Month: January 2025

Continuing Celebrations: Chinese Spring Festival

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As most are surfacing after celebrations that ushered in a new calendar year 2025, it is continuing celebrations for a large population to welcome another new year. This is the Chinese New Year which begins on 29 January this year. This follows the lunar calendar which is based on the 28-day cycle of the moon. The New Year is calculated according to the second new moon after the winter solstice, and this year it fell on 29 January. The New Year day is, in fact, the start of a fifteen-day  celebration which is known as the Spring Festival in China. The festival traditionally begins on the first day of the first lunar month in the Chinese calendar and ends on the 15th day. Each day has a special significance and is marked with its set of traditional rituals, lore, and celebration which involve the whole families.

New Year shopping in a traditional Chinese market

For some families, the preparations for the longer festival begin even earlier, on the eighth day of the 12th month of the lunar calendar, with a festival called Laba. The name is derived from the Chinese words for the 12th month (La) and 8 (Ba). Traditionally the festival also marked the start of the agricultural calendar. On this day prayers are offered to ancestors and gods for fortune and a good harvest. Laba congee, a porridge containing different types of rice, beans, dried nuts, bean curd and meat is eaten.

This marks the beginning of the preparations for the lunar New Year which include cleaning the house by “sweeping away the dust”, shopping for food, new clothes, buying fireworks, preparing gifts and decorations, and prayers to the stove god.

The decorations include red lanterns, paper cuttings, and red spring couplets. The couplets are complementary poetic lines which adhere to certain rules. The spring couplets are written in black ink on red paper, one half affixed vertically on each side of a door, and usually express best wishes for the coming year. Putting up those decorations is thought to keep evil away, and a prayer for blessing, longevity, health, and peace.

Finally it is New Year’s Eve. This is considered as, if not more important than, New Year’s day. The highlight is the family reunion dinner which includes several generations, many who travel long distances to be together for this family gathering. Before they eat, the family makes offerings including food, wine, joss sticks and joss paper to their ancestors.

The dinner menu includes dishes which have symbolic meaning including whole fish, dumplings, sticky rice cake, and spring rolls. After dinner, parents usually give their children money in red envelopes. This is believed to bring good luck, and carry wishes for health, growth, and good studies in the coming year. The family stays up until midnight to usher in the New Year, a tradition called shousui (to keep watch over the year). The start of the New Year is announced with firecrackers and fireworks. It is believed that the louder the firecrackers, the better and luckier it will be for business and farming in the coming year.

Then it is officially the New Year, which marks the start of the 15-day Spring Festival. Each day has its own significance and associated traditions; some customs may vary between regions and groups.

Day 1: People put on new clothes and wish each other with the greeting ”gongxi” meaning “respectful joy.” It is a day of visits. The oldest and most senior members are visited, as well as other relatives and friends. Guests are welcomed with tea and sweet treats, such as sugared fruits which are supposed to sweeten one’s upcoming year. Sweets and fruits are served on a round or octagonal tray – the form resembling togetherness.  Most likely the amount of sweets will be arranged in eight units, as the number eight symbolises luck. The visitor also carries a small gift for the hosts–usually oranges, tangerines, or mandarins, as the fruit symbolises gold, hence wealth and good fortune.

In some traditions it is believed that abstaining from meat on this day will enhance longevity. A traditional Buddhist vegetarian dish is prepared using eighteen different ingredients, each of which has a symbolic meaning. Eighteen is believed to be a lucky number signifying wealth and prosperity.  There are also temple fairs and activities in parks such as Lion dances and Dragon dances, which are enjoyed by families.

Day 2: This is the day when married women visit their parents, accompanied by their husbands, with gifts and red envelopes for the family.

On this day, people offer sacrifices to the God of Wealth, wishing for a luckier and more prosperous year. People say that after being offered sacrifices, the God of Wealth, leaves for heaven on this day.

Day 3: This is not considered as an auspicious day as it is believed that evil spirits roam around. People avoid visiting friends and relatives and stay at home. Traditionally the house is not swept on the first two days of the New Year so as not to sweep away the good luck accrued by the litter of firecrackers, red paper, wrappers, and other evidence of celebration on the floor. This is the day when the house is swept after New Year’s Eve. There is also a legend that this is the day when rats get married, so people leave some rice in the kitchen as gifts, and sleep early so as not to disturb rats. In return the rats would not disturb the family for the whole year.

