Plastics: From Saviour to Scourge

Last week marked World Environment Day. The theme for this year was Beat Plastic Pollution. In events around the world to mark this day, much was discussed and written about the dire state of the environment due to the over-accumulation of plastic. In recent years plastics have become the bane of the environment. It is ironic that it is this material that was once hailed as a boon! The history of this ‘wonder material’ goes back to the mid-nineteenth century. 

This was a time when elephants and turtles were becoming seriously endangered due to demand for ivory and turtle shell which were used in the making of numerous things from piano keys and billiard balls, to combs. The biggest consumers of ivory were high-quality billiard balls. Between three and five balls could be made from a tusk, and at least two elephants needed to be killed to make one set of billiard balls. The increasing popularity of billiards in England as well as America, led to the slaughter of thousands of elephants. There was a serious threat to elephants, and also there was an increasing cost of ivory to make the balls.

This led to the quest for some man-made materials which could be used as substitutes. One of the earliest such attempts was to dissolve cotton fibres in nitric and sulphuric acids, and then mix these with vegetable oil. In 1862 an English chemist Alexander Parkes was the first to patent this new material with the name Parkesine. It was presented at the Great London Exposition in 1862, but it was not a commercial success.

In the meanwhile in America, Michael Phelan ‘the father of American billiards’ took out an ad in 1863 offering a sum of $10,000 for a substitute for ivory. John Wesley Hyatt, a young printer with no formal training in chemistry took up the challenge. He spent six years experimenting with various solvents. In one experiment he blended camphor with nitrocellulose and produced a hard mouldable substance that he called ‘celluloid’. He patented this in 1869, and along with his brother began to produce it in 1871, marketing it as a substitute for natural materials like ivory and tortoiseshell.  

As it turned out celluloid was not the perfect substitute for billiard balls; when two balls collided it produced a mini explosion. But the new material had a number of properties that made it attractive. It could be moulded into any form, hardened or left flexible; it was waterproof, it would not rot or corrode like metals; it was extremely durable, and it was cheap.

Celluloid was hailed as an environmental saviour. A sales pamphlet in 1878 claimed that “it will no longer be necessary to ransack the earth in pursuit of substances which are constantly growing scarcer”.

Celluloid was the first industrial plastic that would transform the world as multiple uses were found for it. It was followed by polyvinyl chloride or PVC. Since then plastics have undergone numerous stages of development. Plastic was not immediately adopted widely. But by the mid-20th century, as the benefits of this ‘trendy, clean, cheap’ material were loudly touted, plastic became ubiquitous, and took over every aspect of daily life.

The world embraced plastic with a clear conscience. The products made of plastic provided the added attraction of being easily disposable. The convenience of single- use throw-away products were extolled and countries like the United States made a whole-hearted example of this. The use-and-throw lifestyle became the aspiration of every society.

Today we are seeing the legacy of this throw-away lifestyle. The world is producing 300 million tonnes of plastic a year, a figure expected to triple by 2050. The chemical properties that have made plastic such a multi-use and durable material also makes its disposal difficult. Plastic takes a long time to degrade, in some types even thousands of years. Thus landfills are overflowing. Even the degradation of plastic is a serious environmental issue as it breaks down into microscopic particles that pollutes the oceans, land and the air. These micro-plastics are also accumulating in our bodies, the health impacts of which are not even known as yet.

The modern plastics industry relies on fossil fuels for its raw material contributing to global CO2 production. Thus the production of plastic also has an impact on climate change.

In the oceans, plastic ingestion and entanglement is harming and killing marine creatures including turtles. On land climate change is one of the factors that is changing habitats and endangering all living things from elephants to ants. Ironically, the material that was once celebrated as the saviour of these creatures is today the scourge of the environment across the globe.

 Sadly, over these decades the state of planet Earth has only deteriorated. The issues with overuse of plastic not only remain, but have been exacerbated. While there have been efforts in terms of policy initiatives, technological advances, and even public awareness these have not been able to cope with the even faster increase in plastic consumption, pollution, and waste generation. Even after decades of advocacy for Recycle, Reuse and Refuse, the picture is grim. In 2025 the world is expected to consume 516 million tonnes of plastics. And only 9% of all plastics produced as actually being recycled globally. The theme for WED 2025 ‘Beat Plastic Pollution’ spotlights the growing scientific evidence on the impacts of plastic pollution and hopes to sustain the momentum to refuse, reduce, reuse, recycle, and rethink plastics use.

— Mamata

The Potato Has Its Day

I love potatoes in all forms, from French fries to aloo tikki! I am sure that I am a member of a global club of potato fans. And worldwide it surely is, because the potato is such a versatile vegetable that it finds its place in cuisines across the globe. Used in different forms from the simply boiled and mashed to being roasted, sautéed and topped with a variety of fancy toppings, potatoes provide tasty sustenance and comfort.

Potatoes have also been generally perceived as being ‘only starch’ and children are admonished when they gorge on potatoes; and reminded that they must eat their ‘green vegetables’ that provide greater nutrition. But wait! In recent times the potato has been elevated! It is celebrated for its nutritional value as well as its role in providing food and livelihood security. It has been recognized by the United Nations for its deep historical and cultural significance, and its evolving role in today’s global agrifood systems. The United Nations has even designated a day to be observed annually as the International Day of the Potato.

