Celebrating Tree-shapers: World Topiary Day

Have you seen deer walking across a traffic island in the middle of a crowded urban space? Or perhaps elephants in your city garden? Well, that is topiary.

Topiary, as per the Britannica, is ‘the training of living trees and shrubs into artificial, decorative shapes’. It is an ancient art, going back to the time of the Romans. In fact, Gaius Matius Calvinus, a contemporary of Julius Caesar is supposed to have been one of the first practitioners, and Caesar is said to have popularized it all over the Roman Empire.

There are three fundamental types of topiary:

  • Shrub topiary which consists of shrubs which are designed and shaped in various shapes and sizes. Very experienced gardeners do the cutting freehand, while others use frames.
  • Vine topiary, wherein vines and climbers are encouraged and shaped to grow in various topiary forms
  • Moss topiary where a frame is filled with wet moss and the chosen plant, and grown in the desired shape.

Whatever the type of topiary, it is an endeavour which requires ongoing work, care, patience and expertise

The fortunes of topiary have waxed and waned. After a long lull, the Italian Renaissance, which saw the flowering of many arts, also saw the revival of topiary. It became the rage in Italy, France (including in the Versailles), and with the Dutch and English.  The British took to it with passion, and it was found not only in the homes of the rich and the famous, but also in the modest gardens of peasants and tradesmen. Imagination was the only limit, with ships, fantastical beasts and human figures, all roaming the lawns.

Till topiary went overboard. And it was the mighty pen which defeated the scissors. Alexander Pope wrote a satirical essay “Verdant Sculpture” criticizing over-the-top topiary, and as a result, by the 1720s and ‘30s, topiary fell out of favour and was cleared from most prominent English gardens. The Levens Hall Garden was one of the few which escaped, and is today the oldest topiary gardens, with 30,000 bedding plants carved in a variety of shapes.

Till topiary was again revived in the 1840s. Not at the same scale, but it became moderately popular.

In its own unique forms, topiary has been quite popular in Asia too. China and Japan have practiced it for many centuries, with the objective of helping the trees achieve their “natural” form. Even the popular bonsai is a form of topiary.  Japanese Zen Gardens make extensive use of different topiary techniques.

Topiary
Topiary at Delhi Airport

In 2021, a new event, World Topiary Day, was created by the owners of one of the world’s oldest topiary gardens, the Levens Hall and Gardens in Cumbria, UK, which dates from 1694. World Topiary Day marked on May 12th every year, celebrates ‘… the fantastic art of topiary (shaping and cutting particular types of tree into geometric shapes and forms that resemble common objects and people) and its heritage within the world of gardening’, and seeks to inspire ‘…keen gardeners and lovers of al fresco living to adopt topiary’s style and structure within their own private gardens.’

A new award for topiary has also been announced as recently as this year and the ‘…search is on for Britain’s best topiary artists thanks to the inaugural Topiary Awards, which are now open for entries until May 31.’

In India too, many gardens and public spaces have examples of topiary. But sadly, after the initial enthusiasm, they are not maintained well, and therefore go out of shape. 

India is however home to the tallest topiary as per the Guinness Book of Records. This is the Samban-Lei-Sekpil in Manipur, started in 1983, which has now reached 18.6 m (61 ft) in height. The plant used is Duranta erecta, a shrub common in Manipuri gardens. It is shaped into a tiered structure called ‘sekpil’ that honours Umang Lei, the forest god.

Here is to tree-shapers, tree-barbers, tree-architects and their tribe, for adding green landmarks and a touch of whimsy to our lives.

–Meena

A Man of Many Parts

May 1 is marked as International Labour Day to commemorate the struggles of workers, and labour movements, and celebrate their role in society. In Gujarat the day has an added significance as Gujarat Foundation Day. May 1 marks the day that two new states–Gujarat and Maharashtra were carved out of the erstwhile Bombay state in 1960.

One name that it intrinsically linked with this historic moment is that of Indulal Yagnik who spearheaded the movement for a separate state of Gujarat. Indulal was the founder president of the Mahagujarat Janata Parishad that launched the movement which came to be known as the Mahagujarat Movement, in 1956. But Indulal’s activism well preceded this phase of his life which spanned many significant periods in Indian political life. A life that was not limited to public engagement, but also covered a wide range of interests, and contributions including to journalism, literature, and films. 

Indulal was born in 1892 in Nadiad in Gujarat, and completed his higher education in Bombay, graduating with BA as well as LLB degrees. He chose the world of words rather than laws, and started his journey as a translator with Mumbai Samachar, a Gujarati daily, and as contributor to a well-known Gujarati monthly magazine. He began to associate with radical nationalists like Shankarlal Banker, and young lawyers like KM Munshi and BG Kher. He was also deeply influenced by Annie Besant and the Home Rule League, which advocated for self-government for India within the British Empire. In the meanwhile his own thinking was becoming more nonconformist in terms of social norms.

He was always a risk-taker. When Madam Bhikaji Cama became the first person to hoist the Indian tricolour on foreign soil at the International Socialist Conference at Stuttgart in Germany, on 22 August 1907, it was the young socialist Indulal Yagnik who smuggled that flag back to India.

Gandhi’s return to India from South Africa in 1914 drew Indulal into a new cause. By 1915, Indulal launched a Gujarati monthly along with his friends Shankarlal Banker, KM Munshi and Ranjitram Mehta. He contributed to the English magazine Young India and when Gandhi it took over, Indulal moved to Ahmedabad in 1915 to work for him.  