Day 4, 5 and 6: People resume visits to friends, relatives and temples. Different regions of China have some variations in the traditions associated with these days. The fourth day is one to honour the God of the Kitchen with the prayer to continue watching over the kitchen. Day five honours the God of Wealth for good fortune. People usually stay at home in case they are visited by the God on this day. It is also the day to light firecrackers to drive away the five bad lucks: of intelligence, learning ability, literacy, life, and relationships.

Day 7: According to a legend, Nuwa the goddess created the world. It is believed that she spent the first six days creating animals. Each day of the festival is also believed to be the birthday of the different animals that she is believed to have created in sequence. On the seventh day she created humans. Thus this is the birthday of humans. The day is celebrated with certain foods. The ingredients of the dishes are healthy and have a symbolic meaning.

Day 8: People normally return to work on the eighth day. As eight is the luckiest number in China, most businesses like to reopen on day 8 of the New Year.

Day 9:  This is the birthday of Jade Emperor, said to be the God of all Heavens. People go to ponds and rivers to pray to the gods with offerings of fragrant flower candles.

Day 10: God of Stone’s birthday and also the birthday of Earth Mother celebrated with sweet pastries.

Day 11: A day for fathers to treat their sons-in-law

Day 12, 13 14: These are quieter days, marking a respite from feasting on rich food, but preparing for the first full moon of the year which marks the Lantern festival.

15th day: Lantern festival or the “first night of the full moon” sees lanterns being put and lit everywhere. People often post riddles on the lanterns. Dumplings, with sweet fillings, resembling the shape of the full moon are traditionally eaten on this day. There is usually another family dinner that marks the close of the two-week celebrations, and the official start of the New Year.

According to the Chinese calendar this is the Year of the Snake and much is being written about it. May the spirit of celebrations that mark this day, continue to brighten every day of the year ahead.

–Mamata

Updating Anthems

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In this week of Republic Day, the tune of our national anthem and other patriotic songs are all around us. Without them, the mood cannot be built. Singing the national anthem together with neighbours, community, colleagues, fellow-students—there is nothing more symbolic of our oneness.

Anthems in general are rallying cries, rousing or uplifting songs identified with a country, section, cause etc. A national anthem is a solemn patriotic song officially adopted by a country as an expression of national identity.

These songs are our identity. But just as in so much else, should they change as contexts and realities change?

Well, five countries have taken the bold step of changing their anthems in recent years.

Australia: On Jan 1, 2021, Australia’s national anthem, “Advance Australia Fair,” underwent a significant change. The phrase “For we are young and free” in the second line was changed to “For we are one and free.”  This is an effort to respect the Aboriginal and Torres Strait Islander peoples, recognizing that Australia’s history precedes European settlers tens of thousands of years. It is a symbol of Australia’s commitment to unity and reconciliation with Indigenous population.

Austria: Austria’s national anthem is “Land der Berge, Land am Strome” (Land of Mountains, Land by the River). The language was reviewed and modified to promote gender inclusivity in 2021 . The original lyrics which referred to “great sons,” was changed to “great daughters and sons.”

Canada: In 2018, Canada made a significant and widely-welcomed change to its national anthem “O Canada” in 2018. The line “in all thy sons command” was changed to “in all of us command.” was changed to “in all of us command”, again an effort for gender-inclusivity.  

South Africa: Like the nation itself, South Africa’s national anthem is unique. It combines lines from several different languages and songs, including the hymn “Nkosi Sikelel’ iAfrika” and the former anthem “Die Stem van Suid-Afrika.” In recent times, small changes have been made to the anthem with the purpose to ensure proper pronunciation and inclusion of all languages and honour the linguistic heritage of all its people.

New Zealand: In 1977, the Government announced that New Zealand would have two national anthems — the traditional anthem ‘God Save The Queen’ and the poem ‘God Defend New Zealand’. Since then, both the anthems have had equal status. Following the accession of King Charles III to the throne in 2022, the words of the first anthem changed to ‘God Save the King’.

The latest change in a national anthem is not for a change of words but of the tune. In January 2025, Saudi Arabia has asked Hans Zimmer (Oscar-winning composer of the Lion King, Dune etc.) to create a new version of its national anthem, Aash Al Malik (Long live the King)!