The potato traces its roots way back to the Andes where it originated, and was domesticated during the Inca civilization and was revered as ‘the flower of ancient Indian civilization’. Following domestication, these early potatoes spread through Mesoamerica and became a crucial food supply for indigenous communities. It was  particularly suitable as a staple foodstuff called chuño, a freeze-dried potato product that could last years or even decades.

The Spanish invasions of the mid-1550s dwelt a blow to the Inca Empire, but gave a new lifeline to the potato. The invaders took tubers across the Atlantic, as they did with other crops such as tomatoes, avocados and corn, in what historians call the Great Columbian Exchange. For the first time in history, the potato ventured beyond the Americas; and gradually established itself on the European continent. These tubers, first grown in Spain were then sent around Europe as exotic gifts to botanists, and even prominent figures like the Pope. The potato played a role in the rise of urbanization and fueled the Industrial Revolution. By the end of the 18th century, potatoes had become in much of Europe what they were in the Andes—a staple.

The potato also gained popularity with sailors as it provided nourishment during long voyages. It is likely that these staples spread widely across the world through these voyages, taking root on different continents. In fact the potato has been called the “world’s most successful immigrant”, as its origin has become unrecognisable for producers and consumers everywhere.

Since then, the potato has shaped civilizations and diets across continents over several centuries. Ireland’s Great Famine of the 1840s was caused by the failure of the potato crop due to a fungal disease. More than half the Irish population depended entirely on potatoes for nourishment, and the wiping out of the crop led to starvation or famine-related deaths of millions, while millions emigrated to escape this. On the other hand, it was the potato that alleviated famine in China during the Qing Dynasty, securing its place as an essential crop. During World War II and subsequent conflicts, the potatoes high yield and resilience provided food security amongst shortages of other food.

Today potatoes are a key crop across diverse farming systems globally, ranging from smallholders producing diverse local varieties in the Andes, to vast commercial, mechanised farms in different continents. The potato is the world’s fourth-most important crop after rice, wheat and maize, and among the first non-grains. China, India, Russia and Ukraine are among the world’s top potato producers. About two-third of the world population consumes potatoes as its staple food.

In the light of its global reach and popularity the United Nations also felt that it was important to highlight the important role of potatoes in contributing to food security and nutrition, as well as livelihoods and employment for people in rural and urban areas the world over.  

Small-scale and family farming production of the potato, particularly by rural farmers, including women farmers, supports efforts to reduce hunger, malnutrition and poverty, and achieve food security, and relies on and contributes greatly to the conservation and sustainable use of biodiversity.

Potatoes are not just a staple food but a symbol of resilience and adaptability. The potato is resistant to drought, cold, and barren land with wide adaptability. The crop’s versatility and ability to grow in a variety of conditions make it an advantageous crop choice. Potatoes provide accessible and nutritious food and improved livelihoods in rural and other areas where natural resources, especially arable land and water are limited and inputs expensive. Potatoes are also a climate-friendly crop, as they produce low levels of greenhouse gas emissions in comparison to other crops.

In addition, there is a wide spectrum of diversity among potatoes. This provides wide genetic variation with a range of traits, including the ability to adapt to different production environments, resistance to pests and diseases, and different tuber characteristics. There are efforts to preserve indigenous knowledge and ancient technologies, while ensuring that the production of native varieties remains under local control. The 12 000-hectare potato park located in the Andes near Cusco, Peru is one of the few conservation initiatives in which local communities are managing and protecting their potato genetic resources and traditional knowledge of cultivation, plant protection and breeding.

In order to acknowledge and honour the multiple contributions of the potato, and propelled by an initiative from Peru and the Group of Latin American and Caribbean countries, the United Nations designated 2008 as the International Year of the Potato. The objective was to raise the profile of this globally important food crop and commodity, giving emphasis to its biological and nutritional attributes, and thus promoting its production, processing, consumption, marketing and trade. In addition to being a food staple, potato by products are also being explored.Potato starch is being used as a sustainable alternative to traditional plastics. These materials based on potato proteins and starch can be used for various environmentally-friendly packaging, like food containers and medicine capsules.

In order to sustain the momentum, the United Nations decided, in 2024, to mark 30 May every year as the International Day of the Potato. The day highlights the importance of the crop in the movement towards sustainable development while celebrating the cultural and culinary dimensions of the crop’s cultivation and consumption.

Nutritionists say that potatoes contain nearly every important vitamin and nutrient, except vitamins A and D, making their life-supporting properties unrivalled by any other single crop. Keep their skin and add some dairy, which provides the two missing vitamins, and you have a healthy human diet staple.

So let us join the celebration this year with guilt-free indulgence of our favourite potato dish!

–Mamata

Singing Telegrams, Speeding Birds

Humans have poured in innovation and ingenuity into developing communication modes and media. Today of course the world revolves around ‘social media’ but some of the older modes are quirky and beautiful. Here is a look at two of them:

Singing Telegrams: Popular in the 1930s in the US, these were telegrams sung out to the recipient. It began in 1933 when a fan sent a birthday greeting to Rudy Vallee, a popular singing star of the times. George Oslin, the Public Relations Officer of Western Union–the company which handled telegrams–was a man who thought differently. He had long been concerned with the ‘gloom and doom’ image of telegrams, which usually arrived to announce a disaster (those old enough will recall churning stomachs when a telegram arrived—usually to announce a seriously ill relative or the demise of a loved one). He took the occasion of this birthday greeting to add a fun element to telegrams and try to change their image. So he got a lady-operator to sing the telegram out on the telephone. And so a new medium of communication was born!