When the British government decided to dispatch a team of eight editors—four English and four Indians to Mesopotamia (now Iraq) in 1917 to investigate allegations of mistreatment of Indian soldiers during World War I, Indulal was selected as one of them.

In 1917, he was involved in famine relief in the villages of Ahmedabad district. Indulal was an active participant in Gandhi’s 1918 Kheda Satyagraha, a resistance movement against oppressive land taxes for farmers. He was also, with Gandhi, a part of the move to establish Gujarat Vidyapith, an institution of higher learning. He made Ahmedabad the base for his public and political activities, even as he travelled widely, connecting with the most downtrodden and oppressed communities.

While he was close to Gandhi and Sardar Patel, and worked tirelessly for the ongoing satyagraha movement, Indulal was a much more vociferous advocate of the rights of the marginalized and oppressed communities. This often created clashes of opinion and approach. He also had a fiery and mercurial temperament which led him to act impulsively. While in 1923 he had shared a prison cell with Gandhiji, in 1924 Indulal completely withdrew from nationalist activities and relocated to Bombay where he became editor of a communist-published paper. His socialist-communist perspective led him to write a harsh critique of the 1928 Bardoli Satyagraha in this paper.

Subsequently, he distanced himself from both communism as well as the nationalist struggle and the Congress party, and forayed into films. He began in 1926, by translating the titles for the film The Light of Asia into Gujarati. He then began writing about films for different magazines and newspapers, and himself wrote short stories for a few silent films. He even produced a few films. However his stint as a producer was neither successful nor profitable.

Indulal returned to the nationalist movement. This time he took on the role of championing its cause abroad. He travelled to Britain and Germany where he wrote articles and pamphlets. He also got involved with revolutionaries in Ireland and activists in England. He was in England when Gandhiji was attending the Second Round Table Conference in 1931.

After five years abroad Indulal returned to India in 1935. Now he became an active advocate for famers’ rights, and in 1936 was instrumental in the formation of the All India Kisan Sabha, and led the Gujarat chapter of the Kisan Sabha. The world was in the throes of the Second World War. His anti-war activities were deemed disruptive to public order and he was imprisoned in 1940. Upon release in 1941, he dedicated himself to establishing ashrams and schools in areas where there were none. The ashram that he established on the banks of the Vatrak river became his own base, and it is here that he celebrated India’s Independence on 15 August 1947.

When the movement for a separate state of Gujarat was gaining momentum in 1956, the activist in Indulal surfaced again. ‘Indu Chacha’ became the mover and shaker of the Mahagujarat Movement. During this period he once again distanced himself from the Congress party, and established a political party called Mahagujarat Janata Parishad, which achieved significant electoral success. The party was dissolved after the formation of Gujarat state on 1 May 1960. Indulal then founded the Nutan Mahagujarat Janata Parishad.

Indu Chacha was very popular himself, appealing to working class and middle class voters alike. He was elected from the Ahmedabad constituency to the Lok Sabha for four consecutive terms starting from 1957 to 1971. He continued to maintain his almost spartan lifestyle until he passed away in 1972.

Indulal’s life story was closely linked to the political events of Gujarat and the world of that time. His six-volume autobiography Atmakatha, written in phases at different points of his life, is a valuable resource to understand the socio-cultural and political history of Gujarat. He dedicated the book to the “bright and fragrant flower-like people” of Gujarat. As a fellow Gujarati, Indu Chacha’s story gives a peep into the people and events that led to the creation of Gujarat.

On a more personal note, Indu Chacha was a friend of my parents, and I have memories of his dropping in to see them when we lived in Delhi in the late sixties, and relishing hot jalebis with milk! He must have been in his last term as member of the Lok Sabha then. As the state of Gujarat goes to the polls next week, Indu Chacha is still remembered.

–Mamata

The Flowers of War

The media has been full of the 50th anniversary of the Carnation Revolution over the last week. It happened in Portugal. And apparently, Portugal wasn’t even a respectable democracy 50 years ago! Since a coup in May 1926, Portugal was under an authoritarian regime. In 1932, Antonio Salazar took over as Prime Minister, and remained at the helm of affairs till 1968 and continued to hold the reins of power tightly, with little say for the people in anything. He alo would not give up Portugal’s large overseas territories including Goa, Daman, Dadra and Nagar Haveli. In India of course, the Indian armed forces invaded, and supported by the local freedom fighters, took over in 1961. Portugal continued fighting long-drawn colonial wars in other parts of the world. Within Portugal also, it was an authoritarian rule. Finally, in 1974, the people of Portugal lost patience. On 25th April, there was a largely peaceful coup led by members of the Armed Forces Movement and backed by civilians from all walks of life. It began to be called the Carnation Revolution because there were almost no shots fired. It being the carnation season, the markets were full of carnations, and people started giving them to each other and also placed them in the muzzles of the soldiers’ guns, as well as in their button holes.  It was a happy ending!

Flowers
Bouquet of Flowers in a Vase Georgius Jacobus Johannes .Getty Open Access

Many subsequent peaceful revolutions have been named after flowers, including: The Tunisian revolution of 2010-11 is called the Jasmine Revolution in honour of the country’s national flower In the Rose Revolution in Georgia in 2003, Opposition leader Mikhail Saakashvili carried a rose into parliament when he demanded the resignation of President Eduard Shevardnadze, while protesters in the streets gave long-stemmed roses to soldiers called out to stop them. The President resigned. The 2005 Tulip Revolution in Kyrgyzstan forced President Askar Akayev to flee the country. 