Our anthem Jana Gana Mana (‘[Ruler of] the minds of the people’) was  composed as “Bharato Bhagya Bidhata” in Bengali by  Rabindranath Tagore on 11 December 1911. The first stanza of the song  was adopted by the Constituent Assembly of India as the National Anthem on 24 January 1950, the same day as the Indian Constitution was signed. (Mamata has dwelt on this at length in post last week).

There have been a few proposals to change/add/delete words and phrases. For instance, to add the name ‘Kamrup’ to make the anthem inclusive of the Northeast; or remove the name ‘Sind’ because it is no longer in India. The word “Adhinayak” has also been controversial,  because it was used to praise King George V in 1911. In 2019, there was a bill moved in the Rajya Sabha, to modify the third line to ‘Punjab Sindh Uttarpurv Gujarat Maratha’, to bring in the Northeast. However,  the Supreme Court has struck down all of these.

While tampering with sacred traditions is always fraught, there does seem to be sense in these suggestions, and maybe we need a debate on this. After all, the essence of democracy is debate, and this seems a worthwhile one!

Happy Republic Day!

–Meena

Thanks: http://www.vanguardngr.com

Hymn to the Republic

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This week the Indian nation will stand proudly as we salute our national flag and celebrate the 76th Republic Day, and the air reverberates with the chorus of Jana Gana Mana. This is the refrain of the national anthem that unites every citizen of the country.

English translation of the stanzas in Tagore’s own handwriting. Source:https://commons.wikimedia.org/

From the time children are in school, the anthem, played and sung on important national days, becomes deeply engrained, often learned by sheer repetition, without really going into what the words mean, and how they came to be conferred the status of a national anthem.

While Jana Gana Mana was declared as the National Anthem of free India on 24 January 1950, its history goes way back. The hymn was originally composed in Bengali, by Rabindranath Tagore, India’s first Nobel laureate, on 11 December 1911. Titled Bharoto Bhagyo Bidhata, it consisted of five stanzas. It was first published in a journal called Tatwabodhini Patrika in 1912 under the title Bharat Bidhata. However, it was first sung on Day 2 of the annual session of the Indian National Congress on 27 December 1911, by Saraladevi Chowdhrani along with a group of school students.

The fact that the date of the composition of the hymn coincided with the eve of the coronation of King George V led to rumours that the song was written to honour the British king. This was mainly due to misreporting in the press that confused this song with another song in Hindi Badshah Hamara, which was sung on the same occasion and, in fact, was in praise of the monarch. 

Years later, Tagore himself clarified in a letter dated 10 November 1937, that this was never the case; the song was a tribute to the greatness of India. In his own words (originally in Bengali): A certain high official in His Majesty’s service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart.

In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagyo Bidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India’s chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George.

For the next few years the song continued to be sung on different occasions, but with many regional variations. It still did not have a uniform tune. In February 1919, while on a tour of South India, Tagore took a break to rest at the Theosophical College in Madanapalle, in Andhra Pradesh. Started by Dr Annie Besant, the college was headed by educationist and poet James Cousins. James and his wife, Margaret Cousins who was Vice Principal, used to have informal singing sessions with the college community, every Wednesday night. Tagore also joined the session and asked if he could sing one of his poems in Bengali. This was the first time Tagore himself sang his poem. Margaret Cousins was enthralled, especially with the refrain, Jaya hai, Jaya hai, Jaya hai, Jaya Jaya Jaya Jaya hai. She requested Tagore for an English translation, which Tagore did, on the same day, 2 February 1919, while still at the college. He titled it The Morning Song of India. The translated version of the first stanza read: “Thou art the ruler of the minds of all people, dispenser of India’s destiny. Thy name rouses the hearts of the Punjab, Sindh, Gujarat and Maratha, of the Dravida, Orissa and Bengal. It echoes in the hills of the Vindhyas and Himalayas, mingles in the music of the Yamuna and Ganges and is chanted by the waves of the Indian Ocean. They pray for thy blessings and sing thy praise. The saving of all people waits in thy hand, thou dispenser of India’s destiny. Victory, Victory, Victory to thee.’

Margaret Cousins was very taken by the words. Herself a trained musician, she set down the musical notations, and rendered the song with musical instruments, sung by the students. Tagore appreciated the melody, and the efforts in composing it. The college adopted the English version as their prayer song which is sung even today. And from then on, the musical form of the Bengali song also became the tune that we are familiar with today.

While India was still in the struggle for Independence from British rule, Netaji Subhashchandra Bose, who was in Germany, at the founding meeting of the German-Indian Society selected Jana Gana Mana to be played as the national anthem of independent India. It was performed (not sung) by the Hamburg Radio Symphony Orchestra on 11 September 1942.

