Author: millennialmatriarchs

Carravaggio Crosses the Seas

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When we hear the name ‘Michealangelo’, we think of the Sistine Chapel. But there was another one of the same name, Michelangelo Merisi da Caravaggio (known as Caravaggio) born a few years after the original’s death, who played own his part in significantly re-defining art.

Born in Milan, his father was an architect. The family left the city in 1576 to escape a plague and moved to Caravaggio. In 1584 our Caravaggio was apprenticed for four years Simone Peterzano, a painter. He became familiar with the works of Leonardo da Vinci, Michelangelo, Titian, Raphael, and other Renaissance masters during this time.

He moved to Rome, and set up in due course as an artist in his own right. Caravaggio’s work is known for its chiaroscuro (from Italian chiaro, “light,” and scuro, “dark”) technique—basically the use of light and shadow to define three-dimensional objects. Caravaggio and his followers used a harsh, dramatic light to isolate their figures and heighten emotional tension. Caravaggio’s use of realism and chiaroscuro helped to create a new style of painting that came to be known as Baroque, which shaped European art in the centuries to come.

One of his masterpieces has come to India. This is ‘Mary Magdalene in Ecstasy’, which was painted around 1606, and exemplifies his use of chiaroscuro. This painting was lost for centuries, re-surfacing only in 2014. It was authenticated as an original masterpiece by a team of leading art historians and is generally accepted as such today.

The painting travelled to India a few months ago, and was first exhibited in Delhi under the aegis of The Kiran Nadar Museum of Art, in partnership with The Cultural Centre of the Italian Embassy. Now it has come to Bangalore, and is exhibited at the National Gallery of Modern Art.

Three armed policemen are at the entrance to guard this $50 million work.The NGMA has also done its best to make it an enriching experience, with detailed panels about the artist and the painting, as well as a Virtual Reality experience.

Admittedly, It is a slightly strange feeling to go into a large, empty, almost-dark hall with only the one painting on the wall, with just one light focussed on it. A very different experience from seeing tens of paintings displayed in a room, with visitors filing from one to the other, and sometimes sitting on the benches provided to contemplate on something that catches their attention (or just to rest tired feet).

But all the care being taken with the work certainly proves India’s seriousness to protect and display of priceless art that comes to visit us.

It is not as if international masterpieces have not come to India before. Picasso’s works have been exhibited in India–the first exhibition of his works in South Asia was held at the National Museum in Delhi in December 2001 and featured 122 works. 

There are reports of original Botticelli paintings being exhibited in India too. For example, there are some reports that “Madonna of the Pomegranate” was displayed at an exhibition in Thiruvananthapuram. 

While no originals were physically displayed, there was an online exhibition of Raphael’s drawings by the India International Centre (IIC) IIC to commemorate the 500th death anniversary of the artist. 

Immersive, virtual experiences around Van Gogh’s work as well as da Vinci’s work have come to India in recent years.

Looks like India is now on the art-map, and we will be getting to see more such international masterpieces in the near future.

In the meantime, we can of course take in all the amazing art, craft, sculpture and architecture our own country offers!

–Meena

Wandering Violin Mantis

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Recently my son shared a photo and asked us to guess what it was. At first glance it seems like a lovely composition of dried leaves and twigs. But a closer look revealed that this did not seem to be a random coming together of bits and pieces but a cleverly designed creature of nature. While our guesses revolved around thinking it to be some kind of stick insect, I, as usual wanted to probe deeper! To start with I asked Aditya to tell where and how he came upon this intriguing creature.

This is what Aditya shared.

The other day I was stepping out to see if the laundry was dry. As I stepped into the afternoon sunshine, over the narrow water channel circling the house — ostensibly keeping ants away but long defeated by the garden’s branches and vines that reached over and served as bridges, for not only ants but squirrels and civets too — I did a double-take of the bench by the door. This is where we spend a quiet hour every morning drinking tea and slowly waking up; by the bench is an abandoned wooden drawer set on its side, now a teapoy. From its corner hung a couple of dry leaves on a twig — the overnight cobwebs must have caught them. 

But something had made me turn and look closer, though I couldn’t say what. Perhaps it was the way the leaves dangled, defying gravity, or their neatly stacked arrangement, or simply that their brown was striking against the blue-painted face of the drawer. It took another moment, and then it was clear these were no leaves, though the disguise was commendable. The twig bobbed up and down, took a few steps along the edge of the drawer, and made for the bench. 

I recognised this bug — I had been mesmerised by it a few years before when I had encountered it just as unexpectedly in a friend’s outdoor kitchen. That’s when I had found out what it was called — the Wandering Violin Mantis — and this had tickled me especially because the kitchen belonged to a luthier and violinist, whom I was house-sitting for as he was away wandering the world. 