But those were days when few homes even in the US had telephones. So the postal department used to actually sent someone to ring the bell of the addressee and sing out the words! Of course, this was not something that went ‘viral’ but people did use if for a lark. It continued on till 1974 when the company suspended this service. Now, in the US and even in India it seems, there are some private companies which will perform this service. They come dressed in fancy clothes to fit the occasion, and put up a full-fleged performance at the doorstep of the addresee.

Speeding Birds: Pigeons as carriers of messages have been the mainstay of armies, spies, princesses imprisoned in towers and everyone else that the romantic imagination can conjure up. But the interesting thing is that the Odisha Police had a functional pigeon messenger system till as recently as 2008!  They were used in times of disasters or during military or police action when all other means of communication like wireless, telegraph, telephone and despatch riders were disrupted or failed. The pigeons were also used for inter police station communications. Flying at a speed of about 55 kmph, carrying messages written on light-weight onion paper which were inserted into a metal capsule and tied to the bird’s leg, this mode of communication was considered no-fail. These Belgian Homer pigeons were highly trained, and considered very intelligent by their handlers!

There is a very interesting story about Orissa Police Pigeon messengers. Apparently, in 1948, when Pandit Nehru, the then-PM visited the state soon after Independence, he first went to Sambalpur. The same day, he was to address a public meeting in Cuttack, which is about 260 km away. He wanted to send an urgent message to the police in Cuttack to ensure that the arrangements were such that they did not create too much of a barrier between the public and the dais. When he asked how the message would reach Cuttack in time, the police officials there showed him the carrier-pigeon which would be doing the needful. Nehru was sceptical. But the pigeon departed Sambalpur at 6 am and was in Cuttack by 11.20 am. And when the PM reached, his instructions had been carried out! He was amazed.

Even today, though not in regular use, Orissa Police still maintains a carrier pigeon service of about 150 birds, utilizing them for communication during disasters and for ceremonial purposes.

–Meena

Visual from: https://odishapolice.gov.in/sites/default/files/PDF/PO-213_0.pdf

WAR AND PEACE: BERTRAND RUSSELL

The media has been bringing to our homes never-ending images of different parts of the world which are in the throes of war. The world is on the brink of what could well be the third world war. At some level people are becoming dangerously inured to the horrors through the never-ending barrage of images and reports that have almost become a part of daily sights and sounds. This in itself is frightening; are we accepting that violence (and its consequences) are an inescapable part of life? And while the world is led by egoistic power-hungry leaders, there is a rapidly declining number of people who feel helpless, even hopeless at the situation as it spirals towards a possibly irrevocable conclusion. Amidst the clamour of belligerent war cries, are some who lament that there are, today, so few voices of reason to remind the world of the precipitous path that we seem to be treading.

What does war achieve? And why do we need to seek peace?

Questions that have been asked since millennia. And answered in different ways in different periods of history. Perhaps one of the most pertinent answers came over a century ago, at a time when the sparks of what became the First World War were just beginning to fan the fire that would rage for the next four years. This was an essay titled The Ethics of War, written by Bertrand Russell in 1915. This was first published in the International Journal of Ethics 25, in January 1915.   

Bertrand Russell is considered as one of the greatest philosophers of the twentieth century. He was actively engaged in numerous social and political issues controversies of his time. A mathematician, educator, social critic, pacifist and political activist, Russell authored over 70 books and thousands of essays and letters addressing a wide range of subjects. He was awarded the Nobel Prize for Literature in 1950 in “recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought. Bertrand Russell died in 1970 at the age of 97. Till the end of his life he supported free thought in religion and morals, he opposed war, nationalism and political persecution.

Bertrand Russell’s thoughts on all of the above are beautifully articulated in the essay The Ethics of War. Here are some excerpts:

The question whether war is ever justified, and if so under what circumstances, is one which has been forcing itself upon the attention of all thoughtful men. On this question I find myself in the somewhat painful position of holding that no single one of the combatants is justified in the present war, while not taking the extreme Tolstoyan view that war is under all circumstances a crime. Opinions on such a subject as war are the outcome of feeling rather than of thought: given a man’s emotional temperament, his convictions, both on war in general and on any particular war which may occur during his lifetime, can be predicted with tolerable certainty. The arguments used will be mere reinforcements to convictions otherwise reached. The fundamental facts in this as in all ethical questions are feelings; all that thought can do is to clarify and systematize the expressions of those feelings, and it is such clarifying and systematizing of my own feelings that I wish to attempt in the present article. 

At the beginning of a war each nation, under the influence of what is called patriotism, believes that its own victory is both certain and of great importance to mankind. By concentrating attention upon the supposed advantages of victory of our own side, we become more or less blind to the evils inseparable from war and equally certain whichever side may ultimately prove victorious. Yet so long as these are not fully realized, it is impossible to judge justly whether a war is or is not likely to be beneficial to the human race. Although the theme is trite, it is necessary therefore to briefly remind ourselves what the evils of war really are.