On the midnight of August 14, 1947, India the Indian Constituent Assembly assembled for the first time as a sovereign body. The session ended with a performance of Jana Gana Mana. The members of the Indian Delegation to the General Assembly of the United Nations held at New York in 1947 gave a recording of Jana Gana Mana as the country’s national anthem. The song was played by the house orchestra in front of a gathering consisting of representatives from all over the world.

The first stanza of Jana Gana Mana was officially adopted as India’s National Anthem by the Constituent Assembly of India on January 24, 1950. The formal rendition of the anthem takes approximately 52 seconds to complete.

There is a protocol to be followed in the performance of the anthem as laid down by the Government of India which includes instructions on the correct versions of the anthem; the occasions on which it can be sung or played; the need for paying respect to the anthem by observing proper decorum on such occasion. It is mandated by the Supreme Court of India that all must stand up with properrespect when the National Anthem is being rendered. 

This Republic Day, as we stand and honour the anthem, let us also bow in respect to the rich history that has enabled us to stand as proud citizens of a proud nation today.

–Mamata

Hussain-Doshi Gufa

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I was recently on a nostalgia trip to Ahmedabad, visiting/re-visiting haunts of yore. One of these was Ambadvad ni Gufa (Hussain-Doshi Gufa for old-timers like me). This is an underground art gallery where both the structure and ‘contents’ are works of art

Born of a collaboration between the renowned architect Balkrishna Doshi and MF Hussain, it exhibits works of MF (Maqbool Fida) Husain, in a unique structure designed by Doshi. It is and unusual juxtaposition of architecture and art—a situation where a work of art contains works of art.

Hussain and Doshi both belonged to and loved Gujarat, and hence the decision to create a permanent structure in Ahmedabad which could showcase both their work.

The underground gufa (cave) has a roof made of multiple interconnected domes which are covered with a mosaic of tiles. As one descends a not-so-obvious staircase, the inside opens up. It has irregular and inclined tree-like columns supporting the domes. The roof and walls are painted by Hussain. Light enters the cave though snouts, creating spots of light on the floor. The lighting is thus very different at different times of the day, and creates a mystique of its own. The cave spans across 1000 square metres.

The inside walls serve as a canvas, on which Hussain painted with bold strokes and in bright colours. There are depictions of human figures and animals, including of course, his iconic horses. The idea was to recreate ancient cave-type paintings in a modern environment. A few metal sculptures of human figures are also placed in the niches between the columns.

However, the largest artwork is on the mosaic outside surface of the gufa. This is a depiction of the Sheshnag (divine serpent), winding across the surface over a length of 100 feet, and is visible at eye-level as one walks past the structure.

The Gufa is considered a milestone in collaborations across disciplines. When Hussain visited Ahmedadab once, he asked Doshi, who was a close friend, to design a permanent art gallery for his works. Doshi said he would design something unique but Hussain would need to rise to his structure in his artwork! The planning was a process of interplay of ideas.

The objective was to develop something contemporary, but based on ancient design ideas, and in sync with the natural environment.

Given Ahmedabad’s high temperatures, it was designed as an underground structure. The white porcelain mosaic tiles covering the outside reflect sunlight and reducing the heat reaching the inside of the structure. The Buddhist caves of Ajanta and Ellora inspired Doshi to design the interior in the form of circles and ellipses. The domes are inspired by tortoise shells (kurma avatar) . The mosaic tiles on the roof are similar to those on the roofs of Jain temples at Girnar. Hussain’s wall paintings are inspired by Palaeolithic cave art, and serpent by the Seshnag of Hindu mythology.  The interior columns resemble columns at Stonehenge.

The Gufa has been attacked and vandalized several times—ironic for something designed as a syncretic work. In the very first attack on October 11, 1996, Bajrang Dal activists damaged 23 tapestry items and 28 paintings which were on display. The excuse for the attack was Hussain’s depiction of Hindu goddesses.

What is nice today is that there is a lively café around it, and young people throng the place. The Gufa is a part of a cherished hangout. They look on to the mosaic domes and the Sheshnag as they munch on their snacks and sip on their iced tea. And hopefully, through the process, imbibe an appreciation of the art so close to them, and moved to cherish both the art and the spirit behind the work.

