Nothing to Sniff At

One of the numerous lingering impacts side effects of the not too-long abated COVID pandemic was the loss of the sense of smell for many people. For those who escaped this side effect it was difficult to imagine how people who could not smell anything may be feeling. For those who were affected, it must have been a really unnerving sensation.

The sense of smell, or olfaction, is the special sense through which smells are perceived. While impairments of the sense of sight or hearing are more apparent in the person with the disability and more evident to others, an olfactory dysfunction affects the person very personally, and less is less noticeable to others.

One of the side effects of losing one’s sense of smell is the losing also the sense of taste or gustation. These two senses are closely interconnected. In fact our sense of smell is responsible for about 80% of what we taste.

Both are chemical senses. The perception of a smell occurs when substances in the air pass through the nose and stimulate the olfactory (smell) nerve. The experience of taste, or gustation, occurs when the taste buds in the mouth respond to substances dissolved in saliva. Without our sense of smell, our sense of taste is limited to only five distinct sensations: sweet, salty, sour, bitter, and the newly discovered ‘umami’ or savoury sensation. But what we call ‘taste’ is actually ‘flavour’–a combination of smell, taste, spiciness, temperature and texture. Much of the flavour of food comes from smell. Thus both the senses–taste and smell–contribute to the experience of flavour. When we are unable to smell we lose much of our ability to experience flavour. Most of us have experienced that when we have a cold and our nose is blocked most foods taste bland. But not many of us have consciously registered that when we are hungry our sense of smell becomes stronger! Think of how all the aromas emanating from a kitchen or bakery start making our mouth water!!

So how exactly does humans’ sense of smell work? This is where the nose and the brain work together. Inside the nostrils are tiny cells, called olfactory neurons, that have long cable-like connections that send electrical messages to a spot at the front of the brain, known as the olfactory bulb. Each olfactory neuron connects with a different neuron in the olfactory bulb, which then sends this information to other areas of the brain. When odours or distinctive smells enter the nose, they travel to the top of the nasal cavity to the olfactory cleft where the nerves for smell are located. The combination of activated neurons generates all the unique smells that we as humans can detect.

The way the brain deals with smells is very different to how it deals with other senses, such as seeing and hearing. For example, we can identify the different instruments playing in a band, or the different shapes and colours in a painting. But it is very hard for us to tell the individual parts of a smell mixture

The brain does more than help us smell, it triggers memories associated with the smell. This is how sometimes a particular fragrance immediately conjures up memories of a person who one associates with that fragrance, or a food smell brings back memories of childhood kitchens and food lovingly cooked and served in the family. Some smells may also trigger sad or unpleasant memories that one thought had been pushed away in the farthest recesses. As Helen Keller said: Smell is a potent wizard that transports you across thousands of miles and all the years you have lived. 

The sense of smell is not just about enjoying the flavours of food or relishing memories evoked by fragrances and odours. This sense is important for our well being. Smell helps us to distinguish good from bad odours. Often we smell stored food to know whether it has “gone bad”. Food that smells over fermented or not as it should is a warning that it may be harmful if ingested. The smell of a “dead rat” (literally) or rotting matter alerts us to the state of hygiene in a particular location. The smell from a gas leak or “something burning” is an early warning system of potential danger.

While we take these smelling tests as a normal part of our daily life, the inability to use smell as an early detection aid can be dangerous for those who lack the sense of smell.

In fact this lack is a medical condition called ‘anosmia’. The term refers to the inability to perceive odour or a lack of functioning sense of smell. Anosmia can be caused by a wide range of factors. The most common reasons are due to upper respiratory or sinus/nasal infections or viral diseases. The condition may be temporary or permanent depending on its cause.

While anosmia is the complete loss of sense of smell, other types of smell dysfunction include: hyposmia, which is the partial loss of the sense of smell; parosmia, which is when the perception of smells becomes distorted, so pleasant smells start to seem unpleasant, or an odour appears to change intensity; and phantosmia, which is when a person believes that they can smell something, but it is not actually there.

Compared with other disabilities, anosmia is a condition that is relatively undiscussed. This leaves a lot of people who are affected by it feeling isolated and lost. This was exactly what Daniel Schein an American, who suffered from congenital anosmia felt. Growing up with anosmia, I never knew anyone else with the disorder and it was just something I accepted and lived with. But I soon learned that there were many people all over the world in the same situation and different groups doing important research. I started Anosmia Awareness as a way to bring together everyone interested in anosmia, encourage research and spread awareness.

Daniel Schein’s awareness campaign was formalized through the launch of an Anosmia Awareness Day in 2012. Now an annual event, the day is marked on 27 February every year. Daniel also runs the website anosmiaawareness.org which is a valuable resource for those who are keen to know more about the condition.

The day was not well-publicized initially. However the movement got a boost when a UK-based charity called Fifth Sense joined in supporting the cause. Today this group is dedicated to support and advice people with smell and taste-related disorders, and to making this day an international reminder of the gift that we often take for granted.  

–Mamata

Wrap it up!

On Saturday, our 4 year-old neighbour celebrated his birthday. I was my foster grandchild’s ‘plus one’.