I called out to my partner and she rushed downstairs to see. In turns, as one of us took pictures, the other attempted to invite the mantis onto our hand. After a quick survey of the landscape with its beady eyes and a few of its legs, it climbed on. Then it was on its way, making long strides up our arms, slightly prickly and very tickly as one felt the weightless but saw-toothed limbs on the skin. The attentive head kept looking around and exploring its changing geography, as we kept twisting and turning, and giggling and marvelling at the lanky visitor. We deposited him back on the bench, where he stayed a while longer before wandering off somewhere else.

Wow! Close encounters with a Wandering Violin Mantis! While I had missed out on this first-hand experience I turned to secondary sources to find out more.

To start with my guess that it was a stick insect proved wrong. This was a mantis, which belonged to a different order (Mantodea). The name ‘mantis’ is derived from Greek, meaning ‘prophet’ or ‘diviner’, and the Wandering Violin Mantis is known scientifically as Gongylus gongylodes. Gongylus is derived from the Greek word gongylos meaning round which may refer to the shape of its appendages. This unique creature was first described by Carl Linnaeus, also known as the father of modern taxonomy.

Its common name is Wandering Violin Mantis, and it is also known as Indian Rose Mantis, Dead Leaf Mantis and Ornate Mantis. The most intriguing of the names is the first one. Look closely and one will see very long spindly legs that support the wide thorax which is shaped like the soundboard of a violin, while the long neck that ends in an arrow-shaped head resembles the neck of the violin. The thin legs that resemble dry sticks, end in large appendages. The mantis usually walks on its mid and hind legs, keeping its strong forelegs raised. Thus the moniker Violin Mantis. (I cannot find any reference to why the addition of the prefix ‘Wandering’.)

A close up of its face with its biting-chewing mouth parts demonstrates its predatory instincts. This mantid feeds exclusively on flying insects, but it is not an active hunter. The insect find a spot where it is perfectly camouflaged as dry twigs and leaves, and sits and waits for an insect to fly by, or to land nearby. With the ability to rotate its head a full 180 degrees, the mantis has a panoramic view of its surroundings. To further enhance their disguise, mantids often adopt a unique pose, tilting their body sideways and lifting their front legs. Remaining motionless, stealthily hanging upside down from a stem or sitting erect they easily pass for a twig swaying in the breeze.

In case of a flier-by, the mantis grabs it right out of the air, using its fast reflexes and remarkable accuracy to snatch its prey from mid-air. In case of an unsuspecting one that lands on a flower in search of nectar, it is efficiently snatched up by the predator. The raptorial front legs are perfect for grasping and holding the unwary prey. The mantis selects its prey wisely, avoiding insects that are too large to easily capture.

In turn the Wandering Violin Mantis is preyed upon by a variety of animals including birds, bats, spiders and lizards. I wonder how useful their camouflage is in protecting them from being spotted by these predators. I am sure that many a mantis has escaped the beady eyes looking for a meal by passing off as a sprig of dry leaves! And in case it is spotted, the mantis makes a last attempt to escape by spreading out its wings to display the brightly-coloured underside that may startle the hunter.

These masters of camouflage can be found in diverse habitats including forests, grasslands and even gardens. They are found is several parts of South and Southeast Asia, especially South India Sri Lanka, Myanmar, Thailand and Java.

Curiously these gentle and non-aggressive insects are popular as pets in the US and some other countries. Unlike other mantis species the males and females can live together (without eating each other up!). However their enclosures would require to create and maintain the temperature and humidity of their natural habitats, plenty of climbing space with foliage and sticks, and a diet of flying insects. Judging from the number of websites with tips on how to cage and keep this mantis, this seems to be a popular insect pet.

I feel sad about this confinement. Why not celebrate this fascinating creature of nature where it belongs? And feel the excitement when one has the WoW! (Wonder of Wildlife) moment of making the acquaintance of the Wandering Violin Mantis! 

— Mamata

Casting a Spell

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The Indian-American domination of a peculiarly American phenomenon—the Spell Bee—is something that intrigues me no end. Not to say Indian-Americans don’t excel in many pursuits out there, but these kids winning the national level spelling competitions year after year after year after year is quite something.

The American tradition of spelling competitions may have started with the Puritans. By the mid-18th century, spelling competitions were common across the country. In 1750, Benjamin Franklin apparently recommended their use in a proposal for a school. Spelling challenges were quite the rage with both adults and children in the 19th century. Mark Twain apparently mentions ‘spelling fights’ in Adventures of Tom Sawyer!

The use of the term ‘bee’ for these competitions started in the mid 1870s. It is an unusual usage of the word, as ‘bee’ usually refers to a community activity with a shared goal—like quilting bees or knitting bees.