But the association of wars with flowers goes further back than that. The famous War of Roses was a long-drawn series of inter-generational wars for the British throne. Fought over 30 years starting 1455, the war was between the House of Lancaster and the House of York, descendants of two sons of Edward III who reigned from 1330-1377. Amidst  claims and counter-claims to the throne almost as complicated as between the Pandavas and Kauravas, the war raged till Henry Tudor (later Henry VII) who represented the claim of the House of Lancaster, won the Battle of Bosworth, and sealed the claim by marrying Elizabeth of York, the daughter of the Yorkist King, thus uniting the two houses. The War of Roses is so called for the symbols of the two sides—the white rose of York and the red rose of Lancaster. After the marriage of Henry and Elizabeth, the symbol was combined in a way that overlaid the white and red roses.

But the oldest of flower-wars has to be war over the parijata tree fought between Krishna and Indira. The origin of the story goes back to the Harivamsam (1st or 2nd century BCE). In this tale, Narada gives Krishna a single enchanting blossom of the parijata flower from the special tree in Indra’s garden. Krishna is with his senior-wife Rukmini at the time, and gives it to her. When the junior-wife Satyabhama hears of this, she is angry beyond belief and is only pacified when Krishna promises to fetch her the tree itself from the heavenly garden. However, Indra refuses to part with the tree, and Krishna has to fight a mighty battle—which of course he wins. And the parijata is brought to earth and planted here. (See ‘Heaven’s Flower’ https://wordpress.com/post/millennialmatriarchs.com/164)

So flowers can cause wars. And they can stop wars.

It’s a choice we have to make today!

–Meena

Words Maketh Books

This week Meena wrote about World Book Day on 23 April. Not exactly coincidentally, this day is also marked as English Language Day. English Language Day is the result of a 2010 initiative by the UN’s Department of Global Communications, establishing language days for each of the Organization’s six official languages (English, French, Spanish, Chinese, Arabic, and Russian).The purpose of the UN’s language days is to celebrate multilingualism and cultural diversity, and to promote equal use of all six official languages throughout the Organization. English Language Day celebrates the English language and promotes its history, culture and achievements.

Books certainly come in all the languages of the world, but the very fact that we are, at this moment, reading and writing in English, is a testimony to the fact that English is indeed one of the languages that unites word lovers across the world. English is one of the languages of international communication; it enables people from different countries and cultures to communicate with each other in a common language, even if it is not their first language.

April 23, as English Language Day, celebrates the life and works of William Shakespeare, who not only died on this day, but is also believed to have been born on the same date in 1564. The day is a tribute to the enormous contribution that Shakespeare made to the English language.   

Shakespeare’s prodigious output of sonnets and plays was remarkable as a body of creative work. These literary works were expressed in thousands of words, many of which (1700 it is believed), he created himself! When he embarked on his literary marathon, there were no dictionaries that Shakespeare could dip into. The first such reference to meanings of words in English was A Table Alphabeticall that was published in 1604. Texts on grammar appeared only in the 1700s. Thus Shakespeare did not have ready resources which could be used to populate his vocabulary.

Scholars believe that Shakespeare’s vocabulary owed to a combination of sources. It is likely that he lent an alert ear to the commonly spoken language of the time, and drew words from there which were written into his plays and verses. Thus he can certainly be credited with the ‘first recorded uses’ of numerous words. But he was equally a master of wordplay. He coined new words himself, often by combining words (eye and ball to make eyeball) changing nouns into verbs (from ‘elbow’ to ‘elbow someone out’), adding prefixes and suffixes into preexisting words. He anglicised foreign words, such as creating ‘bandit’ from the Italian ‘banditto’, and the word ‘zanni’ which referred to characters in sixteenth-century Italian comedies who mimicked the antics of clowns and other performers, and used it as a noun–zany.

These introduced words were soon adopted into the English language, enriching it considerably.

I must admit that in my younger days, I did not take as easily to Shakespeare in the original as may have been done by the more “literary types” of my generation. Whatever Shakespeare we were exposed to was in the form of the ‘abridged and simplified’ versions that made their way into English language textbooks year after year. Yes, we knew that “a rose by any other name”, and  “all the world’s a stage” and “all’s well that ends well” was quintessentially Shakespeare, but I for one did not know that so many words that we use today, imagining them to be ‘contemporary’ language were coined and couched in William’s prose and poetry!

Here are some very ‘modern’ terms that first appeared in Shakespeare’s writing.

Addiction, assassination, auspicious, baseless, barefaced, bedroom, champion, cold-blooded, critic, elbow, fashionable, generous, gloomy, hint, hostile, lackluster, lonely, majestic, manager, obscene, overblown, puking, pious, radiance, reliance, skim milk, submerge, swagger, watchdog!

Here are some that have not travelled intact through the centuries. Today some of these are “Greek to us” (incidentally it is Shakespeare who first coined this phrase!).

Mobbled: With face muffled up, veiled.