It was a lovely affair—games, fun, frolic and yummy kiddy-eats.

And of course gifts of various sizes and shapes. What united them all was that they were beautifully wrapped in metres of gift paper—shiny, animal printed, cartoon printed, etc. etc.

And the birthday boy, as would any 4-year old, quickly ripped open the packages eager to see what was inside. And the sad pile of paper at his side grew and grew and grew.

Which got me wondering about the waste the practice of gift-wrapping produces.

I fully appreciate how beautiful wrapping adds to the allure and attraction of the gift. How a well-wrapped gift is elegance itself. In fact, countries like Italy and Japan have taken this to the level of a fine art, so that one would rather look at the gift and not open it at all!

But…

….the waste!

Wikipedia informs us that ‘In Britain, it is estimated that 226,800 miles of wrapping paper is thrown away annually at Christmas. In Canada, 6 million rolls of tape are used and discarded yearly for gift wrapping at Christmas.’ There are no statistics that I could easily find for other countries, but of course, with the US being the largest consumer of wrapping paper, the waste there must be in multiples of these figures.

The global market for wrapping paper is estimated at about $ 17.3 billion and growing at a compounded rate of 7.4%. It makes up 2-3% of the world’s paper and paper board market. India and other countries with growing middle classes are expected to be high-growth markets for this product. It is estimated that total sales of gift paper in India will reach about $ 443 billion in 10 years.

I am not sure how much paper all this translates into, but surely sounds like a lot. And most of it is thrown out with the garbage the morning after.

We are assured by many industry sites that gift wrapping paper is sustainable, being made of recycled paper. But making recycled paper in beautiful colours and printing complex designs on them, embossing them, adding gold and silver touches—all of these take energy and release pollutants. And then they go straight into the dustbin. And let’s not forget the increasing trend of shiny, metallic and plastic wrapping paper which are surely not environmentally benign either in the production or disposal. Not to talk about the tape, ribbons, decorative flowers and bows that we put on the gifts.

As we worry about our climate goals and Sustainable Development Goals, this, to my mind, must find a place in our worrying. It’s not as big and visible as fashion and clothing to catch international attention and set off movements towards sector-sustainability. But it surely warrants some thought.

Environmentally conscious people do use alternatives, from unwrapping gifts carefully so as to reuse the paper, to getting creative and making beautiful wraps with newspapers or waste papers, to using bottles and jars for some items, to popping them into a reusable gift bags without wrapping them, to deploying reusable decorative boxes. The Japanese tradition of furoshiki stands out in this—it is the art of using reusable fabric to create beautiful gift wrapping.

But I think society itself has to change its attitude. If it continues to place more value on style than substance, the trend of increasingly fancy wrapping will continue upwards, as disposable incomes increase and societal norms of what is expected grow more and more elaborate.

It is quite the thing these days to say ‘No gifts please’ on invites. But that’s not always possible. No child wants a gift-less birthday party!* Maybe we could make a start by saying ‘No gift-wrapping please’?

–Meena

* My friend Alka did try this once. She specified that kids should not bring gifts for her son’s birthday. Only to get a call from an anxious 10-year old, enquiring if no-gifts also meant no return-gifts! She assured him it did not, and the attendance at the party was 100%.

A True Gift of Love: Books

The last few weeks have seen a deluge of marketing gimmicks to remind people of the day which is meant to be a demonstration of love–Valentine’s Day. This love, as glossy advertisements remind us, is to be demonstrated by gifting loved ones with “appropriate” tokens such as red roses, chocolates, candlelight dinners, and jewelry.  Thousands of rupees are spent in this market-driven frenzy on products and experiences that soon fade, wilt, or melt away.

Lost in the glimmer and glitz of Valentine’s Day, was another day that is also marked on 14 February every year. This is International Book Giving Day.

This is a global, totally volunteer initiative that seeks to increase children’s access to, and enthusiasm for books. The goal of the day is to get books into the hands of as many children as possible. The day is said to be the brainchild of Amy Broadmoore, a K-5 school librarian in the United States. In 2010 Amy, then a mother of three young children started a blog called Delightful Children’s Books. As a lover of books herself she was passionate about raising her children to be curious, creative and to love books. She wanted to share this passion with others. Amy was also aware that there was a serious lack of access to books for children. Even in countries like the USA and UK large numbers of children did not have any books. In 2012 she collaborated with fellow blogger Zoe Toft to create an event that celebrated the gifting of books to children, especially to those who did not have access to books. The event held on 14 February made waves on social media. Emma Perry a UK children’s author reached out to Amy and offered to help. In 2013 Amy handed over the reins of the project to Emma. A decade later, the passion, fuelled by volunteers, has spread and the day is now celebrated in almost 45 countries across the globe.

International Book Giving Day is not just about giving books, but a symbol of the ongoing crusade to use books to foster a child’s appetite and enthusiasm for great storytelling and literary adventures.

Coincidentally, I was recently part of a stimulating discussion which posed an important question towards the same end. How to nurture children’s responses to literature? The panelists, themselves authors and educators, shared both experiences as well examples of how books can provide comfort, companionship, and entertainment. They discussed the critical role that books can play to stimulate imagination and foster creativity; create and answer questions, and expand the worlds of children.