English, with words from various sources and a variety of languages, probably peculiarly lends itself to this pastime. Afterall, I don’t think there can be much confusion how 99% of words are spelt in Tamil or Kannada or Oriya– languages with phonetic writing systems do not have so much confusion in spelling. Moreover, because English has borrowed words from many languages through its history, the result is a diverse vocabulary with inconsistent spelling patterns which are carried over from the mother-languages.

In the US, the National Spelling Bee, as we know it today, was established in 1925. The Louisville Courier-Journal was the first sponsor, who saw it as a way to foster interest in spelling and language. 

The E.W. Scripps Company acquired the rights to the National Spelling Bee in 1941. This company was started by E.W. Scripps who founded The Penny Press, a daily newspaper in Cleveland. Today, the company is involved in investigative documentaries and enterprise journalism with the purpose to ‘…advancing understanding of the world around us.’

The Spell Bee has been held annually, in late May or early June since its inception, except for a few years during World War II and in 2020 due to COVID-19.  It has evolved over time, beyond just spelling, encompassing vocabulary development and broader language knowledge. 

The first winner of the Spell Bee, in 1925, was Frank Neuhauser of Louisville, whose winning word was “gladiolus”. The next year saw a girl winning for the first time– Pauline Bell, also of Louisville, who spelt the word “cerise”. (Incidentally, girls won nine consecutive competitions from 1932 to 1940.)

Now coming to winners of Indian origin. 30 of the last 36 competitions have been won by them. Which is surely not a chance thing. Before 1999, there were only two spelling bee winners of Indian-American descent—Balu Natarajan in 1985, with the word “milieu”, and Rageshree Ramachandran in 1989 with “elegiacal”.  Nupur Lala opened the floodgates in 1999 winning with “logorrhoea,” and there has been no looking back since then! This year of course we celebrate Faizan Zaki, a 13-year-old Indian-American student from Texas, who won with the word ‘éclaircissement”

Rebecca Sealfon who won in 1997 against Prem Murthy Trivedi, has done some analysis on the subject of Spell Bee competitors, and tells us that children practice for about 500 hours in the years in which they compete; some hire ex-competitors as coaches; and they typically and unsurprisingly relax by playing word games like Scrabble or Boogle. Some try to learn every word in the dictionary. She further tells us that double ‘ll’ words are the ones which have tripped up a large number of contestants, along with the words ‘metastasize’ and ‘metonymy’.

Since I don’t know many of these words, and would certainly not be able to spell them, I can only express my wonder at these sub-14 year olds who can.

Kudos to all of you! You have cast a spell on me!

–Meena

Pic: https:spellingbee.comblogscripps-cups

Plastics: From Saviour to Scourge

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Last week marked World Environment Day. The theme for this year was Beat Plastic Pollution. In events around the world to mark this day, much was discussed and written about the dire state of the environment due to the over-accumulation of plastic. In recent years plastics have become the bane of the environment. It is ironic that it is this material that was once hailed as a boon! The history of this ‘wonder material’ goes back to the mid-nineteenth century. 

This was a time when elephants and turtles were becoming seriously endangered due to demand for ivory and turtle shell which were used in the making of numerous things from piano keys and billiard balls, to combs. The biggest consumers of ivory were high-quality billiard balls. Between three and five balls could be made from a tusk, and at least two elephants needed to be killed to make one set of billiard balls. The increasing popularity of billiards in England as well as America, led to the slaughter of thousands of elephants. There was a serious threat to elephants, and also there was an increasing cost of ivory to make the balls.

This led to the quest for some man-made materials which could be used as substitutes. One of the earliest such attempts was to dissolve cotton fibres in nitric and sulphuric acids, and then mix these with vegetable oil. In 1862 an English chemist Alexander Parkes was the first to patent this new material with the name Parkesine. It was presented at the Great London Exposition in 1862, but it was not a commercial success.

In the meanwhile in America, Michael Phelan ‘the father of American billiards’ took out an ad in 1863 offering a sum of $10,000 for a substitute for ivory. John Wesley Hyatt, a young printer with no formal training in chemistry took up the challenge. He spent six years experimenting with various solvents. In one experiment he blended camphor with nitrocellulose and produced a hard mouldable substance that he called ‘celluloid’. He patented this in 1869, and along with his brother began to produce it in 1871, marketing it as a substitute for natural materials like ivory and tortoiseshell.  

As it turned out celluloid was not the perfect substitute for billiard balls; when two balls collided it produced a mini explosion. But the new material had a number of properties that made it attractive. It could be moulded into any form, hardened or left flexible; it was waterproof, it would not rot or corrode like metals; it was extremely durable, and it was cheap.

Celluloid was hailed as an environmental saviour. A sales pamphlet in 1878 claimed that “it will no longer be necessary to ransack the earth in pursuit of substances which are constantly growing scarcer”.