To begin with the most obvious evil: large numbers of young men, the most courageous and the most physically fit in their respective nations, are killed, bringing great sorrow to their friends, loss to the community and gain only to themselves. Many others are maimed for life, some go mad, and others become nervous wrecks. Of those who survive many will be brutalized and morally degraded by the fierce business of killing, which however much it may be a soldier’s duty, must shock and often destroy more humane instincts.

The evils which war produces outside the area of military operations are perhaps even more serious, for though less intense they are far more widespread. …The extent and consequences of the economic injury inflicted by war are much greater than is usually realized. …Thus war, and the fear of war, has a double-effect in retarding social progress: it diminishes the resources available for improving the condition of the wage-earning classes, and it distracts men’s minds from the need and possibility of general improvement by persuading them that the way to better themselves is to injure their comrades in some other country.

Of all the evils of war the greatest, in my opinion, is the purely spiritual evil: the hatred, the injustice, the repudiation of truth, the artificial conflict, where if once the blindness of atavistic instincts and sinister influence of anti-social interests, such as those of armaments with their subservient press, could be overcome, it would seem that there is a real consonance of interest and essential identity of human nature, and every reason to replace hatred by love.

It has been over a century since this impassioned plea by Bertrand Russell. Much has changed since then, but much remains the same. Let us remind ourselves of the futility of mindless violence. Let us Give Peace a Chance.

–Mamata

A Curious Herbal: Elizabeth Blackwell

One has heard of herbal teas, herbal treatments and herbal facials, but this was the first time that I heard about a curious herbal! Of course my curiosity was piqued! I discovered that while today the word ‘herbal’ is generally used as an adjective, it is also a noun that refers to ‘a book of plants, describing their appearance, their properties and how they may be used for preparing ointments and medicines’. And thus this was the title of such a book first published in England in 1737. The book consisted of five hundred illustrations drawn, engraved and hand-coloured by Elizabeth Blackwell. This was indeed a voluminous ‘herbal’. Why the added adjective ‘Curious’? This refers to an old use of the word to mean ‘accurate and precise’.

The story of Elizabeth Blackwell herself, and how she came to create this book is itself curious and unusual.

Elizabeth Blackwell was born in 1707 in Aberdeen in Scotland. Her father Leonard Simpson was a painter and his daughter inherited his artistic talent. From a young age she loved drawing and painting, and was constantly observing and sketching the natural world around her.

Elizabeth married Alexander Blackwell a doctor and an accountant. They had to move to London when it was discovered that her husband was practicing medicine illegally. But even there Alexander’s unlawful activities resulted in heavy debts that caused him to be imprisoned. Elizabeth was left alone to fend for herself and her child.  In an age when women were not part of the work force Elizabeth drew upon her skill as a botanical artist for survival and sustenance.

In the early eighteenth century, plants were an essential resource for healthcare. Choosing the right plant to treat an ailment was an increasingly precise science, and mistaking one plant for another could have severe consequences. Elizabeth thought of creating an ‘herbal’, an illustrated reference book to help doctors and apothecaries to develop an “exact knowledge” of medicinal plants, their uses and effects in medicine. Before embarking on the project she consulted various botanists and herbalists who advised her that pictures alone would not suffice, these needed to be accompanied by descriptive and explanatory notes. Elizabeth, being trained neither in botany nor in medicine, realized that she would need these inputs from experts. 

But in order to do all this she first needed access to the plants. The Apothecaries Garden (later called the Chelsea Physic Garden) had a vast collection of medicinal plants from many parts of the world. The garden’s director Isaac Rand gave Elizabeth access to the garden. Elizabeth moved with her daughter, to some rooms close to the garden, and threw herself into making botanical drawing from the actual specimens. She began to document the garden’s many indigenous plants, as well as specimens arriving from across the British Empire. She set about not only making highly detailed, analytical drawings of plants from different perspectives and in different stages of growth within the same picture. In addition to their physical characteristics, she also included information about where and when they could be found; their names in a variety of languages; and their curative properties

Her paintings of the plants were precise, and with an artist’s eye, she described the colour and texture of plants in minute detail. She would take each set of completed drawings to her husband in prison and he drafted descriptions for each one. She also managed to get for each plant, along with its English common name, its name in Latin, Greek, Italian, Spanish, Dutch and German. This was in the days well before the Linnaean system of binomial nomenclature provided a system of universal identification. In fact Linnaeus was born in the same year as Elizabeth.

She also became known to prominent doctors and intellectuals who also helped with the supporting text. When a number of the drawings were ready, a team of nine eminent physicians, apothecaries, and a surgeon examined them, and endorsed their authenticity

Elizabeth worked non-stop. She drew, engraved, and hand-coloured each image, managing the work that would normally require several different craftsmen. She prepared four plates every week in instalments, (125 weeks) until she had produced 500 images with bullet points for the medicinal uses for each plant. Elizabeth Blackwell’s illustrations deeply impressed many English physicians, botanists, and apothecaries in mid-18th century London.

Originally published in weekly parts, the first collected volume of A Curious Herbal appeared in 1737. A Curious Herbal received an official commendation from the Royal College of Physicians. Capitalising on this support, E. Blackwell advertised her publication through word of mouth and journal advertisements. It met with moderate success. A second edition was printed 20 years later in a revised and enlarged format.