The magic of books is beautifully evoked by American author Anne Lamott in a letter to children:

If you love to read, or learn to love reading, you will have an amazing life. Period. Life will always have hardships, pressure, and incredibly annoying people, but books will make it all worthwhile. In books, you will find your North Star, and you will find you, which is why you are here.

Books are paper ships, to all the worlds, to ancient Egypt, outer space, eternity, into the childhood of your favorite musician, and — the most precious stunning journey of all — into your own heart, your own family, your own history and future and body.

Out of these flat almost two-dimensional boxes of paper will spring mountains, lions, concerts, galaxies, heroes. You will meet people who have been all but destroyed, who have risen up and will bring you with them. Books and stories are medicine, plaster casts for broken lives and hearts, slings for weakened spirits. And in reading, you will laugh harder than you ever imagined laughing, and this will be magic, heaven, and salvation. I promise.

Which raises the primary question, of how to bring children and literature together, before they can respond to the magic.

The first step towards this would be to facilitate children’s access to books. Classrooms and libraries are perhaps the more formal spaces for such access, while homes are the cradle where exposure to books could sow the seeds of a life-long engagement with words and visuals. 

However, passive or organized access to books alone may not be enough. To nurture this initiation requires also facilitating contexts where children could express their ‘response’ to books. Which also raises the question of what do we mean by ‘response’?

Each child responds in a different and very personal way to the same book. Some children respond to the sound of words, some respond to the characters in the story, some respond to the situations, some respond to the pictures. Perhaps the last thing that children respond (or not respond to) is the “message”. But is that even really important? What the book has done for each child is unique to that child. What is common is that the child has had the opportunity to look at, touch, feel, (even smell and taste!) a book. Whichever way a child may respond, it is important that a child have the time and space to absorb and interpret the experience in its way.

While the panellists in the discussion agreed strongly about the potential of engaging with printed books, there was also the concern about the huge challenge to this posed by the overwhelming attraction, (almost addiction) to digital media. In an age of information at ones fingertips, fleeting bytes, and constant rush, these words by a Lithuanian children’s writer help us to pause and ponder, once more, the power of books.

No less frequently do we hear that we live in the age of information overload, haste and rush. But if you take a book into your hands, you immediately feel a change. It seems that books have this wonderful quality – they help us slow down. As soon as you open a book and delve into its tranquil depths, you no longer fear that things will whizz by at a maddening speed while you see nothing. All of a sudden, you come to believe you don’t have to dash off like a bat out of hell to do some urgent work of little importance. In books, things happen quietly and in a precisely arranged order. Maybe because their pages are numbered, maybe because the pages rustle gently and soothingly as you leaf through them. In books, events of the past calmly meet events that are yet to come. Books help us not to rush, books teach us to notice things, and books invite us or even make us sit down for a while.

I am sure that books are never bored when they are in your hands. Someone who enjoys reading – be it a child or adult – is much more interesting than someone who doesn’t care for books, who is always racing against the clock, who never has time to sit down, who fails to notice much of what surrounds them.

If only we could make this message heard more widely. Perhaps at an individual level each one of us can play a small role by gifting books to children in the hope that some seeds may find fertile soil to sprout and grow.

–Mamata

Tea and Biscuits

One has always associated the typical English cuppa with a snack of biscuits. A recent news item reported that the new trend in England, especially among the younger generation, is the popularity of samosas as the preferred snack with tea. This is indeed a total reversal of the traditional colonial notion of appropriate accompaniments to tea.

The English connection between biscuits and tea saw two different aspects during the two World Wars. Huntley & Palmers, the first officially designated biscuit manufacturers in England set up a factory in Reading in 1846. By 1874 it was producing tens of thousands of tonnes of biscuits, becoming the world’s largest biscuit manufacturer. When World War I started in 1914 it received a substantial order from the War Office to manufacture biscuits for the British army. The company manufactured Army Biscuits Number 4 and 9. The ‘Service’ biscuits as they were called, were about four inches square, and were made of whole wheat flour, without sugar. The biscuits provided sustenance, but were very hard and could only be eaten when soaked in tea or water. The fact that some of the biscuits survived intact for a hundred years attests to their durability!

Biscuits and tea found a different connection during World War II in England. By then sweet tea was favoured by the British working class. During the war, tea as well as sugar were severely rationed; there were complaints that tea was not sweet enough. So biscuit manufacturers stepped in by supplying the canteens for civilian war volunteers and other services with biscuits which would add a touch of sweetness with the tea. By the end of the war, it became a reflex for many to have biscuits with their tea. This English tea habit also took roots in what were then colonies of the British Empire.

In India, for many of a certain generation, the words ‘Britannia biscuits’ were almost synonymous. The history of these is interesting. Britannia Industries is one of India’s oldest existing companies. It was founded as a small operation in 1892 by a British businessman, with an investment of Rs 295/-.The first biscuits were manufactured in a small house in what was then central Calcutta. In 1897, the outfit was acquired by four Indian brothers, the Gupta brothers, and was called VS Brothers. In 1918 Charles Holmes, an English building contractor and friend of the Gupta family became a partner in the business. Holmes had a construction firm called Britannia Construction Co. and thus VS Brothers the biscuit manufacturer was renamed by him as Britannia Biscuit Company Ltd.