Celluloid was the first industrial plastic that would transform the world as multiple uses were found for it. It was followed by polyvinyl chloride or PVC. Since then plastics have undergone numerous stages of development. Plastic was not immediately adopted widely. But by the mid-20th century, as the benefits of this ‘trendy, clean, cheap’ material were loudly touted, plastic became ubiquitous, and took over every aspect of daily life.

The world embraced plastic with a clear conscience. The products made of plastic provided the added attraction of being easily disposable. The convenience of single- use throw-away products were extolled and countries like the United States made a whole-hearted example of this. The use-and-throw lifestyle became the aspiration of every society.

Today we are seeing the legacy of this throw-away lifestyle. The world is producing 300 million tonnes of plastic a year, a figure expected to triple by 2050. The chemical properties that have made plastic such a multi-use and durable material also makes its disposal difficult. Plastic takes a long time to degrade, in some types even thousands of years. Thus landfills are overflowing. Even the degradation of plastic is a serious environmental issue as it breaks down into microscopic particles that pollutes the oceans, land and the air. These micro-plastics are also accumulating in our bodies, the health impacts of which are not even known as yet.

The modern plastics industry relies on fossil fuels for its raw material contributing to global CO2 production. Thus the production of plastic also has an impact on climate change.

In the oceans, plastic ingestion and entanglement is harming and killing marine creatures including turtles. On land climate change is one of the factors that is changing habitats and endangering all living things from elephants to ants. Ironically, the material that was once celebrated as the saviour of these creatures is today the scourge of the environment across the globe.

 Sadly, over these decades the state of planet Earth has only deteriorated. The issues with overuse of plastic not only remain, but have been exacerbated. While there have been efforts in terms of policy initiatives, technological advances, and even public awareness these have not been able to cope with the even faster increase in plastic consumption, pollution, and waste generation. Even after decades of advocacy for Recycle, Reuse and Refuse, the picture is grim. In 2025 the world is expected to consume 516 million tonnes of plastics. And only 9% of all plastics produced as actually being recycled globally. The theme for WED 2025 ‘Beat Plastic Pollution’ spotlights the growing scientific evidence on the impacts of plastic pollution and hopes to sustain the momentum to refuse, reduce, reuse, recycle, and rethink plastics use.

— Mamata

The Water Bear Goes to Space Again

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Now what is this creature who is undertaking so many space odysseys? We don’t recall seeing a bear of any kind suited up and entering a space vehicle. And what is a water bear anyway—we’ve heard of polar bears, sloth bears, brown bears, black bears and several others; but never a water bear.

Well water bears or tardigrades are microscopic eight-legged animals. Because they look like bears under the microscope, they have been dubbed water bears. However, they don’t necessarily live in water, though they need a coating of water around themselves to prevent dehydration. They live in all kinds of places, from deep seas and hot springs to sand dunes! They also like to live in the moist environment provided by mosses and lichens and hence are also called moss piglets.

The German scientist Johann Goeze first described these creatures in 1773, and called them Kleiner Wasserbär in German, which translates to ‘little water bear’. In 1776, the Italian biologist Lazzaro Spallanzani named the phylum Tardigrada, meaning ‘slow walkers’. Today, about 1500 species of tardigrades have been documented.

They are generally about 0.5 mm in length when fully grown, short and plump, with four pairs of legs, each ending in claws or sticky pads. They are visible under low-power microscopes, so can be viewed easily even at schools or homes.

But it is not all this that makes tardigrades creatures of special interest. What sets them apart scientifically is that they belong to an elite category of animals known as extremophiles. They can survive extreme environments that most animals can’t.

For instance, tardigrades can go up to 30 years without food or a water supply. They can live even at absolute zero, and can survive above boiling temperatures. They can take pressures six times greater than the ocean’s deepest trenches, and exist in the vacuum of space. They have survived five mass extinctions!

One reason for their resilience is a unique protein in their body which protects their DNA from harmful radiation which is present all around us.  A strategy they employ in dry environments is to push all water out of their body, pull in their head and limbs, and roll up into a small ball. They go into a deep sleep until conditions improve

Tardigrade biology is unique, and scientists study tardigrades to understand their indestructibility, to transfer these learnings to many fields.  

The idea of sending tardigrades to space was first proposed in 1964. Actual experiments began in 2007 when they went up with NASA’s FOTON-M3 mission, where they were exposed to space’s vacuum for 10 days, and reanimated just by rehydration, back on Earth.

Then, in 2011, tardigrades were on board the International Space Station, and in 2019, a capsule containing tardigrades was sent on board the Israeli lunar lander Beresheet which crashed on the Moon. SpaceX-22 Commercial Resupply Services mission on June 3, 2021 also carried tardigrades to do an experiment to identify the genes involved in their ability to survive and adapt to high-stress environments, including the one astronauts experience in space. NASA hopes the findings can help guide research into protecting humans from the stresses of long-duration space travel, and ultimately help in setting up sustainable colonies on the Moon and Mars.