Foison: Abundance, plenty, profusion

Ganesome: Sportive, merry, playful

Noddle: The back of the head

Fleshment: The excitement associated with a successful beginning

Gratulate: Greet, welcome, salute

Kicky-wicky: Girlfriend, wife

Bawcock: Fine fellow, good chap

Buzzer: Rumour-monger, gossiper

Gallimaufry: Complete mixture, medley, hotchpotch

Garboil: Trouble, disturbance, commotion

Miching: Sulking, lurking, sneaking

For Shakespeare “all the world was a stage” and he also coined a number of colloquial phrases that added drama to the dialogues of his many characters, from Romeo and Juliet to Othello, from the Merchant of Venice to Hamlet and Macbeth. These “as good luck would have it” continue to enrich our speech even today.

All that glisters is not gold

A sorry sight

Bated breath

Break the ice

Cold comfort

Come what may

Dead as a doornail

Devil incarnate

Eaten me out of house and home

Fair play

Green-eyed monster

Laughing stock

Naked truth

In a pickle

Seen better days

Set your teeth on edge

The world is my oyster

Too much of a good thing

Vanish into thin air

Wild-goose chase

What’s done is done

And, it is not Sherlock Holmes but Shakespeare who first said “the game is afoot!”

Shakespeare may be “as dead as a doornail” but he remains the most quoted writer in English of all time. How zany is that!

Well, words maketh a book, and Shakespeare maketh words!

–Mamata

A Mark of Citizenship

When we were children, and very much into Enid Blyton’s mystery and adventure stories, a fascinating element in some of these was the notes/letters that appeared to be blank, but which revealed secret messages when warmed. The excitement was heightened when we ourselves tried to make ‘invisible ink’. This usually involved some lemon juice with which we wrote on paper. Once the juice dried, the paper appeared to be blank, until a hot iron was run over the paper, or it was placed close to the flame of a candle, upon which the words would slowly show up. Many a summer afternoon was spent in this ‘mystery’ activity, with much excitement and anticipation on the part of message writer and receiver!

These memories came back recently when another kind of ink is soon to be in the news, except that this ink is far from invisible, it is indelible! The purple mark on the forefinger is inextricable linked with election season. As soon as the voting process begins, this mark becomes the symbol of a citizen who has exercised their right, as well as duty, to participate in the process to vote-in a democratically-elected government. In a country like India in which millions across the country take part in the electoral process, this mark is a great common indicator of participation, as well identification. An inked finger identifies a voter not just when they emerge from the polling booth, but until the ink on the finger ‘wears’ off, a period that may last from a few days to a couple of weeks. The key word is ‘wears’ off rather than washes off. And that is where the search for, and use of, indelible ink in elections began.

In the early 1950s, in newly independent India, there was concern that fraudulent voting could upset a free and fair electoral process. There needed to be a common, easily applicable and low-cost way to ensure that the ‘one voter one vote’ principle was adhered to in letter and spirit.

Research on this started in the National Physical Laboratory of the Council for Scientific and Industrial Research (CSIR-NPL). The research and experiments led to the formulation of the chemical formula for indelible ink which could be used on the finger of a voter who has just cast their vote. This ink was unlike other inks that were commonly used to fill the fountain pens that were the main writing instruments of the day.  A key component in this special-formulated ink was silver nitrate which is photosensitive, it reacts when exposed to light (sunlight or even indoor light). The water-base ink also contained a solvent like alcohol which allowed for faster drying, as well as some other dyes. The composition was optimized such that it diffused into the skin spontaneously to make a mark which could not be chemically or mechanically manipulated. The precise proportions, formula and protocol for making this ink were a closely guarded secret, and was patented by the National Research Development Corporation (NRDC), New Delhi. But for the ink to be produced in vast quantities, it needed a professional ink-making company.

The NRDC approached Mysore Paints and Varnish Ltd. (MPVL) to manufacture and supply the ink. An agreement to this effect was signed by the Election Commission of India in collaboration with the National Physical Laboratory and NDRC with MVPL. The factory was established during 1937 by Maharaja Krishnaraja Wodeyar IV, then the Maharaja of Mysore province. It was originally called Mysore Lac and Paint Works Ltd.It was renamed as Mysore Paints and Varnish Ltd. (MPVL) in1989.

The original rationale behind the establishment of the factory was to provide employment opportunities for the local people, and for effective utilization of the natural resources of the forest, specifically lac, which was used for the manufacture of sealing waxes. Apart from lac, the factory manufactured paints which were supplied to Government departments, especially to the Defence Department, particularly for war tanks, during the early days.

The factory was converted into Public Limited Company during 1947 as one of the Public Sector Undertakings (PSU). The company continues to be among the prominent undertakings of the Government of Karnataka, meeting the requirements of PSUs, Central Government, State Government, PSUs, private industries and the paint dealers. Although the Company also manufactures and supplies industrial coating paints, decorative paints, wood polishes, varnish and thinners, the largest chunk of its output is the manufacture and supply of indelible ink for elections.

The indelible ink was used for the first time in Indian elections in 1962 and has MPVL has remained the sole supplier since then. MPVL initially supplied ink only for parliamentary and assembly elections, but over the years it has also been supplying ink for elections to municipal bodies and cooperative societies. The concentration of silver nitrate in the ink varies depending on its usage. For example, in 2017, MPVL was commissioned to manufacture special marker pens to mark children during the polio drops drive in South India. The silver nitrate ink used in these pens was less concentrated, keeping in mind that children are prone to put their finger in the mouth.