World War 1 (1914-1919) provided a huge boost for the newly-named company Britannia which was contracted by British colonial government in India to supply specially made biscuits for its soldiers on the frontlines. Thus Britannia joined Huntley & Palmer as suppliers of Service biscuits.

Britannia became the first biscuit maker in India to mechanize production, and the first one east of the Suez Canal to use gas ovens, which it imported in 1921.

In the early 1920s the two most successful biscuit manufacturers in the UK Peek Freens and Huntley & Palmers merged to create a company called Associated Biscuit Manufacturer’s Ltd. This led to world-wide expansion. Britannia merged with this larger company in 1924, and set up a factory in Bombay to meet with the growing demand. The company began establishing a reputation for quality and value. It further strengthened its position by expanding the factories at Calcutta and Mumbai.

During the Second World War, once again the company was contracted to produce Service biscuits, and from 1939-45 almost 95% of its total production capacity was used for this war-time effort. 

In 1952 the Calcutta Factory was shifted to spacious grounds at Taratola Road in the suburbs of Calcutta. During the same year automatic plants were installed there, and later in Mumbai in 1954. The same year the company began production of high-quality sliced and wrapped bread in India. This was first manufactured in a new factory set up in Delhi and first sold there. In 1955 the company launched the all-time favourite Bourbon biscuit in India, followed by Britannia cakes in 1963. In 1978, the Indian shareholding in the company crossed 60%. The Company was re-christened from Britannia Biscuit Company Limited to Britannia Industries Limited with effect from 3rd October 1979. By 1994 the annual production crossed one lakh tonne of biscuits. In 1995 Britannia made it a mission to make every third Indian a Britannia consumer and changed its corporate identity to “Eat Healthy, Think Better”. Since then the company has grown from strength to strength, introducing new brands that rapidly became household names. The company sells its Britannia and Tiger brands of biscuits, breads and dairy products throughout India and in more than 60 countries across the world.

While Britannia is one of the oldest biscuit manufacturing companies in India, today there are several companies that offer choices of sweet or salty biscuits. From Parle G, the world’s largest selling biscuit brand in 2021, to the cream or chocolate-filled cookies, to a host of “healthy, low-carb hi-fibre” options. These are not necessarily ‘tea biscuits’. They are multi-place, multi-use snacks, easy to carry, quick to unwrap and fun to savour even on their own. Even while crunching and munching on biscuits, Indians also continue to enjoy the traditional teatime snacks and savouries of which every state and even every household have their own specialties and favourites—from ganthiya in Gujarat, to murukku in south India, to regional varieties of vadas and pakoras. And of course, the transnational favourite samosa. 

Now it looks like we have come full circle—from Indians adopting English biscuits with chai, to the English adopting samosa with tea!

–Mamata

A House for Mr. Narayan

Generations of Indians have grown up on RK Narayan’s writings. If you have not read his novels, maybe you have seen ‘Guide’, starring Dev Anand and Waheeda Rehman? Or the charming TV series ‘Malgudi Days’? Well, suggest you visit or re-visit all of the above!

RK Narayan was one of the first Indian authors to gain international recognition. His first novel, Swami and Friends, which he wrote in 1930 did not find a publisher for many years. But sometime in 1933, his friends in Oxford to whom he had sent the manuscript, showed it to the famous author Graham Greene. The senior author liked it so much that he recommended it to his publishers and the book saw the light of day in 1935. It got good reviews across the world. RKN followed this up with The English Teacher and The Dark Room, which also won appreciation. From then, it was a steady stream of novels, short stories and articles.

Narayan created the fictional town of Malgudi as the setting for his novels. So authentic was it to his readers that many even today believe it is a real place.

But why the sudden piece on RK Narayan, one might ask.

Well, it has been triggered by a visit to his house in Mysuru. Just last week, when I was there, I was lucky to get to visit this house. RKN spent many years in Mysore (as it was spelt then)—some of his growing up years, as well as his adult life when he accepted a commission in the State of Mysore.

It was in the second stint that he built a house which I visited. Set in the quiet area of Yadavagiri, it is a beautiful house typical of the 1950s, full of light and air, with red oxide floors and a beautiful balcony.

It was indeed gratifying to see the house so well preserved. Especially after we heard the story of how it was almost demolished. The author passed away in 2001. All of his family had left Mysuru by then. The house was falling to rack and ruin, when a builder wanted to pick it up and re-develop it. It was at this time that Mysuru woke up to this legacy. Led by a journalist, the people of the city protested. Finally in 2011, the city corporation bought the house and restored it.  

And we must be thankful for this! For not only is the house in good shape, it seems to have been restored fairly faithfully. There is also an exhibition of several artifacts, including his awards, personal items etc., many photographs, as well panels of text for those who have the patience to read them.