Through her industry and perseverance Elizabeth was able to pay off her husband’s debts and secure his release from prison. However her personal life continued to be challenging. Her husband Alexander got himself into fresh financial and political difficulties, and was forced to move to Sweden where he was eventually executed for conspiracy. Elizabeth never saw her husband after he left England for Sweden. But she continued to be loyal to him, even sending him a share of the royalties from her book.

She produced no more botanical works. But A Curious Herbal remains a landmark book in the field of medical botany and botanical illustration. In eighteenth century England, with no standing within London’s scientific and medical institutions, Elizabeth Blackwell managed to produce a work that became a standard reference for apothecaries. A Curious Herbal is a monument to Elizabeth Blackwell’s skill not only as a botanist and artist, but also a testament to her remarkable strength of purpose, and entrepreneurship in a male-dominated age when women were only seen as wives and homemakers.

–Mamata

Money, money, money….

Well, it’s what makes the world go around for sure! But some people love money for reasons other than what it can buy.

Bangalore has one such lover of money—Rezwan Rajak, the world’s biggest collector of Indian paper money. And fortunately, he has chosen to share this passion. No, not by giving away the notes, but by setting up a museum!

Rezwan is the co-founder and Managing Director of the Prestige Group (there is a good chance you resident of a Prestige property if you live in Bangalore!). His passion for collecting Indian paper money started when he was 13 or 14. He came across some old currency notes from British India, which no longer were legal tender (think de-mo!) and were stamped ‘Refused payment’. The story behind these intriguing notes goes back to partition. Apparently, when partition happened, the new country of Pakistan did not have currency notes of its own. So for the initial period, they used the notes from undivided India, with their own stamp on them. . So the notes said ‘Reserve Bank of India’ but had an additional over-printing of ‘Government of Pakistan’.  While these were accepted in Pakistan, they were not in India. Some smart people in India of course tried to scratch off the Pakistan stamp and use them here. But the banks had a record of the notes printed for Pakistan and refused payment, in fact stamping these notes with ‘Payment refused.’

From this, to the world’s largest collection! The Museum of Indian Paper Money has over 700 specimens of Indian paper currency collected by Rezwan Razak over the decades. And the fascinating stories that go with them! For instance, there are specimens of notes of Hyderabad state which were printed in England and were being transported by sea. The ship sank with the notes and a million pound worth of gold. After 12 years, bounty hunters after the gold salvaged the ship’s cargo inlcuding the currency, and the notes were still intact in their vault.

All the currency notes printed after Independence, as well as notes from the princely states of India are displayed. There are beautifully designed Portuguese-India notes which were used in their territories, which Razak values very highly for their aesthetic appeal. There are also French-India notes.

Also on view are tokens which 36 princely states were permitted to print when metal for minting coins ran out during World War II. They look like stamps or the platform tickets which those of an older generation will be familiar with.

Another fascinating set of items on display are the prisoner of war money-coupons. During WWII, prisoners of war of various nationalities were housed in India. They could do voluntary work during this time, for which they were paid. But the payment could not be in real money as then they could use this to bribe the jailers. So coupons which looked like currency notes, but were stamped ‘Prisoner of War’ were given to them as payment. These were used to buy luxuries in jail like post-cards, chocolates, etc.

And so on and on….

India also has  the Reserve Bank of India (RBI) Monetary Museum in Mumbai. This displays about 1,500 items including coins dating back to the 6th century BC, and covering the Indus Vally period, the Gupta period, the Kushana empire, coming right up to notes and coins of modern times.  

But Razak’s museum, housed in Prestige Falcon Tower, Bangalore, the corporate headquarters of the Group, is different because it is a result of what the collector himself refers to as: ‘… a hobby which became a passion which has in turn become an obsession.’!

Sadly however, physical money may soon completely disappear with almost all transactions moving to electronic payments.  These museums become even more precious in this context!

–Meena

Musa Sapientum: The Fruit of Wise Men

On 10 April 1633, the window display of the shop in London attracted huge crowds. It displayed a hitherto unknown, and unnamed item. The displayer Thomas Johnson, a herbalist, botanist and merchant described it thus: The fruit which I received was not ripe, but greene. This stalke with the fruit thereon I hanged up in my shop, were it became ripe about the beginning of May, and lasted until June. Each of them (the fruit) was the bignesse of a large beane some five inches long and an inch and a half in breadth. The stalk is short and like one’s little finger. They hang with their heads down, but if you turn them up, they look like a boat. The husk is easily removed. The pulp is white, soft and tender and ate somewhat like a musk melon.

What was this fruit that he so described? Hard to believe, but this was the banana! How, and from where a bunch of this mysterious fruit reached the shop remains a mystery in itself, but it is believed that most people in England had not seen a banana even by the end of the 19th century when regular imports started from the Canary Islands.

And yet, it is believed that bananas were among the oldest cultivated fruit. They probably originated in the jungles of Malaysia, Indonesia or the Philippines and some parts of India where they grew in the wild. Modern edible varieties of the banana have evolved from the two species–Musa acuminata and Musa balbisiana and their natural hybrids, originally found in the rain forests of S.E. Asia.