According to MPVL, the high-quality indelible ink dries out completely in less than 40 seconds, but it leaves its impression even after a one-second contact with skin. The ink darkens with exposure to light and can remain on the voter’s fingernail and skin for at least two days, and up to 3-4 weeks, depending on a person’s body temperature and the environment. It cannot be simply washed away mechanically, or removed by any known chemical or solvent.

As the ink is photo-sensitive, it needs to be protected from exposure to direct sun rays. Earlier it used to be stored in brown-coloured glass bottles; now amber-coloured plastic bottles are used. The bottles used are designed in such a manner so as to prevent any kind of reaction with sunlight until they are opened. The ink is distributed in 5 ml, 7.5 ml, 20 ml, 50 ml and 80 ml vials. A single 5 ml vial is sufficient for an approximated 300 voters. The Election Commission of India places orders for the ink based on the number of registered voters involved in the election. The ink is then supplied to the Chief Electoral Officers who subsequently distribute it to individual voting centres.

The MPVL is the sole supplier of voter’s ink in India since 1962. The PSU also exports the ink to at least 25 other countries including Canada, Ghana, Nigeria, Mongolia, Malaysia, Nepal, South Africa and the Maldives. This ink is made as per the respective country’s specific use of the ink.  For example, in Cambodia and the Maldives, voters need to dip their finger into the ink, while in Burkina Faso the ink is applied with a brush, and nozzles are used in Turkey.

So this election season, as we walk into a polling booth and walk out with the small purple line on our finger, we know what has gone into making this distinguishing mark!

–Mamata

Happy Hampi

Hampi. On the list of history-buffs. On the list of backpackers. On the list of pilgrims. On the list of UNESCO World Heritage Sites.  It is indeed a ‘listed site’!

This is what UNESCO has to say about it:

‘The austere and grandiose site of Hampi comprise mainly the remnants of the Capital City of Vijayanagara Empire (14th-16th Cent CE), the last great Hindu Kingdom. The property encompasses an area of 4187.24 hectares, located in the Tungabhadra basin in Central Karnataka, Bellary District.

Hampi’s spectacular setting is dominated by river Tungabhadra, craggy hill ranges and open plains, with widespread physical remains. The sophistication of the varied urban, royal and sacred systems is evident from the more than 1600 surviving remains that include forts, riverside features, royal and sacred complexes, temples, shrines, pillared halls, Mandapas, memorial structures, gateways, defence check posts, stables, water structures, etc.’

Hampi
Lakshmi Narasimha Statue, Hampi

On a recent visit to Hampi (I know, I know. Who goes there in April???) we were of course awed by the architecture and the sculptures there. At a landscape level (over 4000 hectares as UNESCO says) like Angkor Wat, one can believe that this was the capital-complex of one of the most powerful and rich kingdoms India has ever seen.

So much has been written about this by experts, I don’t think there is much I can add. Of course, we were there only for two brief days, and in fact sight-seeing was not even top of the agenda. But personal impressions are unique, and I shall share them.

  1. There is no charge to visit any of the sites except a nominal charge to go into the Vithala temple. Pre-Covid, the number of visitors to Hampi was about 7 lakh annually, and is likely to be much higher today. Many of these people go for worship to the temples. But for those purely on the tourist trail, surely it makes sense to charge something? Maybe Rs.100/monument or Rs. 500 for a day pass or something? Surely the case cannot be that our archaeological sites don’t need money for conservation and upkeep? Or that tourists who travel all the way to Hampi and spend on hotels will grudge the small amount for actually seeing what they have come to see? But it felt that the locals see this as a sign of hospitality, with two guides telling us ‘No charge to see anything here. Happy Hampi!’ That is rather nice!
  2. Another thing was that the guides were not overwhelming or too persistent. Just appropriately persistent! In fact, we did not encounter too many of them, maybe because it was off-season.  As well-informed and articulate as any to be met anywhere in India—which means they all told more or less the same stories and the same jokes, but pleasantly.
  3. There were not enough toilets, and those there were, were not inviting! They were not dirty per se, but definitely yellowing, stained and wet, exhibiting a lack of an active effort to keep them up. This also probably circles back to the point on charging for entrance. If there were more money to spend on toilets, would there be more of them and would they be better kept? (Of course, in the convoluted system of incomes and allocations to such sites, there is little correlation between the two!). The strangest thing was that while the sites open 8.30 a.m., we found the toilets locked on arrival, and informed that they would open at 9.30 a.m. only!
  4. And Hampi and other sites do have some structures in the name of toilets, we simply do not provide for drinking water. While most of us carry water these days, what about the unfortunates who forget? In a place like Hampi, it is quite possible for someone to come down with a heatstroke, and having access to clean, potable water is an essential that must be provided, not a luxury.

Hampi

5.A very welcome move by the State Tourism is the introduction of e-vehicles to take the tourists to the various sites. Cars have to be parked at a certain point, and only these electrical vehicles run by the government are allowed beyond that. They charge a nominal amount. And it gets better! All these vehicles are driven by women. Our feisty driver went through a training of 15 days after selection, and confidently drove us around!

Hampi is divided into three core zones–the Sacred Centre, the Royal Centre and the Islamic Quarters. We got to see some parts of the Sacred Centre, so a lot is waiting.

Hampi is happy indeed, but with a little care, could be so much more so.

Here is to Happier Hampi!