But…

And it is a very big BUT!

When one thinks of the potential that the house has for the students, literature lovers and citizens of Mysuru, not to mention the thousands of tourists the city attracts, it is a tragedy to leave it to routine care-taking and not very imaginative management.

As we reflected on our visit, we could come up with more than 10 ideas in less than 5 minutes:

  • Have a lively permanent exhibition, along with special temporary exhibitions to explore specific themes: maybe selected books; his relationship and collaboration with his brother, the famous RK Laxman, who illustrated so many of his books; maybe the process of turning his books into movies or TV (he is said to have hated the movie Guide), RK Narayan compared to comtempory Indian writers, etc., etc.
  • Sell RKN’s books (no, unbelievably, they don’t!)
  • Make it the hub for meetings of book-clubs
  • Make it a venue for book-launches
  • Host lit fests
  • Have literary events for children
  • Have screenings and discussions of movie and TV shows based on his books
  • Have an author-in-residence programme
  • Develop an archive related to his life and work
  • Create and sell souvenirs based on Malgudi
  • Start a café in the lovely little garden space around the house, and serve his favourite dishes
  • Make it a wifi café, so young people hang out
  • And charge a small fee for entrance (the Corporation has kept entry free..generous but it would be more sustainable to charge something).

Ideas are of course easy. Execution is difficult. But do this for RK Narayan’s house we must. He is a very important part of Indian writing in English.

While India does not have a great tradition of making author’s houses into educational and enjoyable experiences, there are more than enough international experiences to learn from: Shakespeare’s birthplace; Mark Twain’s house; Emily Dickenson’s House; Jane Austen’s House; Milton’s House are among the many which are successfully keeping the legacy of these authors alive.

Maybe RK Narayan House can set the example for homes of other Indian authors?

–Meena

Janakidevi Bajaj: Embodying Gandhian Values

Jamnalal Bajaj was considered Gandhiji’s fifth son, and adopted all his values—from Ahimsa to his dedication to the poor, to his commitment to locally made goods and his patriotic spirit. He was an active member of the Congress Party, and gave up the Rai Bahadur title conferred on him by the British Government, and joined the non-cooperation movement.

Importantly, Jamnalalji, in line with the trusteeship concept propounded by Gandhi, felt that inherited wealth was a sacred trust to be used for the benefit of the people and dedicated most of his wealth for the poor and under-privileged.

It was a stupendous level of sacrifice. Would it have been easy to accomplish without the support of his family? Probably not. But Jamnalal Bajaj was lucky in his life’s companion, Janakidevi Bajaj, who not only supported his ideals, but was a freedom fighter and social activist in her own right.

Janakidevi was just eight years old when she married the 12-year old Jamnalal. Both of them were highly influenced by Gandhiji. When Jamnalal took to the Gandhian way of life, Janakidevi was not far behind.

In letter and spirit, she willingly and happily gave up the comfortable lifestyle of a successful industrialist’s wife. At the age of 24, answering the Mahatma’s call, she gave up all her gold ornaments. To her dying day, she never wore any gold again. At the age of 28, she took the vow to give up foreign clothes, and to wear only Kadhi. She burnt all the foreign clothes they had in the house at the central chowk of Wardha. These included expensive saris, silks, suits, woollens and even tapestries depicting Gods. She spun khadhi and encouraged others to take up the vocation. She also gave up purdah in 1919, and motivated other women to do the same, striking a blow for freeing women.

Jamnalal and Janakidevi lived by every ideal they professed. With a deep desire to abolish untouchability, they were the first to open the doors of a temple to Harijans. On 17th July, 1928, the couple threw upon the doors of their family temple in Wardha to Harijans. This was a revolutionary move. Going further, she also hired a Dalit as part of her household staff to serve food to the family.

Throughout the years of the freedom movement, she travelled across the country and addressed and inspired thousands with her message of Swaraj, of the need to boycott foreign goods, of the importance of spinning cloth, the need to eradicate the evil of untouchability, and for social reform.

Janakidevi Bajaj

After 1947 when the country became free, she continued her social work. She was an ardent follower of Vinobha Bhave and worked tirelessly in the Bhoodhan movement. She came out with the innovative idea of ‘koopdaan’, the donation of wells, and collected resources with the ambition that every household could have a well. She also worked for education of women, and espoused the cause of gau-seva.

She was a respected and inspiring figure for those working in the development sector in India, and was awarded the Padma Vibhushan in 1956, in recognition of a lifetime of service.

It was men and women such as these who kept the spirit of Gandhiji and his ideals alive. As we mark the Mahatma’s martyrdom day, it is an appropriate time to remind ourselves of these ideals—non-violence, brotherhood, a burning desire to correct social and economic wrongs, tolerance, and goodwill towards all.

–Meena

A Parade to be Proud Of

26 January always evokes many memories of waking up at the crack of dawn in the chill of the Delhi winter, bundling up in our warmest clothes, packing sandwiches and hot coffee, and setting out to see the republic day parade. This was one of the highlights of the year during the time my family lived in Delhi.