During the seventh century AD their cultivation spread to Egypt and Africa. The fruit may have got its name from the Africans, as the word is derived from ‘banan’ the Arab word for ‘finger’.  A cluster of bananas is called a ‘hand’.

Bananas were first introduced to the Western world when Alexander the Great discovered them during his conquest of India in 327 B.C. The fruit spread through Africa and was eventually carried to the New World by explorers and missionaries. Bananas started to be traded internationally by the end of the fourteenth century.

However it was not until the late mid-1800s that bananas became widespread on the North American continent. The first enterprise to import bananas into the US was the Boston Fruit Company.

Carl Linnaeus, the 18th century Swedish botanist whose work led to the creation of modern-day biological nomenclature for classifying organisms was the first person to successfully grow a fully flowered banana tree in the Netherlands.

The development of railroads and technological advances in refrigerated maritime transport subsequently enable bananas to become the most traded fruit in the world.

Today bananas are grown in more than 150 countries, and it is widely believed there are more than 1,000 types of bananas produced and consumed in the world. The most common and commercialized type is the Cavendish banana which makes up around 47 of global banana production. This is a high-yielding variety which is also less damage-prone and more resilient in case of natural disasters.

Although we generally describe it as a banana ‘tree’, technically this is not a tree. Bananas, botanically, are considered to be big herbs, because they do not have a woody stem or trunk which is one of the characteristics of a tree. Instead they have a succulent stalk or pseudostem which begins as a small shoot from an underground rhizome and grows upwards as a single stalk with a tight spiral of leaves wrapped around it. Banana leaves are extensions of the sheaths.

To add to the confusion, the banana ‘fruit’ as we call it, is botanically a berry! While we associate berries with small, squishy fruit that is picked off plants, the botanical definition refers to any fruit that develops from a flower containing a single ovary, has a soft skin and a fleshy middle, and contains several seeds. Bananas tick off all these boxes and are thus technically berries!

The botanical kin of bananas include tomatoes, grapes, kiwis, avocados, peppers, eggplants and guavas. Botanically all berries!

Bananas have long been high on the list of ‘super foods’, endorsed from all schools of health from Ayurveda to the newest ‘wellness’ trends. Its versatility was noted even by Linnaeus who envisaged its numerous medicinal values. The banana is literally ‘wholesome’ from A to Z! It is the panacea for all ills from acidity and anaemia, through cramps, depression, mood elevation, PMS, stress relief, and more, all the way to bringing in some zing to tired bodies and minds! Even the banana peel with its blend of acids, oils and enzymes has multiple uses from healing wounds to polishing shoes!

And the banana is a wonderful example of Nature’s perfect packaging. The artful positioning of the individual bananas to form a beautiful cluster or ’hand’ arrangement which can be hung; the tamper-proof skin that protects the soft and perishable flesh within; the nifty top opening that allows for an easy peeling back; and after all that, a covering that does not add to the litter but silently biodegrades to merge back into the soil. No wonder its botanical name is Musa sapientum: the fruit of wise men.

In India the mango always lays claim to being the king of fruits; the solid trustworthy banana is taken much for granted, as it does not make a dashing seasonal appearance and compete for awards of the most varieties and the best of them all. And yet this is the comfort food that is usually on hand, and one that almost every person can afford. It certainly was my father’s favourite, and now is the favourite of his great grandson who endorses Daddy’s maxim of Sabse Achchha Kela (banana is  bestest!)

Why this sudden paean to the banana? Well, I discovered that in America, the third Wednesday of April is celebrated as National Banana Day every year (reason for this undiscovered). I decided to join the celebrations this year!

Bananas were first brought to the United States in 1876, for the Philadelphia Centennial Exhibition. The exotic fruits were wrapped in foil and sold for 10¢ apiece (roughly $1.70 in today’s dollars).

While the mango always lays claim to being the king of fruits, the solid trustworthy banana is taken much for granted, as it does not make a dashing seasonal appearance and compete for awards of the most varieties and the best of them all!

The Banana was my father’s favourite fruit. He always used to say “sabse achha kela!” “Banana is the best”. So true…The scientific name for banana is musa sapientum, which means “fruit of the wise men.”

–Mamata

A Maharaja and his Art come to Town

Like many of my fellow citizens, I am not a great fan of rajas, maharajas and their ilk. Nevertheless I love one Maharaja. The Air India Maharaja of course!

And the Maharaja has come to my neck of the woods (Bangalore), bringing with him a part of his famed art collection. Yes, the National Gallery of Modern Art (NGMA) here is hosting close to 200 pieces from the Air India art collection for six months.

Air India’s was one of the largest corporate art collections in India, estimated to have been worth over Rs. 350 crores about eight years ago. The collection has been built over almost seven decades and comprises close to 4000 works. It spans across modern and contemporary paintings, folk art and miniatures, as well as sculptures, textiles, photographs and antique clocks.

The collection started in the 1940s, propelled by JRD Tata, who wanted all of Air India’s booking offices across the world to represent India. Bobby Kooka and Jal Cawasji were mainly responsible for selecting and buying the art pieces. They would not only buy paintings from established artists, they would also visit student exhibitions and pick up paintings. Many of these would be used to make calendars, post cards etc. There was another interesting way of acquiring paintings—the transportation service contract. In exchange for the works of artists, Air India would give them international air tickets! Many an artist, including MF Hussain found this offer irresistible!