–Meena

 

Avian Ambassadors: National Birds

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A news item that President Joe Biden had signed a bill on Christmas Eve 2024 that designated the bald eagle as the national bird of the USA was confusing, to say the least. One had always assumed that this had always been so, given that it was seen on all official US documents, and indeed even the US passport. It turns out that while the bald eagle has been the national symbol since it appeared on a copper cent in 1776, and has been appearing on the Great Seal of the US since 1782, the bird had never been legally recognized as the national bird till 24 December 2024.

Behind this lies an old story. On 4 July 1776, the Declaration of Independence was signed whereby the 13 American colonies severed their political connections to Great Britain. Following this it was decided that the new nation should have an official seal. It took three committees and six years before the seal was finalized on20 June 1782. The seal denoted a bald eagle grasping an olive branch and arrows in its talons. The significance of this is explained thus: ”The olive branch and the arrows held in the eagle’s talons denote the power of peace and war. The eagle always casts its gaze toward the olive branch signifying that our nation desires to pursue peace, but stands ready to defend itself”.

The bald eagle lives only in North America and to the people of the newly-born republic this bird was a symbol of courage, strength and freedom. It soon became a cultural and political symbol appearing on official documents, US currency, military insignia, and popular merchandise. Thus the bird remained a national emblem in the US for nearly 250 years, but it had not been officially designated to be the national bird until Congress passed the bill.

Many countries have a national bird. These are usually representative, in one way or another, of the country that they are the designated symbol of. The designation is done in different ways. The approaches range from the official, semi-official or unofficial, ranging from government decrees to popular vote. The choice is usually from among birds that have a high recognition factor.

Some countries in Central and South America have selected flamboyant birds as their national symbols, while some have selected bird species that are unique to their country. Among these are Gautemala’s Resplendent Quetzal and Papua New Guinea’s Raggiana Bird-of-paradise, which are spectacularly colourful. A beautifully matched choice is that of the Cuban Trogon or Tocororo whose colours exactly match the colours of Cuba’s flag. These birds cannot survive in captivity, and thus symbolizes the people’s love of freedom.

Some countries have selected threatened species in the hope to promote their conservation measures, like Bermuda’s Cahow or Bermuda Petrel (endangered) and Cambodia’s Giant Ibis (critically endangered). While Dodo is the unofficial mascot of Mauritius, seen as a symbol everywhere, it is sadly extinct. Thus the country has officially adopted the Mauritius Kestrel as its national bird. This is a rare bird of prey, endemic to the island and its recovery from near extinction (only four known individuals in the wild in 1974) to over 350 kestrels today, is a successful conservation story.  

Some Arab states have also designated other species of falcons as national birds. These birds represent grace, elegance, ability and alertness, and are considered a symbol of bravery. A variety of eagles have been a favoured choice of several countries for these very attributes. These include golden eagle (national bird of Albania, Mexico, Kazakhstan, Scotland, Serbia, and Germany), African fish eagle (Namibia, Zambia, Zimbabwe), harpy eagle (Panama), Javan hawk-eagle (Indonesia), Philippine eagle (Philippines), and the white-tailed eagle (Poland).

The raptor with the largest wing span in the world, the Andean condor of South America has been designated the national bird by several countries in that continent for its different qualities–Bolivia (for boundary-less pursuit), Chile (for strength), Colombia (for liberty and order), and Ecuador (for power, grandeur, and valour).

Whereas Japan could have adopted the Red-crowned crane as its national bird because of its scientific name Grus japonensis, it has chosen the kiji or Green pheasant. This bird is said to be particularly sensitive to earthquakes, to which Japan is prone. It is also features in many literary works.

Curiously, Grus japonensis was selected to be the national bird of China through an internet survey which was launched by the Chinese Wildlife Animals Protection Association and about 20 news organizations in 2004. The Red-crowned crane was the choice of about 1.3 million Chinese netizens to be the national bird.

Britain was pretty late in the naming of its national bird. In 2015 there was an online poll of over 200,000 people in Britain to vote for a national bird in response to a campaign started by ornithologist David Lindo. From an original list of 60 birds, online voters arrived at a shortlist of 10 birds. The Robin won first place with 34% of the vote, followed by the barn owl and blackbird.  

Another popular vote led to the change in Denmark’s national bird. Till 1984, the Skylark was the national bird, but a poll held by a TV show indicated that the more popular choice was the mute swan. The mute swan’s Danish name (Knopsvanen, literally meaning ‘the knob swan’) refers to the black knob it has over its orange beak. This selection was not based on natural history criteria but rather the association of the bird with Hans Christian Anderson’s famous fairy tale about the ugly duckling that grew into a swan.