The parade itself was a magnificent spectacle with the many components that made it so special. The perfectly synchronized marching of the many contingents of the armed forces, the display of the new developments in different fields from technology to trade, and the exuberance of the participating school children and cultural troupes; the vibrant “floats” as we called them, and finally the breathtaking ‘fly past’. Every part of the long march of the passing groups made us swell with pride that we were also a part of this ‘unity in diversity’ that is India.

It is only this year that I stopped to wonder about what went behind this parade.

The Indian Constituent Assembly adopted the Constitution of the newly independent India on November 26, 1949. This came into effect one year later, on January 26, 1950. Hence this day marks Republic Day. On 26 January 1950, the newly-sworn in President of India rode through the roads of Delhi to reach what was then called Irwin Amphitheatre (now the Dhyan Chand National Stadium) to take the salute of the first ever national parade where 3000 officers of the armed forces and more than 100 aircraft participated.  The parade was led by then Brigadier Moti Sagar of the Gorkha Regiment. From 1950 to 1954, the celebrations took place in different parts of Delhi including the Red Fort and Ramleela Maidan. The format of the current parade was adopted in 1955, and Rajpath (then called Kingsway, and now Kartavya Path) was chosen as the permanent venue.

Since the first parade when the Indonesian President Dr. Sukarno was the chief guest, it has been a tradition to invite the head of state of a country to be the chief guest for the event every year.

Every step of the parade is meticulously planned and coordinated so that there is perfect accuracy in the movement without the slightest hitch or delay. While the participants in the parade seem to move in perfect precision and coordination, this is the end result of months of rigorous training.

All the participants from the different participating groups across the country are notified in July of the preceding year. The practice begins right then at the respective centres and goes on till August. The participating groups reach Delhi in December where the intensive training commences which culminates in the ‘dress rehearsal’ a few days before the big day. While the practice march covers a distance of 12 km, the actual march on 26 January covers a distance of 9 km. On 26 January the participants reach there designated places on Rajpath at 3 a.m. for the ultimate Great March. By then they would each have put in over 600 hours of training!

All army personnel that take part in the parade go through four levels of investigation. All of the defence vehicles and equipment are housed in a dedicated camp near India Gate.

After the regimented procession of foot marchers the parade takes on a smoother and slower pace as the tableaux roll (at 5 km an hour) along the wide avenue of Rajpath. As children it was these ‘floats’ as we called them that provided animated lessons in the geography, history and culture of our country. At the time all we looked for was the sign that indicated what state the tableau represented, and then sat back and took in the diverse “scenes” as it were from that state, complete with live people doing activities on the moving tableaux.

It is only recently that I discovered that behind the creative presentations lies a long and bureaucratic process. The process is spearheaded by the Ministry of Defence. States are invited to submit proposals for a tableau that represents some historical event, culture, heritage, development programmes, and environment of that state. The tableaux proposals received from various states, Union territories, central ministries, and central departments are evaluated in a series of meetings by a panel of experts comprising of eminent persons from various disciplines such as art, culture, painting, sculpture, music, architecture, choreography, etc. The expert committee examines the proposals on the basis of theme, concept, design and its visual impact before making its recommendations

The selection process of the tableaux passes through various stages of development and evaluation. It begins with an initial appreciation of sketch/design and the themes of the demonstration. It culminates, after many interactions between the expert committee and the states/UTs/departments/ministries, with a three-dimensional model of the tableau. For the selected tableaux, the Ministry of Defence provides, free of charge, one tractor and one trailer upon which the tableau can be fabricated. There are also a series of other guidelines regarding the use of logos, animation, electronic displays, music and much more that need to be adhered to. And finally, the tableaux that ‘float by’ to mark the tail end of the awe-inspiring parade!

In recent years there have been a lot of controversies and contention with respect to the selection/rejection of tableau proposals from different states. Sad indeed, for an occasion that started as a celebration of the diversity that made our republic so unique and rich.

I certainly prefer to hold on to my youthful memories of the spectacular spectacle that made me proud to be a citizen of this republic. I celebrate the warp and weft of diversity that weaves the rich tapestry of this vast and varied country.

–Mamata

Thanks for a Spelunking Time!

Humans and caves go back to the dawn of time. In popular media and imagination, people of the Palaeolithic era are cave-dwellers, armed with rocks and clothed in animal skins and furs. While it is true that human ancestors did live in caves in that period, these were probably not their predominant dwellings. But since bones, artefacts, weapons and paintings in caves are sheltered and preserve better, a lot of objects used by early humans are found there rather than anywhere else, giving rise to the perception that humans mostly inhabited caves.

Mawsmai Caves
Mawsmai Caves, Meghalya

Our fascination with caves is long-standing. These dark, mysterious places figure in many an adventure story. Aladdin for instance, found his magic lamp in the Cave of Wonders. The thieves in the Ali Baba story hid their treasures in a cave which opened with the famous spell ‘Open Sim Sim’. Pirates are often associated with caves, as are many children’s stories involving lions and tigers.