These space-veterans are also part of Group Captain Shubanshu Shukla’s crew! He and his fellow Polish astronaut Uzanaski-Wisniewski will study several aspects of tardigrades duing their 2-week trip–their revival, survival, and reproduction; they will count the number of eggs laid and hatched duringthe mission; compare the gene expression patterns of the astronaut-tardigrades with  those of ground populations; and identify molecular mechanisms of resilience

Thank you, Grp Captain Shukla and your brave mates on Axiom 4. Wishing you a safe journey and that you extend the boundaries of space and knowledge.

–Meena

PIC: From BBC

Libraries Take Wing

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How often we randomly pick up a feather as we walk along. And wonder which bird it could belong to.

A feather library is where we can turn to for help in such a situation. These are digital or physical collections of bird feathers, used for research and education. They are an invaluable resource for understanding bird species, identifying feathers, and gathering data on bird health and natural history. These libraries are important tools for the study and conservation of bird species, offering insights into bird morphology and helping in the identification of feathers found in the wild.

There are not too many across the world. Some of the established ones include:

1. The Feather Atlas created by the U.S. Fish and Wildlife Service is a comprehensive image database of North American birds and covers about 438 species. It can be browsed by bird order, family, or species. It has an open identification tool in which one can fill in details about feather patterns, colors, size, and position, which can help you identify the bird your feather belongs to.

2.Featherbase (Germany) has been created by a working group of German feather-scientists and other collectors worldwide who have come together and contributed their personal collections. It holds close to 8000 specimens from over 1,000 bird species, with a focus on European and African birds. The collection includes high-resolution images and detailed anatomical information, and has supporeted studies in forensics, conservation, and biodiversity monitoring. It is rigorously classified and offers options of various languages so that birders from across the world can use it.

3. Found Feathers (iNaturalist Project) is a citizen science initiative where users contribute observations of feathers they find. The project encourages the collection of feather length and placement data, enhancing the database’s utility for researchers and birders. There are over 2,00,000 observations from across the world.

Special among these is India’s Feather Library. This pioneering initiative is the first of its kind in India and the world, dedicated to documenting, identifying, and studying the flight feathers of Indian birds. It is the passion project of architect Esha Munshi, a dedicated bird watcher who has seen over 1500 bird species across the world, and veterinarian Sherwin Everett who works in a bird hospital in Ahmedabad. They have created the library with the aim of having all feather-related data under one roof, fostering collaboration and advancing the collective understanding of Indian birds. In the short span of time since inception on Nov 15, 2021, 135 species have been documented.

The process is rigorous. They collect feather specimens from dead birds at rescue centres to establish a primary database of bird species. They then make detailed notes on the flight feathers, taking into account the number of Primaries, Secondaries, Tertials (Wing Feathers), and Rectrices (Tail Feathers), along with basic details such as overall length, bill length and width, leg lengths, etc. Then they stretch out one wing and fan the tail in both dorsal and ventral views to document the exact number of feathers, unique characteristics, colour, pattern, and size etc. The physical collection is housed at the National Centre for Biological Sciences (NCBS) in Bangalore.

The database is open to all and provides easy access.

Kudos to the dedication and passion of people like Esha and Sherwin who through their efforts help support avian research, conservation efforts, and educational outreach. And make a better world.

Happy Environment Day!

–Meena

The Potato Has Its Day

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I love potatoes in all forms, from French fries to aloo tikki! I am sure that I am a member of a global club of potato fans. And worldwide it surely is, because the potato is such a versatile vegetable that it finds its place in cuisines across the globe. Used in different forms from the simply boiled and mashed to being roasted, sautéed and topped with a variety of fancy toppings, potatoes provide tasty sustenance and comfort.

Potatoes have also been generally perceived as being ‘only starch’ and children are admonished when they gorge on potatoes; and reminded that they must eat their ‘green vegetables’ that provide greater nutrition. But wait! In recent times the potato has been elevated! It is celebrated for its nutritional value as well as its role in providing food and livelihood security. It has been recognized by the United Nations for its deep historical and cultural significance, and its evolving role in today’s global agrifood systems. The United Nations has even designated a day to be observed annually as the International Day of the Potato.

The potato traces its roots way back to the Andes where it originated, and was domesticated during the Inca civilization and was revered as ‘the flower of ancient Indian civilization’. Following domestication, these early potatoes spread through Mesoamerica and became a crucial food supply for indigenous communities. It was  particularly suitable as a staple foodstuff called chuño, a freeze-dried potato product that could last years or even decades.