Thus there are many reasons and many avenues that make a national bird. Closer to home, there is an interesting tale. In the 1960s the Government of India was encouraged by international bird conservation organisations to select a national bird. It was suggested that this could be a bird species that was in immediate need of protection, and thus attention. The most obvious choice at the time was the Great Indian Bustard that was already endangered then, with less than 1300 individuals in the wild. The famous ornithologist Salim Ali emphasised that this spectacular bird required “an urgent, nation-wide effort” to save it from its impending doom. As the story goes, in this respect, the Bustard was a logical choice. But there was a concern that its name could easily be misspelt or mispronounced, leading to much embarrassment! Whether this is just jest or a fact, it was the peacock which made the title in 1963, not because of its conservation status, but because of its cultural significance, religious and legendary associations, beauty, and widespread distribution in the country. 

–Mamata

High in the Sky, Celebrating the Sun

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Today is Makar Sankaranthi. It marks the day the Sun starts moving from the South to the North, and coincides with its transition from the zodiac of Sagittarius (dhanu) to Capricorn (makara). Dedicated to the Sun, the day is observed across India in many different ways, but all signifying thanks-giving and a new beginning.

Kite-flying marks the day, especially in Gujarat. The sky is full of colour, with myriad shapes and sizes of kites, and fierce battles to bring down opponents’ kites.

Since media is full of reports of kites, kite-festivals and other sundry related topics, I thought I would mark Sankaranthi by writing about another flying object which is used to denote joy and celebration—balloons!

Definitionally, a balloon is a flexible membrane bag. It is inflated using a gas. At the most basic level, it is about filling it with as much air as our lung-power allows.  But otherwise, a range of gases is used– helium, hydrogen, nitrous oxide, oxygen etc. Balloons can also be filled with smoke, liquid water, small solids like sand, flour or rice.

Though in everyday life, we go out to buy balloons for birthdays, parties and events, the rubber balloon was invented for scientific experiments by the great scientist Michael Faraday in 1824. He came out with these for use in the lab for experiments with various gases.

Even today, apart from their use in fun and games and as decoration, more serious uses include meteorology, medical treatment, military defence, or transportation. The fact that a balloon is low cost and has a low density, makes it useful in several situations.

The use of balloons for decoration has extended into balloon modelling or balloon twisting where special balloons are twisted into various shapes, often animals, by artists called twisters, balloon benders or balloon artists. 

Balloon or Inflatable Art museums and exhibitions too dot the world. Artists who work with this medium are fascinated with the concept of how the air element can fill various shapes. They translate this fascination into installations, inflatable sculptures, interactive and digital artworks.

Prime among these is Balloon Museum– a curatorial team that designs contemporary art exhibitions with specific works in which ‘air’ is a distinctive element. Their ‘The Pop Air Tour’, with the tagline ‘Art is Inflatable’ has been travelling across Europe. It has several immersive exhibits: ‘A Quiet Strom’ in which infinite white spheres fall to the ground, as tiny soap bubbles caress the audience. ‘Aria’, a ‘digital interpretation of inflatable art in which the visitor finds himself enveloped, in a tight space, surrounded by a multitude of balloons lost in the sky, involving visitors in the journey through the metaphysical experience of suspension. This exhibit like many others has immersive sound design ‘intended to bring back in sound the sensations created around the visitors with the same intensity and depth of a breath taken miles high with the unique intention of experiencing a space without limits.’ Apart from these serious exhibits, there are also fun ones like  the independent inflatable maze, and The Goof — an entourage of inflatable Monsters that are taking over the world, but how they got here and what their motives are is unknown! 

The US has its share of Balloon Museums, including the Anderson Abruzzo International Balloon Museum Foundation with a ‘mission to uplift’!

So this Sankaranthi, let us be uplifted along with the kites (or balloons), pay homage to the Sun, and wish for a healthy, happy, prosperous year for all!

–Meena

Contested Hedges

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Contested borders are in the news every day. You can’t miss the claims and counter-claims between neighbouring countires—in our case, mainly China.