Most caves are formed by the dissolution of limestone. Why does this happen? Rainwater as it falls to the earth dissolves carbon dioxide that it encounters in the air it passes through. As this carbon-di-oxide laden water percolates through the soil, it turns into a weak acid. The acid slowly dissolves the limestone along the joints, planes and fractures in the soil to form cavities. Some of these cavities in time become large enough to form caves.

India has its share of breath-taking caves which are of interest from a geological standpoint as formations;  from the archaeological stand point in that they house ancient cave paintings and artefacts; and from an aesthetic and religious standpoint—as the home of fantastic carvings and temples.

The earliest evidence of humans in India have been found in the Bhimbetka caves in Madhya Pradesh, with some of the shelters showing evidence of being inhabited 1,00,000 years ago! The cave paintings here go back to about 8000 BC. The Ajanta and Ellora caves in Maharashtra have Hindu, Buddhist and Jain temples, with the oldest dating as far back as 2nd century BC! Badami, Elephanta, Amarnath and Borra are among other popular and highly-visited caves.

But Meghalaya may take the prize when it comes to caves. The Krem Liat Prah caves in the Jaintia Hills are listed among the longest caves in the world, with a length of 30,957 meters—and this is only the explored length! In fact, the top nine out of the ten longest and deepest caves in India are in Meghalaya!

Another interesting cave is the Siju Cave of the Garo Hills, also known as the Bat Cave, which spans over 4 kilometres long, but with nearly all of it is filled with underground streams and rivers, is not easy to explore.

During my recent visit to Meghalaya, we were able to visit three touristy caves (Mawsmai and Arwah caves, and the Garden of Caves at Laitmawsiang) which easily are accessible and not too difficult for even the inexperienced. And that gave me a small taste of what it would be to be a spelunker —a person who walks and climbs in caves as a sport (from the Latin spelunca, which in turn derives from Greek spelynx, both of which mean ‘cave’).

A lot of the work of discovering, exploring and bringing to light the caves of the state has been done by the Meghalaya Adventurer Association founded by Brain Dermot Kharpran Daly and his group of dedicated spelunkers.

But all is not well with the caves of Meghalaya. Limestone mining for the cement industry is a major threat to the caves. As one drives across the state, one can see hill after hill carved and hollowed out. In fact, this has already led several disasters including the collapse of the Krem Mawmluh Caves, the seventh-longest cave system of the state. Much of this mining is now illegal, but that does not mean it has stopped!

Is there nothing we can do to stop the depredation of these amazing structures that have formed over million years?

–Meena

2023: The Year of the Rabbit

Three weeks ago we bade farewell to the old year, and welcomed the New Year, 2023 according to the Gregorian calendar. This month also marked the start of a new year for several different communities in different parts of India. Other parts of the world are also celebrating new beginnings. In many countries in East and Far East Asia it is the Chinese New Year that will herald 2023 as the Year of the Rabbit on 22 January this week.

The Chinese zodiac follows a 12-year astrological cycle in which a zodiac animal is assigned to each year in an ever-repeating rotation. The 12 zodiac animals are, in order: Rat, Ox, Tiger, Rabbit, Dragon, Snake, Horse, Goat, Monkey, Rooster, Dog, and Pig. Each year has an animal sign according to the 12-year-cycle. The Year of the Rabbit signifies the fourth year in the 12-year cycle of Chinese zodiac

There are several myths and legends related to the origin of this. According to one story, the legendary Jade Emperor invited all the world’s animals to a banquet, but only these twelve animals accepted his invitation. Thus he honoured them by dedicating one year on the Chinese calendar to each.

Another Chinese zodiac origin story claims that the Buddha himself called for 12 sacred animals to protect his palace. He thus organized a race that involved all animals on earth to identify the most worthy. At the end of the race, the first 12 animals to complete the race were selected as his guards. Now, they represent the 12 Chinese zodiac signs.

The most popular tale is that of The Great Race that explains the order of the animals in the zodiac has many variations, but the essence is the same.

According to legend the Jade Emperor decided that in order to determine the order in which each of these twelve animals would be placed in the zodiac, they would have to run a race, and they would be assigned their places depending upon the order in which they reached the finish line.

All the animals set off on the course. On the way to the finishing point there was a big river that they had to cross. The Rat had got up and started early, but when it reached the river it felt helpless; how could it navigate the swirling waters? But then it saw the strong Ox about to enter the water, so it used its wits and climbed onto the Ox’s head. The Ox was kind and let it ride with him. But as soon as they reached the other side, the wily rat quickly slid down and scampered to the finish line. And so the Rat came first, followed at number two by the diligently plodding Ox.

Year of Rabbit

Tiger and Rabbit were not far behind. Both were fast, but Tiger was faster and came in third. Rabbit though fast on the ground, was stumped when it reached the river; it could not swim but it used its strong legs to hop from stone to stone in the river. However at one place it slipped and fell in the water, but it grasped a floating log and hung onto it, and was tossing with the current.

Dragon who everyone thought would easily win the race because it was believed to have magical powers fell behind as it took  a detour on the way to help some villagers to  extinguish a fire. When it returned to the river it saw the rabbit clinging to the log which was being carried away by the currents. Dragon used its breath to push the log to the shore. Thus the rabbit was the fourth animal to complete the race. Rabbit never found out where the breeze that had helped it ashore came from. The helpful dragon thus came after the rabbit, to be fifth in the race.