The Spanish invasions of the mid-1550s dwelt a blow to the Inca Empire, but gave a new lifeline to the potato. The invaders took tubers across the Atlantic, as they did with other crops such as tomatoes, avocados and corn, in what historians call the Great Columbian Exchange. For the first time in history, the potato ventured beyond the Americas; and gradually established itself on the European continent. These tubers, first grown in Spain were then sent around Europe as exotic gifts to botanists, and even prominent figures like the Pope. The potato played a role in the rise of urbanization and fueled the Industrial Revolution. By the end of the 18th century, potatoes had become in much of Europe what they were in the Andes—a staple.

The potato also gained popularity with sailors as it provided nourishment during long voyages. It is likely that these staples spread widely across the world through these voyages, taking root on different continents. In fact the potato has been called the “world’s most successful immigrant”, as its origin has become unrecognisable for producers and consumers everywhere.

Since then, the potato has shaped civilizations and diets across continents over several centuries. Ireland’s Great Famine of the 1840s was caused by the failure of the potato crop due to a fungal disease. More than half the Irish population depended entirely on potatoes for nourishment, and the wiping out of the crop led to starvation or famine-related deaths of millions, while millions emigrated to escape this. On the other hand, it was the potato that alleviated famine in China during the Qing Dynasty, securing its place as an essential crop. During World War II and subsequent conflicts, the potatoes high yield and resilience provided food security amongst shortages of other food.

Today potatoes are a key crop across diverse farming systems globally, ranging from smallholders producing diverse local varieties in the Andes, to vast commercial, mechanised farms in different continents. The potato is the world’s fourth-most important crop after rice, wheat and maize, and among the first non-grains. China, India, Russia and Ukraine are among the world’s top potato producers. About two-third of the world population consumes potatoes as its staple food.

In the light of its global reach and popularity the United Nations also felt that it was important to highlight the important role of potatoes in contributing to food security and nutrition, as well as livelihoods and employment for people in rural and urban areas the world over.  

Small-scale and family farming production of the potato, particularly by rural farmers, including women farmers, supports efforts to reduce hunger, malnutrition and poverty, and achieve food security, and relies on and contributes greatly to the conservation and sustainable use of biodiversity.

Potatoes are not just a staple food but a symbol of resilience and adaptability. The potato is resistant to drought, cold, and barren land with wide adaptability. The crop’s versatility and ability to grow in a variety of conditions make it an advantageous crop choice. Potatoes provide accessible and nutritious food and improved livelihoods in rural and other areas where natural resources, especially arable land and water are limited and inputs expensive. Potatoes are also a climate-friendly crop, as they produce low levels of greenhouse gas emissions in comparison to other crops.

In addition, there is a wide spectrum of diversity among potatoes. This provides wide genetic variation with a range of traits, including the ability to adapt to different production environments, resistance to pests and diseases, and different tuber characteristics. There are efforts to preserve indigenous knowledge and ancient technologies, while ensuring that the production of native varieties remains under local control. The 12 000-hectare potato park located in the Andes near Cusco, Peru is one of the few conservation initiatives in which local communities are managing and protecting their potato genetic resources and traditional knowledge of cultivation, plant protection and breeding.

In order to acknowledge and honour the multiple contributions of the potato, and propelled by an initiative from Peru and the Group of Latin American and Caribbean countries, the United Nations designated 2008 as the International Year of the Potato. The objective was to raise the profile of this globally important food crop and commodity, giving emphasis to its biological and nutritional attributes, and thus promoting its production, processing, consumption, marketing and trade. In addition to being a food staple, potato by products are also being explored.Potato starch is being used as a sustainable alternative to traditional plastics. These materials based on potato proteins and starch can be used for various environmentally-friendly packaging, like food containers and medicine capsules.

In order to sustain the momentum, the United Nations decided, in 2024, to mark 30 May every year as the International Day of the Potato. The day highlights the importance of the crop in the movement towards sustainable development while celebrating the cultural and culinary dimensions of the crop’s cultivation and consumption.

Nutritionists say that potatoes contain nearly every important vitamin and nutrient, except vitamins A and D, making their life-supporting properties unrivalled by any other single crop. Keep their skin and add some dairy, which provides the two missing vitamins, and you have a healthy human diet staple.

So let us join the celebration this year with guilt-free indulgence of our favourite potato dish!

–Mamata

Singing Telegrams, Speeding Birds

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Humans have poured in innovation and ingenuity into developing communication modes and media. Today of course the world revolves around ‘social media’ but some of the older modes are quirky and beautiful. Here is a look at two of them:

Singing Telegrams: Popular in the 1930s in the US, these were telegrams sung out to the recipient. It began in 1933 when a fan sent a birthday greeting to Rudy Vallee, a popular singing star of the times. George Oslin, the Public Relations Officer of Western Union–the company which handled telegrams–was a man who thought differently. He had long been concerned with the ‘gloom and doom’ image of telegrams, which usually arrived to announce a disaster (those old enough will recall churning stomachs when a telegram arrived—usually to announce a seriously ill relative or the demise of a loved one). He took the occasion of this birthday greeting to add a fun element to telegrams and try to change their image. So he got a lady-operator to sing the telegram out on the telephone. And so a new medium of communication was born!