There were specially commissioned art works too. For instance, in the days when smoking in the air was quite normal, the airline commissioned Salvador Dali to design a special ashtray to be given to first class passengers. This was in 1967. 500 limited edition pieces were made of an ashtray comprising a shell-shaped centre with a serpent twined around its perimeter, supported by two surrealist elephant-heads and a swan.  Dali asked for a baby elephant as payment, and got it too!

When the Tatas controlled Air India, the art works were carefully documented, displayed, stored and issued out from the Mumbai office to various domestic and international offices. After the merger with Indian Airlines in 2007 however, things went awry. The collection was moved to Delhi and there was no real ownership. There were scandals with one of Jatin Das’ works allegedly disappearing. Moreover, the works were not properly stored or cared for.

When Air India was re-privatized a few years ago, it was decided that the collection would go to the NGMA, where it could be taken care of professionally. A further decision was taken that the collection would not just stay in one location, but would travel across the country and to other countries as well.

It is as part of this that the collection has now come to Bangalore, where it is being displayed at the NGMA building which itself is a sight. Called the Manickyavelu Mansion, it belonged to Manickyavelu Mudaliar, a mining baron, who himself bought it from the Wadiyars of Mysore.  Mudaliar who came from a poor family made it big thanks to his forays into manganese and chrome mining. But the fortune did not last long and the mansion was taken over by the City Improvement Trust Board.  In 2000, it was leased out to the Ministry of Culture. So today the imposing mansion with grand rooms and a scale quite fitting to a national museum, set in serene green grounds with century old trees, is the Southern Headquarters of the NGMA.

So if you are in Bangalore, ensure you drop into the gallery to see the Air India exhibition. You will see works by Anjolie Ela Menon, B. Prabha, Arpana Caur, MF Hussain, Jatin Das and Raza, among others.

And one room is devoted to the Braille versions of these works. The paintings and the information about them are done in Braille and hopefully will be enjoyed by many.

A special exhibition indeed!

–Meena

Colours of Childhood: Crayons

A recent weekend spent with a toddler revived the memories and joys of crayons. While playthings and pastimes have changed considerably, especially in this digital age, there are some that continue to retain their charm. Crayons are among these.

Opening a fresh box of these colourful sticks neatly lined up with their wrappers, has been a special feeling, over generations. The distinctive smell from the paraffin used in their making, equally triggers memories, long after childhood. According to a Yale University study the scent of Crayola crayons is among the 20 most recognizable scents to American adults; coffee and peanut butter are numbers 1 and 2!

The attractive colours and the smell almost triggers an urge to bite into one. And, certainly, most toddlers are often more interested in tasting the colours, rather than drawing with them!

What makes crayon? A crayon (or wax pastel) is a stick of pigmented wax used for writing or drawing. Wax crayons differ from pastels, in which the pigment is mixed with a dry binder such as gum arabic, and from oil pastels, where the binder is a mixture of wax and oil.

While these wax sticks as we know them date back a few hundred years, the technique of using wax with colours was a method known to Ancient Egyptians who combined hot beeswax with coloured pigment to fix colour into stone. Ancient Greeks and Romans used wax, tar and pigment to decorate ship bows and for drawing. The first crayons, used for marking, appeared in Europe, and were made with charcoal and oil, and hence were in a single colour—black.

Crayons in their more recognizable form were invented in the United States in 1903. They were developed by a company called Binney and Smith who were originally manufacturers of red iron oxide for painting barns and lamp black which had a number of applications including making rubber tyres black.

In the early 1900s the company moved on to making marking crayons for commercial use. These were used as waterproof markers in factories but they contained toxic substances and were not suitable to be used by children. The company then entered into the school market with slate school pencils and dustless chalk. Here they saw that there was potential for the use of colouring tools for educational use in the classroom. Based on feedback from schoolteachers Edwin Binney and his wife Alice developed wax crayons. They mixed waxes, talcs and pigments to form non-toxic sticks which were wrapped in paper, making these safe and mess-free. They put these on the market in 1903 under the brand name Crayola. The name was created by Alice as a blend of craie, the French word for chalk and ola from oleaginous (oily paraffin wax). Ola was also a popular ending for products at that time. The first boxes had 8 coloured crayons (red, orange, yellow, green, blue, violet, black, and brown), and sold for 5 cents, in yellow-and-green boxes which were labelled ‘school crayons’. For the next 45 years, the colour mix and the colour names remained unchanged.
While later many companies began manufacturing crayons, the word Crayola became synonymous with crayons and continues to be so to this day.

For the first forty years, each Crayola crayon was hand-rolled in paper wrappers with distinctive labels and names. Automated wrapping started only in the 1940s. Over the next hundred years Crayola introduced packs of 16, 24, 32, 48, 64, and 96 crayons. There have been over 400 Crayola colours created since the crayons were launched. The company now manufactures 120 standard crayon colours. In addition, there are specialty crayons like metallic, gel and glitter crayons.