The story goes on to describe the adventures and machinations of the other seven animals who completed the race.

2023 is the Year of the Rabbit. The Chinese zodiac assigns an animal and its attributes to each year. Those born in a specific year are said to possess certain characteristics of the animal, as defined in the Chinese belief system; and their fortunes are determined accordingly. The years of the Rabbit include 1915, 1927, 1939, 1951, 1963, 1975, 1987, 1999, 2011, and now 2023.

The rabbit is historically known as the gentlest of the 12 animals in the Chinese zodiac. The attributes also apply to the people born in the year of that animal. Thus those born in the year of the rabbit are believed to be gentlequietelegant, and alertas well as quick,ingenious,skilfulkindpatient, and very responsible. Those born under the sign of the Rabbit are known for their calm and decisive nature, which helps them to navigate difficult situations effectively. They are sometimes reluctant to reveal their minds to others and have a tendency to escape reality, but are always faithful to those around them. In the Japanese zodiac that also follows these 12 animal signs, rabbits represent fortune, moving forward and cleverness.

In addition to these traits, according to the Chinese theory of five elements, each zodiac sign is also associated with one of the five elements: Gold (Metal)WoodWaterFire, orEarth. These occur once in a 60-year cycle. According to this, 2023 is the year of Water Rabbit. Water rabbits are characterized as being gentle, amicable, able to adjust readily to different conditions, but with a firm mind set and principles.

In today’s world where there is an increasing prevalence, (indeed even positive recognition) of more aggressive traits of competitiveness, and ruthlessness, this year is a reminder of the value of gentleness, tenderness and empathy. In Chinese and Japanese cultures the sign of the Rabbit is revered as a symbol of longevity, peace and prosperity.

According to Chinese astrology, 2023 the year of the Water Rabbit will be less tumultuous than last year which was the year of the Tiger. It is predicted to be a year of Hope. This is what the world needs so badly now.

Here is to the Year of the Rabbit 2023—a year of hope, peace, and moving forward with empathy. 

–Mamata

Bridging the Past and Future

Bridge-building brings to mind heavy equipment; tonnes of steel and concrete; engineers and overseers by the dozens. And lakhs of rupees.

Well, what if there were bridges which involve some rubber trees; centuries of traditional knowledge and skill passed down from one generation to another; and a lot of cooperation? And very little money.

And indeed there are such bridges by the dozens in Meghalaya. Built by the Khasi and Jaintia communities, the Living Root Bridges, locally known as Jingkieng Jri, play a key role in rural connectivity in the dense forest areas of the state, which are also among the wettest areas of the world (think Cherrapunji).

Living Root Bridge

The process begins with the planting of two rubber trees– Ficus elastica—one on either side of the river. These trees take about 10 years to grow and give rise to secondary aerial roots.  A bamboo scaffolding is created across the river, and these roots are woven together and trained onto to this to start creating the structure. The aerial roots thus grow across the river, and when they reach there, they are planted again on the opposite side. The roots along the scaffolding grow thicker and intertwine. The roots need to be guided to grow in the right direction for the next few decades, after which they can stand on their own.

The planning and engineering skills required to build these bridges is enormous– they often rise 50 to 100 feet in the air and may be as much as 175 feet in length. Many are ‘single-storey’ bridges, but there are ‘double-storey’ ones as well. They have always been built and cared for by the local communities, and the tradition continues.

The bridges need loving care—for instance, every two years, the bamboo scaffolding has to be changed since the moisture and humidity might damage it. Properly cared for, these can last for a hundred years and more.

These bridges have been around for centuries and are even today, about 100 are in use, connecting over 75 villages. While local communities use them for their normal day-to-day movement, these bridges are also now major tourist attractions. They also act as corridors for animals to safely cross the rivers—barking dear and clouded leopards have been recorded to use these bridges. The bridges support the growth of moss and provide a habitat for squirrels and other small animals, and nesting sites for birds.

The technique is used not just for making bridges but also other structures that are needed locally, for instance,  ladders and steps to provide a reliable mode of movement especially during the monsoon season; platforms and towers which serve as lookout points; erosion and landslide prevention structures to protect slopes and help in soil stabilization.

A true testimony to the patience, skill and cooperative spirit of the communities who build, use and care for them. And also to the effective methods of transmission of traditional knowledge, so that generation after generation is able to do this work effectively.

This sustainable and eco-friendly tradition has been recognized internationally. In fact, as of last year, the Living Roots Bridges or the Jingkieng Jris has been included in the UNESCO’s tentative list for World Heritage Site status.

I was lucky enough to see such a bridge and walk across it. It was an amazing experience. The one I visited was very accessible to tourists. But some other intrepid members of our group went to see a double-storey one, which involved six hours of trekking. And came back exhausted and with aches and pains in every joint. But they said that every pain, ache and stiff joint was worth it, and given half a chance, they would do it again!

So take the soft route or the hard, but if you can possibly see a Living Root Bridge, it will be a memorable experience.

–Meena