But it seems that disputes between neighbours on humble garden hedges are as serious. In the UK, disputes between neighbours on this issue have even resulted in deaths, with one Mr. Wilson of Lincolnshire, dying from gunshot wounds sustained during an argument over hedges, and a Mr. Reid dying of a heart attack after a heated dispute with his neighbour on the same subject. While not so drastic, many people have been levied stiff fines on the charge of trespass for cutting their neighbours’ encroaching hedges. In all, there were 1,00,000 hedge disputes in the UK prior in 2003.

Why do these disputes arise? A major reason is that the hedge blocks too much light to a neighbour’s house or garden; or that the hedge blocks a view. Or a neighbor’s overgrown hedge may encroach on your property. Also, branches or roots may cross into your property from a neighbor’s property or a public road.

This serious situation led to the passing of laws to manage the situation. In 2003, UK passed laws to manage disputes related to hedges. The UK Law essentially is about ‘high hedges’ defined as those over 2 meters in height. Transgressions of hedge-related law come under the definition of Anti-Social Behavior, since 2003!

The situation is understandable, given the extent of hedges in the UK. Laser scanning has shown that the UK has 390,000 km of hedges and hedgerows (1-6 metres tall) on field boundaries– enough to go round the world almost 10 times.

A step back. What is a hedge? A hedge is a line of shrubs (and occasionally trees), planted closely (3 feet or closer) which form a barrier or mark the boundary of an area, such as between neighbouring properties. Hedgerows on the other hand are hedges used to separate a road from adjoining fields, or one field from another, and which may incorporate larger trees. Apart from demarcating boundaries, hedges and hedgerows may serve as windbreaks to improve conditions for crops, as. A hedge is also called a “live fence”.

Under the UK Law, these disputes don’t go to court. Neighbours are encouraged to reach negotiated settlements. If this does not work, a written complaint may be given to the local Council, which will look into both sides of the argument and give a decision. Either the Council will reject the complaint, or they will give an order to cut the hedge to the mandated height. The cutting has to be done keeping in mind The Wildlife and Countryside Act 1981 which makes it an offence to destroy any bird’s nest that is either in use or being built!

Few other countries have such elaborate laws on the subject. However, some local authorities in the US do regulate the height or placement of hedges. For example, a resident of Palo Alto was arrested for allowing her xylosma hedge to grow too tall.

So go ahead. Do grow your Photinia, Duranta, Golden Cypress, Nerium, Hibiscus, Copper Leaf, Ixora, Tecoma, Vilayati Mehendi or whatever else takes your fancy. But make sure they don’t inconvenience your neighbours and get your behaviour labelled as anti-social—at least under the UK laws!

If everyone could plant hedges and learn to maintain them with discipline, maybe we will also learn to manage other boundary disputes without resorting to violence.  It could make for a world where boundary disputes become a thing of the past!

–Meena

Welcoming the New Year

~ millennialmatriarchs ~ Leave a comment

Happy New Year! This is the day when many will be recovering from the feasting and celebrating that saw out the old year and ushered in the new. In some parts of the globe it may still be the time that family and friends gather for a New Year dinner. This is also the week when many New Year resolutions are made! Many of these, nowadays, relate to the intentions of going on a diet which eschews certain foods, or one that limits to certain foods. Instead, why not begin the year with some mouth-watering traditions of feasting rather than fasting!

While the entire world collectively celebrates the transition from the old to the new, different cultures and different countries have their own traditions that mark this passage. Food is an important component of these celebrations. Here is look at this interesting smorgasbord of dishes that define the festivities.

In Spain the old year is ushered out with a tradition called Las Doce Uvas de la Suerte or The Twelve Grapes of Luck. As the clock strikes at midnight people mark each chime by eating a single grape. The twelve grapes thus eaten symbolize good luck for each month of the coming year. The tradition dates back to 1909 when there was a surplus harvest of grapes in Spain and people were encouraged to eat extra grapes for luck. The tradition continues to this day; people gather in public squares with bunches of grapes and eat twelve at midnight for good luck through the year.    

Mexico also has a similar twelve grapes tradition where a grape is eaten at each stroke of midnight with a wish for the coming twelve months. New Year’s Day lunch is a family celebration with traditional tamales (corn dough filled with meat, cheese or beans) wrapped in corn husks or banana leaves and steamed. The tamales are prepared at family tamaladas (tamale making parties) where the members get together to wrap the tamales. The sweet touch is added by Rosca de Reyes, a ring-shaped bread garnished with candied fruits.