–Meena

Feisty Fighter: Jayaben Desai

In the last few months there has been a lot of news about Junior and Senior doctors in the UK going on strike to draw attention to their demands. There are often pictures of the picketing medicos. These include a large number of Asian and other ‘non-white’ faces. Today the non-English population makes up a large portion of the work force in the UK. While there is a continuing stream of migrants making their way to the UK for higher education, and often continuing to work after their studies, there is an equal number of second generation immigrants who have made UK their home over the last century. These are the descendants of the first immigrants who laid the path for the future of this generation.

There are numerous stories of these early immigrants who arrived in a totally alien, and often hostile, environment but who by dint of hard work, struggle, and ambition fought all the odds. One such feisty lady is still remembered for breaking many barriers.

Jayaben Desai began her life in Gujarat in India, where she was born on 2 April 1933. She moved to Tanganyika after her marriage to Suryakant Desai a tyre-factory manager. There she led a comfortable life as part of the large community of British subjects of Indian origin who had long settled in East Africa. In the 1960s the situation changed with many of the newly-independent countries in East Africa moving towards “Africanisation’ policies which led to declining economic opportunities and security for the East African Asians. Many of these chose to move. As British passport holders they headed for Britain. Jayaben and her husband joined this exodus.

Life in Britain was very different. The new migrants did not enjoy the economic and social status that they had done in East Africa. Despite being British citizens they had to struggle at every step to establish new lives and livelihoods in an unwelcoming environment. Most of them were educated and professionally qualified, but in England they were compelled to take whatever work they could get; most of which was unskilled labour with poor wages. They faced a great deal of discrimination, racism and prejudice in every aspect of life.

As one of these women recalled: “There was no question of whether you wanted to or not – you had to work, so you did. And wherever you found work, you had to take it. It wasn’t that you were educated, so you only wanted certain kind of jobs – we had to work in factories and that’s how we brought up our children. …We used to have people working for us, and now we had to work for others. That’s life. …Of course I felt sad.”

Jayaben started part-time work as a sewing machinist in a sweatshop, while bringing up her two young children. She then moved to work at the Grunwick film processing factory in North-West London. Grunwick employed a large number of Asian women who were perceived as being hard working and submissive. The factory paid low wages, and was run in an atmosphere of fear and control, with workers being humiliated in many ways.

The simmering unrest began to surface when the managers sacked a young Indian worker, and three colleagues walked out in solidarity with him.  Soon after, on Friday 20 August 1976, Jayaben Desai was confronted with a short-notice demand for overtime.  She refused. The manager derogatively called her and her fellow workers “chattering monkeys”. She responded by telling the manager: “What you are running here is not a factory, it is a zoo.  There are many types of animals in a zoo.  Some are monkeys who dance to your tune, others are lions who can bite your head off.  We are those lions, Mr Manager.” 

Jayaben and almost 100 other workers spontaneously walked out in protest. Thus far, previous strikes by black and Asian workers had not received the support of  trade unions. But the Grunwick strikers were supported by the Brent Trades Council; they were encouraged to form a union and received strike pay. Thus the strike was significant because it got trade union recognition, and also demonstrated the greatest solidarity So between the white and coloured working class.  As Jayaben stressed during the strike, ‘We will not back down now.  We want to bring this factory to a standstill.  Our fight is for all our rights, and for our dignity.  We hope all trade unionists will stand by us.’  

Jayaben, and the striking workers travelled across England and addressed workers in other factories and workplaces about their fight, and this managed to persuade trade unionists from far and wide to come to their aid. By June 1977, as support for the strikers grew, the size of the mass pickets increased from a few hundred to several thousands. The strike began in 1976 and continued for two long years until 1978. This was possible, as the strikers received strike pay from the trade unions, which was comparable to the low pay they received at Grunwick. It was highly unusual for that time for unions to support ethnic minority groups and migrant workers. But the response rattled the Labour government who put pressure on the Trade Unions leadership to withdraw support. This did not deter the strikers led by Jayaben who started a hunger strike in November 1977.  But even this action could not change the unions’ mind, and so they had to call off the strike. The strike came to an end without the workers getting their jobs back. However, one of its outcomes was the introduction of some concessions relating to existing and future workers’ pay and pensions.

As she later recalled: “Because of us, the people who stayed in Grunwick got a much better deal. When the factory moved, the van used to come to their home and pick them up because it was difficult for them to get to the new place. Can you imagine that? And they get a pension today! And we get nothing. That was because of us, because of our struggle.”

Despite its eventual failure, the Grunwick strike became a symbol for its demonstration of determination and solidarity. As Jayaben said: “The strike is not so much about pay, it is a strike about human dignity.” It is remembered for the way in which thousands of workers, black and white, men and women, united to defend the rights of migrant women workers. The feisty Jayaben who had catalysed the movement also changed the stereotype of South Asian women as being passive and submissive.

In recognition of her contribution to the struggle for workers’ rights, Jayaben Desai was awarded with a gold medal by the GMB trade union in 2007. She retained her indomitable spirit until she passed away at the age of 77, in December 2010.

–Mamata

The Colours of Life

We just marked the day of colours. Yes, Holi of course.  

But another one too–the International Colour Day which just went by on March 21. This Day celebrates all aspects of colour and the impact they have on our lives, and how they make the world a better place.