But those were days when few homes even in the US had telephones. So the postal department used to actually sent someone to ring the bell of the addressee and sing out the words! Of course, this was not something that went ‘viral’ but people did use if for a lark. It continued on till 1974 when the company suspended this service. Now, in the US and even in India it seems, there are some private companies which will perform this service. They come dressed in fancy clothes to fit the occasion, and put up a full-fleged performance at the doorstep of the addresee.

Speeding Birds: Pigeons as carriers of messages have been the mainstay of armies, spies, princesses imprisoned in towers and everyone else that the romantic imagination can conjure up. But the interesting thing is that the Odisha Police had a functional pigeon messenger system till as recently as 2008!  They were used in times of disasters or during military or police action when all other means of communication like wireless, telegraph, telephone and despatch riders were disrupted or failed. The pigeons were also used for inter police station communications. Flying at a speed of about 55 kmph, carrying messages written on light-weight onion paper which were inserted into a metal capsule and tied to the bird’s leg, this mode of communication was considered no-fail. These Belgian Homer pigeons were highly trained, and considered very intelligent by their handlers!

There is a very interesting story about Orissa Police Pigeon messengers. Apparently, in 1948, when Pandit Nehru, the then-PM visited the state soon after Independence, he first went to Sambalpur. The same day, he was to address a public meeting in Cuttack, which is about 260 km away. He wanted to send an urgent message to the police in Cuttack to ensure that the arrangements were such that they did not create too much of a barrier between the public and the dais. When he asked how the message would reach Cuttack in time, the police officials there showed him the carrier-pigeon which would be doing the needful. Nehru was sceptical. But the pigeon departed Sambalpur at 6 am and was in Cuttack by 11.20 am. And when the PM reached, his instructions had been carried out! He was amazed.

Even today, though not in regular use, Orissa Police still maintains a carrier pigeon service of about 150 birds, utilizing them for communication during disasters and for ceremonial purposes.

–Meena

Visual from: https://odishapolice.gov.in/sites/default/files/PDF/PO-213_0.pdf

Growing Older With Ruskin Bond

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Photo source: https://www.bookedforlife.in

Ruskin Bond celebrated his 91st birthday on 19 May. One of India’s most well-known writers, Ruskin Bond has spent over seven decades as a prolific author, delighting readers of all ages with his simple, beautiful and ‘from the heart’ words. When many put down their tools of trade when they reach “retirement age”, Ruskin Bond celebrates every day of each advancing year with reminiscences, observations of life around him, and above all gratitude for the magic of Nature.

As he puts it: For writers, the nice thing about growing old is that it gives us more to write about—all those years of love, friendship, adventure, achievements, a changing country, a changing world, changing ways of life, history in the making. There may have been dull moments, but most of the time, something was happening—and things continue to happen today.

Many people who have been touched and inspired by Ruskin Bond’s writing have shared their memories. I feel that this is also my opportunity to pay my small tribute.

I was introduced to Ruskin Bond over three decades ago by Uncle Ken and Rusty. These were the characters in the first books that I translated. I was invited by the National Book Trust to translate two of Ruskin’s books into Gujarati. Having neither read him, nor having translated before this, but game for trying something new, I embarked on the project. I so enjoyed the madcap adventures of the eccentric Uncle Ken and the restless school boy Rusty, not just for the stories but for the simple style of writing and the lovely use of language. As a translator it was a challenge to try to retain the spirit and the form in another language.

Following this introduction I continued to follow Ruskin Bond on his wanderings and meanderings through his essays and columns. Here was someone who was not only sensitive to, and entranced by every minute detail of nature, but one who could share this evocatively through words. As an environmental educator who was trying to communicate the wonders of the world around us, and sensitize children to the intricate but fragile web of life, it was inspiring, and humbling to see how effortlessly Ruskin Bond could do just that.

Moving on, as the years went by, one could find new nuances and meaning in his words; words that also reflected the passage of time, both as it affected a human being, but also the environment of which we are all a part. With the passing years, Ruskin Bond’s prolific writing reflects his life journey.

It is the journey that fascinates him, the spirit of wandering and exploring that leads him, and the childlike joy of discovery that makes every step exciting. The adventure is not in the arriving, it’s the on-the-way experience. It is not the expected; it’s the surprise. You are not choosing what you will see in the world, but giving the world an even chance to see you.

Ruskin Bond reminds us that the journey will be much enriched when we use all our senses to the fullest. Sight, hearing, smell, taste and touch. He highlights how each one is capable of giving us joy.