The history of naming the colours is a reflection of the changing times and perceptions. While the set of 8 colours remained unchanged for the first 45 years, by 1949, with 48 colours in the box, the palette included colours with more imaginative name such as thistle, periwinkle, carnation pink, bittersweet, cornflower, melon, salmon, and spring green. With the addition of new crayons taking the number up to 64 the colours included Copper, Plum, Lavender, Mulberry, Burnt Orange, and Aquamarine. The psychedelic spirit of the 1970s was reflected with the addition, in 1972, of fluorescent colours: Chartreuse, Ultra Blue, Ultra Orange, Ultra Red, Hot Magenta, Ultra Green, Ultra Pink, and Ultra Yellow.

The 1990s saw the retirement of eight old shades and their replacement with new ones–Cerulean, Vivid Tangerine, Jungle Green, Fuchsia, Dandelion, Teal Blue, Royal Purple, and Wild Strawberry. The decade also reflected the response to cultural sensitivities. In 1999, the name Indian Red was changed to Chestnut because educators believed that children would think the name represented the skin colour of American Indians rather than the reddish-brown pigment found near India.

In 1993, to mark its 90th birthday Crayola invited the public to name 16 new Crayola crayon colours. Some of the winning suggestions included Asparagus, Macaroni and Cheese, Timber Wolf, Cerise, Mauvellous, Tropical rainforest, Denim. Pacific Blue. Granny Smith Apple, Shamrock, Purple Mountains Majesty, Tickle Me Pink, Wisteria and Razzmatazz. The last name was the suggestion of 5 year-old Laura Bartolomei, who was declared the younger Crayola colour winner.

In 2000 Crayola’s first online consumer poll to name the favourite Crayola colour was held. Blue emerged as the all-time favourite, and six shades of blue made up the list of top ten colours!

Crayola marked its 100th anniversary by once again inviting crayon users to contribute names. With increasing diversity in schools and growing awareness of being ‘politically correct’, in 2020 Crayola introduced a new line of 24 colours named Colors of the World to reflect the multicultural skin tones of people around the world.

Thus Crayola remained on top of the game by always being dynamic, responsive, and participatory to reflect the signs of the times, as it were. Crayola continues to be synonymous with crayons, not only in the USA, but now across the world. I remember when we were children, and our local palette limited to the standard box of 12 colours from Camel or Camlin, our great dream was to be gifted with multi-layered jumbo box of Crayola crayons by a relative coming from the USA!

Today perhaps the choices of art materials and techniques have increased, but the fascination with crayons certainly has not decreased! There are Crayola crayon collectors who are always searching for samples of rare or discontinued colour pieces. And America celebrates National Crayon Day on 31 March every year, to celebrate the colourful history of these simple sticks that have provided generations of children with hours of creative fun.

–Mamata

Broken Frames, Broken Lives

Today, each one of us harbours doubts and fears about the rapid rise of Generative Artificial Intelligence (Gen AI), smart robots, driverless cars etc., especially whether these will take away jobs from people and give them to machines.

This has happened with every new technology since the industrial revolution. Maybe the time of maximum anxiety around technology and jobs was in the late 1700s to early 1800s, a time when quite a few people in the UK depended on the cotton, wool and silk industries for their livelihoods. This was based on the labour of framework knitters, who like some of our weavers even today, worked in their own homes. Though the hours were long and they got small wages, they were at an equilibrium. 

In the early 1800s, there were around 30,000 knitting-frames in England. But change had already started to set in. Change of fashion (men moving from stockings to trousers) and increasing exploitation of weavers by the middlemen were two major factors. But perhaps the most important was the mechanization and wide-frame machines that were coming in to make production faster. Production moved from homes to factories with this mechanization.

As more and more people lost their livelihoods, anger and frustration boiled over, and mill-owners and the new machines were targeted. The scale of the sabotage that occurred in England between 1811 and 1816 was beyond anything seen before.  In the peak three months of the riots, 175 of these new frames were broken per month! The people involved in these riots and destruction called themselves ‘Luddites’. The origin of the name is not quite clear, but some said it was after Ned Ludd, a legendary weaver who in 1770 was supposed to have smashed such machines.

Governments then, as today, were heavy-handed. Their response to the riots was to pass the Frame-Breaking Bill in the House of Commons in February 1812. The Bill was drastic– it proposed transportation or the death penalty for those found guilty of breaking stocking or lace frames. Not everyone was happy with the draft Bill– in the House of Lords, the poet and social campaigner Lord Byron argued against it saying that it was placing the value of life at “something less than the price of a stocking-frame”.  But such passionate appeals did not help, and the Bill was passed.

The Government would have expected all such riots to stop after the Bill. But exactly the opposite happened. The riots actually became more violent and rioters started using arms. The logic was that if they were going to be punished by death or deporatation for breaking frames, then they might as well do something that really deserved such drastic measures. A popular rhyme at the time was “you might as well be hung for death as breaking a machine”. A few mill owners were in fact killed. Government response also got harsher and several Luddites were hanged.

The climax of the Luddite Rebellion took place at midnight on Friday 28 June 1816. Sixteen men raided the factory of Heathcoat and Lacy at Loughborough, with around 1000 sympathisers cheering them on.  They destroyed nearly all of the fifty-five lace-frames.  Subsequently eight men were sentenced to death and two were transported.

The protests died down after that. Mechanization marched on, and the thousands who were involved in their traditional occupation lost out.

Technology will come. But how do we make the changes so we can reduce the negative impacts? How do we make the world a more inclusive place? Surely we cannot let history repeat itself!

–Meena

Photo-credit: historicalbritain.org/