Now who would declare a day for colours? Well, an organization called the International Colour Association (ICA). This is an old and respected institution, which counts the National Colour Associations of over 30 countries among its members. It aims to ‘encourage research in all aspects of colour, to disseminate the knowledge gained from this research, and to promote its application to the solution of problems in the fields of science, art, design and industry on an international basis.’

The idea of an international colour day was proposed in 2008, and adopted in 2009. The particular date—21 March—was chosen because it is the summer equinox—the day when the sun shines directly on the equator, and the day and night are of equal length.

International Colour Day
International Colour Day Logo

If there is a day, can a logo be far behind? Well, not too far! The International Colour Day logo was adopted in 2012. The creator was Hosanna Yau of Hong Kong, who explained the logo thus: ‘two circles form an eye, with an equal half of rainbow color and black representing light a nd darkness, day and night, everyone feast one’s eye on the international color day.

The study of colour is known as chromatics, and is basically about light and its interactions with matter. Colorimetry, which sounds so much more likely a candidate for this, is actually about a related field—‘ the measurement of the wavelength and the intensity of electromagnetic radiation in the visible region of the spectrum. It is used extensively for identification and determination of concentrations of substances that absorb light.’

Colours because of their ubiquity and the emotional and psychological impacts they have, often become a shorthand for other things.

Coming to one of the colour-related matters which has recently been much in the news in India is the Pink Tax. A viral video put out by Sanjay Arora, an advertising veteran, and commented on by several well-known people including Dr. Kiran Mazumdar-Shaw has kept this in the headlines. I have to admit, I had never heard of this, so thanks Mr. Arora!

What is Pink Tax? As the World Economic Forum explains it: ‘Men and women often buy similar day-to-day products. But research shows that consumer products targeted and advertised to women are sometimes more expensive than comparable products marketed to men. This disparity is referred to as a so-called pink tax.’  The video gives several everyday examples, from deos to haircuts, where the  women’s version is more expensive. A research study in the US looked at 800 gender-specific products from nearly 100 brands and found enormous price disparities across product categories.   For instance, personal care products targeted to women were 13% more expensive than similar men’s products. Dry cleaning costs for women’s dress shirts was  almost double that for dry cleaning of men’s shirts!

You will find plenty of examples close to home. Next time you are browsing or shopping, just do a quick comparison Such differential pricing imposes an extra burden on women, who anyway earn less and have less economic power.

My Colour Day resolution is to boycott products which have stark disparities. I will be happy to buy a men’s deo—I don’t there is any difference anyway.

–Meena

Belated Happy Holi!

Namer of Clouds: Luke Howard

Cloud water colour by Luke Howard https://blog.sciencemuseum.org.uk/

23 March is World Meteorology Day. A day when there will be many scientific discourses on the science of the atmosphere and the weather. While not many adults may look up at the sky and marvel at the beauty of clouds as they drift up high, children will look up and imagine, in the continuously changing cloud shapes, everything from elephants to cotton candy! Perhaps few will make any links between the poems and paintings of this beauty with any form of scientific study.

While clouds are almost as old as the earth when it was formed, the science of clouds is much younger. Before the 19th century, the general understanding was that each cloud was unique, unclassifiable and in a state of temporary existence. Instead of strict descriptions clouds, were recorded by colour or individual interpretation. The scientific study of clouds may have said to have begun at the dawn of the nineteenth century, when a young man did more than admire the shapes of clouds, and set out to observe, study and devise a classification system for clouds. This was Luke Howard a London pharmacist and amateur, but ardent, sky gazer.

Luke Howard was born in London on 28 November 1772, the first child of a successful businessman. When he completed school Luke was apprenticed to a retail chemist, and went on to develop his own business, setting up a firm that manufactured pharmaceutical chemicals. While he ran his business, Luke also indulged his childhood fascination for nature, and especially the numerous facets of weather. He built a laboratory at home to observe, collect weather-related data and analyse this; he also maintained meticulous records of his observations.

In 1802 the modest young Luke made a presentation to a small gathering of young science-minded intellectuals in London who called themselves The Askesian Society. The lecture was titled On the Modification of Clouds (Modification referring to classification). In the talk, Howard proposed a common system for naming the recognisable forms of clouds.  In order to enable the meteorologist to apply the key of analysis to the experience of others, as well as to record his own with brevity and precision, it may perhaps be allowable to introduce a methodical nomenclature, applicable to the various forms of suspended water, or, in other words, to the modification of cloud.

Howard proposed a common vocabulary to describe different forms of clouds. The proposed system used Latin names like those that were being used for plants and animals in the Linnaean system. Combining detailed observations with imagination Howard introduced three basic cloud types:

Cirrus (Latin for ‘a curl of hair’) which he described as “parallel, flexuous or diverging fabrics, extensible in any or all directions”.

Cumulus (meaning ‘heap’), which he described as “convex conical heaps, increasing upward from a horizontal base”.

Stratus (meaning ‘something spread’), which he described as “a widely extended, continuous, horizontal sheet, increasing from below”.

He combined these names to form four more cloud types:
Cirro-cumulus
, which he described as “small, well-defined roundish masses, in close horizontal arrangement”; Cirro-stratus, which he described as “horizontal or slightly inclined masses, attenuated towards a part or the whole of their circumference, bent downward, or undulated, separate, or in groups consisting of small clouds having these characters”; Cumulostratus, which he described as “the cirrostratus blended with the cumulus, and either appearing intermixed with the heaps of the latter, or super-adding a widespread structure to its base” and Cumulo-cirro-stratus or Nimbus, which he called the rain cloud, “a cloud or system of clouds from which rain is falling”. He described it as “a horizontal sheet, above which the cirrus spreads, while the cumulus enters it laterally and from beneath”. 