The eyes are our windows to the world, the great wide beautiful world that there is for all of us to marvel at—the skies, wandering clouds, mountains, forests, rivers, the sea; the moon, the stars, the rising sun—all the wonder of creation. The eyes see it all.  

And we hear too. We hear the sounds of nature—the wind, the rain, the sound of birds. We hear the voices of our friends, our loved ones. We hear great music. There is so much to hear and enjoy.

And we smell. The fragrance of roses, of jasmine; of gardens, of wildflowers, the mountain air, the sea breeze. We smell good food—appetizing odours! We eat what smells good.

The sense of taste—we take it for granted, but life wouldn’t be much fun without it. If everything tasted the same from chocolates to fish and chips, we would take no interest in our food and would fade away due to lack of nourishment.  Our taste buds keep us going, make life worth living!

And then there’s touch. The touch of a loving hand, the feel of things, good things—your clothes, your books, your intimate belongings, your own flesh. Cold and warmth, pain and pleasure are felt by our sensitive systems. The sense of touch is felt in our brains, and it is there that all happiness resides.

Value those five senses of yours. The more you use them, the better you will be able to appreciate your life and all that the world has to offer.

Ruskin Bond reminds us to value ourselves, our time and everything from the tiniest to the largest that weaves the web of life. His words are an island of calm in turbulent seas. He does not paint the world as perfect, but urges us to look for the rays of sunshine amidst the dark clouds: The human race is destructive by nature, only too ready to go to war or to pollute and do away with seas, rivers, forests, and our natural inheritance; but now and then along comes someone who can create something beautiful, meaningful—a great painting, a piece of music, a work of literature or philosophy, something that survives the conflicts  and injustices that are the main features of human civilization, past and present. But in the darkness there is a gleam of light, and we can turn away from the ugly to appreciate the beautiful.

Simple words that have continued to offer solace, hope, and a quiet joy as I have grown older with Ruskin Bond over the decades.

Happy Birthday Ruskin Bond. As you remind us: Don’t wait for your birthday. Make today your birthday.

(Excerpts from The Golden Years: The Many Joys of Living a Good Long Life. Ruskin Bond 2023)

–Mamata

MOOMINS

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Way back in the ‘60s and ‘70s growing up in Delhi, the family newspaper was The Statesman. It was considered by Tamilian families to be the closest substitute for The Hindu, which in those days used to arrive in Delhi with a delay of a day or two.

So like all good Tamilian families outside Tamil Nadu, we too took The Statesman. And through this, got introduced to the Moomins, which was the only cartoon strip that the paper carried.

The central characters of the cartoons, which have just turned 80, are gentle-looking hippo-like creatures called the Moomins . They are white and roundish, with large snouts. The Moomin world and its characters are the creations of the Swedish-Finn illustrator and writer Tove Jansson, and the books and comic strips were originally published in Swedish in Finland.

The core family consists of the main protagonist, Moomintroll, a small and well-meaning Moomin who who is forever having adventures and often finds himself in trouble; his mother, the nurturing and loving Moominmamma; and his father, the restless Momminpappa. And besides, there are many of their friends.

The first book was written during World War II as a fairytale for Tove to comfort herself during dark times.  It is based on the situation and stories of  millions of displaced people seeking refuge. The Moomins live in a tall blue house – a joyful place where everyone is welcome, whoever they are. The motto is ‘The door is always open’. The blue-purple Moominhouse is thus a symbol of security, shelter and a sense of belonging. No wonder then that even today the Moomins represent hope for refugees, so much so that UK cities are using this as an the inspiration for a series of art installations in UK cities, in collaboration with Refugee Week. 

The Moomin stories are tales of adventure and overcoming adversities, always with a sense of inclusion and tolerance, and living together in cheer and happiness. Harmony with nature is a recurring underlying theme. The underlying message of all the Moomin stories is that it’s the simple things that are valuable in any situation, and that one’s attitude can often change a bad day into a good one.

Many in India may not be very familiar with these characters, but there are nine Moomin novels which were all successful. The cartoon strip was syndicated in 1954, to over 120 publications in 40 countries. This comic strip reached 20 million readers daily. There was a TV show too, which was originally broadcast in Poland and then sold to other countries including the UK, and aired on PBS in the US. There are even two Moomin theme parks, one in Finland and the other in Japan. Moomin stories have been adapted for the theatre, the cinema, and as an opera.

Here are some Moomin quotes, encapsulating good sense and postivity:

‘That’s most extraordinary, but I’m so used to your doing extraordinary things that nothing surprises me.’

‘Perhaps it will come – perhaps not. It’s all the same to a person who knows that everything is unnecessary.’

‘How nice to be on your own for a bit and do what you like.’

‘I like you, I don’t want to make you feel unhappy.’

‘The main thing in life is to know your own mind.’

In a conflicted world, Moomins may be the cartoon characters we need!

–Meena

Visual: From http://www.moomins.com