for breaking many barriers.

Jayaben Desai began her life in Gujarat in India, where she was born on 2 April 1933. She moved to Tanganyika after her marriage to Suryakant Desai a tyre-factory manager. There she led a comfortable life as part of the large community of British subjects of Indian origin who had long settled in East Africa. In the 1960s the situation changed with many of the newly-independent countries in East Africa moving towards “Africanisation’ policies which led to declining economic opportunities and security for the East African Asians. Many of these chose to move. As British passport holders they headed for Britain. Jayaben and her husband joined this exodus.

Life in Britain was very different. The new migrants did not enjoy the economic and social status that they had done in East Africa. Despite being British citizens they had to struggle at every step to establish new lives and livelihoods in an unwelcoming environment. Most of them were educated and professionally qualified, but in England they were compelled to take whatever work they could get; most of which was unskilled labour with poor wages. They faced a great deal of discrimination, racism and prejudice in every aspect of life.

As one of these women recalled: “There was no question of whether you wanted to or not – you had to work, so you did. And wherever you found work, you had to take it. It wasn’t that you were educated, so you only wanted certain kind of jobs – we had to work in factories and that’s how we brought up our children. …We used to have people working for us, and now we had to work for others. That’s life. …Of course I felt sad.”

Jayaben started part-time work as a sewing machinist in a sweatshop, while bringing up her two young children. She then moved to work at the Grunwick film processing factory in North-West London. Grunwick employed a large number of Asian women who were perceived as being hard working and submissive. The factory paid low wages, and was run in an atmosphere of fear and control, with workers being humiliated in many ways.

The simmering unrest began to surface when the managers sacked a young Indian worker, and three colleagues walked out in solidarity with him.  Soon after, on Friday 20 August 1976, Jayaben Desai was confronted with a short-notice demand for overtime.  She refused. The manager derogatively called her and her fellow workers “chattering monkeys”. She responded by telling the manager: “What you are running here is not a factory, it is a zoo.  There are many types of animals in a zoo.  Some are monkeys who dance to your tune, others are lions who can bite your head off.  We are those lions, Mr Manager.” 

Source: http://www.bbc.com/news/uk-england

Jayaben and almost 100 other workers spontaneously walked out in protest. Thus far, previous strikes by black and Asian workers had not received the support of  trade unions. But the Grunwick strikers were supported by the Brent Trades Council; they were encouraged to form a union and received strike pay. Thus the strike was significant because it got trade union recognition, and also demonstrated the greatest solidarity So between the white and coloured working class.  As Jayaben stressed during the strike, ‘We will not back down now.  We want to bring this factory to a standstill.  Our fight is for all our rights, and for our dignity.  We hope all trade unionists will stand by us.’  

Jayaben, and the striking workers travelled across England and addressed workers in other factories and workplaces about their fight, and this managed to persuade trade unionists from far and wide to come to their aid. By June 1977, as support for the strikers grew, the size of the mass pickets increased from a few hundred to several thousands. The strike began in 1976 and continued for two long years until 1978. This was possible, as the strikers received strike pay from the trade unions, which was comparable to the low pay they received at Grunwick. It was highly unusual for that time for unions to support ethnic minority groups and migrant workers. But the response rattled the Labour government who put pressure on the Trade Unions leadership to withdraw support. This did not deter the strikers led by Jayaben who started a hunger strike in November 1977.  But even this action could not change the unions’ mind, and so they had to call off the strike. The strike came to an end without the workers getting their jobs back. However, one of its outcomes was the introduction of some concessions relating to existing and future workers’ pay and pensions.

As she later recalled: “Because of us, the people who stayed in Grunwick got a much better deal. When the factory moved, the van used to come to their home and pick them up because it was difficult for them to get to the new place. Can you imagine that? And they get a pension today! And we get nothing. That was because of us, because of our struggle.”

Despite its eventual failure, the Grunwick strike became a symbol for its demonstration of determination and solidarity. As Jayaben said: “The strike is not so much about pay, it is a strike about human dignity.” It is remembered for the way in which thousands of workers, black and white, men and women, united to defend the rights of migrant women workers. The feisty Jayaben who had catalysed the movement also changed the stereotype of South Asian women as being passive and submissive.

In recognition of her contribution to the struggle for workers’ rights, Jayaben Desai was awarded with a gold medal by the GMB trade union in 2007. She retained her indomitable spirit until she passed away at the age of 77, in December 2010.

–Mamata