This was a historic lecture for many reasons. His classification brought a sense of order and understanding to a subject that had lacked coordinated thought. There were at the time no documented theories as to how pressure, temperature, rainfall and clouds might be related. Howard’s observations and classification marked the beginning of meteorology, a previously unrecognized area of natural science. The three families he proposed—Stratus, Cumulus and Cirrus , are today included as examples of the ten main cloud types – known as the cloud genera, which are defined in terms of their shapes, their altitudes and whether they are precipitation bearing. Howard’s simple, science-based system of classification was accepted by the international scientific community, and the terms that he coined are still used by the meteorological community across the world.

Howard was not just an observer and recorder, he was also skilled at painting skyscapes with clouds. He was however not adept at painting landscapes and people and a painter friend used to fill in these to complete the picture. He used these paintings to illustrate his talks and publications about cloud classification. Howard’s 32 page cloud book The Modifications of Clouds, published in 1803, is illustrated with his water colours.

Even as Luke Howard was studying clouds, for three decades he also kept daily recordings of temperature, rainfall, and atmospheric pressure in and around London. His comparison of the data allowed him to detect, describe, and analyse the fact that average temperatures are higher in cities than in the countryside. As he described it, the temperature of the city is not to be considered as that of the climate; it partakes too much of an artificial warmth, induced by its structure, by a crowded population, and the consumption of great quantities of fuel in fires. Through his observations Howard was the first to recognise the effect that urban areas have on local climate, many decades before the phenomenon of Urban Heat Islands became the hot topic that it is today.

He published his findings for his “fellow citizens” as volumes titled The Climate of London deduced from Meteorological Observations at different places in the Neighbourhood of the Metropolis in 1818 and 1820, followed by an extensive second edition in 1833. Howard thus became one of the pioneers of urban climate studies.

Luke Howard was elected a Fellow of the Royal Society on 8 March 1821 and joined the British (now Royal) Meteorological Society on 7 May 1850, only a month after the society was founded. He died in London on 21 March 1864.

As we look up at the clouds in the sky, let us remember the one who gave them names.

–Mamata

Easy as Pi!

Well, most people do not think of ‘pi’ as easy. This constant is the bugbear of many a student. The general reaction is ‘The ratio of the circumference of a circle to its diameter is a constant. Something like 3.14…. So what’s the big deal?’

Well, Pi plays a crucial role in many, many calculations within and beyond mathematics and science. It is one of the most widely known mathematical constants and is applied in various calculations, from basic geometry, trigonometry, calculus to complex physics equations and in engineering applications. It is central to calculations related to motion, gravity, and electromagnetic radiation. In engineering, Pi is used in design and construction of circular structures such as bridges, tunnels, and pipes. And in astronomy, it is employed in calculations involving the orbits of celestial bodies and the study of planetary motion. Pi is also important in computer science, where it is used in algorithms for numerical analysis, machine learning, and cryptography. 

Pi

Humanity has been fascinated with Pi for over 4000 years.  The earliest recorded calculations of Pi date back to the Babylonian, Egyptian and Hebrew civilizations—it even appears in a verse in the Hebrew Bible(written around the 4th century BC). The Indian mathematician Aryabhata (476-550 CE), in his work Ganitapada approximated value of Pi as 62,832/20,000 = 3.1416 (more accurate than Archimedes’ ’inaccurate’ 22/7 which was frequently used), but he apparently never used it for anything, nor did anyone else at the time. Famous mathematicians like Fibonacci, Newton, Leibniz, and Gauss dedicated a lot of time to studying the value of Pi, calculating its digits, and applying it in numerous calculations.

These centuries of fascination culminated in someone deciding to do something about it—declaring a DAY for it! On 14 March 1988, the first official large-scale celebrations of Pi Day were organized at the San Francisco Exploratorium by Larry Shaw, a physicist. The events to mark the day included several participants marching around a circle and consuming fruit pies. Since then, it has gained popularity and the U.S. House of Representatives passed a notification in March 2009, recognising 14 March as Pi Day.

Why 14 March? Well, that date is also written as 3.14! And, by coincidence, is also the birthday of Albert Einstein! Pi Day celebrations across the world include calculating more and more digits, and memorizing their value!

Pi has been calculated to over 60 trillion digits beyond its decimal point. As an irrational and transcendental number, it will continue infinitely without repetition or pattern.

Pi has also inspired literary genres! Pilish is a genre which is written in such a way that each digit of pi denotes the number of letters in each word. So, the first word has 3 letters, the second 1, the third 4, and so on. The only novel in Pilish is by the American Mike Keith, with the title: Not A Wake: A Dream Embodying π’s Digits Fully For 10000 Decimals

Mike has also invented the “piku”, which is a Pilish poem based on haiku. And here is something he wrote for Pi Day some years back:

It’s a moon,

A wheel revolving on golden earth, and lotus blossoms.

Mountains embrace windmills, and it all reflects this number, pi.

On the other hand, to celebrate the day, NASA’s Jet Propulsion Laboratory has come up with a series of science and engineering questions that are related to some of the agency’s Earth and space missions.

Well, to each their own favourite Pi or Pie!

Happy Pi Day!

–Meena