In Japan, New Year’s eve known as Oshogatsu is marked by eating a dish called Toshikoshi Soba, made of buckwheat noodles. These year-end noodles are extra-long, and it is believed that slurping these down without breaking or chewing them will bring longevity to the consumer. Families come together to slurp on the long noodles; it is a ritual that also symbolizes the act of letting go of the hardships of the year gone by, and a positive approach to welcome new opportunities. A New Year’s Day tradition is the exchange of beautiful bento boxes with an assortment of delicacies, each with its special meaning, called Osechi-Ryori, as wishes for health and prosperity in the year ahead.

In South Korea families come together for a meal that includes a soup made with thinly sliced rice cakes. The soup called Tteokguk is believed to symbolize growing a year older, as well as grant good fortune.

Italians feast on lentils and Cotechino (spiced pork sausage) both of which are symbolic. In the past Romans would give a leather bag of legumes to their loved ones with the wish that each lentil would translate to a gold coin in the New Year. Even today, the lentils symbolize wealth and prosperity, and the sausage represents the richness of life. The combination of flavours, and the symbolism makes this a special family meal that ushers in the New Year.

In Greece a special cake called Vasipolita is baked with a coin hidden inside. The cake is shared by family and friends and the one whose slice contains the coin is believed to be lucky, and considered blessed throughout the year. Onions are also a part of the traditional culinary tradition. Greeks believe that the onion’s many layers represent shedding the old to reveal the fresh start of a new year. They also found that even when onions were left alone that they would sprout, which they believed was a sign of rebirth, growth and fertility. Thus the tradition of hanging a bag of onions on the front door.

A similar tradition in Armenia is to bake a large, sweet flat loaf known as tarehats, darin or gata in which is put a single coin or walnut which is baked in the bread. The family member who finds this in their slice is expected to have the best luck that year.

Denmark, Germany and Austria have a tradition of exchanging edible marzipan pigs (made of almond paste and sugar) as tokens of good luck and prosperity in the coming year. Each pig is artfully crafted and it is believed that the more detailed the crafting, the greater the fortune it brings. Once again symbolizing a positive exchange of wishes and goodwill.

In the Netherlands people enjoy oliebollen. Literally meaning ‘oil balls’ these are meant to line the stomach with oil as a shield against the sword attack of a mythical evil goddess. In fact, these are a kind of delicious doughnuts.

In Poland, a popular New Year’s tradition is eating pierogi, a type of dumpling filled with a variety of ingredients like meat, cabbage, mushrooms, or even sweet fillings like fruit. The dish reflects Poland’s rich agricultural traditions and the importance of a good harvest for a successful year. Pierogi are seen as a symbol of good luck, health, and prosperity. In some families, a coin is hidden inside one of the dumplings, and the person who finds it is thought to have a particularly lucky year.

A tradition in Turkey is for people to smash pomegranates in the doorways of their homes. It is believed that that number of seeds that fly out of the fruit indicate how much good fortune will come in the year ahead.

Greece has a similar tradition invoking pomegranates which are believed to be a sign of luck, prosperity and fertility. During the Xmas week households hang pomegranates from their door. On New Year’s Eve all the lights are shut and everyone leaves the house. One member is sent to re-enter the house putting the right foot in first, so that the family gets good fortune all year. This custom is called Podariko which roughly translates to ‘good foot’. Then a second family member takes the pomegranate in their right hand and smashes it against the front door; the greater the number of seeds that spill out, the greater the luck that the New Year will bring.

The Scots have a similar Foot First custom. The first person to enter a household after midnight (the First Footer) brings gifts including traditional ones like shortbread, a rich fruitcake, and whiskey that symbolize abundance and good fortune. The First Footing tradition as it is called blends hospitality with culinary tradition.

In Ireland, bread is an important new year’s food. Buttered bread symbolizes abundance and the absence of hunger. New Year’s Day is known as the Day of Buttered Bread. Another tradition is to wait till the bread from the Xmas week gets stale and hard and the bang it on the walls of the house on New Year’s Day to get rid of bad luck and evil spirits. Perhaps the most significant tradition is setting an additional plate at the dinner table for any loved ones lost in the previous year. 

All these traditions are marked by a sense of common sharing, a feeling of togetherness, and thanksgiving. The dishes, with the combination of sweet and savoury, are a reminder that life has its share of flavours, and that these are best enjoyed with the love and support of family and friends. May the year ahead give us all many opportunities for this.

Wishing for a year of Hope, Peace and Joy.

–Mamata